Relevant bibliographies by topics / Plantes – Expressions imagées

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  1. Journal articles
  2. Dissertations / Theses
  3. Book chapters
  4. Conference papers

Academic literature on the topic 'Plantes – Expressions imagées'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Plantes – Expressions imagées"

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Okamoto, Shinichiro, and Toshiko Kikkawa. "Verbal Expressions of Risk Communication: A Case Study After the 3.11 Crisis." Journal of Disaster Research 9, sp (September 1, 2014): 644–52. http://dx.doi.org/10.20965/jdr.2014.p0644.

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This paper explores problems related to verbal expressions of risk communication. In particular, we analyze several problems that arose during the critical situations caused by the accidents at the Fukushima nuclear plants following the Great East Japan Earthquake from pragmatics, linguistic psychological and social psychological perspectives. e focus on verbal expressions with implicatures and expressions incongruent with the sender’s right of involvement, underscoring that these expressions can lead to inferences on the part of the receiver that were intended by the sender and/or to negative images about the sender
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Cao, Yiqing, Zhijuan Shen, and Haihe Xie. "Third-order aberration of soft X-ray optical systems with orthogonal and coplanar arrangement of the main planes of elements." Journal of Synchrotron Radiation 27, no. 6 (September 14, 2020): 1477–84. http://dx.doi.org/10.1107/s1600577520010474.

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A third-order aberration analytical analysis method of soft X-ray optical systems with orthogonal and coplanar arrangement of the main planes of elements is proposed. Firstly, the transfer equations of the aperture ray and the principle ray are derived; then, based on the third-order aberration theory with the aperture-ray coordinates on the reference exit wavefront of a plane-symmetric optical system, the aberration expressions contributed by the wave aberration and defocus of this kind of optical system are studied in detail. Finally, the derived aberration calculation expressions are applied to calculate the aberration of two design examples of such types of optical systems; the images are compared with ray-tracing results obtained using the Shadow software to validate the aberration expressions. The study shows that the accuracy of the aberration expressions is satisfactory. The analytical analysis method of aberration is helpful in the design and optimization of the soft X-ray optical systems with orthogonal and coplanar arrangement of the main planes of optical elements.
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Ortiz, Santiago, U. Peter Svensson, and Pedro Cobo. "Analytic expression to derive the image source point between two symmetrical sloping planes." Journal of the Acoustical Society of America 133, no. 5 (May 2013): 3581. http://dx.doi.org/10.1121/1.4806585.

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Jurgaitis, Nedas. "Metaphern im Diskurs des Klimawandels: eine vergleichende Analyse." Vārds un tā pētīšanas aspekti: rakstu krājums = The Word: Aspects of Research: conference proceedings, no. 24 (December 2, 2020): 314–24. http://dx.doi.org/10.37384/vtpa.2020.24.314.

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Climate change is a phenomenon that is increasingly moving into the focus of public discourse. The object of the present study is the linguistic expression of the concept of CLIMATE CHANGE in German and Lithuanian public discourse, especially metaphorical expressions such as a monster called climate change or lexicalized metaphors like the fight against climate change. The aim of the study is to compare conceptual metaphors in the Lithuanian and German public discourse. The main research method is the analysis of conceptual metaphors based on the three-dimensional model of metaphor. The method is in line with the cognitive concept of the research, in which a metaphor is understood not as a linguistic phenomenon, but as a thinking strategy, mapping from a source domain to a target domain. The research is also based on ethnolinguistic principles since conceptual metaphors are linked not only to the cultural experience of an individual but of the entire nation. The analysis of the conceptual metaphors provides an insight into the perception of climate change in both languages. The concept of CLIMATE CHANGE is structured by several source domains, which can be classified according to the scala naturae (Great Chain of Being): NATURE, PLANTS, ANIMALS, HUMANITY, SUPERNATURE. The areas include different metaphorical images. Metaphorical expressions reveal that the target concept is reflected by universal conceptual metaphors in both languages, but their linguistic expression in German and Lithuanian is partly unique. The concept of CLIMATE CHANGE also has a communicative role achieved by deliberate metaphors in both languages.
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de Wijk, Rene A., Shota Ushiama, Meeke Ummels, Patrick Zimmerman, Daisuke Kaneko, and Monique H. Vingerhoeds. "Reading Food Experiences from the Face: Effects of Familiarity and Branding of Soy Sauce on Facial Expressions and Video-Based RPPG Heart Rate." Foods 10, no. 6 (June 10, 2021): 1345. http://dx.doi.org/10.3390/foods10061345.

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Food experiences are not only driven by the food’s intrinsic properties, such as its taste, texture, and aroma, but also by extrinsic properties such as visual brand information and the consumers’ previous experiences with the foods. Recent developments in automated facial expression analysis and heart rate detection based on skin color changes (remote photoplethysmography or RPPG) allow for the monitoring of food experiences based on video images of the face. RPPG offers the possibility of large-scale non-laboratory and web-based testing of food products. In this study, results from the video-based analysis were compared to the more conventional tests (scores of valence and arousal using Emojis and photoplethysmography heart rate (PPG)). Forty participants with varying degrees of familiarity with soy sauce were presented with samples of rice and three commercial soy sauces with and without brand information. The results showed that (1) liking and arousal were affected primarily by the specific tastes, but not by branding and familiarity. In contrast, facial expressions were affected by branding and familiarity, and to a lesser degree by specific tastes. (2) RPPG heart rate and PPG both showed effects of branding and familiarity. However, RPPG heart rate needs further development because it underestimated the heart rate compared to PPG and was less sensitive to changes over time and with activity (viewing of brand information and tasting). In conclusion, this study suggests that recording of facial expressions and heart rates may no longer be limited to laboratories but can be done remotely using video images, which offers opportunities for large-scale testing in consumer science.
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Imoto, Ayame, Mizuki Yamada, Takumi Sakamoto, Airi Okuyama, Takashi Ishida, Shinichiro Sawa, and Mitsuhiro Aida. "A ClearSee-Based Clearing Protocol for 3D Visualization of Arabidopsis thaliana Embryos." Plants 10, no. 2 (January 20, 2021): 190. http://dx.doi.org/10.3390/plants10020190.

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Tissue clearing methods combined with confocal microscopy have been widely used for studying developmental biology. In plants, ClearSee is a reliable clearing method that is applicable to a wide range of tissues and is suitable for gene expression analysis using fluorescent reporters, but its application to the Arabidopsis thaliana embryo, a model system to study morphogenesis and pattern formation, has not been described in the original literature. Here, we describe a ClearSee-based clearing protocol which is suitable for obtaining 3D images of Arabidopsis thaliana embryos. The method consists of embryo dissection, fixation, washing, clearing, and cell wall staining and enables high-quality 3D imaging of embryo morphology and expression of fluorescent reporters with the cellular resolution. Our protocol provides a reliable method that is applicable to the analysis of morphogenesis and gene expression patterns in Arabidopsis thaliana embryos.
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Panza, Michael J. "A Finite State Space Model for Representing the Broadband Infinite Series for Acoustic Reverberation between Parallel Reflecting Planes." Mathematical Problems in Engineering 2018 (June 4, 2018): 1–16. http://dx.doi.org/10.1155/2018/2631718.

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The acoustic reverberation between two parallel reflecting planes can be represented by an infinite series of the images caused by the planes. To provide a more useful model for analysis and control, the infinite series version of the Green’s function is converted into a finite state space model that retains the high frequency character that enables broadband noise inputs to be examined. The infinite series is first summed into a very accurate, approximate closed form expression in the time domain in terms of a radical function. The radical is then transformed into an expression containing exponentials which have exact Laplace transforms that lead to an overall closed form transfer function for the system. The system transfer function is transformed into a third-order state space model that theoretically contains all of the frequency characteristics of the infinite series representation. The accuracy of the state space model is examined by comparing it to the infinite series solution for three typical types of acoustical inputs: exponential for impulse noise, single frequency sine for harmonic noise, and a multifrequency Schroeder phased harmonic sequence for random noise.
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Wang, Yuqian, Huahong Qu, Tong Bai, Qibing Chen, Xi Li, Zhenghua Luo, Bingyang Lv, and Mingyan Jiang. "Effects of Variations in Color and Organ of Color Expression in Urban Ornamental Bamboo Landscapes on the Physiological and Psychological Responses of College Students." International Journal of Environmental Research and Public Health 18, no. 3 (January 28, 2021): 1151. http://dx.doi.org/10.3390/ijerph18031151.

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Visual characteristics (e.g., the color and shape) of ornamental plants can significantly affect their beneficial influence on humans. Prior research, however, has largely focused on the effects of the color or shape of flowers and the impact of differences in the visual appearance of foliage plants and plants with ornamental stalks has not yet been fully explored. This study examined the psychophysiological effects of urban ornamental bamboos that expressed different colors on different organs. Three hundred Chinese college students participated in the experiment. They were randomly assigned to view images of five ornamental bamboo landscapes with the following different visual characteristics: green stalks (GS) non-green stalks (NGS) multicolored stalks (MS) green leaves (GL) and multicolored leaves (ML). Before and after viewing the images, their EEG, blood pressure, pulse, profile of mood states (POMS) score, and state-trait anxiety inventory (STAI) score were measured. The results showed that ornamental bamboo landscapes have extremely significant beneficial psychophysiological effects as compared to urban landscapes. After viewing landscapes in the NGS and MS groups, EEG, blood pressure, and pulse rate of subjects showed more beneficial changes. Significant gender differences were observed only in systolic blood pressure and in the vigor score. In addition, an extremely significant interaction between color and organ of color expression was observed on systolic and diastolic blood pressure. Organ of expression had significant main effects on all the physiological indicators and the fatigue, vigor, and irritability scores, while color only had a main effect on systolic blood pressure. Our study concluded that viewing urban ornamental bamboo landscapes with different visual characteristics has different effects on humans. With regards to ornamental bamboo, the organ expressing the color had a greater impact on psychophysiological responses than did the type of color itself. These study results can provide guidance for landscape construction of urban greening.
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Díaz-Lago, J. E., D. D. Stuthman, and K. J. Leonard. "Evaluation of Components of Partial Resistance to Oat Crown Rust Using Digital Image Analysis." Plant Disease 87, no. 6 (June 2003): 667–74. http://dx.doi.org/10.1094/pdis.2003.87.6.667.

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Digital image analysis is an objective and nondestructive method potentially capable of providing accurate and precise estimates of disease resistance components. This study was conducted to quantify components of partial resistance to crown rust through the analysis of sequential digital images of inoculated leaves of adult oat plants, and to compare components found in two sources of resistance unrelated genetically. Uredinium density, relative infection frequency, latent period, days to first pustule appearance, uredinium size, and disease progress rates were assessed on three oat lines (RS-line 3W-C2R-9-3b, MN-841801, Starter) in two greenhouse experiments. Resistant lines had fewer and smaller uredinia, and these appeared later than in the susceptible check. Relative infection frequency, latent period, and uredinium size were equally important components in the expression of the partial resistance to crown rust, and the two sources of resistance could not be differentiated by any of the variables studied. The analysis of sequential digital images of diseased leaves produced precise estimates of partial resistance components and disease progress rates.
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Anderson, William F., Lane Arthur, and Peggy Ozias-Akins. "Quick and efficient measurement of transient GUS expression using image analysis." Plant Molecular Biology Reporter 12, no. 4 (December 1994): 332–40. http://dx.doi.org/10.1007/bf02669276.

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Dissertations / Theses on the topic "Plantes – Expressions imagées"

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Buccheri, Alessandro. "Penser les hommes à travers les plantes : images végétales de l’humain en Grèce ancienne (VIIIe-Ve siècle av. notre ère)." Thesis, Paris, EHESS, 2017. http://www.theses.fr/2017EHES0105.

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De plus en plus d’études s’accordent à reconnaître dans la métaphore un instrument de la pensée, plutôt qu’une figure de style. En particulier, les métaphores les plus communes et les plus répétées, celles qui font partie du langage quotidien, structurent l’appréhension du monde des membres des communautés linguistiques qui les utilisent. Bien que nous n’ayons pas accès au langage quotidien des anciens Grecs, les textes contiennent un corpus de métaphores récurrentes, extrêmement répandues, qui utilisent la terminologie botanique pour parler des êtres humains. Cette thèse vise à montrer en quoi ces métaphores végétales ont constitué une manière, culturellement déterminée, d’appréhender plusieurs facettes de la vie humaine : le corps et le fonctionnement de humeurs en son sein ; la forme visible de la personne, la manifestation des émotions et celle de la χάρις ; l’innéité ; les rapports de parenté et notamment celui de filiation ; l’identité citoyenne. Centré sur les textes poétiques composés en Grèce entre le VIIIe et le Ve siècle avant notre ère, ce travail convoque tour à tour les écrits médicaux et philosophiques, les représentations religieuses et les mythes de métamorphose, afin d’inscrire les métaphores botaniques étudiées dans des réseaux conceptuels faisant partie du savoir partagé
As anthropologists, philosophers and linguists have nowadays largely recognized, metaphors are not simply rhetorical embellishments, but a basic mechanism of human thought. Focusing on botanical metaphors occurring in Greek poetry composed between the 8th and the 5th centuries BCE, this dissertation aims to show how knowledge relative to the world of plants was used to understand, conceptualize and represent different aspects of human life. Botanical metaphors are pervasive in archaic and classical poetry. My work locates them against a wider background, comprising other kinds of texts (mainly, philosophy and medicine), myths, and, to a lesser degree, religious representations and practices. Therefore, botanical metaphors appear to be integral to a widespread network of cognitive schemata, sanctioned and transmitted by linguistic practice, and used by Greek speakers to construct their understanding of (some aspect of) human life. As this thesis demonstrates, plants offered convenient models to reason about the functioning of the body and its internal humors as well as the ways in which physical appearance may reveal moral or divine qualities. Botanical knowledge was also used to understand human passions, inborn qualities, kinship ties and civic identities. The overall aim of my dissertation is to offer an “emic” depiction of those domains: that is, a description grounded in Greek speakers’ own conceptual schemata
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Chen, huiping, and 陳慧萍. "The Discussion Of The Symbolic Meaning And Creative Expression Of Animals And Plants' Images." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/51499218656990127958.

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碩士
中國文化大學
美術學系
100
Abstract The purpose of the discussion of the symbolic meaning and creative expression of animals and plants' images, is to explore the Western science artists’ painting techniques and artistic spirit in plants and animals Figure, as well as how scientists to master plants and animals’ form and spirit while they’re studying their form and habits. The researcher not only study these as a source of inspiration, but also convey an even greater study and training in operation, in order to find out the different creative spaces between flora and fauna paintings. This study contains six chapters, and its main points are as follows. First, a basic discussion of the study： Introduction： a brief introduction of the research motivation and the purpose, the methods, the scope and the structure in this study. Second, the main content： Chapter II, “Beauty” the pursuit of the essence of the art, the scientificartist “Animals and Plants" , Andrey Avinoff 〈Andrey Avinoff, 1844~1949〉; Chapter III “Wing” a mistake Animals and plant science illustrator Cornelia Hesse-Honegger〈Cornelia Hesse- Honegger, 1944~〉These chapters focused on the scientific life of the artist's creative process and creative performance techniques, to interpretation the deeper meaning of the Animals and Plants beyond appearances, and also the symbolic meaning of the character . Third, the exposition of result of the research： Chapter IV, “Analysis & elaboration of self-creation”： the researcher did self-created experiment according to the preceding chapters,and introduced personal painting ideas, themes, content and form one by one. Chapter V “Appreciation of personal works ”： With the impact of Avinoff’s and Cornelia’s painting, the researcher reinterpreted the technique, the usage of color and screen architecture with the self-created series, “Flower in flower, frog inflower.”Chapter VI “Conclusion”：The comments of the knowledge gained in this research, and introspect, hope of self-creation. Keyword：Scientific Artist, Animals and plants, Symbolic
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Book chapters on the topic "Plantes – Expressions imagées"

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Nakanishi, Tomoko M. "Real-Time Element Movement in a Plant." In Novel Plant Imaging and Analysis, 109–68. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-33-4992-6_4.

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AbstractWe developed an imaging method utilizing the available RIs. We developed two types of real-time RI imaging systems (RRIS), one for macroscopic imaging and the other for microscopic imaging. The principle of visualization was the same, converting the radiation to light by a Cs(Tl)I scintillator deposited on a fiber optic plate (FOS). Many nuclides were employed, including 14C, 18F, 22Na, 28Mg, 32P 33P, 35S, 42K, 45Ca, 48V, 54Mn, 55Fe, 59Fe, 65Zn, 86Rb, 109Cd, and 137Cs.Since radiation can penetrate the soil as well as water, the difference between soil culture and water culture was visualized. 137Cs was hardly absorbed by rice roots growing in soil, whereas water culture showed high absorption, which could provide some reassurance after the Fukushima Nuclear Accident and could indicate an important role of soil in firmly adsorbing the radioactive cesium.28Mg and 42K, whose production methods were presented, were applied for RRIS to visualize the absorption image from the roots. In addition to 28Mg and 42K, many nuclides were applied to image absorption in the roots. Each element showed a specific absorption speed and accumulation pattern. The image analysis of the absorption of Mg is presented as an example. Through successive images of the element absorption, phloem flow in the aboveground part of the plant was analyzed. The element absorption was visualized not only in the roots but also in the leaves, a basic study of foliar fertilization.In the case of the microscopic imaging system, a fluorescence microscope was modified to acquire three images at the same time: a light image, fluorescent image, and radiation image. Although the resolution of the image was estimated to be approximately 50 μm, superposition showed the expression site of the transporter gene and the actual 32P-phosphate absorption site to be the same in Arabidopsis roots.
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Buenrostro-Nava, Marco T., Peter P. Ling, and John J. Finer. "Development of an Automated Image Collection System for Generating Time-Lapse Animations of Plant Tissue Growth and Green Fluorescent Protein Gene Expression." In Plant Biotechnology 2002 and Beyond, 293–95. Dordrecht: Springer Netherlands, 2003. http://dx.doi.org/10.1007/978-94-017-2679-5_60.

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Conference papers on the topic "Plantes – Expressions imagées"

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Esmaeili, Vida, Mahmood Mohassel Feghhi, and Seyed Omid Shahdi. "Micro-Expression Recognition Using Histogram of Image Gradient Orientation on Diagonal Planes." In 2021 5th International Conference on Pattern Recognition and Image Analysis (IPRIA). IEEE, 2021. http://dx.doi.org/10.1109/ipria53572.2021.9483500.

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Belaiche, Reda, Cyrille Migniot, Dominique Ginhac, and Fan Yang. "Time Unification on Local Binary Patterns Three Orthogonal Planes for Facial Expression Recognition." In 2019 15th International Conference on Signal-Image Technology & Internet-Based Systems (SITIS). IEEE, 2019. http://dx.doi.org/10.1109/sitis.2019.00076.

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Ortiz, Santiago, Peter Svensson, and Pedro Cobo. "Analytic expression to derive the image source point between two symmetrical sloping planes." In ICA 2013 Montreal. ASA, 2013. http://dx.doi.org/10.1121/1.4800324.

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Khakimova, Aida, Oleg Zolotarev, Lyudmila Sharapova, Daler Mirzoev, Aleksanra Belaya, and V. Koryavov. "Using augmented reality for navigation in space. Creating Visual Dictionaries." In International Conference "Computing for Physics and Technology - CPT2020". ANO «Scientific and Research Center for Information in Physics and Technique», 2020. http://dx.doi.org/10.30987/conferencearticle_5fd755c0db8920.24291967.

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The image of the city is a spatio-temporal continuum in which everything is interconnected, it exists as a single monolith expressing itself in the general atmosphere. The visual image of the city may contain two planes of meanings: culturally ratified and universally valid, expressed by cultural codes, and also significant only to those who are viewing the image. Therefore, the content of the visual image depends on who the subject of perception is, what he pays attention to and in what situation the process of perception of the image occurs.
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Cheng, R. K., and D. Littlejohn. "Laboratory Study of Premixed H2-Air and H2-N2-Air Flames in a Low-Swirl Injector for Ultra-Low Emissions Gas Turbines." In ASME Turbo Expo 2007: Power for Land, Sea, and Air. ASMEDC, 2007. http://dx.doi.org/10.1115/gt2007-27512.

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The objective of this study is to conduct laboratory experiments on Low-swirl injectors (LSI) to obtain the basic information for adapting LSI to burn H2 and diluted H2 fuels that will be utilized in the gas turbines of the Integrated Gasification Combined Cycle (IGCC) coal power plants. The LSI is a novel ultra-low emission dry-low NOx combustion method that has been developed for gas turbines operating on natural gas. It is being developed for fuel-flexible turbines burning a variety of hydrocarbon fuels, bio-mass gases and refinery gases. Adaptation of the LSI to accept H2 flames is guided by an analytical expression derived from the flowfield characteristics and the turbulent flame speed correlation. Evaluation of the operating regimes of nine LSI configurations for H2 shows an optimum swirl number of 0.51 which is slightly lower than the swirl number of 0.54 for the hydrocarbon LSI. Using Particle Image Velocimetry the flowfields of 32 premixed H2-air and H2-N2-air flames were measured. The turbulent flame speeds deduced from PIV show linear correlation with turbulence intensity. The correlation constant for H2 is 3.1 and is higher than the 2.14 value for hydrocarbons. Analysis of velocity profiles confirms that the nearfield flow features of the H2 flames are self-similar. These results demonstrate that the basic LSI mechanism is not affected by the differences in the properties of H2 and hydrocarbon flames and support the feasibility of the LSI concept for hydrogen fueled gas turbines.
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Martínez Millana, Elena. "Le Corbusier versus Sergei Eisenstein. La construcción de un sueño." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.824.

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Resumen: Este artículo plantea la revisión de la relación entre el arquitecto Le Corbusier y el cineasta Sergei Eisenstein. Se lanza como hipótesis la posible influencia del cineasta en Le Corbusier. Le Corbusier versus Eisenstein en el sentido más profundo de ‘avanzar en dirección a’: Le Corbusier hacia la cinematografía, no como contraposición. Se esboza el papel de cada figura y su encuentro en el período de 1928-1936, tiempo en que Le Corbusier se aproximó a la Unión Soviética, un contexto que configura un marco complejo a partir del cual es posible entrever aquello que los vincula y que refuerza la hipótesis planteada. Por otro lado, se realiza un análisis de Poème électronique - filme de 480” que Le Corbusier hace en 1958 con motivo de la Exposición Universal en Bruselas - con la intención de visibilizar que Le Corbusier recurre a la técnica del montaje dialéctico de la que Eisenstein era maestro y por tanto la consustancial influencia. Le Corbusier reconoce el potencial de esta técnica de montaje y se sirve de ella como la estrategia clave en su aproximación al ámbito de la cinematografía. El mecanismo del montaje dialéctico forma parte de su propio pensamiento y lo materializa en su arquitectura y también en el caso de estudio que nos ocupa, en la disciplina de la imagen en movimiento, tan próxima a ésta. Pero hay más, en el Pabellón Philips la técnica del montaje oculto - sobre la que Eisenstein había teorizado en aquél periodo - está presente, pues mediante éste mecanismo construye la puesta en escena del espectáculo total. Como veremos, Poème électronique representa la construcción de un sueño. Abstract: This article reviews the relationship between the architect Le Corbusier and the filmmaker Sergei Eisenstein. When launched, it was seen to hypothesise the possible influence of the filmmaker in the work of Le Corbusier. Le Corbusier versus Eisenstein, in the deepest sense of the expression, is portrayed as "towards to": Le Corbusier towards the film, not in opposition to it. It outlines the role of each figure and their interactions during the period between 1928 and 1936, the time when Le Corbusier got closer to the Soviet Union. This context forms a complex framework from which it is possible to glimpse what it is that links them, reinforcing the hypothesis-raised. On the other hand, this work presents an analysis of the Poème électronique - 480" film Le Corbusier made in 1958 for the Universal Exhibition in Brussels - in order to exemplify that Le Corbusier uses the technique of dialectical montage, in which Eisenstein was the undisputed master, thereby highlighting an inherent influence. Le Corbusier recognises the potential of this montage technique and uses it as a key strategy in his approach to the field of cinema. The mechanism of dialectical montage is a part of Le Corbusier's own thought and this materialises both in his architecture as well as in the subsequent case study regarding the discipline of the moving image, which is closely aligned to it. There is, however, more to it. In the Philips Pavilion, the hidden montage technique - theorised by Eisenstein in that period - is present, the use of which was the mechanism to construct the stage for the spectacle as a whole. As we will see, Poème électronique represents the construction of a dream. Palabras clave: Eisenstein; Le Corbusier; Le Poème électronique; montaje dialéctico; montaje oculto; cinematografía. Keywords: Eisenstein; Le Corbusier; Le Poème électronique; dialectical montage; hidden montage; cinematography. DOI: http://dx.doi.org/10.4995/LC2015.2015.824
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