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Relevant bibliographies by topics / Plages au cinéma

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Academic literature on the topic 'Plages au cinéma'

Author: Grafiati

Published: 26 July 2024

Last updated: 28 July 2024

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Books on the topic "Plages au cinéma"

1

Gow, Christopher. From Iran to Hollywood and some places in-between: Reframing post-revolutionary Iranian cinema. I.B. Tauris, 2011.

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2

Tröhler, Margrit, and Guido Kirsten, eds. Christian Metz and the Codes of Cinema. Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789089648921.

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A pioneering figure in film studies, Christian Metz proposed countless new concepts for reflecting on cinema, rooted in his phenomenological structuralism. He also played a key role in establishing film studies as a scholarly discipline, making major contributions to its institutionalisation in universities worldwide. This book brings together a stellar roster of contributors to present a close analysis of Metz's writings, their theoretical and epistemological positions, and their ongoing influence today.

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3

Baer, Hester. German Cinema in the Age of Neoliberalism. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463727334.

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This book presents a new history of German film from 1980-2010, a period that witnessed rapid transformations, including intensified globalization, a restructured world economy, geopolitical realignment, and technological change, all of which have affected cinema in fundamental ways. Rethinking the conventional periodization of German film history, Baer posits 1980-rather than 1989-as a crucial turning point for German cinema's embrace of a new market orientation and move away from the state-sponsored film culture that characterized both DEFA and the New German Cinema. Reading films from East,

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4

Grgic, Ana. Early Cinema, Modernity and Visual Culture. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463728300.

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At the end of the nineteenth century, the Balkans were animated by cultural movements and socio-political turmoil with the onset of the collapse of the empires. Around the same period, the proliferation of print media and the arrival of moving images gradually transformed urban life, and played an important role in the creation of national and regional cultures. Based on archival research that explores previously overlooked footage and early press materials, Early Cinema, Modernity and Visual Culture: The Imaginary of the Balkans is the first study on early cinema in the region from a transnat

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5

Equality Commission for Northern Ireland. Disability Discrimination Act: Your rights when trying to use places like cafes, shops, cinemas, banks, churches, hotels and the doctors. ECNI, 2004.

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6

Spencer-Hall, Alicia. Medieval Saints and Modern Screens. Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789462982277.

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This ground-breaking book brings theoretical perspectives from twenty-first century media, film, and cultural studies to medieval hagiography. Medieval Saints and Modern Screens stakes the claim for a provocative new methodological intervention: consideration of hagiography as media. More precisely, hagiography is most productively understood as cinematic media. Medieval mystical episodes are made intelligible to modern audiences through reference to the filmic - the language, form, and lived experience of cinema. Similarly, reference to the realm of the mystical affords a means to express the

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7

The beach in Anglophone literatures and cultures: Reading littoral space. Ashgate Publishing Limited, 2015.

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8

Beach in Anglophone Literatures and Cultures: Reading Littoral Space. Taylor & Francis Group, 2016.

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9

Beach in Anglophone Literatures and Cultures: Reading Littoral Space. Taylor & Francis Group, 2016.

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10

Luoghi e architetture del cinema in Italia: Cinema houses : places and architectures in Italy. ETS, 2010.

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