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Books on the topic 'Plages au cinéma'

Author: Grafiati

Published: 26 July 2024

Last updated: 28 July 2024

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1

Gow, Christopher. From Iran to Hollywood and some places in-between: Reframing post-revolutionary Iranian cinema. I.B. Tauris, 2011.

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2

Tröhler, Margrit, and Guido Kirsten, eds. Christian Metz and the Codes of Cinema. Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789089648921.

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A pioneering figure in film studies, Christian Metz proposed countless new concepts for reflecting on cinema, rooted in his phenomenological structuralism. He also played a key role in establishing film studies as a scholarly discipline, making major contributions to its institutionalisation in universities worldwide. This book brings together a stellar roster of contributors to present a close analysis of Metz's writings, their theoretical and epistemological positions, and their ongoing influence today.

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3

Baer, Hester. German Cinema in the Age of Neoliberalism. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463727334.

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This book presents a new history of German film from 1980-2010, a period that witnessed rapid transformations, including intensified globalization, a restructured world economy, geopolitical realignment, and technological change, all of which have affected cinema in fundamental ways. Rethinking the conventional periodization of German film history, Baer posits 1980-rather than 1989-as a crucial turning point for German cinema's embrace of a new market orientation and move away from the state-sponsored film culture that characterized both DEFA and the New German Cinema. Reading films from East,

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4

Grgic, Ana. Early Cinema, Modernity and Visual Culture. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463728300.

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At the end of the nineteenth century, the Balkans were animated by cultural movements and socio-political turmoil with the onset of the collapse of the empires. Around the same period, the proliferation of print media and the arrival of moving images gradually transformed urban life, and played an important role in the creation of national and regional cultures. Based on archival research that explores previously overlooked footage and early press materials, Early Cinema, Modernity and Visual Culture: The Imaginary of the Balkans is the first study on early cinema in the region from a transnat

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5

Equality Commission for Northern Ireland. Disability Discrimination Act: Your rights when trying to use places like cafes, shops, cinemas, banks, churches, hotels and the doctors. ECNI, 2004.

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6

Spencer-Hall, Alicia. Medieval Saints and Modern Screens. Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789462982277.

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This ground-breaking book brings theoretical perspectives from twenty-first century media, film, and cultural studies to medieval hagiography. Medieval Saints and Modern Screens stakes the claim for a provocative new methodological intervention: consideration of hagiography as media. More precisely, hagiography is most productively understood as cinematic media. Medieval mystical episodes are made intelligible to modern audiences through reference to the filmic - the language, form, and lived experience of cinema. Similarly, reference to the realm of the mystical affords a means to express the

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7

The beach in Anglophone literatures and cultures: Reading littoral space. Ashgate Publishing Limited, 2015.

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8

Beach in Anglophone Literatures and Cultures: Reading Littoral Space. Taylor & Francis Group, 2016.

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9

Beach in Anglophone Literatures and Cultures: Reading Littoral Space. Taylor & Francis Group, 2016.

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10

Luoghi e architetture del cinema in Italia: Cinema houses : places and architectures in Italy. ETS, 2010.

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11

Rybin, Steven, and Will Scheibel. Lonely Places, Dangerous Ground: Nicholas Ray in American Cinema. State University of New York Press, 2014.

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12

Rybin, Steven, and Will Scheibel. Lonely Places, Dangerous Ground: Nicholas Ray in American Cinema. State University of New York Press, 2015.

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13

Alpert, Robert, Merle Eisenberg, and Lee Mordechai. Diseased Cinema: Plagues, Pandemics and Zombies in American Movies. Edinburgh University Press, 2023.

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14

Lonely places, dangerous ground: Nicholas Ray in American cinema. SUNY Press, 2014.

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15

Alpert, Robert, Merle Eisenberg, and Lee Mordechai. Diseased Cinema: Plagues, Pandemics and Zombies in American Movies. Edinburgh University Press, 2023.

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16

Alpert, Robert, Merle Eisenberg, and Lee Mordechai. Diseased Cinema: Plagues, Pandemics and Zombies in American Movies. Edinburgh University Press, 2023.

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17

Westerstahl Stenport, Anna, and Arne Lunde, eds. Nordic Film Cultures and Cinemas of Elsewhere. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474438056.001.0001.

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Nordic Film Cultures and Cinemas of Elsewhere proposes a new paradigm for Nordic film studies, as well as for other small national, transnational, and world cinema traditions. This book re-imagines Nordic cinemas as international, cosmopolitan, diasporic, and planet-connected from their beginnings in the early silent period on forward to their present 21st-century dynamics more than a century later. By identifying and engaging with a wide range of unknown, repressed, and overlooked stories (e.g., narratives of movement, mobility, interaction, synthesis, resistance, loss, reclamation, humanisti

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18

Marchessault, Janine, and Will Straw, eds. The Oxford Handbook of Canadian Cinema. Oxford University Press, 2019. http://dx.doi.org/10.1093/oxfordhb/9780190229108.001.0001.

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The Oxford Handbook of Canadian Cinema offers an overview of the current state of thinking around Canadian cinema. The volume was conceived to register the variety of voices expressing themselves within Canadian cinema with special attention paid to Indigenous, Quebecois, and diasporic identities. As well, the volume acknowledges that Canadian cinema increasingly finds its place within a broad conception of “screen cultures,” which extend into the divergent realms of small-scale artistic experimentation and large-scale public spectacle. Insofar as these realms have played a vital role in estab

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19

Baschiera, Stefano, and Russ Hunter, eds. Italian Horror Cinema. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9780748693528.001.0001.

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The first book-length academic investigation of Italian horror cinema, from the silent era to the present, this collection brings together for the first time a range of contributions aimed at a new understanding of the genre, investigating the different phases in its history, the peculiarities of the production system, the work of its most representative directors (Mario Bava and Dario Argento) and the wider role it has played within popular culture.

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20

Malik, Sarita, Caroline Chapain, and Roberta Comunian. Community Filmmaking: Diversity, Practices and Places. Taylor & Francis Group, 2017.

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21

Malik, Sarita, Caroline Chapain, and Roberta Comunian. Community Filmmaking: Diversity, Practices and Places. Taylor & Francis Group, 2019.

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22

Community Filmmaking: Diversity, Practices and Places. Taylor & Francis Group, 2017.

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23

Dennison, Stephanie, and Rachel Dwyer, eds. Cinema and Soft Power. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474456272.001.0001.

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The apparent shift in power relations between the developed and developing world, along with the increasing emphasis that national and transnational organisations place on the role of soft power in global foreign policy, has profound implications for global film culture. Focusing primarily on the BRICS countries (Brazil, Russia, India, China and South Africa), this innovative collection examines the diverse and often competing ways the group engages with film as a medium of artistic expression, and as a soft power resource. The contributors explore the wider implications for world cinema of BR

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24

Orban, Clara. Slow Places in Béla Tarr's Films: The Intersection of Geography, Ecology and Slow Cinema. Rowman & Littlefield Publishers, Incorporated, 2021.

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25

Orban, Clara Elizabeth. Slow Places in Béla Tarr's Films: The Intersection of Geography, Ecology, and Slow Cinema. Lexington Books/Fortress Academic, 2023.

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26

From Iran to Hollywood and some places in-between: Reframing post-revolutionary Iranian cinema. I.B. Tauris, 2011.

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27

From Iran to Hollywood and Some Places In-Between: Reframing Post-Revolutionary Iranian Cinema. I. B. Tauris & Company, Limited, 2011.

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28

MacDonald, Scott. The Sublimity of Document. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190052126.001.0001.

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The Sublimity of Document: Cinema as Diorama (Avant-Doc 2) is an international collection of in-depth, substantive interviews with moving-image artists working “avant-doc,” that is, making films that explore the territory between documentary and experimental cinema. The Sublimity of Document follows on MacDonald’s earlier Avant-Doc: Intersections of Documentary and Avant-Garde Cinema (Oxford, 2015), though the focus here is on filmmakers who are committed to document itself, willing to go anywhere on the planet (or within film archives or on the internet) to document what they believe we need

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29

Barker, Thomas. Indonesian Cinema after the New Order. Hong Kong University Press, 2019. http://dx.doi.org/10.5790/hongkong/9789888528073.001.0001.

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In the two decades since the fall of the New Order regime in 1998, Indonesia cinema has become one of the most productive and exciting film industries in Asia. From a position in the 1990s when local films were on the cultural periphery, they are now part of the mainstream with two new films in the cinemas every week. This book traces how the film industry reformed and returned to popularity and conceptualises it as a process of going mainstream. It overturns long held paradigms of national cinema and statism to see the film industry as pop culture in which market mechanisms are determinant. I

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30

Withall, Keith. Studying Early and Silent Cinema. Liverpool University Press, 2014. http://dx.doi.org/10.3828/liverpool/9781906733704.001.0001.

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In this introduction to early and silent cinema, which is currently enjoying a renaissance, both academically and in the popular imagination thanks to The Artist, the author provides both a comprehensive chronology of the period until the birth of sound and also a series of detailed case studies on the key films from the period—some well-known (including Griffith's The Birth of a Nation, Eisenstein's Strike and Chaplin's The Kid), some perhaps less well familiar (including Murnau's The Last Laugh and Oscar Micheaux's Within Our Gates). As well as covering in detail the major film-making figure

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31

Iaccino, James F. Jungian Reflections within the Cinema. Greenwood Publishing Group, Inc., 1998. http://dx.doi.org/10.5040/9798400675218.

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Exploring the relevance of Jungian theory as it applies to science fiction, horror and fantasy films, this text demonstrates the remarkable correlation existing between Jung's major archetypes and recurring themes in various film genres. An introduction acquaints readers with basic Jungian theory archetypes before proceeding to film analysis. A diverse selection of movie and television summaries illustrate the relationship between a particular Jungian image and the examined films. Among the various Jungian patterns studied are the father archetype, the split between persona and shadow, the sea

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32

Collenberg-González, Carrie, and Martin P. Sheehan, eds. Moving Frames: Photographs in German Cinema. Berghahn Books, 2022. http://dx.doi.org/10.3167/9781800733763.

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As the building blocks of moving pictures, photographs have played an integral role in cinema since the dawn of the medium—a relationship that has grown more complexly connected even as the underlying technologies continue to evolve. Moving Frames explores the use of photographs in German films from Expressionism to the Berlin School, addressing the formal and narrative roles that photographs play as well as the cultural and historical contexts out of which these films emerged. Looking beyond and within the canon, the editors gather stimulating new insights into the politics of surveillance, r

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33

Glasby, Matt. Britpop Cinema: From trainspotting to this Is England. Intellect, 2019. http://dx.doi.org/10.1386/1783209879.

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Featuring exclusive interviews with key players such as Simon Pegg, Irvine Welsh, Michael Winterbottom and Edgar Wright, Britpop Cinema combines eyewitness accounts, close analysis and social history to celebrate a golden age for UK film.

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34

Strain, Ellen. Public Places, Private Journeys: Ethnography, Entertainment, and the Tourist Gaze. Rutgers University Press, 2004.

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35

Marrone, Gaetana. The Cinema of Francesco Rosi. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190885632.001.0001.

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Francesco Rosi’s work, which includes an impressive number of individually celebrated films, occupies a unique place in postwar Italian, indeed postwar world, cinema. Over the years, Rosi has offered films that trace an intricate path between the real and the fictive, the factual and the imagined. His films show an extraordinarily consistent formal balance while representing historical events as social emblems that examine, shape, and reflect the national self. They rely on a labyrinthine narrative structure, in which the sense of an enigma replaces the unidirectional path leading ineluctably

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36

Thomson, C. Claire, Isak Thorsen, and Pei-Sze Chow, eds. A History of Danish Cinema. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474461122.001.0001.

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The contribution of Denmark to world cinema has been substantial: not just relative to the size of the population, but by any measure. In the silent period, the pioneering work of the company Nordisk Films Kompagni, and the emergence of early film stars such as Asta Nielsen, secured Denmark a place as a leading film nation. The auteur Carl Theodor Dreyer won global renown during his five-decade career. Documentary and educational filmmaking flourished after the Second World War; the late 1980s brought successive Academy Awards for Best Foreign Film; and Dogme 95 aimed to reinvigorate cinema by

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37

Testa, Carlo. Italian Cinema and Modern European Literatures. Praeger, 2002. http://dx.doi.org/10.5040/9798400673238.

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The history of cinema, and notably that of post-war Italian cinema, can only be understood adequately in the context of other contiguous cultural disciplines. World literature, including that of France, Germany, and Russia, played a key role in the development of post-war Italian film and the cinematic technique it has come to embody. Moving away from the usual modes of defining this period—a trajectory that begins with neorealism and ends with Bertolucci—author Carlo Testa offers proof that coming to terms with literary texts is an essential step toward understanding the motion pictures they

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38

Delveroudi, Eliza Anna. When Iris Skaravaiou Met Iris Barry. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039683.003.0006.

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This chapter examines the emergence and editorial development of film literature in Greece in the 1920s by drawing two pioneer female film critics, Iris Skaravaiou and Iris Barry, into an “imaginary community” between 1920s Athens and London. It investigates the activities and early professional life of Skaravaiou as well as her links with women critics and cinéphiles of the 1910s and 1920s in France and the United Kingdom in order to relate Greek to West European film literature. It explores how Skaravaiou became involved with film journalism and with developing Greek cinema. It shows that Sk

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39

White, John. British Cinema and a Divided Nation. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474481021.001.0001.

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This book examines representations of the nation found within contemporary British cinema against a backdrop of rising political tensions and deepening social divisions following the ‘Brexit’ referendum of 23 June 2016. It offers an exploration of the ways in which the contest of ideologies always at work within media representation have played out post-2016. The focus is on historical and contemporary drama films. Contemporary British Cinema and a Divided Nation analyses a nation’s contested understandings of its past, present and future, probing the various ways recent mainstream films have

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40

Lee, Sangjoon. Cinema and the Cultural Cold War. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501752315.001.0001.

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This book explores the ways in which postwar Asian cinema was shaped by transnational collaborations and competitions between newly independent and colonial states at the height of Cold War politics. The book adopts a simultaneously global and regional approach when analyzing the region's film cultures and industries. New economic conditions in the Asian region and shared postwar experiences among the early cinema entrepreneurs were influenced by Cold War politics, US cultural diplomacy, and intensified cultural flows during the 1950s and 1960s. The book reconstructs Asian film history in ligh

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41

Lewis, Hannah. French Musical Culture and the Coming of Sound Cinema. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190635978.001.0001.

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French Musical Culture and the Coming of Sound Cinema examines film music practices in France during a period of widespread artistic and creative experimentation: the transition from silent to synchronized sound film. While this period in Hollywood has been examined from a range of scholarly perspectives, the transition to sound in France—and the unique interactions between French sound cinema and French musical discourses—remains underexplored. In France, debates about sound cinema were fierce and widespread, and many filmmakers addressed theoretical questions about the potential of the new t

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42

Grafius, Brandon. The Witch. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781800348356.001.0001.

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The book offers an overview of the religious history, generic background, and folklore influences on Robert Eggers’ film The Witch (2015). In addition, it provides close readings of the film and the individual characters which argues for the film as a critique of patriarchal family structures. The religious background of the film’s Puritan context is explored, including a discussion of some of the documents which Eggers used for his screenplay. The film is placed in the context of 21<sup>st</sup> century horror cinema, with an argument for its place in the context of the current wave of folk h

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43

O'Sullivan, Sean. Interview with Mike Leigh. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036385.003.0002.

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This chapter presents a distillation of a series of interviews conducted by the author. Two of these took place in London in July 2004; the third took place in New York City in October 2004. Topics discussed in these interviews include Mike Leigh's views about generations of film movements based in certain countries, such as Italian cinema during and after World War II, or German cinema in the twenties; three clear clusters in British cinema; whether he has ever felt the urge to be more literal about being a northern filmmaker; how he turns improvisations into a story; how the visual, or cinem

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44

Plaul, Marcus, Anna-Rosa Haumann, and Kathleen Kröger, eds. Kino in der DDR. Nomos Verlagsgesellschaft mbH & Co. KG, 2022. http://dx.doi.org/10.5771/9783748912774.

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The contributions in this volume examine cinema in the GDR from an everyday historical perspective, while investigating the role of the cinema for the people of the GDR. They focus on the cinema as a place of leisure and work in the sphere of tension between cinematic entertainment and political instrumentalisation. With contributions by apl. Prof. Dr. Joseph Garncarz, Dr. Ronny Grundig, Anna-Rosa Haumann, Ben Kaden, Kathleen Kröger, Prof. Dr. Christiane Kuller, Merve Lühr, Marcus Plaul, Dr. Luise Poschmann, Prof. Dr. Patrick Rössler, Martin Schlobach, Dr. René Smolarski, Tanja Tröger, Prof. D

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45

Majumdar, Neepa. Gossip, Labor, and Female Stardom in Pre-Independence Indian Cinema. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039683.003.0014.

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This chapter examines Shanta Apte's tactical use of the hunger strike to protest Prabhat Film Company's withholding pay for the days in June that she had not come to work. Beginning on the evening of July 17, 1939, Apte, a singing star, sat and remained on the bench a bench outside Prabhat studios in Pune—dressed in men's clothing—for two nights and one day and drank only salted water. Eventually her doctor and her brother succeeded in persuading her to return home. Apte's hunger strike is one of those small events out of which the vaster network of women's film history is constituted. This ch

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46

Bollig, Ben. Moving Verses. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800859784.001.0001.

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From Wild Tales to Zama, Argentine cinema has produced some of the most visually striking and critically lauded films of the 2000s. Argentina also boasts some of the most exciting contemporary poetry in the Spanish language. What happens when its film and poetry meet on screen? Moving Verses studies the relationship between poetry and cinema in Argentina. Although both the “poetics of cinema” and literary adaptation have become established areas of film scholarship in recent years, the diverse modes of exchange between poetry and cinema have received little critical attention. This book analys

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47

Fay, Jennifer. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190696771.003.0001.

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The Anthropocene is the epoch during which humanity began to replace the earth as something given for a disaster humanity created, an artificial planet and an anthropogenic climate. Cinema is a technology roughly as old as the Anthropocene (by some accounts), and its history demonstrates an attraction to artificial worlds and weather and to a larger culture of environmental design. Siegfried Kracauer’s meditation on the film studio has affinities to Hannah Arendt’s analysis of Sputnik. Both are meditations on artificial worlds and the human desire to produce its own environment and to become s

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48

Gibbons, William. Allusions of Grandeur. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190265250.003.0005.

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This chapter explores how video games can seek to raise their artistic profile by using classical music to allude to cinema history. After describing some of the visual elements that can be incorporated in games to create a cinematic feeling for players, the chapter traces the use of classical compilation scores in games, connecting the practice to early cinema history. It then turns to more specific topics: first, video game versions of the Disney film Fantasia, such as the Atari 2600 title Sorcerer’s Apprentice (1983) and the Sega Genesis platformer Fantasia (1991), followed by the incorpora

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49

Services, Intermap Production. Town & heritage map: Places of interest, restaurants & pubs, parks & gardens, parking, theatres & cinemas, shopping areas, index, in full colour. Intermap Production Services Ltd, 1986.

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50

Services, Intermap Production. Town & heritage map: In full colour, places of interest, restaurants & pubs, parks & gardens, parking, theatres & cinemas, shopping areas, index. Intermap Production Services Ltd, 1986.

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