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Journal articles on the topic 'Plaster craft'
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Hassas, Ghulam Hazrat. "Assessment of Engraving on Plaster and its Designs in Herat." Shanlax International Journal of Arts, Science and Humanities 11, no. 4 (April 1, 2024): 86–92. http://dx.doi.org/10.34293/sijash.v11i4.7063.
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The craft and art of plastering has played an important role in internal and external spaces of historical and modern constructive components. This elegant industry is always flaunted on walls and ceilings to take part in decoration of the monument. Plastering is another field of decorative, which is used along with other kinds of decorative arts such as tile, sculpture and woodcarving, that are often over seen in modern and classic buildings nowadays. Goal: The assessment is on cornice engraving methods and its designs in Herat Buildings and complexes. This article stated various methods of engraving on gypsum, as well as designs applied by this art and craft in Herat buildings in a clear and comprehensive way. The research method is based on library and field studies. In library methods the focus is on using of authentic scientific reference books and field studies methods is an emphasis on observation and taking photos of gypsum decorations by the researcher, applied on modern and classic buildings of Herat. And finally the results of the study show that art and craft of plastering in Herat buildings and complexes has been applied in various positions by different methods while containing variable decorative elements.
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Li, Guang. "Applied Research and Development Uygur Architectural Plaster Floral Craft and Information Technology." Applied Mechanics and Materials 584-586 (July 2014): 46–51. http://dx.doi.org/10.4028/www.scientific.net/amm.584-586.46.
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Xinjiang Uygur architectural technology has unique ethnic art forms and traditional crafts features, especially plaster floral decoration techniques which make full use of local resources, with local natural conditions, the demand for the nation's living habits and the use of functional buildings designed by. In this paper, plaster floral Uygur traditional architectural characterization and application of technology, research and development and application conditions analysis of traditional Uygur architectural technology and modern information technology. By combining technology development of information technology, architectural technology makes the Uighurs have a foundation and modern design, modern construction more closely, so as to find a way to continue the development of the national economy and national culture in modern society.
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Bang, Chang Hyun. ""A Study on the dialectical convergence between craft and technology - Focusing on 'Plaster Casting' of Ceramic Crafts"." Journal of Basic Design & Art 21, no. 5 (October 31, 2020): 211–22. http://dx.doi.org/10.47294/ksbda.21.5.16.
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Abrams, Elliot M., and AnnCorinne Freter. "A Late Classic lime-plaster kiln from the Maya centre of Copan, Honduras." Antiquity 70, no. 268 (June 1996): 422–28. http://dx.doi.org/10.1017/s0003598x00083381.
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Under and behind the splendours of Maya ceremonial buildings are the craft skills of the artisans who put them up. A first find of a lime-plaster kiln, from Copan in Honduras, illuminates one of those technologies, the burning of lime in a closed oven rather than on an open-air pyre.
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Jahn, Josefine, Benjamin Thorenz, Markus Kafara, and Rolf Steinhilper. "Combining Optical Metrology and Additive Manufacturing for Efficient Manufacturing of Carbon Fiber Reinforced Plastic Orthopedics: A Case Study." Applied Mechanics and Materials 871 (October 2017): 275–83. http://dx.doi.org/10.4028/www.scientific.net/amm.871.275.
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Often, carbon fiber reinforced plastic (CFRP) manufacturing represents an expensive, time-consuming, small-scale production due to products and components characterized by complex geometric properties. In the field of orthopedic products individual molds, usually made of metal alloys or plaster, are necessary to shape the contour of the components. The presented case study focuses on individually manufactured masks for post-operative treatment of uncomplicated midfacial fractures that are frequent and typical injuries in popular contact sports like football or handball. To improve the costly process of CFRP production of individually manufactured masks, this paper describes the advantages of the combination of optical metrology (i.e. 3D-scanning) and additive manufacturing (i.e. 3D-printing). Therefore, the conventional process chain consisting of the main process steps molding (master pattern), casting (mold), CFRP laminating, curing, cutting and final assembly is replaced by 3D-scanning (instead of master pattern), followed by the revision of the CAD-model (to prevent cutting efforts), 3D-printing (mold), CFRP laminating, curing and final assembly. Summarizing, this case study on manufacturing of carbon fiber reinforced plastic orthopedics shows that the combination of innovative manufacturing technologies opens up new possibilities to increase efficiency in craft based manufacturing.
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McGill, Dru, and Jennifer St. Germain. "Nazi Science, wartime collections, and an American museum: An object itinerary of the Anthropologie Symbol." International Journal of Cultural Property 28, no. 1 (February 2021): 87–106. http://dx.doi.org/10.1017/s0940739121000096.
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AbstractA number of recent works have explored the value of scholarly efforts to “unpack” museum collections and examine the constitutive networks and histories of objects. The interrogations of collections through methods such as object biographies and itineraries imparts important knowledge about the institutions, disciplines, and individuals who made museum collections, contribute to deeper understandings of the roles of objects in creating meaning in and of the world, and suggest implications for future practice and policies. This article examines the object itinerary of a cultural property item of negative heritage: a three-dimensional painted plaster work of craft-art originally designed to symbolize the scientific practice of anthropology in early twentieth-century Germany and later associated with wartime collecting during World War II, the history of American archaeology, and the modern repatriation movement in museums.
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Mikhaylova, A. A. "From the Serbian Fair to the Russian Museum: On the Ethnographic Relevance of the Gingerbread Collection from 1902." Archaeology, Ethnology & Anthropology of Eurasia 49, no. 3 (October 27, 2021): 101–11. http://dx.doi.org/10.17746/1563-0110.2021.49.3.101-111.
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Serbian fi gured gingerbreads owned by the Russian Museum of Ethnography are described, the history of the collection is provided, and its cultural meaning is evaluated. Ethnographic parallels are analyzed, and archaic examples are cited. The custom of baking gingerbread results from the commercialization of the agricultural tradition of baking ritual bread. In terms of cultural anthropology, the question may be raised whether the replacement of destroyed originals by plaster replicas preserves the information potential and ethnographic value of the collection. Its interpretation is relevant to national identity in new Balkan nations such as Slovenia, Croatia, and Serbia. Another problem is if and how a craft shared by several peoples can be an ethnic marker. In terms of ethnographic museology in the globalizing world, the prospects of acquiring recent collections are discussed. The role of such collections in constructing new national identities may be considerable.
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Murakami, Tatsuya. "Materiality, regimes of value, and the politics of craft production, exchange, and consumption: A case of lime plaster at Teotihuacan, Mexico." Journal of Anthropological Archaeology 42 (June 2016): 56–78. http://dx.doi.org/10.1016/j.jaa.2016.03.003.
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Amboro, J. L., A. Purwasito, and Warto. "The characteristics of teapots made of plastic and clay: what are their designs, functions, and impacts on the environment?" IOP Conference Series: Earth and Environmental Science 1114, no. 1 (December 1, 2022): 012110. http://dx.doi.org/10.1088/1755-1315/1114/1/012110.
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Abstract Currently, people are starting to reduce the use of traditional products and switch to ready-to-use products made from plastic, such as teapots. Nevertheless, clay crafts still maintain their existence in the widespread use of plastic products. Bayat is one of the subdistricts in Klaten Regency, Central Java, which is famous for its ceramics and pottery craft centres. Most artisans in the Bayat make crafts with clay as raw materials. This research focused on the advantages of Bayat pottery over other plastic products. This study aimed to increase public awareness to reduce plastic products’ use in daily life. This study used the descriptive qualitative method. The research was conducted in Bayat, Klaten, from March – June 2022. The results showed that clay crafts were considered more eco-friendly than plastic products. The development of Bayat pottery from clay has implications for design, function, usability, and environmental aspects. In the design aspect, the Bayat teapot can increase the aesthetic value of the craft. In terms of function and usability, the clay teapot functions as a water storage container as well as interior decoration. Meanwhile, in the environmental aspect, raw clay materials are easier to decompose, while plastic products are difficult to decompose.
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Nurhayati, Desri. "Sosialisasi Pembuatan Kerajinan Tangan Motif Bunga dari Limbah Botol Plastik." Jurnal Pengabdian Kepada Masyarakat Iris 1, no. 2 (October 31, 2021): 1. http://dx.doi.org/10.61723/jpkmi.v1i2.48.
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Making crafts with floral motifs from plastic bottle waste by Apikes Iris students for residents around Mount Panggilun. The data collection techniques used were observation, interviews and documentation. The research subjects are students. The results of the research show that making crafts with floral motifs from waste plastic bottles uses materials and tools, where the materials are large and small plastic bottles of various shapes, paint and water, while the tools used are scissors, cutting knives, brushes. , pot, bucket. The process of making crafts from plastic bottle waste goes through several stages, namely obtaining materials, processing materials, the process of making stems and the final stage (finishing). Crafts with flower motifs from plastic bottle waste by Apikes Iris students for the residents of Mount Panggiun are an example of a plastic recycling process which aims to change the use of plastic items so that they remain useful. The manufacturing process is done by hand using simple tools and carrying out productive efforts with the principle of togetherness. The results of handicrafts with floral motifs from waste plastic bottles are creative decorative objects. Visually, this product has a basic flower shape with various patterns and different sizes. The colors used are bright and attract attention, such as red, yellow, blue, pink and golden yellow, some of the patterns are wavy like leaves and also sharp. The motifs are in the form of small circles, leaves, flower petals and lines. This craft work, apart from having aesthetic value, also has economic value.
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Wardana, Ema, Cintia Apsari, Afriana Afrianaa, Sapar Sapar, and Samsinar Samsinar. "Peningkatan Kreativitas Masyarakat dalam Mengolah Limbah Sedotan Plastik Menjadi Tempat Tissue." ADMA : Jurnal Pengabdian dan Pemberdayaan Masyarakat 4, no. 1 (July 17, 2023): 255–62. http://dx.doi.org/10.30812/adma.v4i1.2891.
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The use of plastic straws to make tissue box crafts that are worth selling. The purpose of the student creativity program - entrepreneurship (PKM-K) is to motivate students to become entrepreneurs in processing waste, especially into crafts that have market value, such as tissue box crafts. Plastic straw waste in the Palopo City environment is one of the elements that causes pollution which is not easy to decompose because it is made from plastic and is inorganic. Utilizing plastic straw waste into valuable products is a creative effort to reuse waste to preserve the environment and increase the economic value of waste that is no longer used. The methods used are the input, process (production), output and evaluation stages. The results of this program are input, conducting market surveys to determine market conditions. Next is a feasibility study of the business to be run. The last stage is the selection of materials and the provision of places as well as facilities and infrastructure to support the production process. Process (production), the process of making a tissue box starts from the preparation of materials and tools. Output, namely the craft of tissue holders that are ready to be used and marketed to consumers. The last is evaluation. At this stage, we will review any deficiencies that make consumers uncomfortable using our products. The conclusion of the PKM-K program is that the use of plastic straws to make tissue box crafts that are worth selling can provide skills to students, especially at the Muhammadiyah University of Palopo, to remain innovative and creative in processing plastic straw waste, providing opportunities for students to practice entrepreneurship with a comprehensive understanding of the concept of entrepreneurship, and build students' enthusiasm to stay in business.
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Dzoga, Mumini, Danny Simatele, and Cosmas Munga. "Characterisation of artisanal catches in selected fishing areas of the Lower Tana Delta and Malindi-Ungwana Bay, Kenya." Western Indian Ocean Journal of Marine Science 19, no. 1 (October 29, 2020): 45–53. http://dx.doi.org/10.4314/wiojms.v19i1.4.
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Shore-based assessment of fisheries resources in Ngomeni, Kipini and Ozi fishing areas of Malindi-Ungwana Bay and the Lower Tana Delta on the north coast of Kenya was conducted from January to December 2017 to establish catch composition, species richness, and fishing effort (catch-rate, number and types of fishing gears and crafts) in the marine, estuarine and riverine habitats. Distinct catch composition (R = 0.27, P < 0.05) was observed across the three habitats. Catch composition differed significantly spatially and seasonally across the three fishing areas, and between the north east (NE) and south east (SE) monsoon seasons (R = 0.332, P < 0.05). The wolf herring, Chirocentrus dorab, was the most abundant fish species in Ngomeni, centrally located in Malindi-Ungwana Bay, while the catfishes, Arius africanus and Clarias gariepinus, were the most abundant species in Kipini and Ozi, respectively. Gillnets operated from dhows (mashua) and fibre-reinforced plastic (FRP) boats in Ngomeni (marine), and canoes using-basket traps in Ozi (riverine), landed significantly larger Spanish mackerel, Scomberomorus commerson, and sea catfish, Arius africanus (Kruskal Wallis test: Df = 2; F = 197.141; p < 0.001; Df = 2, F = 490, p < 0.001), respectively. Species diversity by area in combination with habitat and type of fishing craft showed higher diversity for Ngomeni in the marine habitat with mashua fishing crafts than in Kipini. Significantly different catch rates (Df = 2, F = 10.43, p<0.001; Df = 1, F = 5.897, p < 0.021) were observed in the three (3) fishing areas and during the NE monsoon and the SE monsoon, respectively. Canoes were the most common fishing craft used, especially in Ngomeni, accounting for 37.1%, and 97.5% in Ozi, while mashua crafts accounted for 44.5% of the total fishing craft in Kipini. Monofilament nets were most common in Ngomeni (34.0%) while basket traps dominated the Ozi site at 63.6%. The Kipini area was dominated by handlines (28.8%). It is therefore evident that the three (3) fishing areas of the Malindi-Ungwana Bay and Lower Tana Delta showed significant differences in catch composition and size of fish caught, attributed partly to the variation in habitat types and fishing methods between the sites. Overall, the Ngomeni area was characterized by more advanced fishing craft with the majority powered by engines, including mashua and FRP boats, compared to Kipini and Ozi fishing areas where canoes were dominant.
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Etsename, Louis Emmanuel, and Tomiwa Joseph Odeyemi. "Producing an Instructional Video for Apprenticeship Training in Basket Weaving in Isale Oyo, Nigeria." International Journal of Vocational and Technical Education Research 10, no. 1 (January 15, 2024): 51–75. http://dx.doi.org/10.37745/ijvter.15/vol10n15175.
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Basketry, is making interlaced items, typically containers, out of flexible vegetal fibres like twigs, grasses, osiers, bamboo, and rushes or synthetic or plastic materials. The containers created using this technique are known as baskets. Traditional craft methods for producing artefacts are slowly dying and giving way to modern day technology. In the bid to preserve some of such craft skills and impact same on others, the study embarked on the production of an instructional learning resource for weaving traditional baskets in Isale Oyo, Nigeria. The main thrust of this study was to develop an instructional learning resource (video) that would preserve the traditional craft of weaving cane baskets and also train young people. The ADDIE Model of Instruction Systems Design was implemented for the development of the instructional learning material. This involved a preconceived and self-reflexive practical component. The study revealed the stages involved in the production of instructional videos which are the pre-production, production, and post-production stages respectively. Results of the study reaffirms certain findings in some earlier researches associated with instructional materials production. It also strengthened the potential and relevance of instructional videos in documenting and preserving traditional arts and crafts. Consequently, results from the evaluation carried out, suggest that instructional videos can stand in place of a trainer in an apprenticeship training programme.
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Backman, Mikael, and Karl Lidgren. "Recovery of old plastic small craft." Resources and Conservation 12, no. 3-4 (October 1986): 215–24. http://dx.doi.org/10.1016/0166-3097(86)90012-x.
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Santoso, R. E., and L. A. Utami. "Exploring traditional thread-making and simple weaving used in OPP lamination film upcycling for ecologically responsible textile craft." IOP Conference Series: Earth and Environmental Science 905, no. 1 (November 1, 2021): 012030. http://dx.doi.org/10.1088/1755-1315/905/1/012030.
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Abstract Aiming for sustainable eco-friendly craft/design practice, this design research explored upcycling-practice of OPP plastic waste using traditional technology to create an alternative raw material for textile craft. By combining cultural investigation into the textile-making tradition with Cradle-to-Cradle design principles, we identified the potential of traditional technology as an ecologically responsible production process. We also developed upcycling method to process OPP plastic waste material. This research resulted in: (1) thread-making techniques that produce different sizes of thread as raw materials and hand-woven textile, (2) revitalized endangered indigenous technology of craft-making that had been a part of human-nature ecology, (3) eco-design education that can be accepted by local textile craft community, and (4) textile craft products that express the local identity and promote environmental care.
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Auliya, K., A. N. Sulistyati, and D. Nurcahyanti. "Water-soluble plastic as a medium to make polyester patchwork embroidery craft." IOP Conference Series: Earth and Environmental Science 905, no. 1 (November 1, 2021): 012118. http://dx.doi.org/10.1088/1755-1315/905/1/012118.
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Abstract This study aimed to describe the process of polyester fabric waste to be an alternative material to make interior textiles. The characteristics of polyester fabric waste meet the qualities needed to be used as the material for making interior textile. The problem in this study is the effectiveness of using water soluble film paper as a medium for the application of manual embroidery techniques to make polyester patchwork. This study used experimental and implementation methods on textile crafts. The results of this study show that water soluble film paper can be used as a medium for applying manual embroidery techniques on polyester patchwork which is profitable and does not leave any residual waste. Thus, this medium is considered environmentally friendly. This method can be applied to bring out the element of craftsmanship based on the scope of textile craft study. Functional products made by using this method are also expected to provide aesthetic value in a room. This study is essential and useful to contribute to an overview to the community about alternative resources for apparel industry waste from the local area that can be created into new products with higher value.
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Kulhavets, Andrii, and Oleh Rybchynskyi. "RESTORATION OF THE WHITE STONE SCULPTURE OF THE IMMACULATE CONCEPTION OF THE MOTHER OF GOD FROM THE VILLAGE OF TETEVCHYTSI OF CHERVONOHRAD DISTRICT, LVIV REGION." Current Issues in Research, Conservation and Restoration of Historic Fortifications 16, no. 2022 (2022): 75–82. http://dx.doi.org/10.23939/fortifications2022.16.075.
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The article analyzes the history of creation, stylistics and plastic solution and development of the technology of restoration of the white stone sculpture of The Immaculate Conception of the Mother of God in the village of Tetevchytsi of Chervonohrad district, Lviv region. Remarkable works of limestone were created of limestone in Galicia during the XII – XX centuries. Unfortunately, monuments of sacral art suffered major damage in the second half of the XX century due to acts of vandalism committed by followers of the communist regime ideology in Russia. They are responsible for the destruction of churches, cathedrals and synagogues. The monuments of sculptural art were destroyed as well. The rethinking of the sacral heritage and activation of restoration processes began only after the restoration of Ukraine's independence. Hence, the issue of restoration of the sculpture of The Immaculate Conception of the Mother of God in the village of Tetevchytsi is currently of great interest and complex scientific research is the basis for the success of the planned work. The sculpture was placed on the pediment over the entrance of the parish church in the village of Tetevchytsi. Before the restoration the monument was in poor condition and the head of Holy Mother was missing. Older residents of the village say that an unknown soldier intentionally shot it off during the Second World War. The bullet, which was found in the wall of the church behind the Virgin, is the evidence that this story is true. After studying the general concept of restoration the program was developed and approved: to carry out photo fixation of the state of the monument before restoration, to conduct the analysis and processing of the cartogram of losses, to determine the sequence of stone conservation works, to carry out cleaning of stone using dry method with the help of brushes, to carry out cleaning of the sculpture using the method of sandblasting, to clean it from cement layering, to perform extraction of salts, to perform structural strengthening of stone with silicon-organic matter, to restore the lost elements of the folds of clothing with mineral restoration solution, to make a head out of plasticine on the basis of analogues and make a plaster form, to reconstruct it from artificial stone, to glue the head with epoxy resins and anchor made of stainless wire, to strengthen the structure of the stone with silicon-organic matter; to cover the sculpture with a biocidal solution of long-term action; to perform glazing of the sculpture, to perform hydrophobization of the sculpture with silicon-organic solution, to make recommendations on storage conditions and compliance with the protection of the monument. The significant role in the restoration of the head played the use of analogues of sculptures from the cemeteries of the surrounding villages. As a result of comparative analysis, it was found that the stylistic solution of the sculpture corresponds to the techniques typical of the 1930s. This is confirmed by the preserved sculptural compositions in Tetevchytsi and surrounding villages. Most likely, the author of the restored monument was a representative of a craft school of this region. Compatible materials of Ukrainian and German production are used in the restoration works, which meet the principles of reversibility. It is recommended to return the monument to its place after the restoration.
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Handayani, Estrin, Nufikha Falyauma, Dhian Dwi Hartini, Sulistiyani Purna Sari, and Seno Marijanto. "Optimalisasi Pemberdayaan Kader PKK Terhadap Peningkatan Kerajinan Limbah Plastik." Jurdimas (Jurnal Pengabdian Kepada Masyarakat) Royal 4, no. 2 (May 12, 2021): 173–80. http://dx.doi.org/10.33330/jurdimas.v4i2.955.
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Abstract: The activities to optimize the empowerment of PKK cadres include 15 housewives who initially did not have productive activities, now they had skill in making crafts made from plastic waste. The program that has been implemented is the use of plastic waste into handicrafts as a means of entrepreneurial-based creative economy. This program is very helpful in maintaining the balance of the environment in an ecological manner. Preserving the environment is a very important factor today. Many natural disasters are caused due to damaged environment. PKK provides simple counseling so that the environment is not damaged and prevents contamination of water sources, carries out plastic waste management using handicrafts. The method used in this activity is Participatory Rural Appraisal, which is an approach method in the process of empowering and increasing community participation by emphasizing community involvement in all activities carried out. The purpose of this Community Service activity is to reactivate community cadres in managing waste into crafts based on creative economy entrepreneurship. The results of this event were attended by 15 PKK members, and 3 small groups were produced based on the raw materials used with craft management creations.Keywords: Crafts ; Garbage Waste; PKK Cadres; Plastic Waste Abstrak: Kegiatan optimalisasi pemberdayaan kader PKK ini meliputi 15 orang Ibu Rumah Tangga yang awalnya tidak mempunyai kegiatan produktif, sekarang telah terampil dalam membuat kerajinan berbahan baku limbah plastik. Program yang telah dijalankan berupa pemanfaatan limbah plastik menjadi kerajinan tangan sebagai sarana ekonomi kreatif berbasis wirausaha. Program ini sangat membantu dalam menjaga keseimbangan lingkungan secara ekologis. Menjaga kelestarian lingkungan menjadi faktor yang sangat penting dewasa ini. Banyak bencana alam yang disebabkan karena lingkungan yang rusak. PKK memberikan penyuluhan sederhana agar lingkungan tidak dirusak dan mencegah pencemaran sumber air, melaksanakan pengelolaan sampah plastik dengan pemanfaatan kerajinan tangan. Metode yang digunakan dalam kegiatan ini adalah Participatory Rural Appraisal yaitu metode pendekatan dalam proses pemberdayaan dan peningkatan partisipasi masyarakat dengan menekankan pada keterlibatan masyarakat dalam semua kegiatan yang dilaksanakan. Tujuan dilakukan kegiatan Pengabdian ini adalah untuk mengaktifkan kembali pengkaderan masyarakat dalam mengelola limbah sampah menjadi kerajinan yang berbasis wirausaha ekonomi kreatif. Hasil pengadian ini dihadiri oleh 15 anggota PKK Dusun Wonosuko, dan dihasilkan 3 kelompok kecil berdasarkan bahan baku yang digunakan dengan kreasi pengelolaan kerajinan.Kata Kunci: Kader PKK; Kerajinan; Limbah Plastik; Limbah Sampah
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Azis, Adek Cerah Kurnia. "SAMPAH ANORGANIK MENJADI KERAJINAN TAS PADA KELOMPOK PROGRAM KELUARGA HARAPAN (PKH) DI KECAMATAN DELI TUA." JURNAL PENGABDIAN KEPADA MASYARAKAT 24, no. 2 (August 9, 2018): 689. http://dx.doi.org/10.24114/jpkm.v24i2.10470.
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AbstrakPermasalahan mendasar dari kedua Program Keluarga Harapan (PKH) yang menjadi mitra pada Program Pengabdian kepada Masyarakat ini adalah relatif rendahnya pengetahuan serta pengalaman untuk berwirausaha terutama mengutamakan potensi di bidang kerajinan. Mengingat di lokasi setempat banyak sampah-sampah anorganik yang belum dioptimalkan kegunaannya. Sampah ini justru dibakar dan dibiarkan begitu saja, padahal “pembakaran plastik tidak sempurna dan akan menghasilkan gas yang akan terurai diudara menjadi dioksin yaitu bahan beracun”. Sementara banyak produk-produk yang bisa dihasilkan dari sampah tersebut seperti kerajinan, yaitu berupa aneka macam ragam tas. Oleh karena itu tim pelaksana melakukan kegiatan Pengabdian kepada Masyarakat melalui pelatihan dan pendampingan kepada para anggota yang terlibat atau yang bergabung di kedua PKH. Dimana kegiatan ini untuk memanfaakan sampah anorganik (kantong plastik, botol minuman, makanan, dan produk kecantikan, plastik sachet makanan, minuman, dan produk kecantikan) menjadi karya kerajinan tas yang bernilai guna dan jual.Kata kunci: PKH, sampah anorganik, kerajinan tasAbstractThe fundamental problem of the two Hope Family Programs (PKH) that become partners in this Community Service Program is the relatively low level of knowledge and experience for entrepreneurship, especially prioritizing the potential in the craft field. Considering that in the local location there are many inorganic wastes that have not been optimized for use. This waste is actually burned and left unchecked, even though "plastic combustion is not perfect and will produce gas that will break down into the air into dioxins which are toxic substances". While many products that can be produced from such waste are like crafts, which are various kinds of bags. Therefore the implementing team carried out Community Service activities through training and mentoring to the members involved or who joined the second PKH. Where this activity is used for inorganic waste (plastic bags, bottled drinks, food, and beauty products, plastic sachets of food, drinks, and beauty products) is a worthwhile and selling bag craft.Keywords: PKH, inorganic waste, bag crafts
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Rahmaningtyas, Wisudani, Ratieh Widhiastuti, Hengky Pramusinto, Hana Netti Purasani, and Putri Della Ramadhani5. "ECOLIMBAH : Cross-Ecosystem Pollution Reduction through Creative Craft Business with Commercial Value." Jurnal Pengabdian UNDIKMA 4, no. 3 (August 19, 2023): 691. http://dx.doi.org/10.33394/jpu.v4i3.8691.
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This community service program aims to provide knowledge and skills to the community on how to manage and process household waste, especially plastic, into valuable and marketable products. The methods for implementing community service activities included lectures, practical exercises, and guidance. The evaluation used in the community service activities involved the utilization of questionnaires and their subsequent qualitative descriptive analysis. The outcome of the community service activities was an increase in knowledge about waste bank management and skills in utilizing plastic waste to create woven plastic bags for water bottle holders. In conclusion, community service has proven to be a highly effective endeavor, providing valuable knowledge and skills to the partners while promoting environmental awareness and sustainability through plastic crochet.
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Chou, Yen-Fei, and Tsai-Yun Lo. "Combining the traditional craft of twined flower making with stone." Craft Research 13, no. 1 (March 1, 2022): 153–68. http://dx.doi.org/10.1386/crre_00070_1.
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Twined flower making has been a handicraft practiced by women since the Qing Dynasty (1885‐94) in which wires, papers and silk threads are the main materials used by entwining the materials together in various combinations into the forms of flowers. However, the rise of plastic flowers in the 1970s, the evolution of lifestyle and weakened folk traditions has led to the gradual decline of twined flower craft. The craft of twined flower making has not been taught in a systematic fashion and thus is more difficult to pass onto new generations. The research aims to bring the art of twined flower into daily life to continue the future of this craft. The eastern region of Taiwan has an abundance of stone resources. The conception of the project is to unite the contrasting materials of twined paper flowers and to augment the scope of the craft. Traditionally twined flower handicraft has been applied mostly as an ornament or fashion accessory for women. The project extends the craft to the context of stationery by combining features found in traditional Chinese painting to produce a modern object.
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Putri, Qudriani Rahmadianti Ghassani, and Mesra Mesra. "Kerajinan Bunga Berbahan Limbah Plastik Ditinjau dari Bentuk, Proporsi dan Warna." Journal of Education, Humaniora and Social Sciences (JEHSS) 4, no. 4 (May 1, 2022): 2668–79. http://dx.doi.org/10.34007/jehss.v4i4.1109.
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One of the creativity developments that can be done by students is the development of creativity by managing plastic waste into crafts, in this case flower crafts from plastic waste. This study aims to determine the application of shapes, proportions and colors in the manufacture of flower crafts made from plastic waste by class VIII students of SMP Negeri 2 Kualuh Selatan. This research was conducted from September to November 2021. This study used a qualitative method with qualitative descriptive data analysis techniques. The total population in this study was 241 works with a total sample of 34 works. The sampling technique uses a purposive sampling technique, namely a sampling technique or data source with certain considerations. The results showed that overall flower crafts made from plastic waste made by students of class VIII Suharto State Junior High School 2 Kualuh Selatan obtained good categories in terms of shape, proportion and color.
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Ery fatarina purwaningtyas, Mega Kasmiyatun, Ahmad Shobib, and Sri Mulyaningsih, MF. "Pelatihan Keterampilan Dari Limbah Kemasan Air Mineral di Desa Sambongsari,Weleri Kabupaten Kendal." Perigel: Jurnal Penyuluhan Masyarakat Indonesia 3, no. 2 (June 21, 2024): 52–57. http://dx.doi.org/10.56444/perigel.v3i2.1686.
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Mineral water packaging waste which is not managed properly, causing environmental pollution. The focus of this service is to provide skills training to the community to process this waste into economically valuable products. The aim of this activity is to increase community awareness and skills in recycling mineral water packaging waste into handicraft items, to reduce environmental pollution and increase community income. Using a participatory approach, with direct training methods involving demonstrations and practice. The strategies used are: 1) Socialization regarding the impact of plastic waste, 2) Technical training on making craft products from mineral water packaging waste. The results of this activity are expected to make people more aware of the importance of managing plastic waste and have new skills in making craft products. The result is products such as bags, wallets and home decorations made from mineral water packaging waste, which can be sold to increase income. Apart from that, there is a reduction in plastic waste in the surrounding environment.
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Zhang, Hua Yong, Xiao Jian Liu, and Hai Yan Sun. "Research on Technology of Wood-Plastic Composites." Advanced Materials Research 630 (December 2012): 75–79. http://dx.doi.org/10.4028/www.scientific.net/amr.630.75.
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Wood-plastic composites were produced by heating, blending and extruding with recycled plastics and wood fiber as chief raw materials and some thermoplastic resin as the additive. The compounding formula and producing craft were researched and optimized. The influence of the ratio of wood fiber and additives was examined. Wood-plastics composites with excellent performance were produced.
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Yahya, Idhar, and Khawarita Siregar. "Improvement of production facilities for improving the sales of banana crafts managers and improving production facilities for improving the sales of banana crafts and peek crafts." ABDIMAS TALENTA: Jurnal Pengabdian Kepada Masyarakat 5, no. 1 (May 30, 2020): 73–79. http://dx.doi.org/10.32734/abdimastalenta.v5i1.4027.
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The business of making chips has two main products namely peyek chips and banana chips. Making peyek chips and banana chips is done manually using a very simple production facility. The process of frying chips requires a long time because the craftsman only has 1 stove and 1 pan so that the frying process is carried out alternately between peyek and banana chips. This has an impact on a limited quantity of projects so that often customer requests cannot be fulfilled. The quality of chips produced sometimes does not satisfy consumers because it is not crispy if stored for a period of time. This is because the crafters use thin plastic and the process of adhesion to the packaging activities is carried out using candles and kerosene lamps. In addition to not sticking to plastic, there is also a hollow plastic package so that air can get into the chips. The dedication team provided solutions to increase production in the form of 2 units of high pressure cookers, 1 unit of furnace, 3 units of iron frying pan, 1 unit of plastic packaging adhesive (sealer), 1 unit of mechanical sweet potato slicer, 1 unit of semi-mechanical banana slicer, procurement brands and thick plastic. Utilization of these production facilities results in the addition of the types of products produced, namely tojin beans, sweet potato chips, pan flowers and rengginang. Increasing the quality and quantity of products has an impact on increasing the market so that it has been marketed to simple housing, medium housing complexes and now modern outlets are willing to accept the products produced.
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Nguyen, Tam. "Prosaic Trānsquīlus : A Visual-Textual Meditation on Craft and Writing." Southeast of Now: Directions in Contemporary and Modern Art in Asia 7, no. 2 (October 2023): 181–92. http://dx.doi.org/10.56159/sen.2023.a916553.
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Abstract: As the main object of discussion, the ‘plastic archive’ is the term I use to describe the sheets of plastic that my mother salvaged over the years to trace embroidery patterns on when she was still a local tailor. This visual-textual essay explores the poetry (and the lack of such) of my mother’s craft. She retired from her job in the late 2010s due to bad eyesight and other health problems, so what is left of her work is a collection of embroidery templates that I found by accident in early 2022. As a tribute to her, I used these materials to create a series of mixed media collages to reflect on the length of her career, as well as her strategies and attitudes toward visual configurations as a non-visual artist. Ultimately, by drawing from art history and resisting it, I aim to address the discursive aspects of Vietnamese identity, queerness, language, art writing, and poetic instinct.
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Zoran, Amit. "Hybrid Basketry: Interweaving Digital Practice within Contemporary Craft." Leonardo 46, no. 4 (August 2013): 324–31. http://dx.doi.org/10.1162/leon_a_00603.
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Contemporary 3D printing and traditional craft rarely meet in the same creation. They tend to live in different worlds. In this paper, the author argues for merging these two distinct traditions. To that end, he developed hybrid basketry, a medium where 3D-printed structures are shaped to allow the growth and development of hand-woven patterns. While the 3D-printed plastic elements contribute the aesthetics of the digital curvatures and manifolds, the hand-woven reed, jute, and canvas fibers infuse the baskets with a unique organic appeal. The author discusses his motivation, describes the making process, and presents four hybrid baskets, integrating a deeper discussion on the place of craft and tradition within our contemporary approach to design and fabrication.
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Maerani, Ira Alia, Rofida Kania Maharani, Muhammad Nasrur Rohman, Dwi Eriyani, Fatichatin Nabila, and Aldithya Wahyudha. "Metode Edukasi dan Pelatihan Pengelolaan Sampah Plastik untuk Kerajinan di SDN Bedono 1 Sayung, Demak." Indonesian Journal of Community Services 5, no. 1 (May 25, 2023): 114. http://dx.doi.org/10.30659/ijocs.5.1.114-122.
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Kegiatan pengabdian masyarakat berupa edukasi dan pelatihan pengelolaan sampah plastik sehingga bernilai manfaat ganda. Metode pengelolaan limbah plastik berdasarkan pada �4R (Reduce, Re-use, Recycle, Replace)� bertujuan untuk siswa memahami kepentingan dari dikelolanya limbah di lingkungan sekitar maupun sekolah. Kemanfaatan dijalankannya kegiatan ini serta pelatihan kerajinan sampah plastik di dasarkan 4R ini ialah untuk mendapati data/informasi secara keseluruhan terkait topik atas pengolahan sampah plastik. Topik yang dijelaskan terkait penjelasan sampah plastik serta pemrosesannya. Sepanjang pelaksanaan kegiatan ini berjalan dengan baik serta siswanya antusias. Berdasarkan kegiatan pengabdian masyarakat berupa sosialisasi pengelolaan serta pelatihan kerajinan sampah di SDN Bedono 1 Sayung Demak Jawa Tengah memberi simpulan: (a) Menambah ilmu serta mengajarkan peserta didik bagaimana dikelolanya sampah tersebut dengan benar, (b) Meningkatkan skill saat proses pengerjaannya dengan menjadikan barang tersebut bernilai. Ada juga tahapan yang dikerjakan saat melaksanakan kegiatan tersebut yaitu (1) mengunjungi situasi sekitar sekolahan, (2) menentukan kapan dijalankannya kegiatan sosialisasi terkait instansinya, (3) disiapkannya kebutuhan dalam kegiatan sosialisasi (4) dijalankannya kegiatan sosialisasi dan pelatihan pengelolaan sampah plastik dengan pihak sekolah. Terdapat juga keinginan dari sekolahan yang bersangkutan, bahwasanya untuk masa yang akan datang pelaksanaan ini mampu menambahkan pengetahuan serta wawasan kepada siswa dan siswi atas implementasinya kegiatan pengabdian masyarakat berupa sosialisasi ini dengan mengangkat tema "pengelolaan sampah serta pelatihan kerajinan sampah plastik"semakin banyak yang tertarik dan minat agar bermanfaat bagi siswa.
Community service activities in the form of correctional processing of waste management based on "4R (Reduce, Reuse, Recycle, Replace) " aim to make students understand the importance of waste management in the surrounding environment. The benefit of carrying out this implementation as well as training on plastic waste crafts based on the 4Rs is to see the overall data related to the topic and management of plastic waste. The topics explained are related to the explanation of plastic waste and its processing. Throughout the implementation of this volunteer activity went well and the enthusiasm of the students. Based on community service activities in the form of outreach on waste management and craft training at SDN Bedono 1 Sayung Demak, Central Java, it can be concluded: (a.) Gaining knowledge and forbidding students how to manage the waste properly, (b.) Improving skills during the processing process by making the item is of value. There are also levels that are worked on when programming implements the management, namely (1.) visiting the situation around the school, (2.) determining when to run community programming related to the institution, (3.) preparing an explanation of the application for the community (4.) executing the programming community by conducting socialization and training on plastic waste management with the school. There is also a desire from the schools concerned that for the future this implementation will be able to add knowledge and insight to students, exemplified by this community activity with the theme of waste management and plastic waste craft training, more and more people are interested and interested in making it useful for students.
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Mochamad Mas’ud. "Improving the Prosperity of Jatirejo Village Community in Pasuruan Regency Through Optimizing the Development of Social Networking MSMEs." SOEROPATI 2, no. 1 (November 23, 2019): 51–60. http://dx.doi.org/10.35891/js.v2i1.1723.
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In one of the community service study activities, mentoring students of KKN (Lectures for Real Work) in Jatirejo Village has the potential of marine fisheries in the area of Pasuruan Regency. The condition of the problems faced so far, namely the lack of utilization of marine waste products that have not been managed properly into handicrafts so as to increase the selling value of marine waste that is optimal, lack of knowledge of processing plastic waste products as a craft bag, tissue place, making paving etc., lack of understanding the community to manage the business, both in terms of marketing and finance from the owners of MSMEs in Jatirejo Village, so that the work of the Jatirejo village community is only sold around the Lekok subdistrict. The method of using Participatory Action Research (PAR) is assisting community participation in carrying out activities to improve welfare, especially business management and marketing training, shellfish craft training and the manufacture of plastic packaging water bags, training in the manufacture of plastic paving. The results achieved by the Harmony and RARA Store UMKM online marketing systems have a positive impact, namely an increase in monthly turnover of 33% for each UMKM.
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Kim, Taeyoun. "Rediscovering value through crafting plastic bags." Craft Research 13, no. 1 (March 1, 2022): 169–84. http://dx.doi.org/10.1386/crre_00071_1.
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As a fibre artist, I have tried to create unique work that differentiates from contemporary art and historical art forms. One such attempt involves my work using plastic bags and the resulting outcomes, which began with my interest in yarn. Many factors determine the quality of a material but a common characteristic is that a textile has its roots in yarn. I questioned ‘what if the yarn changes? ‐ that is, if the materials sourced for yarn production change, before conceptualizing a specific artefact, the yarn can become a unique fabric in itself’. After a long series of tests with different materials, I chose to use the plastic bag, which has astounding potential as an art/craft material. My aim was to return the practicality of an everyday object back into everyday life. By giving a new value to the plastic bags’ original function of holding and moving things, I intended to unveil questions of ‘utility’ and ‘meaning’. In addition to its physical properties and material potential, the plastic bag broadened my conceptual framework of meaningful craft practice. When plastic bags first appeared, they were a symbol of hygiene and convenience in modern life. However, this ground-breaking material has since turned out to be a main culprit of environmental destruction; these contradictory perspectives representing contrasting ‘values’. Through my extensive work with recycled plastic bags, mainly sourced through waste streams, I have discovered further values and realize that the utility and value of an object (existence) are not fixed, but are dependent on the gaze and attitude of the viewer or user. In this article, I convey what I have found and realized through hand crafted yarn production and weaving techniques and hope it will lead to the discovery of further values for new audiences.
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Prastyaningrum, Ihtiari, Swasti Maharani, Indriyana Dwi Mustikarini, and Umi Kholifah. "Creatif Craft, Media Latihan Motorik Lansia." JAST : Jurnal Aplikasi Sains dan Teknologi 7, no. 2 (December 30, 2023): 155–65. http://dx.doi.org/10.33366/jast.v7i2.5429.
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Human motor skills will decrease with age. It is very necessary to provide some exercises to maintain motor skills. Creative Craft is one of the activities that can be done to train motor skills. In this community service activity, we partnered with the Salimah Brotherhood. Salimah has an elderly school with several programs in it, one of which is motor training. The problem in motor training here is the lack of media and facilitators, therefore we offer to provide training in making lavender flower handicrafts made from plastic straws. The results of the training are lavender flower crafts which will later be exhibited at the Salimah bazaar. The activity was carried out using a demonstration and mentoring model, considering that the participants were elderly. This activity has a positive impact, where the elderly will have better trained motor skills, be more independent, more confident because they are old but can still be creative. Another positive impact is that the elderly are more motivated in living their lives because in the future they can create more works. In conclusion, this activity is very positive and can be used as a routine activity in seniors' schools. Because there are quite a lot of benefits in supporting the quality of life of the elderly.ABSTRAKKemampuan motorik manusia akan menurun seiring bertambahnya usia. Perlu sekali memberikan beberapa latihan untuk menjaga kemampuan motorik. Creatif Craft adalah salah satu kegiatan yang dapat dilakukan untuk melatih kemampuan motorik. Pada kegiatan abdimas ini, kami bermitra dengan Persaudaraan Salimah. Salimah memiliki sekolah lansia dengan beberapa program di dalamnya, salah satunya adalah pelatihan motoric. Permasalahan dalam pelatihan motorik disini adalah kurangnya media dan fasilitator, oleh karena itu kami menawarkan diri untuk memberikan pelatihan pembuatan kerajinan tangan bunga lavender berbahan sedotan plastik. Hasil pelatihan adalah kerajinan bunga lavender yang nantinya dipamerkan dalam bazar Salimah. Kegiatan dilaksanakan dengan model demonstrasi dan pendampingan, mengingat pesertanya adalah lansia. Kegiatan ini berdampak positif, dimana lansia akan lebih terlatih kemampuan motoriknya, lebih mandiri, lebih percaya diri karena dengan usia yang sudah senja namun masih dapat berkreasi. Dampak positif lainnya adalah para lansia lebih termotivasi dalam menjalani hidup karena kedepannya mereka dapat membuat karya-karya lain yang lebih banyak. Kesimpulannya, kegiatan ini sangat positif dan dapat digunakan sebagai kegiatan rutin di sekolah lansia. Karena kebermanfaatan yang cukup banyak untuk menunjang kualitas hidup para lansia.
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Zhang, Wen Yu. "Artificial Neural Networks in Materials Science Application." Applied Mechanics and Materials 20-23 (January 2010): 1211–16. http://dx.doi.org/10.4028/www.scientific.net/amm.20-23.1211.
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Because but the artificial neural networks has the strong non-linear problem handling ability also the fault tolerance strong obtains the widespread application in the materials science.This article to its material design, the material preparation craft optimizes, the plastic processing, the heat treatment, the compound materials, corrode, domain and so on casting applications have carried on the discussion.
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Phung, Thi Vi, Thuy Ngoc Nguyen, Lan-Anh Phan Thi, Hung Viet Pham, and Hong Anh Duong. "Determination of Per- and Polyfluoroalkyl Substances in Craft Villages and Industrial Environments of Vietnam." Journal of Analytical Methods in Chemistry 2021 (April 21, 2021): 1–9. http://dx.doi.org/10.1155/2021/5564994.
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Per- and polyfluoroalkyl substances (PFASs) have attracted great concern because of their great recalcitrant nature and harmful environmental health effects. Eight PFASs in wastewater from craft villages and industrial environments of Vietnam were analyzed using liquid chromatography triple quadrupole mass spectrometry (LC-MS/MS) with negative electrospray ionization interface. For analysis of PFASs, percent recoveries ranged from 87 to 112, and MQL varied from 0.19 ng/L to 0.49 ng/L. Treated wastewater samples from eight metal-plating and eight textile-dyeing factories were collected for analysis of PFASs. Concentrations of PFOS in wastewater samples obtained from metal-plating factories with decorative plating stage were found at a range of 0.73–18.91 ng/L. For textile-dyeing factories, PFOA and/or PFHxA, which were present in all effluent wastewater samples, varied from 0.37 to 15.96 ng/L and 1.07 to 43.58 ng/L, respectively. Sixty surface water samples in four locations of the textile dyeing craft villages, a recycling plastic village, a paper recycling village, and 10 river water samples in the control area (a rural area without specific waste sources) were collected and analyzed for PFASs. The total concentrations of eight PFASs in surface water samples of craft villages ranged from 0.83 to 58.2 ng/L, which were significantly higher than those in the control area. PFOA, PFHxA, and PFOS are the three most dominant congeners in wastewater taken from craft villages with the highest concentrations of 27.4, 23.8, and 7.36 ng/L, respectively. The environmental risks posed by PFASs in surface water from craft villages were mainly in a range of extremely low to low level, particularly a few points have high ecological risks of PFDoA.
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Mustoffa, Ardyan Firdausi, Ika Farida Ulfah, and Iin Wijayanti. "Role of the Local Government and Participation of Micro, Small and Medium Enterprises (UMKM) In the Development of Plastic Craft Industry." Jurnal AKSI (Akuntansi dan Sistem Informasi) 5, no. 1 (May 19, 2020): 59–65. http://dx.doi.org/10.32486/aksi.v5i1.427.
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This study aims to describe the role of local government and the participation of Micro, Small and Medium Enterprises in the development of Plastic Woven Crafts in Karanggebang Jetis Village, Ponorogo Regency. The theory used in the formulation of the first problem regarding the role of local government uses the theory of Gede Diva (2009) which divides the role of government in three ways, namely the role of government as a facilitator, the role of government as regulator and the role of government as a catalyst. Second, the participation of UMKM actors uses the theory of Cohen and Uphoff in Distianto (2016) into four forms of participation, namely participation in planning, participation in implementation, participation in the utilization of results and finally participation in evaluation.This research uses the descriptive qualitative method. The technique of determining informants using purposive sampling techniques and data collection techniques carried out through interviews, observations, and documentation. The results of this research in the efforts to develop UMKM Plastic Weaving Crafts in Karanggebang Jetis Village, Ponorogo Regency, in general, there has been no interference from the government and UMKM entrepreneurs. So far, plastic woven crafts are still not developed. To develop UMKM especially plastic woven handicrafts located in Karanggebang Jetis, it is necessary to have the role of government and participation of UMKM actors.
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Li, Yue Feng. "Design of Headphone Shell Injection Mold Based on Pro/E." Advanced Materials Research 816-817 (September 2013): 307–10. http://dx.doi.org/10.4028/www.scientific.net/amr.816-817.307.
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This article studies headphone shell injection molding crafts analysis and mold design. According to mold structure crafts characteristics and customer requirements, we find out the best location of plastic injection, rational arrangement of the shunt and reasonable side core-pulling mechanism by using Pro/E, which simplifies mold structure, reduces mold manufacturing cost and provides a strong theoretical basis for the rationality of mold design.
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Muhdi, Muhdi, Sunan Baedowi, Achmad Buchori, and Mahmud Yunus. "Santripreneur Penghasil Kerajinan dari Limbah Plastik di Kawasan Pondok Pesantren KH. Murodi Mranggen Demak." Journal of Dedicators Community 5, no. 2 (July 27, 2020): 118–26. http://dx.doi.org/10.34001/jdc.v5i2.1223.
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The amount of plastic waste around the Mranggen Market and Pondok Pesantren K.H. Murodi Mranggen Demak is a cause for concern. Good waste management so that plastic waste has use value and is beneficial for the environment around Islamic boarding schools is the goal in this service. The methods used are: problem mapping, design, manufacture, operation test, operation assistance and marketing training for production products. The strategy used to make plastic waste valuable is by conducting training in making variations of plastic waste product crafts with Eco-Bricks made into chairs, flower vases, bags, wallets, prayer mats and others. In addition, it is to strengthen good waste management among students. The results of this santripreneur activity are 1) Santri feel excited to understand and do entrepreneurship/studentpreneurs from an early age; 2) students understand the importance of processing waste and the importance of providing added value to products made from plastic waste, 3) 80 percent of students are able to make variations of crafts from plastic waste and 20 percent still need further assistance, 4) marketing is carried out in collaboration with MSMEs in Indonesia. Semarang and Demak so that it can make passive income for students.
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Salhofer, Stefan, Aleksander Jandric, Souphaphone Soudachanh, Thinh Le Xuan, and Trinh Dinh Tran. "Plastic Recycling Practices in Vietnam and Related Hazards for Health and the Environment." International Journal of Environmental Research and Public Health 18, no. 8 (April 15, 2021): 4203. http://dx.doi.org/10.3390/ijerph18084203.
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Waste plastic today is a global threat. The rapid increase in global production and use has led to increasing quantities of plastics in industrial and municipal waste streams. While in industrialized countries plastic waste is taken up by a waste management system and at least partly recycled, in low-income countries adequate infrastructure to collect and treat waste adequately is often not in place. This paper analyzes how plastic waste is handled in Vietnam, a country with a fast-growing industry and growing consumption. The recycling of plastic waste typically takes place in an informal context. To demonstrate this in more detail, two rural settlements—so-called craft villages—are taken as case studies. Technologies and processes for plastic recycling are described and related risks for human health and the environment are shown, as well as the potential for the improvement of this situation.
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Maulida, Siti Alifia, and Kahfi Kahfi. "Creative economic assistance in Ecobricks craft empowerment reviewed from the perspective of Islamic Economics." ALIF 2, no. 2 (December 15, 2023): 35–43. http://dx.doi.org/10.37010/alif.v2i2.1400.
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Garbage that accumulates will cause a lot of losses for us, therefore we need Waste Management. If we are able to manage waste properly, we will get a positive impact on the environment and also benefits in the economic aspect. To overcome the problem of waste, it is necessary to make changes that view waste as a resource that has economic value and can be utilized. Which was originally just throwing garbage frivolity place changed to waste management by applying 3R (Reduce, Reuse, Recycle). One of the efforts in waste management in a good and right way is to use the Ecobricks concept which is able to reduce the amount of plastic waste that is difficult to decompose. The aim of writing this scientific work is to find out the causes of the accumulation of waste and to find solutions to the accumulation of waste in Banyuwangi Village. This research was conducted using qualitative research. This is because qualitative research methodology is a scientific research that aims to understand a phenomenon in a natural social context by prioritizing the process of in-depth communication interaction between the researcher and the phenomenon under study. One of the goals of Ecobricksing is to change habits that have not previously been a special concern in maintaining environmental cleanliness. This can be used as an opportunity and make it an alternative solution for the people of banyuwangi village in developing and improving knowledge about plastic waste management and the creativity of local residents in utilizing materials that exist in the surrounding environment that have a positive value in the lives of residents, such as utilizing plastic waste to make it a valuable product.
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Isa, Rusli, and Ishak Isa. "Mengurangi Sampah Plastik dan Mendorong Pertumbuhan Ekonomi di Desa Tapada Kecamatan Botumoito." Jurnal Pengabdian Masyarakat (ABDIRA) 3, no. 3 (July 14, 2023): 9–16. http://dx.doi.org/10.31004/abdira.v3i3.351.
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This article discusses a community service program in Tapadaa Village. The program aims to enhance community income by focusing on plastic waste management. It involves training in waste management and the establishment of a waste bank to promote economic value and women's participation in supporting their families and empowerment. The article acknowledges the widespread use of plastic bags in Indonesia and the consequential impact of plastic waste production. This program aims to improve productivity and engagement within the Tapadaa Village community, leading to increased family income and positive community development. The methods employed include craft training using plastic waste and the creation of a waste bank. The results indicate a positive impact on community knowledge, skills, and understanding of waste management with economic value. Additionally, this initiative contributes to the knowledge and skills development of KKN students in community engagement and waste-related problem-solving. Ultimately, this article aspires to enhance family income, welfare, and reduce environmental pollution caused by plastic waste.
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Muflyhudin, Dede. "PEMANFAATAN LIMBAH BESI UNTUK DIJADIKAN GAMELAN GENDER OLEH BAPAK I WAYAN SUKARTA DI BANJAR DINAS TULAMBEN KARANGASEM." Jurnal Pendidikan Seni Rupa Undiksha 12, no. 1 (January 19, 2022): 15–22. http://dx.doi.org/10.23887/jjpsp.v12i1.43443.
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Abstrak Penelitian ini bertujuan untuk mengetahui tentang (1) Untuk mengetahui bahan dan alat yang digunakan dalam proses pembuatan pembuatan kerajinan gamelan gender besi Bapak I Wayan Sukarta. (2) Untuk mengetahui bagaimana proses pembuatan kerajinan gamelan gender besi Bapak I Wayan Sukarta. (3) Untuk mengetahui bentuk ornamen yang dihasilkan dari kerajinan gamelan gender besi Bapak I Wayan Sukarta. Teknik pengumpulan data yang digunakan dalam penelitian ini adalah observasi, wawancara, dokumentasi, dan kepustakaan. Hasil penelitian sebagai berikut (1) terdapat bahan dan alat yang dipergunakan, untuk bahannya adalah besi bekas per mobil, kayu nangka, bambu tali (apus), tali plastik, tali kulit sapi, lem epoxy, dan klir. Alat yang dipergunakan untuk mendukung proses pembuatan gamelan gender antara lain mesin las, grinda tangan, grinda bubut, mata grinda, amplas, alat penempa, gunting, kuas, gergaji kayu, pahat, meteran, dan tang jepit panjang. (2) proses analisis pembuatan gamelan gender yang pertama yaitu mulai dari pemilihan bahan sampai proses pembentukan dan perakitan. (3) Untuk bentuk ornamen yang dihasilkan seperti ornamen stilasi dari kepala ayam, ornamen stilasi dari brutu ayam, dan ornament stilasi dari tumbuhan. Kata-kata Kunci: Gamelan gender Abstrak This study aims to find out about (1) To find out the materials and tools used in the process of making the iron gender gamelan craft Mr. I Wayan Sukarta. (2) To find out how the process of making iron gender gamelan crafts, Mr. I Wayan Sukarta. (3) To find out the shape of the ornaments produced from the iron gender gamelan craft, Mr. I Wayan Sukarta. Data collection techniques used in this study were observation, interviews, documentation, and literature. The results of the study are as follows (1) there are materials and tools used, for the materials are scrap metal per car, jackfruit wood, bamboo rope (apus), plastic rope, cowhide rope, epoxy glue, and clear. The tools used to support the process of making gender gamelan include welding machines, hand grinders, lathe grinders, grinding wheels, sandpaper, forging tools, scissors, brushes, wood saws, chisels, tape measure, and long pliers. (2) the analysis process of making the first gender gamelan, starting from the selection of materials to the process of forming and assembling. (3) For the resulting ornaments, such as stylized ornaments from chicken heads, stylized ornaments from brutu chickens, and stylized ornaments from plants. Keywords: Gamelan gender
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Setiawan, Arif, Supriyono Supriyono, and Pratomo Setiaji. "MENINGKATKAN AREA PEMASARAN UMKM PISAU DESA HADIPOLO DENGAN PENJUALAN ONLINE DI MASA PANDEMI COVID 19." Muria Jurnal Layanan Masyarakat 3, no. 1 (March 20, 2021): 33–37. http://dx.doi.org/10.24176/mjlm.v3i1.5103.
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The knife craft industry is one of the creative industries in Kudus Regency, especially in the village of Hadipolo Kudus. The problem faced by knife craft SMEs in the village of Hadipolo is the lack of access to marketing, sales only around Central Java through metal sales agents, HR capabilities are still minimal regarding technology. PPPUD team Muria Kudus University is working with the SMEs knife UD. Hasil Logam, designed an online sales web system to market products. The method used in this PPPUD activity is the expansion of marketing through online sales web and the UMKM YouTube channel knife, strengthening the internet infrastructure at UMKM, so that the market segment can reach the international level. The output targets of this PPPUD activity are expected to be able to: (1) increase UMKM assets, namely increase in production facilities (2) improve the quality of products produced, namely knives with plastic handles (3) expand marketing area.
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Jefferson, A. D. "Craft––a plastic-damage-contact model for concrete. I. Model theory and thermodynamic considerations." International Journal of Solids and Structures 40, no. 22 (November 2003): 5973–99. http://dx.doi.org/10.1016/s0020-7683(03)00390-1.
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Huang, Feng Li, Mei Peng Zhong, Jin Mei Gu, and G. W. Liu. "Robust Design in Injection Molding Processing Based on Multi-Objective Ant Colonies Algorithm with Crossover and Variation." Applied Mechanics and Materials 88-89 (August 2011): 279–84. http://dx.doi.org/10.4028/www.scientific.net/amm.88-89.279.
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Based on single objective robust design of injection molding process, a bi-objective robust design model based on mean and standard deviation of molding quality and a multi-objective ant colonies algorithm with crossover and mutation based on Pareto optimization are proposed. Aimed at the craft parameters of plastic injection for the top and down shell of remote controller, a model of bi-objective robust design based on mean and standard deviation of warpage quantity is established with an example. And the model is solved by multi-objective ant colonies algorithm of crossover and mutation. The result shows that partial performances of algorithm are superior to that of NSGAII. The actual plastic injection was done by means of the parameters which were gotten by multi-objective robust optimization. The quality of plastic parts was high, and the fluctuation was small.
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Rizky Hidayatullah, Mai Zuniati, Wiwied Pratiwi, Umar Al Faruq A. Hasyim, Santi Widyawati, and Peni Maulita. "Community Empowerment by Utilizing Waste into Plastic Flower Crafts at Sidowaras, Bumi Ratu Nuban Central Lampung." International Journal of Community Engagement Payungi 1, no. 2 (November 17, 2021): 66–70. http://dx.doi.org/10.58879/ijcep.v1i2.17.
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Located in the lowlands, Sisowaras Village, Bumi Ratu Nuban Subdistrict, has many livelihoods as farmers, where the majority of the population grows rice in the fields. Apart from farmers, there are also many other livelihoods such as traders, livestock breeders, builders, educators and government employees. However, there are still many young people in the Sidowaras village who do not have a livelihood and lack of creativity, so the purpose of this service is to empower the community in utilizing waste into plastic flower crafts. The service method uses the Asset Based Community Development (ABCD) approach by involving members of the Sidowaras village community, Bumi Ratu Nuban District. . The results of this service are community empowerment in terms of utilizing waste into flower crafts and Capacity Building in the Creative Economy Sector for the Sidowaras community through the use of waste into plastic flowers which can increase capacity in terms of creativity of the Sidowaras village community in terms of creative industries that can develop creativity in terms of the economy. Keywords: Community Empowerment, Waste Utilization, Plastic Flowers
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Ivan Surya Pramana Putra, Kadek Bagus, Made Gede Bagus T Krisna Narayana, Cokorda Istri Ustana Ginanita Utami, Venti Nurullita Wardani, Ni Kadek Sintya Devi, Adie Wahyudi Oktavia Gama, and Gusi Putu Lestara Permana. "EDUCATION OF INORGANIC WASTE PROCESSING INTO HANDICRAFTS WITH CREATIVITY VALUE AT JEGU 1 AND 2 STATE ELEMENTARY SCHOOLS." Abdi Dosen : Jurnal Pengabdian Pada Masyarakat 6, no. 3 (September 14, 2022): 687. http://dx.doi.org/10.32832/abdidos.v6i3.1185.
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This community service activity provides education to students of Jegu 1 and 2 State Elementary Schools about education on processing inorganic waste into handicrafts with creative value. The author found that there is still a lot of unused inorganic waste in Jegu village and can be used as a craft that can be useful for everyday life. Because there is still a lot of inorganic waste in the village of Jegu, we from the community service group conducted education about 3R (Reduce, Reuse, Recycle) and the practice of making handicrafts from inorganic waste (plastic bottles) such as piggy banks and pencil boxes which were held at Jegu 1 and 2 State Elementary Schools . The purpose of this education is to help utilize inorganic waste in a craft. The method used in this work program is the direct observation and education phase. Through this work program, the author wants the community, especially the students of Jegu 1 and 2 State Elementary Schools to be aware of the dangers of inorganic waste and inorganic waste that can be used as handicrafts with creative value.
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Coleby, Alastor M., and Eric P. M. Grist. "Fishing Production and Fishing Changes in Hong Kong after the Ground Trawl Ban of 31st December 2012: A Geospatial Evaluation." Journal of Geographical Research 6, no. 1 (February 21, 2023): 39. http://dx.doi.org/10.30564/jgr.v6i1.5315.
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From data published by the Hong Kong SAR (HKSAR) government in their two sole fisheries surveys of 2006 and 2016/2017, the authors produced regional maps using spatial interpolation to more accurately describe and estimate the geographic coverage of changes in fishing production in Hong Kong waters since the ground trawl ban of 2012 December 31st. These suggest the fishing industry has adapted to smaller craft, and that fishing production increased in several areas in the period after the ground trawl ban came into effect. In addition, the maps enable a smoother assessment to be made of the geospatial changes in fishing production which have occurred since the ground trawl ban and suggest a ‘workaround’ by fishermen. In particular, small fishing craft known as sampans are able to take advantage by being more suitable vessels for areas such as narrower or shallower bays. Marine plastics pollution is also a proxy indicator of these activities, as evidenced by discarded fishing gear that includes plastic nets, floats, and other fishing boat equipment.
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Vadesma, Iwanda, Aranssa Dwiveronikca Rajagukguk, Nadia Aprilia, Irvan Setiawan, Mikha Anggitama Setyomurti, and Marjam Desma Rahadhini. "Peningkatan Produktivitas Lansia Di Panti Wreda Widhi Asih Surakarta Melalui Sekar Panik (Senam, Karya, Pangan, Hidroponik) Berbasis Active Ageing." Adi Widya : Jurnal Pengabdian Masyarakat 7, no. 2 (October 28, 2023): 269–77. http://dx.doi.org/10.33061/awpm.v7i2.9852.
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Elderly people are those who have reached the age of 60 years or more who need activities to avoid experiencing dementia, the elderly have socio-psychological problems related to stress, loneliness and mental problems. So the PKM-PM team at Slamet Riyadi University, Surakarta, provided an activity to make the elderly productive through skills activities at the Widhi Asih Nursing Home, Surakarta. The methods applied in this activity include: (1) providing information related to the skills activities carried out (2) preparing the main materials and skills framework, (3) making craft skills from plastic spoons, used cardboard and flannel, (4) process final completion of skills and monitoring with the elderly. The result of the service is that seniors are able to participate in craft skills activities from start to finish with enthusiasm. Skills activities can fill the elderly's free time thereby suppressing dementia. Activities can be developed with creativity, new skills according to the abilities and desires of the elderly. This service has achieved the expected results and the sustainability of this program continues to be carried out through monitoring pattern.
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Paeno, Paeno, Kasmad Kasmad, Denok Sunarsi, Ali Maddinsyah, and Dede Supiyan. "PEMANFAATAN SAMPAH PLASTIK UNTUK KERAJINAN RUMAH TANGGA TAMAN BELAJAR KREATIF MEKAR SARI." BAKTIMAS : Jurnal Pengabdian pada Masyarakat 2, no. 1 (March 30, 2020): 57–61. http://dx.doi.org/10.32672/btm.v2i1.2104.
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Tujuan diselenggarakannya kegiatan Pengabdian Kepada Masyarakat ini adalah untuk Pemanfaatan Sampah Plastik Untuk Kerajinan Rumah Tangga Taman Belajar Kreatif Mekarsari yang sesuai dengan perkembangan jaman yang aktual dan terkini. Selain itu dapat menggerakkan para anggota Pengurus untuk dapat mengedukasi lingkungan dan menjadi program di era milenial seperti saat ini. Dengan menggunakan diskusi kelompok, penyuluhan ini mengedukasi pengelola Taman Belajar Kreatif Mekarsari akan pemanfaatan limbah plastic (bungkus kopi instan). Hasil kegiatan adalah meningkatkan motivasi berwirausaha oleh narasumber, kegiatan demonstrasi pembuatan produk usaha berbahan dasar sampah plastik serta kegiatan penyuluhan mengenai bagaimana hasil produk tersebut dibuat sebagai kegiatan wirausahaKata Kunci :Sampah Plastik, Kerajian Rumah TanggaABSTRACTThe purpose of this Community Service activity is for the Utilization of Plastic Waste for Household Crafts Mekarsari Creative Learning Park in accordance with the development of the current and current era. In addition it can move the members of the Board to be able to educate the environment and become a program in the millennial era as it is today. By using group discussions, the education program educates the managers of Mekarsari Creative Learning Park on the use of plastic waste (instant coffee packs). The results of the activities are to increase entrepreneurship motivation by the resource persons, demonstration activities for the manufacture of products made from plastic waste and counseling activities on how the results of the products are made as entrepreneurial activities.Keywords: Plastic Waste, Household Crafts
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Meng, Xue Hua, Zu Quan Jin, Qing Li, and Ji Xiu Zhang. "Analysis for the Influence of the Admixture on the Solidification Rate of Expansion of the α-High-Strength Gypsum Plaster." Advanced Materials Research 446-449 (January 2012): 1153–57. http://dx.doi.org/10.4028/www.scientific.net/amr.446-449.1153.
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The α-type high-strength gypsum with its superior strength and performance is widely used in precision casting, ceramic molds, arts and crafts as well as plaster and GRG self-leveling and other industries that have higher demands to the dimensional stability of the products. Solidification rate of expansion is an important characterized parameters of gypsum volume stability, and also an important indicator of α-High-Strength gypsum plaster. The common adjustment method of Solidification rate of expansion is to add additives to change the gypsum hydration process. But the influences of different types of additives on setting expansion have not been studied yet, therefore, this paper studied on the influences of citric acid, tartaric acid and sodium pyrophosphate on the solidification rate of expansion of the α-High-Strength gypsum plaster. The results indicate that the gypsum expansion rate was decreased with the increase of gypsum set retarder, the expansion rate was firstly increased and then decreased when the citric acid and sodium pyrophosphate increased; however, when the tartaric acid increased, the expansion gradually decreased, and the tartaric acid and the expansion of the gypsum by and large are in an inverse proportion.
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Ciont, Călina, Alexandra Epuran, Andreea Diana Kerezsi, Teodora Emilia Coldea, Elena Mudura, Antonella Pasqualone, Haifeng Zhao, Ramona Suharoschi, Frank Vriesekoop, and Oana Lelia Pop. "Beer Safety: New Challenges and Future Trends within Craft and Large-Scale Production." Foods 11, no. 17 (September 3, 2022): 2693. http://dx.doi.org/10.3390/foods11172693.
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The presence of physical, chemical, or microbiological contaminants in beer represents a broad and worthy problem with potential implications for human health. The expansion of beer types makes it more and more appreciated for the sensorial properties and health benefits of fermentation and functional ingredients, leading to significant consumed quantities. Contaminant sources are the raw materials, risks that may occur in the production processes (poor sanitation, incorrect pasteurisation), the factory environment (air pollution), or inadequate (ethanol) consumption. We evaluated the presence of these contaminants in different beer types. This review covers publications that discuss the presence of bacteria (Lactobacillus, Pediococcus), yeasts (Saccharomyces, Candida), moulds (Fusarium, Aspergillus), mycotoxins, heavy metals, biogenic amines, and micro- and nano-plastic in beer products, ending with a discussion regarding the identified gaps in current risk reduction or elimination strategies.