To see the other types of publications on this topic, follow the link: Plastics in interior decoration.
Journal articles on the topic 'Plastics in interior decoration'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 50 journal articles for your research on the topic 'Plastics in interior decoration.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.
1
Sadıklar, Zeynep, and Filiz Tavşan. "A study on selection of polymer based surface materials in interior design." New Trends and Issues Proceedings on Humanities and Social Sciences 2, no. 1 (February 19, 2016): 387–96. http://dx.doi.org/10.18844/prosoc.v2i1.323.
Full textAbstract:
People interact with surfaces in interior spaces, where a huge part of their life lasts. Many of these surfaces which surrounds the interior spaces are covering or coating materials in various textures and shapes. Materials used in interior surfaces are applied for various purposes. Protection, insulation or decoration can be considered as the main objective of these purposes.This study aims to research what kind of polymer based surface materials are used by interior designers and their reasons, frequency and area of use. For this reason, the study is composed on a questionnaire. The questions are prepared by summarizing the polymer based material information obtained from the literature. The questionnaire participants are interior designers who are actively working in the field. With this group, a survey on selection of plastic materials has been made. Survey results are explained in the findings. The last chapter includes the conclusions and recommendations of the study.
Keywords: Interior design, surface materials, plastics, polymers.
2
Melnyk, Liudmyla, Olena Kyzymchuk, and Liudmyla Zubkova. "Ukrainian Folk Ornaments in Modern Knitting." TEKSTILEC 64, no. 2 (March 27, 2021): 84–95. http://dx.doi.org/10.14502/tekstilec2021.64.84-95.
Full textAbstract:
National arts and crafts are not only the skills of an individual nation but an ethnic phenomenon that has unique features and serves as a source of information on national history and culture. Decorative and applied art in Ukraine combines the traditions and techniques of manufacturing and decoration, which have been developed and passed down from generation to generation. It has a clear national identity and numerous regional differ¬ences in ornamental motifs, compositions and favourite colours. Therefore, the Ukrainian folk art has a significant potential and is a source of ideas in creating modern clothing as well as interior items. Embroidery as a way of creating ornamental motifs on a textile material using various techniques is a common process for decorating clothes and interiors for the Ukrainians. Today, ornamental compositions of embroidered folk textiles could be transmitted into modern clothes using various technologies. However, the use of a knitting machine allows creating a pattern during the item production. The ornament transformation into a pattern for knitting can be carried out with graphic software by creating a grid with a cell size similar to the loop size of a knitted structure for corresponding interlooping. A number of clothing and interior items with ethnic motifs was created using the capabilities of flat knitting machines within the masters programme “Knitting Technology and Design” at the Textile Technology and Design Department of the Kyiv National University of Technologies and Design.
3
Zhang, Jijuan, Feifei Song, Jing Tao, Zhongfeng Zhang, and Sheldon Q. Shi. "Research Progress on Formaldehyde Emission of Wood-Based Panel." International Journal of Polymer Science 2018 (July 22, 2018): 1–8. http://dx.doi.org/10.1155/2018/9349721.
Full textAbstract:
Current research progress on the mechanism and influencing factors of formaldehyde emission from wood-based panel is reviewed. The formaldehyde analysis and test methods are summarized, putting forward a new idea to research the relevance of formaldehyde emission and the loading ratio of wood-based panel under the combined action of influencing factors. The quantitative indicators of wood-based panel load in a specific space according to the formaldehyde emission requirements are determined, which provide technical precondition support to improve the interior decoration and furniture design.
4
Tan, Yin Wu, You Min Wang, Ge Zhou, and Xiao Yang Du. "Automotive Interior Parts Molding Process Simulation and Parameter Optimization." Advanced Materials Research 734-737 (August 2013): 2725–29. http://dx.doi.org/10.4028/www.scientific.net/amr.734-737.2725.
Full textAbstract:
By the use of UG software，the solid model of the interior decoration board inside the automobile door was created and the molding behavior of the plastic product was simulated and analysis in the virtue of Moldflow．Based on the analysis of the effect of the mould parameter on the molding behavior ,the best gate location was achieved.We designed the L9(33) orthogonal experiment table of the parts injection molding,selected the mold temperature, melt temperature, injection pressure as the factores .Sink mark index, volume shrinkage, maximumwarping deformation and cavity residual stress are determined as the parts quality evaluation. We completed the orthogonal experiment and the range analyses of the results. We analyzed the influence of process parameters on evaluation of every optimal direction,developed evaluation for comprehensive quality of parts. Finally, we get the table showing the tendency on the assessment of the quality index influenced by various factors, which provides a foundation for the approaching research on the parameters of the injection molding process.
5
Marc, Anamaria. "CREATIVE REUSE OF WASTE FOR INTERIOR AND GARDEN DECORATIONS." Scientific Bulletin Series D : Mining, Mineral Processing, Non-Ferrous Metallurgy, Geology and Environmental Engineering 32, no. 1 (2018): 97–102. http://dx.doi.org/10.37193/sbsd.2018.1.13.
Full textAbstract:
Waste is defined by OUG no. 195/2005 as a substance or an object the owner discards, intends or is required to discard. [1] Wastes are related to the consumer's lifestyle and mentality. The main purpose of the article is to present creative, practical and aesthetic ideas on the reuse of household waste generated in households. There are presented statistical data taken from the Annual Environmental Reports, by ANM, the quantities of household waste generated in the last years and the degree of waste collection in Romania. In Romania most of the waste is eliminated through storage, so the most favorable actions for a proper waste management are prevention and reuse. The paper deals with the problem of dry solid waste: plastics, glass and metals waste.
6
BULHAZ, Çağrı. "STAGE MODELS USED İN THE STAGİNG OF THEATER PLAYS,DECOR AND STAGE DESİGNS." IEDSR Association 6, no. 15 (September 20, 2021): 166–82. http://dx.doi.org/10.46872/pj.339.
Full textAbstract:
Stage design is the design of decor, costumes, accessories, lights, effects and all other audio-visual environments for the enactment of a theatrical play on the stage. Stage design is the general name of the design of all counted areas. This art branch, which started in the Middle Ages in accordance with today's understanding as stage painting and stage decoration in the West, lived its brightest and most glorious period in the 19th century. The stage mechanics created by applying it to scenes that could be created in the 20th century, by inserting the visual illusion on purpose, cause the audience to see these false worlds with surprising and astonished glances. Stage decoration is a branch of art that incorporates all branches of plastic art, especially painting and architecture, but its function is to create spaces that will provide the necessary action on the stage, in accordance with the drama text written by the author. However, today, it continues to function with a new structuring like other developing and changing art branches. Now the stage designer must have a very good art background as well as being a good İnterior Architect. Their current and social cultural background, which is sensitive to the problems of the country and world societies he lives in, is an important factor in the emergence of a good stage design. It is no longer a stage decoration that is suitable for the dramatic text and it’s visually is in the foreground, but a stage design enriched and meaningful with the artistic interpretation of the artist and the expression of his feelings. In this article, the applicability of the interior architecture process and stage design process in the field of theater plays has been tried to be revealed.
7
Boyko, Khrystyna. "Artistic features and typology of subject motifs and objects on the matsevahs of Eastern Galicia XVI - the first third of XX century." Bulletin of Lviv National Academy of Arts, no. 39 (2019): 148–60. http://dx.doi.org/10.37131/2524-0943-2019-39-10.
Full textAbstract:
An important artistic element or symbolic text of ancient Jewish cemeteries are the tombstones - matsevi. The most commonly used motifs in decorative decoration of Galician matsevahs are zoomorphic, ornithological and vegetative motifs, which are often used in all other forms of Jewish art. The image of subject motifs and larger objects is just as original as the decorative adornment of facades of matsevahs of Eastern Galicia XVI - the first third of the XX century. and deserves a separate thorough study. The presentation of these motifs on the matsevahs' facades gives the viewer enough visual information about a particular person, even without translating and deciphering the very text of the epitaph, which, in the vast majority of cases, correlates and significantly supplements, interprets, informs, extends and clarifies the symbols of the carving of the upper part of the matsevahs. Sometimes the symbolic image was unrelated to the text, it was only decorative and contained traditional Jewish characters or symbols. One should note the desire of the authors, stone-cutters, for originality, artistic individuality, recognition of a particular object as a characteristic feature, of the use of substantive motifs for the decoration of the matsevahs, as well as the significant impact of family traditions with the provision of a peculiar author's decision to build a composition or property of the client with appropriate simplification or the complication of the carved decoration and the refinement of the composition. Very few monuments of stone-making art of the 16th-17th centuries have remained intact until now, which makes it impossible to give a full description of the artistic peculiarities of the memorial plastics; and, the vast majority of the preserved monuments were erected over burials at the end of the 18th and 19th centuries. and preserved until the first third of the XX century. The article is based on materials of field studies by the author of ancient Jewish cemeteries within Lviv, Ternopil, Ivano-Frankivsk regions, in particular: Belza, Brody, Bolechova, Burshtyn, Busk, Dobromil, Drohobych, Zabolotova, Kosova, Kremenets, Kutov, Nikolaev, Leshnava, Stary Razdol, Skole, Snyatin, Solotvyn, Stanislavchik, Old Sambir, Ternopil, Turks, Shchyrets, Yabluniv, Yazlivets and others. In the article, individual examples of carved decor are studied, the features of compositional techniques and the specifics of their artistic and plastic expression on the facades of ancient matsevahs of the studied region are analyzed and described. Subject motifs like zoomorphic, ornithomorphic, and vegetative, formed on the basis of the texts of the Torah and the Talmud, biblical metaphors and allegories, which became the symbols of the Twelve tribes of Israel, the people and the land of Israel in the traditional Jewish art of Eastern Galicia from the XVIII - the first third of the XX century. are the dominant motives in stone carving and the matsevah's memorial plastics. The article deals with the most common substantive motifs found on preserved matsevahs of Eastern Galicia of the period under consideration. To systematize and describe the subject motifs are presented in alphabetical order in the following sequence: Building. Vase. Zban (jug) and tray (bowl) for washing hands of levites. Tools, objects and technical equipment. Interior. Chalice. Klepsidra. Book. Ship. Crown. Well. Lamp. Menorah. Subjects and objects of the second plan: Candle holder, candle, platform for Tora, Decalogue tablets. Treasure chest. Arrow. Urn. Cabinet. Poison. Further field investigations and thorough scientific research in accordance with the methodology of scientific study of Jewish cemeteries, which includes: architectural measurements, photo fixation, graphic documentation, writing, reading, decoding and elaboration of texts of epitaphs and documentation of information will help to discover, understand and popularize the traditional art of numerous Jewish communities, which were an integral part of the polyethnic Galician city of the studied period. After all, most of the monuments of stone masonry art are in an extremely poor condition, some of them are on the verge of extinction and require a number of urgent professional measures for their further preservation and research
8
Shin, Eun Joo, Eun Nyeong Lee, Soon Mo Choi, and Eun Ji Sung. "Design and development of functional fabrics with dust- and sound- absorbing properties." Journal of Industrial Textiles 48, no. 1 (August 9, 2017): 162–77. http://dx.doi.org/10.1177/1528083717725910.
Full textAbstract:
In an environmentally polluted environment, woven curtain fabrics that collect dust and pollen play an important health-protective role in interior decoration. However, devices or evaluation factors for measuring the dust adsorption ability of interior products have not been developed. To resolve this deficiency, we developed an apparatus that directly measures the dust adsorption and devised two test parameters (dust interrupting capability and fine dust adsorption capacity) for quantifying the dust adsorption. We also investigated the physical properties affecting the dust adsorption ability of fabrics with different denier weaves of air-textured yarns and draw-textured yarns, which adsorb dust in their fluffs and crimps, respectively. The air permeability and weight of the fabrics were strongly correlated with fine dust interrupting capability. The air permeability, dust adsorption, and interruption capability of the air-textured yarns largely depended on the loops formed by the overfeed rate in the weft direction. The strong sound-absorbing performance of the samples (especially at higher frequencies) was also obtained by loops, fluffs, and crimps of air-textured yarns and draw-textured yarns of fabrics. The best sound-absorbing performance was exhibited by S20, made from 760 D with many loops on the yarn surface.
9
Bevz, Mykola, Oleh Rybchynskyi, Serhii Hetmanchuk, and Viktor Melnyk. "SCIENTIFIC PRE-PROJECT STUDIES AND FORMATION OF THE CONSERVATION CONCEPTION FOR THE ASSEMBLY HALL IN THE MAIN BUILDING OF THE LVIV POLYTECHNIC NATIONAL UNIVERSITY." Vìsnik Nacìonalʹnogo unìversitetu "Lʹvìvsʹka polìtehnìka". Serìâ Arhìtektura 4, no. 2 (December 22, 2022): 8–24. http://dx.doi.org/10.23939/sa2022.02.008.
Full textAbstract:
The article highlights the results of the first round of conservation works to return the lost image of the assembly hall (meeting hall of the great senate) – the main building of the oldest building of the university. The purpose of the works is to create the methodology basis to restore the wall painting and sculpture decoration of the hall, to return it to its original authentic appearance from 1880-1884. The decoration of the hall was realized in 1884 by the artist and architect Ivan Dolynskyi, according to the idea of the first rector, architect Julian Zahariewicz. However, the original artistic decoration of the assembly hall was lost in the subsequent periods after the First World War. The walls of the hall and decorative plastic were covered with new paint layers of a nondecorative nature. The first test studies in 2015 showed the possibility of removing layers and opening the original wall painting decoration. They also testified to the need for conservation and restoration works of the authentic wall painting decoration, which in some places had cracks, local losses, and unsatisfactory technical conditions (flaking from plaster). Complex scientific architectural and conservation studies of the interior of the assembly hall were carried out, including the performance of all necessary types of research – from archival searches to soundings in paint coatings and stucco, and laboratory analyzes of materials. Research has revealed the nature of layering and the different states of preservation of the authentic painting layer in all parts of the hall, at different levels of the walls and decor. As a result of research, it was established the possibility of cleaning all walls, decorative stucco, and sculptures by mechanical means. Due to the large volume, it was recommended to divide the cleaning and conservation works into several stages. According to the concept of the discussed and approved project, the following were recommended as the main methods and stages of restoration works: – mechanical cleaning of the entire wall plane; removal of paint coatings to the layer of authentic marbling; also removing putty from cracks and gaps in the plaster; – delicate wiping of the wall surface with distilled water to remove surface contamination; – injection of deep cracks with liquid restorative putty mass; – “bringing” plaster in places of losses, falls and chips, followed by its alignment in the plane of the wall and its priming; – strengthening of the places of the base where there are losses, shedding of the wall painting by the method of its structural strengthening with the help of impregnation with a special priming solution; – restoration reproduction and toning of the wall painting (exclusively within the limits of losses); – after the completion of the reproduction of the wall painting-marbling (when the toning has completely dried), applying a restoration wax-resin mastic to the entire surface of the wall; giving a gloss after the mastic has completely dried; if necessary, mastic can be re-applied on new layers of wall painting. In the article, we reveal the main results of the research work, as well as highlight the key positions of the conservation task and the conceptual project of conservation, and recommendations for planning executive works. We also reveal the process of implementation of conservation works at their first stage - in 2015-2016. The works were carried out by the restoration group of the Department of Architecture and Conservation with the involvement of students.
10
Tang, Xiaoning, Xiansheng Zhang, Xingmin Zhuang, Huiping Zhang, and Xiong Yan. "Acoustical analysis of corduroy fabric for sound absorption: Experiments and simulations." Journal of Industrial Textiles 48, no. 1 (August 7, 2017): 201–20. http://dx.doi.org/10.1177/1528083717725912.
Full textAbstract:
Corduroy fabrics have been widely used in interior decoration currently. This work mainly investigated the acoustical properties of corduroy fabrics in relation to air permeability and airflow resistance. Five specimens with similar surface density and different wale width are used. The results indicated that corduroy fabrics with thicker wale width exhibited higher air permeability and lower airflow resistance. Furthermore, the increased width of wale is beneficial to improve the acoustic absorption of corduroy fabric. Two models based on air permeability and airflow resistance are taken to characterize the acoustical behavior. It has been indicated that Pieren model could well predict the acoustic absorption coefficient of corduroy fabric, and the difference of acoustic absorption is due to the varied air permeability and airflow resistance resulting from the different wale width.
11
Sapanzha, Olga S. "Vases, Caskets, and Decorative Lamps of the Leningrad Factory of Porcelain in 1956–1966: Context, Attribution, Interpretation." Izvestia of the Ural federal university. Series 2. Humanities and Arts 23, no. 4 (2021): 60–78. http://dx.doi.org/10.15826/izv2.2021.23.4.067.
Full textAbstract:
This paper focuses on two stages in the development of post-war production interior porcelain. The first stage is the completion of the development in the decorative and industrial arts of the grand style. The second stage is the development of modern style, which is reflected in the works of mass porcelain. The research refers to the Leningrad Factory of Porcelain and the production of the enterprise from 1956–1966. The products of the plant have not been studied sufficiently so far. However, the factory was one of the many Soviet porcelain enterprises that was involved in the creation of a new living environment. Two stages in the development of industrial art related to the organisation of the residential interior were reflected in the company’s products, i.e. works of small porcelain plastics, utilitarian porcelain, i.e. vases, boxes, bottles, night lamps, etc. The first stage is filled with works of small plastic arts (second half of the 1950s). The second stage is associated with the interior, in which porcelain goods played the role of accents in the interior, emphasising empty space (first half of the 1960s). The author of the article carries out analysis of caskets and vials of the enterprise (40 Years of October caskets, casket with a lion, Matryoshka casket, Summer Garden, a series of bottles and caskets), vases and pots (Lines planters, decorative vases, damask, and stacks), lamps (Chinese Pagoda night light, Golden Cockerel night light). Based on the interpretation of the value of the enterprise in the formation of the interior, the value of products in the processes of transition from the grand style to the modern style, a conclusion is drawn about the importance of the plant in the formation of the living environment. The massive nature of the works of the plant influenced the fact that the current stylistic trends were available to a vast number of Soviet citizens, who perceived new aesthetic norms.
12
Wang, Yu, and Zhengding Liao. "Porcelain interior plastic of the 1950s in museums and private collections in China." Issues of Museology 12, no. 1 (2021): 58–67. http://dx.doi.org/10.21638/spbu27.2021.106.
Full textAbstract:
In the two decades since the establishment of the people’s Republic of China, the challenges facing porcelain production have changed significantly. Porcelain production is one of the most important and oldest traditions in China. In the 1950s, porcelain craftsmen became involved in the creation of new forms of interior plastics. Many of the pieces they created are now part of museum collections and represent the history of the development of Chinese interior porcelain. Using the example of three museums and three reference monuments, the article examines the key trends in the development of porcelain art and stylistic changes that occurred during this period. The following museums have been selected as examples to showcase the specifics of Chinese porcelain art from this period: the China Ceramic and Porcelain Museum located in Jingdezhen City, which is the country’s first major art museum specializing in ceramics; the Chinese Fine Arts Museum in Beijing, which specializes in collecting, researching and displaying works of Chinese artists of modern and contemporary eras; and the Guangdong Folk Art Museum, which specializes in collecting, researching and displaying Chinese folk art. All of these museums are engaged in collecting porcelain, including interior porcelain plastics from the mid-20th century. In the collections of the aforementioned museums, three works were selected for analysis. These are three paired compositions created in the second half of the 1950s: the sculpture “An Old Man and a Child with a Peach” by Zeng Longsheng, “Good Aunt from the Commune” by Zhou Guozhen and “Fifteen coins. The rat case” by Lin Hongxi. These porcelain compositions reveal close relations with Chinese national culture and not only reflect various scenes, but are also aimed at expanding the role of porcelain in decorating residential interiors.
13
Amboro, J. L., A. Purwasito, and Warto. "The characteristics of teapots made of plastic and clay: what are their designs, functions, and impacts on the environment?" IOP Conference Series: Earth and Environmental Science 1114, no. 1 (December 1, 2022): 012110. http://dx.doi.org/10.1088/1755-1315/1114/1/012110.
Full textAbstract:
Abstract Currently, people are starting to reduce the use of traditional products and switch to ready-to-use products made from plastic, such as teapots. Nevertheless, clay crafts still maintain their existence in the widespread use of plastic products. Bayat is one of the subdistricts in Klaten Regency, Central Java, which is famous for its ceramics and pottery craft centres. Most artisans in the Bayat make crafts with clay as raw materials. This research focused on the advantages of Bayat pottery over other plastic products. This study aimed to increase public awareness to reduce plastic products’ use in daily life. This study used the descriptive qualitative method. The research was conducted in Bayat, Klaten, from March – June 2022. The results showed that clay crafts were considered more eco-friendly than plastic products. The development of Bayat pottery from clay has implications for design, function, usability, and environmental aspects. In the design aspect, the Bayat teapot can increase the aesthetic value of the craft. In terms of function and usability, the clay teapot functions as a water storage container as well as interior decoration. Meanwhile, in the environmental aspect, raw clay materials are easier to decompose, while plastic products are difficult to decompose.
14
Qin, Yuting, and Junying Fang. "The Application of New Energy Materials in New-energy Vehicle." Academic Journal of Science and Technology 2, no. 3 (September 8, 2022): 111–13. http://dx.doi.org/10.54097/ajst.v2i3.1537.
Full textAbstract:
Climate change is becoming one of the biggest environmental challenges in the 21st century. New-energy vehicle produce less greenhouse gases as compared to the traditional vehicles with internal combustion engines. New energy vehicles have great potential to successfully address the issue of climate change. Additionally, new energy materials can also be used in automotive lightweight technology. This paper discussed the currently lightweight materials including high-strength low-alloy steel (HSLA), carbon fiber composite material, and modified plastics. According to the discussion in this paper, high-strength low-alloy steel can be used in automotive safety parts, chassis, and body. Carbon fiber composite materials can be used in car bodies, chassis, roofs, doors, head covers, hoods, rear wings, center consoles, trim strips, drive shafts, leaf springs, frames, brake pads, interior and exterior accessories. Modified plastics can be mainly used in exterior decorative parts, interior decorative parts, functional parts, and structural parts. However, three are still many drawbacks of application of new energy materials in new-energy vehicle. The current new energy materials used in automotive lightweight technology are usually costly and time-consuming. Moreover, the characteristics of the new energy materials are still not clear. It could have a negative impact on the environment. Before this technology can be widely used in new-energy vehicles, more research is needed regarding the new energy materials.
15
Kozlowski, R., D. Wesolek, and M. Wladyka-Przybylak. "Combustibility and toxicity of board materials used for interior fittings and decorations." Polymer Degradation and Stability 64, no. 3 (June 1999): 595–600. http://dx.doi.org/10.1016/s0141-3910(98)00146-3.
Full text
16
Hryhorov, Viktor. "TRANSFORMATION OF THE KYIV MURALS AND MOSAICS AT THE TURN OF THE 1950–1960S AND THEIR IMPACT ON THE MONUMENTAL PAINTING DEVELOPMENT." Research and methodological works of the National Academy of Visual Arts and Architecture, no. 28 (December 15, 2019): 90–97. http://dx.doi.org/10.33838/naoma.28.2019.90-97.
Full textAbstract:
During twentieth century monumental painting has undergone numerous changes in iconography, stylistics and figurative-plastic language itself. An important milestone was the turn of the '50–'60s. When the artists resorted to active decorative searches and the ways of plane expression.In the 1930–50's, socialist realism became the main pointer for the monumental artist, which was the dominant artistic method at that time. For the most effective use of this method, the artists have been oriented on the realistic and academic principles, filling classical forms with Soviet meaning. Panels become burdensome and suffocated by architectural decoration, the expressiveness of the monumental painting was lost.However, at the end of the '50s monumental painting began to move away from realistic tendencies. A search of new ways of expressions have been proceeded. A search of new ways of expressions proceeded. The impetus for rethinking styling was widely known resolution of November 4, 1955 "About the elimination of redundancies in design and construction. "The document became the peculiar starting point in Soviet architecture as well as monumental painting.According to this resolution aesthetical side had to be solved by organically linking the architectural form to the purpose of the building and established proportion. The task of architects was to work on the creation of standard buildings in simple economic forms.Thus, new opportunities for development in the monumental painting appear. With the formation of new architecture, murals and mosaics are gaining ground for experiments both with materials and figurative-plastic solutions.At the turn of the 60's significant projects were created in Kyiv, among them Kiev River Station (1961), Kiev Bus Station (1961), Shulyavska Subway Station (1963), Metro Restaurant (1963), interior design at The Institute of Plant Physiology and Genetics, NAS of Ukraine (1962), exteriors of the Institute of Plant Protection of the UAAS (1962).
17
Yin, Hongling, Jinfeng Liang, Di Wu, Shiping Li, Yi Luo, and Xu Deng. "Measurement report: Seasonality, distribution and sources of organophosphate esters in PM<sub>2.5</sub> from an inland urban city in Southwest China." Atmospheric Chemistry and Physics 20, no. 23 (December 3, 2020): 14933–45. http://dx.doi.org/10.5194/acp-20-14933-2020.
Full textAbstract:
Abstract. Organophosphate esters (OPEs) are contaminants of emerging concern, and studies have concluded that urban areas are a significant source of OPEs. Samples were collected from six ground-based sites located in Chengdu, a typical rapidly developing metropolitan area in Southwest China, and were analyzed for seven OPEs in atmospheric PM2.5 (Σ7 OPEs). The concentrations of Σ7 OPEs in PM2.5 ranged from 5.83 to 6.91 ng m−3, with a mean of 6.6 ± 3.3 ng m−3, and the primary pollutants were tris-(2-butoxyethyl) phosphate (TBEP), tri-n-butyl phosphate (TnBP), tris-(2-chloroethyl) phosphate (TCEP) and tris-(2-chloroisopropyl) phosphate (TCPP), which together made up more than 80 % of the Σ7 OPEs. The concentrations of Σ7 OPEs were higher in autumn and winter than in summer. Nonparametric tests showed that there was no significant difference in Σ7 OPE concentrations among the six sampling sites, but the occurrence of unexpectedly high levels of individual OPEs at different sites in autumn might indicate noteworthy emissions. A very strong correlation (R2 = 0.98, p < 0.01) between the OPEs in soil and in PM2.5 was observed. Backward trajectory analysis indicated that the OPEs in PM2.5 were mainly affected by local sources. Principal component analysis (PCA) revealed that the OPEs in PM2.5 were largely sourced from the plastics industry, interior decoration and traffic emission (34.5 %) and the chemical, mechanical and electrical industries (27.8 %), while the positive matrix factorization (PMF) model revealed that the main sources were the plastics industry and indoor source emissions, the food and cosmetics industry and industrial emissions. In contrast to coastal cities, sustained and stable high local emissions in the studied inland city were identified, which is particularly noteworthy. Chlorinated phosphates, especially TCPP and TCEP, had a high content, and their usage and source emissions should be controlled.
18
Elibol, Cagatay, and Sadam Hamis Wapande. "Numerical and experimental formability analysis of aluminum 3105 sandwich panels produced by continuous hot-press forming." Materials Testing 64, no. 1 (January 1, 2022): 11–23. http://dx.doi.org/10.1515/mt-2021-2003.
Full textAbstract:
Abstract Aluminum–plastic composites as building materials are widely used for different construction purposes, for instance, for exterior wall cladding, ventilated facades, and interior decoration of buildings, in billboards, trains, and automotive industry. The main goal of this study is to investigate the formability of AA3105/LDPE/AA3105 sandwich composite in detail, which would exhibit a higher formability compared to AA3105 due to its higher strain rate sensitivity and strain hardening exponent. This is of decisive importance for the manufacturing process. The Nakajima tests are performed to experimentally determine the forming limit curves (FLCs) using in situ optical technique digital image correlation. Furthermore, numerical simulations of Nakajima tests are conducted using a modified Gurson–Tvergaard–Needleman damage model to compare the numerically and experimentally determined FLCs. The results show that the sandwich composite underwent inhomogeneous deformation during the Nakajima test, and that the FLC has no typical patterns exhibited by metal sheets. The FLCs predicted by the numerical model used in this study exhibit a very good correlation with the FLCs determined experimentally. The results of the present study provide new insights into the analysis and understanding of the deformation behavior of the sandwich composite sheet that may undergo complex stress and strain states.
19
Lees, Justin G., Cuc T. T. Bach, and Geraldine M. O'Neill. "Interior decoration." Cell Adhesion & Migration 5, no. 2 (March 2011): 181–86. http://dx.doi.org/10.4161/cam.5.2.14438.
Full text
20
Kumitskiy, B. M., N. A. Savrasova, V. N. Melkumov, and Ye S. Aralov. "MATHEMATICAL MODELING OF COLD PRESSING THE SHEET COMPOSITE." Russian Journal of Building Construction and Architecture, no. 3(47) (December 16, 2020): 55–64. http://dx.doi.org/10.36622/vstu.2020.47.3.005.
Full textAbstract:
Statement of the problem. The article examines the problem of cold pressing, which is the most important technological component in the production of sheet composite, which is widely studied in the repair and construction works in the interior decoration of residential and industrial premises. The solution to this problem is carried out on the basis of a physical and mathematical model under the assumption that the rheological properties of the deformable medium correspond to the principles of ideal plasticity and a flat deformable state. Within the framework of the problem, in two dimensions of quasistatic compression between absolutely rigid parallel-approaching plates of a thin ideally plastic layer, the stress-strain state of a composite medium is studied. It is believed that in the absence of volumetric loads, the condition of incompressibility of the medium and the associated flow law is fulfilled. Based on the hypothesis of the linear distribution of tangential stresses over the thickness of the deformable layer, analytical expressions for the statistical and kinematic characteristics of the deformation are obtained, and the condition at the edges of the rough plates makes it possible to determine the coefficient of slip thorns, which makes it possible to control the pressing process.Results and conclusions. It was established that the components of the strain rate are directly proportional to the plate approach speed, and the normal stresses acting in the pressing direction are independent of the loading speed, decreasing in magnitude from the center to the periphery.Keywords: yield strength, pressing, plasticity condition, mathematical model.
21
Shih, Yeng Fong, Wan Ling Tsai, and Venkata Krishna Kotharangannagari. "Development of Eco-Friendly Flame-Retarded High Density Polyethylene Composites." Key Engineering Materials 847 (June 2020): 55–60. http://dx.doi.org/10.4028/www.scientific.net/kem.847.55.
Full textAbstract:
The use of ammonium polyphosphate (APP) and expanded graphite (EG) as a flame retardant for polymer generally requires a relatively high amount of addition to achieve a flame-retardant effect, and is liable to cause a decrease in strength of the material. Therefore, in this study waste diatomite was used as an eco-friendly flame-retardant for high density polyethylene (HDPE) to reduce the amount of APP and EG and can reach the flame-retardant level. Moreover, the waste diatomite was heat treatment and surface modified by silane coupling agent to improve its compatibility with HDPE. The results show that the tensile strength of the HDPE drops sharply after the addition of the APP and EG. However, replace some of the APP and EG by the modified diatomite can slow down the decline and maintain the basic physical properties of the material. The impact strength of HDPE was also decreased by the addition of APP, EG and untreated diatomite. However, the impact strength of HDPE was increased after adding the surface modified diatomite. It can be seen from the experimental results that the addition of the waste diatomite modified by the silane coupling agent can reduce the usage of the flame retardant such as APP and EG, and increase the strength by increasing the compatibility between the plastic and the inorganic material. Moreover, this eco-friendly formulation can reach the UL-94 HB level, and it can be applied to interior decoration or as building materials in the future. Thus, it can not only recycle the wastes, but also reduce the threat caused by fire.
22
Chen, Xiao Jun, and Fu Ting Wang. "Soft Furnishing Material in Interior Space." Applied Mechanics and Materials 271-272 (December 2012): 1257–60. http://dx.doi.org/10.4028/www.scientific.net/amm.271-272.1257.
Full textAbstract:
In the case of the improving economic, people no longer pursue luxury and the copies of other homes in house decoration, but have a higher spiritual level requirements. Interior soft decoration has become an unavoidable mean of decoration in modern house decoration and the important direction of interior decoration. The interior soft decoration art is a dynamic art. Its unity can bring vitality to space and build an ideal interior environment that is full of culture taste and comfort. Interior soft decoration will be the future development of housing decoration industry and the popular trend.
23
Teasley, Sarah. "Nation, Modernity and Interior Decoration." Japanstudien 13, no. 1 (January 2002): 49–87. http://dx.doi.org/10.1080/09386491.2002.11826877.
Full text
24
Liu, Shan, Yun Bo, and Lingling Huang. "Application of Image Style Transfer Technology in Interior Decoration Design Based on Ecological Environment." Journal of Sensors 2021 (November 25, 2021): 1–7. http://dx.doi.org/10.1155/2021/9699110.
Full textAbstract:
With the further development of the social economy, people pay more attention to spiritual and cultural needs. As the main place of people’s daily life, the family is very important to the creation of its cultural atmosphere. In fact, China has fully entered the era of interior decoration, and people are paying more and more attention to decorative effects and the comfort and individual characteristics of decoration. Therefore, it is of practical significance to develop the application of decorative art in interior space design. However, the transfer effect of current interior decoration art design tends to be artistic, which leads to image distortion, and image content transfer errors are easy to occur in the process of transfer. The application of image style transfer in interior decoration art can effectively solve such problems. This paper analyzes the basic theory of image style transfer through image style transfer technology, Gram matrix, and Poisson image editing technology and designs images from several aspects such as image segmentation, content loss, enhanced style loss, and Poisson image editing constrained image spatial gradient. The application process of style transfer in interior decoration art realizes the application of image style transfer in interior decoration art. The experimental results show that the application of image style transmission in interior decoration art design can effectively avoid the contents of the interior decoration errors and distortions and has a good style transfer effect.
25
Rong, X., B. He, and L. Zhuang. "A Primary Study on the Recording Method of Interior Decoration in Qing Dynasty – A Case Study of Interior Decoration of Jingfu Palace." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W5 (August 21, 2017): 621–26. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w5-621-2017.
Full textAbstract:
The existing interior decoration of Qing Dynasty is the master of that of each dynasty, with its diversified forms and complicated functions. As early as 1920s, the Rehabilitation Committee of Qing court recorded the interior furnishing in the Forbidden City by using Chinese traditional documentary method. Today, along with the constantly updated techniques, the recording method for the current situation of interior decoration has gradually developed from two-dimensional drawings into digital and comprehensive record. However, the current research results are mostly limited to a single field. This paper takes the digital record and reproduction about the current situation of interior decoration in Jingfu Palace in the Forbidden City as an example. Through the use of photogrammetry, 3D laser scanning, virtual display and other technology and equipment at the forefront of architectural field, it makes qualitative and quantitative record about the interior decoration inside Jingfu Palace. By combing with the interpretation of historical documents, it restores the original design ideas hidden behind the current situation of interior decoration, so as to summarize the best recording and reproducing method of interior decoration of Qing Dynasty.
26
Zhou, Ming. "On Interior Greening Decoration of Residence." Applied Mechanics and Materials 275-277 (January 2013): 2793–96. http://dx.doi.org/10.4028/www.scientific.net/amm.275-277.2793.
Full textAbstract:
Endless nature energy has been brought into rooms by green plants. The paper reports on the function of interior greening decoration, the principles to follow and various functions of rooms with greening decoration technique from various angles. It concludes that it becomes an important measure for people to improve their living environment and create a harmonious living space of buildings, people and nature by interior greening decoration for rooms with dexterity.
27
Xiong, Qiqi, Bo Zhang, Yi Zheng, and Xin Li. "Research on the Interior Decoration Characteristics of Peking Union Medical College Phase I Project." Journal of Architectural Research and Development 7, no. 1 (January 17, 2023): 33–42. http://dx.doi.org/10.26689/jard.v7i1.4549.
Full textAbstract:
Peking Union Medical College was founded in the late Qing Dynasty and the early Republic of China. Since then, society and politics have been rapidly changing, and its architectural aesthetics reflect the idea of advocating the West and inheriting tradition. Through research and actual investigation, this paper summarizes the current status of its building from two aspects, interior decoration art and interior decoration technology, analyzes the interior decoration characteristics of Peking Union Medical College Phase I Project, and records the archives of Peking Union Medical College’s decoration technology.
28
Niu, Hua Qing, and Wei Ping Hu. "The Use of Super Absorbent Polymer for Interior Decoration Materials." Advanced Materials Research 573-574 (October 2012): 140–44. http://dx.doi.org/10.4028/www.scientific.net/amr.573-574.140.
Full textAbstract:
This paper is mainly about the use of super absorbent polymer for interior decoration materials. It introduces the super absorbent polymer and interior decoration materials. The structural properties make super absorbent polymer have an excellent ability to absorb water and keep it inside the materials. The analysis of technology, market, operation and cost show that super absorbent polymer is the best waterproof /dampproof materials in the interior decoration.
29
Anstey, Tim Ainsworth. "Economies of the Interior: Thomas Hope and Interior Decoration." Grey Room 78 (February 2020): 124–45. http://dx.doi.org/10.1162/grey_a_00285.
Full text
30
Yu, Tian Tian, and Wei Ping Hu. "Application of Nanomaterials in Interior Decoration." Advanced Materials Research 450-451 (January 2012): 356–59. http://dx.doi.org/10.4028/www.scientific.net/amr.450-451.356.
Full textAbstract:
As new materials, nanomaterials have many properties that are absence in other materials and thus can be applied to various fields. A number of nanotechnology-based products have been introduced into our lives. Nanomaterials have so many advantages. If applied to interior decoration — such as nanoscale glass on interior windows, nanoscale wall paint and nanoscale carpet — nanomaterials will bring changes to interior decoration and convenience to the living environment, while promoting the development of interior decorative materials and nanotechnology.
31
Nurul Fajri, Sri Ayu, Aznan Nazzer Nur Syarif, and Andi Hildayanti. "Filosofi Ornamen dan Dekorasi Interior pada Klenteng Xian Madi Kota Makassar." TIMPALAJA : Architecture student Journals 1, no. 1 (January 9, 2020): 57–69. http://dx.doi.org/10.24252/timpalaja.v1i1a7.
Full textAbstract:
Abstrak_Tujuan penelitian ini adalah untuk mengidentifikasi dan mengkajifilosofi ornamen dan dekorasi interior yang terdapat pada Klenteng Xian Madi Kota Makassar. Pada dasarnya kebudayaan Tionghoa mewariskan heterogenitas ragam hias Arsitektural Klenteng yang unik dan filosofis, mulai dari pemilihan warna dan penerapan atribut pada dekorasi ruang Klenteng. Penelitian ini digunakan metode penelitian deskriptif kualitatif yang bertujuan untuk mendeskripsikan dan mengemukakan makna filosofi dari ornamen dan dekorasi interior Klenteng Xian Madi. Berdasarkan hasil penelitian bahwa interior Klenteng Xian Madi didominasi dengan warna merah dan gold. Bagi umat Tionghoa warna emas melambangkan keberuntungan, dan keceriaan. Warna gold melambangkan kebahagiaan dan kemakmuran. Disamping itu, terdapat beberapa patung yang terletak di segala sisi ruang Klenteng sebagai tempat sembahyang umat Tionghoa. Sehingga filosofi ornament dan dekorasi interior Klenteng Xian Madi dapat diketahui secara empiris, karena masing-masing ornament dan dekorasi interior mengandung makna sebagai bentuk komunikasi bagi pengamat yang datang.Kata kunci: Arsitektur Klenteng; Filosofi Ornament; Dekorasi Ruang,Metode Deskriptif Kualitatif. Abstract_ The purpose of this study is to identify and clarify the ornament and interior decoration philosophy found in the Xian Madi Temple, Makassar City. Chinese culture inherits the heterogeneity of the unique and philosophical architectural decoration of the pagoda, starting from the selection of colors and the application of attributes to the pagoda's room decoration. This study used a descriptive qualitative research method that aims to describe and express the philosophical meaning of the ornamentation and interior decoration of the Xian Madi Temple. Based on research results that the interior of the Xian Madi Temple is dominated by red and gold. For Chinese people, the golden color symbolizes luck and cheerfulness. The gold color symbolizes happiness and prosperity. Also, there are several statues located on all sides of the temple room as a place of prayer for Chinese people. So that the philosophy of ornament and interior decoration of Xian Madi Temple can be known empirically because each ornament and interior decoration contains meaning as a form of communication for observers who come.Keywords: Temple Architecture; Ornament Philosophy; Room Decoration; Qualitative Descriptive Method.
32
Wenjing, Yin. "The Development of Interior Decoration Design Under the Background of Big Data." E3S Web of Conferences 253 (2021): 02084. http://dx.doi.org/10.1051/e3sconf/202125302084.
Full textAbstract:
In recent years, with the rapid development of information technology and the extensive coverage of the Internet, the information age has come, and data is gradually becoming one of the important factors in the production of various manufacturing and operational entrepreneurs. With the development of society, people have higher and higher requirements for indoor planning. People no longer only pursue the beauty of a simple natural environment, but also pursue the beauty of the natural environment, their unique personality and spiritual pursuit. This article firstly studies some development issues and trends of interior decoration design, and then discovers the application of big data in interior decoration design through literature research. Finally, the questionnaire surveyed the interior decoration design style and product selection. The survey results showed that about 50% of the choice of style chose simple style, and 70%-80% of consumers chose natural materials for decoration products. It can be seen that, the interior decoration design is simpler, and the natural style develops.
33
Lauren, Stefani, Astrid Kusumowidagdo, and Dyah Kusuma Wardhani. "PERANCANGAN INTERIOR ARSITEKTUR KANTOR KIELI DECORATION." AKSEN 3, no. 1 (October 17, 2018): 94–121. http://dx.doi.org/10.37715/aksen.v3i1.665.
Full textAbstract:
Kieli Decoration merupakan perusahaan jasa dekorasi pernikahan, pertunangan, pemberkatan nikah dan bridal shower dengan spesialisasi tema internasional yang bergerak di wilayah Jawa Tengah yang lebih berfokus di kota Semarang. Dekorasi pernikahan yang ditawarkan yaitu tematik maupun non tematik dan di dalam maupun di luar gedung. Latar belakang perancangan dari kantor Kieli Decoration yaitu membutuhkan sumber daya fisik untuk operasional perusahaan serta untuk menerima klien berkonsultasi. Selain itu, banyak perusahaan jasa dekorasi pernikahan di kota Semarang belum memikirkan desain kantor yang menarik dan mendukung kinerja serta produktivitas karyawan. Metodologi penelitian yang digunakan yaitu observasi, wawancara serta studi pustaka mengenai kantor terutama kantor dekorasi pernikahan. Desain kantor Kieli Decoration memiliki konsep “Collaborative Space”, konsep tersebut mengutamakan cara kerja perusahaan yaitu kolaboratif agar kinerja staf lebih produktif dan lebih mudah. Diwujudkan dengan open space dan terdapat beberapa multipurpose workspace. Penerapan branding perusahaan diterapkan dari segi warna logo dan bentukan logo. Branding diterapkan di warna dinding, pola lantai, bentuk furnitur, penataan fungsi area, penggabungan fungsi area, penggunaan artwork. Area klien dan area staf dipisahkan termasuk juga aksesnya agar lebih profesional. Proyek kantor ini fokus mengejar desain yang dapat mencerminkan karakter perusahaan, mendukung cara kerja perusahaan dan memberikan solusi terhadap permasalahan yang ada guna untuk meningkatkan produktivitas dan daya jual perusahaan serta agar dapat memberikan fasilitas yang maksimal bagi para klien.
34
Yu, Tian Tian, and Wei Ping Hu. "Application of Nanomaterials in Interior Decoration." Advanced Materials Research 450-451 (January 2012): 356–59. http://dx.doi.org/10.4028/scientific5/amr.450-451.356.
Full text
35
Lempa, Evelyn, Anne Schwarz-Pfeiffer, Harmen Rooms, and Julian Koc-Richter. "Electroluminescent textiles for home interior decoration." OPE Journal 11, no. 34 (2021): 18–19. http://dx.doi.org/10.51202/2366-8040-2021-34-018.
Full textAbstract:
Illumination and well-being are important aspects of “Smart Living” today. Within the IraSME Network a consortium of four German and two Belgian partners therefore developed a low energy consuming light source integrated into home interior decoration
36
Sharma, Rekha. "COLOURS IN INTERIOR DECORATION AND VAASTU." International Journal of Research -GRANTHAALAYAH 2, no. 3SE (December 31, 2014): 1–5. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3536.
Full textAbstract:
Colours are nothing but lights of different frequencies and wavelengths. Every colour is a kind of radiation and so, colours used for walls do have a profound influence on people living in the space. Important aspects such as decision-making, cheerfulness, calmness and vibrancy can be achieved by the right use of colors. Vastu, which is based on principles of energies and radiations, gives precise guidelines about use of colours depending on the directional aspect and usage pattern of the room.Colors according to Vaastu Shastra play an imperative role in bringing balance to our minds as well as bodies and to stimulate our energy. Therefore colors in a Home, Office, Factory, and Shop should be coordinated with the colors of respective planets and elements associated with different directions.Colors have a huge impact on our lives. Colors possess the power to lift our mood, raise our energy levels and increase our productivity. Vastu shastra prescribes certain floor and wall colors for the home to promote prosperity, good health and well-being. Colour scheme is an arrangement or pattern of colors or colored objects conceived of as forming an integrated whole or a combination of colours that has been chosen for a particular room
37
Gordon, Rae Beth. "Interior decoration in Poe and Gilman." Lit: Literature Interpretation Theory 3, no. 2 (December 1991): 85–99. http://dx.doi.org/10.1080/10436929108580074.
Full text
38
Yi, Rui. "Interior Decoration Materials’ Potentialities for Artistic Originality." Applied Mechanics and Materials 71-78 (July 2011): 967–71. http://dx.doi.org/10.4028/www.scientific.net/amm.71-78.967.
Full textAbstract:
Building materials for decoration are carriers for space art design to represent language, are material foundation for environment art design. Selection of materials is the basic matter for study of design. So, only by getting a full understanding of the properties of decoration materials, making good use of their advantages through reasonable selection and flexible collocation, and with respect to the available space environment, can materials perfectly perform their functions, thus fulfill the demand of interior space design. Art design and materials are interactional. The realization of art design depends upon materials and materials can get life with excellent design. By starting from the use of physical appearance of materials, we can dig out interior decoration materials’ potentialities for originality, and break through traditional way of design expression, and set up new concepts about how to use decoration materials.
39
Ling, Jin. "The Application of Natural Elements in Interior Landscape Design and its Principal Analysis." Journal of Architectural Research and Development 5, no. 5 (September 28, 2021): 12–15. http://dx.doi.org/10.26689/jard.v5i5.2514.
Full textAbstract:
The rapid development of the decoration industry creates a good development space for interior decoration, and the public pays more attention to the integration of natural elements in the process of interior decoration. In this regard, this article introduces the ways in which natural elements are embodied in indoor landscapes, and expounds the principles of using natural elements in indoor landscapes, hoping to provide references for relevant personnel.
40
Khan, Romana Yasmin, Kangli Ren, Wei Gan, and Zain ul Wahab. "Maintaining Pakistani Cultural Traditional Decorative Elements Blending and Adoption Different Decorating Style Approach." International Journal of Social Science Studies 7, no. 3 (March 13, 2019): 24. http://dx.doi.org/10.11114/ijsss.v7i3.4138.
Full textAbstract:
Pakistani culture has the capacity to adopt multi-cultural values and décor practices in the society. With the gradual improvement of the living environment, people are pursuing more satisfaction and spiritual meaning the current interior decoration style in Pakistan considers a mix and match style. People in Pakistan cannot absolutely consider adopting a pure one style. Interior decoration is considered as primary to traditional living culture with distinctive cultural ideas, filling in the use of the latest style of thinking. The purpose of this study is to explore the development and current status of interior decoration styles in modern Pakistan and to collect background information on the current interior design decoration style and application of traditional elements in decoration.Also, investigate the extent of application of traditional thoughts in modern houses, their incorporation and blend with contemporary architecture so that the cultural values and the elements of traditional interior décor art and craft are not endangered. Study reveals that Pakistani interior décor style is the foremost interesting and attention-grabbing to work with because of the variations within the culture, splendid history and art and craft across the country.
41
Chen, Chao. "Study of a New Type of Nanometer Materials in Interior Design." Applied Mechanics and Materials 484-485 (January 2014): 43–46. http://dx.doi.org/10.4028/www.scientific.net/amm.484-485.43.
Full textAbstract:
With the increasing demand of the daily environment, new nanomaterials are more widely used in interior design. At the same time, with the development of interior design, new nanomaterials have been widely used in the late soft decoration. In the hard and soft outfit, application of new materials often becomes the punch-line. However, in either the early hard decoration or the late soft decoration, the whole design development trend, ecological design, low carbon life began to penetrate into the interior design. All these put forward higher professional requirements for the designers at present and in the future.
42
Mulyati, Made Ida, and I. Ketut Sudiana. "Lukisan Wayang Kamasan Sebagai Salah Satu Elemen Dekorasi Interior untuk Memberi Nuansa Bali yang Unik." Journal on Education 5, no. 1 (December 24, 2022): 799–807. http://dx.doi.org/10.31004/joe.v5i1.686.
Full textAbstract:
Decoration elements are the most calculated elements in interior design to provide aesthetic value to a space. While the reality is that there are still many interior interior designers who have not been able to choose and quarter the right decoration elements based on the concept of space and the function of space. For this reason, it is necessary to study the decoration elements in interior design in accordance with the concept, function, and character of the desired space. Kamasan puppet painting is one of the traditional arts that has a strong and unique philosophy. The Kamasan puppet painting that symbolizes Dewi Semara Ratih pelambang beauty of true love is very suitable to be implemented in the interior of the master bedroom. Kamasan's puppet painting that tells the story of Prabu Kresna as Arjuna's coachman, during the Kurusetra Mahabharat war, is very suitable to be implemented in the interiors of schools, campuses, offices, libraries, and study rooms in residential buildings. Kamasan Dewi Saraswati's puppet painting is very suitable to be implemented in the interior of schools, campuses, offices, libraries and spaces used for work that are related to education. It is recommended for interior designers to make Kamasan puppet painting as an alternative as an element of decoration in the designed interior. In addition to giving a unique feel to the interior that is designed, it is also able to serve as a stakeholder to preserve traditional Balinese art.
43
Xu, Wei, and Yongqiang Zhang. "Evaluation of Sustainable Environment-Friendly Interior Decoration Design from the Perspective of Low-Carbon Economy." Mathematical Problems in Engineering 2022 (May 9, 2022): 1–7. http://dx.doi.org/10.1155/2022/5156039.
Full textAbstract:
With the rapid development of economic and social productivity, the living standards of our people have been continuously improved. As human society enters industrialization and urbanization, in order to meet the increasing needs of life, people have higher and higher requirements for the environmental quality of their lives. People spend nearly 90% of their time indoors. Therefore, the environmental quality of indoor spaces has become an issue that cannot be ignored. The interior space environment of the building is closely related to everyone’s life. However, when people decorate their rooms luxuriously and warmly, the subsequent interior decoration sequelae are also seriously affecting people’s health. The pollution caused by indoor decoration is serious, whether it is the use of decoration materials or improper indoor design that will cause indoor air pollution. Based on building materials and interior design, this paper systematically analyzes the pollutants in the fully decorated interior space and proposes that from the perspective of low-carbon economy, interior space design should be based on the ecological environment, and the focus of the design is on the rational use of nature. Resources and decoration methods should start from the application of natural colors and natural materials and organically combine green materials and green decoration designs to create a more comfortable, healthy, safe, and environmentally friendly indoor space environment.
44
Yang, Yan. "Application of Mirror Materials in Wood Furniture Manufacturing Process Based on Big Data Analysis." Mathematical Problems in Engineering 2022 (May 18, 2022): 1–8. http://dx.doi.org/10.1155/2022/8283152.
Full textAbstract:
With the development of the national economy, the interior decoration work has received extensive attention, and the traditional decoration methods have been unable to meet its actual work needs. The application of mirror materials in interior decoration can not only enrich the technical methods of interior decoration, but also improve the decoration quality and comfort, so as to meet people’s growing decoration needs, achieving the purpose of promoting the sound development of interior decoration. Mirror material is one of the decorative materials widely used in modern indoor environment. It not only has decoration, but also can expand space. In recent years, the advent of the era of big data has promoted the reform of the design industry. Using big data thinking to assist the innovative design of furniture products will also become an important trend in the development of the furniture industry. According to the characteristics of customer demand in the era of big data, this paper designs and develops a set of customer demand analysis system based on big data by using cloud computing and big data mining technology. By collecting the behavior data of users when using products, this paper combines the mirror material with the manufacturing process of wooden furniture. The mining algorithm is applied to find out the improvement goal and direction of wood furniture manufacturing process based on mirror material, so as to enhance the competitiveness of furniture enterprises. The method proposed in this paper can obtain the furniture design elements according to the functional zoning and theme information and input the furniture design elements and zoning elements into the design element matching evaluation model to obtain the design matching element information.
45
Sharma, Krishna. "COLOR COMBINATION IN INTERIOR AND EXTERIOR DECORATION." International Journal of Research -GRANTHAALAYAH 2, no. 3SE (December 31, 2014): 1–3. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3572.
Full textAbstract:
"Color is a quality of light" that the eyes see. Colors are closely related to human life. Every beautiful thing affects a man's heart and emotions. Colors have the same importance in decoration as salt in food. Just as the food fades without salt, similarly the imagination of the interior and exterior of the house without colors is meaningless. The effect of colors can enlarge, shrink, heat, and cool the room. Color can create a dull atmosphere, making simple decorations look gorgeous.
‘‘रंग प्रकाश का एक गुण है’’ जिन्हें आंखे देखती हैं। रंगों का मानव जीवन से घनिष्ठ सम्बंध है। प्रत्येक सुंदर वस्तु मनुष्य के ह्रदय और भावनाओं को प्रभावित करती है। सजावट में रंगों का वही महत्व है जो भोजन में नमक का। जिस तरह बगैर नमक के भोजन फीका हो जाता है उसी तरह बगैर रंगों के घर की आंतरिक एवं बाह्रय सज्जा की कल्पना ही व्यर्थ है। रंगों का प्रभाव कमरे को बड़ा कर सकता है, छोटा कर सकता है, गरम कर सकता है ठंडा कर सकता है। रंग नीरस वातावरण को उल्लासमय बना सकता है, साधारण सजावट को भव्य बना सकता है।
46
Chauhan, Sadhana. "COLOR COMBINATION IN INTERIOR AND EXTERIOR DECORATION." International Journal of Research -GRANTHAALAYAH 2, no. 3SE (December 31, 2014): 1–2. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3626.
Full textAbstract:
Color is an integral part of our life, as much as this colorful world of ours is beautiful, as much as it is a world of these colors. In childhood, we are taught only the names of three primary colors: yellow, blue and red, but the truth is, we cannot limit colors to any number. There is no count of colors, because there are innumerable colors in this world. The reason for this is that by combining any two colors, we can create a third color and by altering the amount of those two colors we can create many light and dark colors. In this way, we can create innumerable colors from different cohesion (Buipdanjapavade). Color is the peak of beauty, and beauty is directly related to the heart. These colors are used in different forms of art and are used in different forms of art on an ornamental, artistic and symbolic basis. Like "Baiga women tattoo on their body, which itself is a modified structure consisting of many signs". 2 It is mainly found in the use of green color, which does not just enhance the beauty of the body, but it has all kinds of colors in it. There is also a belief in Baigao that the ability to resist from enemies also increases, as they increase the power of hands and feet. Tattooing is considered to be the jewel of the tribals, especially women, in their body, embellishes a variety of shapes. These figures have their own religious, spiritual, cultural and social importance.
रंग हमारे जीवन का एक अभिन्न हिस्सा है, जितनी खुबसुरत हमारी यह रंगीन दुनिया है, उतनी ही विलक्षण इन रंगो की दुनिया है। बचपन में हमे सिर्फ तीन प्राथमिक रंगो के नाम सिखाये जाते है:- पीला, नीला और लाल, परन्तु सच तो यह है कि, किसी संख्या में रंगो को सीमित नही कर सकते। रंगो की कोई गिनती नही होती, क्योंकि इस दुनिया में असंख्य रंग है। इसका कारण यह है कि किन्ही भी दो रंगो को मिलाकर हम एक तीसरे रंग का निर्माण कर सकते है और उन दो रंगो की मात्रा में फेरबदल करके हम अनेक हल्के और गहरे रंगो का निर्माण कर सकते है। इस तरह हम अलग अलग सामंजस्य (ब्वउइपदंजपवदे) से असंख्य रंगो का निर्माण कर सकते है। रंग सुन्दरता की चरम विघा है और सुन्दरता का सीधा संबंध हृदय से है। यही रंग कला के भिन्न भिन्न रूपो में प्रयुक्त किऐ जाते है और कला की विभिन्न विघाओ में अलंकारिक, कलात्मक व सांकेतिक आधार पर उपयोग में लाऐ जाते है। जैसे ‘‘ बैगा स्त्रीयाॅ अपने शरीर पर गोदना गुदवाती है, जो स्वयं कई चिन्हो से मिलकर बनी एक संश्रृष्ट संरचना होती है ’’ 2 इसमें मुख्यतः हरे रंग का प्रयोग पाया जाता है, जो महज शरीर का सौन्दर्य ही नही बढाते वरन् उसमें तमाम तरह की विपदाओ से प्रतिरोध करने की क्षमता को भी बढाते है, जैसे हाथो व पैरो की शक्ति को बढाते है, ऐसी बैगाओ में मान्यता है। गोदना आदिवासियों का आभूषण माना जाता है, विशेषकर महिलाऐ अपने शरीर में तरह तरह की आकृतियाॅ गुदवाती है। इन आकृतियों का अपना धार्मिक, आध्यात्मिक, सांस्कृतिक और सामाजिक महत्व होता है।
47
Tong, Huilin, Qianwen Wan, Aleksandra Kaszowska, Karen Panetta, Holly A. Taylor, and Sos Agaian. "ARFurniture: Augmented Reality Interior Decoration Style Colorization." Electronic Imaging 2019, no. 2 (January 13, 2019): 175–1. http://dx.doi.org/10.2352/issn.2470-1173.2019.2.ervr-175.
Full text
48
Gunji, T., and I. Hirai. "Color and Color Harmony in Interior Decoration." Sen'i Kikai Gakkaishi (Journal of the Textile Machinery Society of Japan) 49, no. 9 (1996): P435—P447. http://dx.doi.org/10.4188/transjtmsj.49.9_p435.
Full text
49
Lollar, Christina Tori, Jun-Sheng Qin, Jiandong Pang, Shuai Yuan, Benjamin Becker, and Hong-Cai Zhou. "Interior Decoration of Stable Metal–Organic Frameworks." Langmuir 34, no. 46 (May 10, 2018): 13795–807. http://dx.doi.org/10.1021/acs.langmuir.8b00823.
Full text
50
SHIMIZU, HIROSHI. "INTERIOR DECORATION OF "AMIDADO" IN HEIAN ERA." Journal of Architecture, Planning and Environmental Engineering (Transactions of AIJ) 389 (1988): 136–42. http://dx.doi.org/10.3130/aijax.389.0_136.
Full text