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1

California, Oakland Museum of, ed. Pixar: 25 years of animation. San Francisco: Chronicle Books, 2010.

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2

Aubron, Hervé. Génie de Pixar. [Paris]: Capricci, 2011.

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3

Génie de Pixar. [Paris]: Capricci, 2011.

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4

Price, David A. The Pixar Touch. New York: Knopf Doubleday Publishing Group, 2008.

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5

Rösing, Lilian Munk. Pixar with Lacan: The hysteric's guide to animation. New York: Bloomsbury Academic, 2015.

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6

Italy) Padiglione d'arte contemporanea (Milan. Pixar: 25 anni di animazione. [Milan, Italy]: 24 ore cultura, 2011.

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7

Steven, Higgins, Magliozzi Ronald S. 1949-, Museum of Modern Art (New York, N.Y.), and Pixar (Firm), eds. Pixar at the Museum of Modern Art. San Francisco: Chronicle Books, 2005.

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8

Gilbert, Sara. The story of Pixar. Mankato, Minnesota: Creative Education, 2015.

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9

Pixar: 25 years of animation : Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, 6. Juli 2012 bis 6. Januar 2013. Bonn: Bundeskunsthalle, 2012.

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10

Pixar: The Company and Its Founders. Edina, Minnesota: ABDO Publishing Company, 2011.

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11

Price, David A., and David A. Price. The Pixar touch: The making of a company. New York: Alfred A. Knopf, 2008.

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12

Amidi, Amid. The art of Pixar: The complete color scripts and select art from 25 years of animation. San Francisco: Chronicle Books, 2011.

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13

Amidi, Amid. The art of Pixar short films. San Francisco: Chronicle Books, 2009.

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14

Grandi, Pietro. Pixar story: Passione per il futuro tra arte e tecnologia. Milano: U. Hoepli, 2014.

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15

Amidi, Amid. The art of Pixar: The complete color scripts and select art from 25 years of animation. San Francisco: Chronicle Books, 2011.

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16

1943-, Wallis Suzanne Fitzgerald, ed. The art of Cars. San Francisco: Chronicle Books, 2005.

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17

Booker, M. Keith. Disney, Pixar, and the hidden messages of children's films. Santa Barbara, Calif: Praeger, 2010.

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18

Booker, M. Keith. Disney, Pixar, and the hidden messages of children's films. Santa Barbara, Calif: Praeger, 2009.

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19

Kurtti, Jeff. A bug's life: A behind-the-scenes look at how a computer-animated film is made. New York: Disney Press, 1998.

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20

Company, Walt Disney, ed. A bug's life: The art and making of an epic of miniature proportions. New York: Hyperion, 1998.

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21

John Lasseter: Pixar animator. Detroit: KidHaven Press, 2009.

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22

Lasseter, John, and Tia Kratter. Color of Pixar. Chronicle Books LLC, 2017.

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23

The Films Of Pixar Animation Studio. Kamera Books, 2013.

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24

Pixar Treasures, The. Disney Editions, 2009.

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25

Reinhart, Matthew. Disney*Pixar: A Pop-Up Celebration. Disney Press, 2017.

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26

Mommy Sayang: Pixar Animation Studios Artist Showcase. Disney Press, 2019.

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27

Henri's Hats: Pixar Animation Studios Artist Showcase. Disney Press, 2018.

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28

Levy, Lawrence. To Pixar and Beyond. Oneworld Publications, 2017.

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29

Zahl, David, and Todd Brewer. Gospel According to Pixar. Lulu Press, Inc., 2010.

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30

pur, chocho. CoCo Coloring Book : (Pixar Fan Animation Book, Pixar S Coco Concept Art Book). Independently Published, 2020.

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31

Rösing, Lilian Munk. Pixar with Lacan: The Hysteric's Guide to Animation. Bloomsbury Academic & Professional, 2015.

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32

Pixar with Lacan: The Hysteric's Guide to Animation. Bloomsbury Publishing Plc, 2017.

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33

Toy Story: How Pixar Reinvented the Animated Feature. Bloomsbury Academic, 2018.

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34

Toy Story: How Pixar Reinvented the Animated Feature. Bloomsbury Publishing, 2019.

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35

Kinder, Bill, and Bobbie OSteen. Making the Cut at Pixar. Taylor & Francis Group, 2022.

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36

Kinder, Bill, and Bobbie OSteen. Making the Cut at Pixar. Taylor & Francis Group, 2022.

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37

(Foreword), Ed Catmull, Steve Jobs (Foreword), John Lasseter (Foreword), and Leslie Iwerks (Collaborator), eds. To Infinity and Beyond!: The Story of Pixar Animation Studios. Chronicle Books, 2007.

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38

Paik, Karen, John Lasseter, and Ed Catmull. To Infinity and Beyond!: The Story of Pixar Animation Studios. Chronicle Books LLC, 2015.

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39

Neupert, Richard. John Lasseter and the Rise of Pixar Style. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040153.003.0001.

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This chapter chronicles the rise of John Lasseter's career and the groundbreaking animated films he directed, revealing ways he and his colleagues at Pixar changed the direction of commercial animation forever. Lasseter is the much-celebrated chief creative officer for Pixar Animation Studios, Walt Disney Animation Studios, and Disneytoon Studios. He is also one of the best known and most successful animators in the world. He has contributed to the revival of character animation and helped propel a return to feature-length animation in Hollywood and beyond. Moreover, Lasseter may have done more to foster thinking, embodied computer-generated characters than anyone else. The chapter details the creation of films such as Toy Story (1995), A Bug's Life (1998), and Cars (2006).
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40

Herhuth, Eric. Pixar and the Aesthetic Imagination: Animation, Storytelling, and Digital Culture. University of California Press, 2017.

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41

Iwerks, Leslie, Paik Iwerks, and Karen M. Paik. To Infinity and Beyond!: The Story of Pixar Animation Studios. Penguin Random House, 2007.

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42

Making the Cut at Pixar: The Art of Editing Animation. Taylor & Francis Group, 2022.

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43

Kinder, Bill, and Bobbie O'Steen. Making the Cut at Pixar: The Art of Editing Animation. Taylor & Francis Group, 2022.

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44

Kinder, Bill, and Bobbie O'Steen. Making the Cut at Pixar: The Art of Editing Animation. Taylor & Francis Group, 2022.

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45

Herhuth, Eric. Pixar and the Aesthetic Imagination: Animation, Storytelling, and Digital Culture. University of California Press, 2017.

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46

The Pixar Touch: The Making of a Company. Knopf, 2008.

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47

The Pixar touch: The making of a company. New York: Vintage Books, 2009.

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48

Goldmark, Daniel. Pixar and the Animated Soundtrack. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.022.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. Of the many ways in which the animation production company Pixar differentiated itself from the classic animated shorts and films produced by Disney, the complete shunning of the Disney musical archetype may be the most pronounced. Pixar replaced the musical numbers and dance sequences with montages and flashbacks, scored with either original music or preexisting songs, furthering Pixar’s near-obsession with nostalgia and resurrection of the distant past. Combining unusually nuanced attention to the soundtrack with a longing for bygone popular culture, the Pixar films show a new stage of development for animated films, taking on the stereotype that Hollywood cartoons are for kids. This chapter explores Pixar’s approach to music and the soundtrack to show how advances in sound design, as well as an evolving approach to film scoring taken by veteran Hollywood composers, have brought a new level of complexity and even respectability to the long-maligned animated feature.
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49

(Firm), Pixar, and Walt Disney Pictures, eds. The art of Disney Pixar Inside Out. Chronicle Books, 2015.

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50

To Pixar and Beyond: My Unlikely Journey with Steve Jobs to Make Entertainment History. Oneworld Publications, 2017.

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