Relevant bibliographies by topics / Plath, Sylvia Sexton, Anne American poetry. Humorous poetry, American. Poetry Poetry

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Plath, Sylvia Sexton, Anne American poetry. Humorous poetry, American. Poetry Poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

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Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Plath, Sylvia Sexton, Anne American poetry. Humorous poetry, American. Poetry Poetry.'

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Journal articles on the topic "Plath, Sylvia Sexton, Anne American poetry. Humorous poetry, American. Poetry Poetry"

1

Goswami, Dr Karabi. "Radical Voices in Indian English Poetry: A Study of the Poetry of Kamala Das." SMART MOVES JOURNAL IJELLH 7, no. 12 (2019): 9. http://dx.doi.org/10.24113/ijellh.v7i12.10241.

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The creative genius of Kamala Das, one of the most prominent voices of protest in Indian English Literature is often compared to the American poet Sylvia Plath and Anne Sexton as both of them used the confessional mode of writing in their poetry. Kamala Das, born in 1934 in Thrissur district of kerela emerged as a distinctive poetic voice with the publication of the first volume of her poetry Summer in Calcutta. In her poems Kamala Das has always raised a voice against the conventionalized figure of a woman, seeking a more dignified and honourable position for woman as an entity. In fact her p
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Goswami, Dr Karabi. "Radical Voices in Indian English Poetry: A Study of the Poetry of Kamala Das." SMART MOVES JOURNAL IJELLH 8, no. 1 (2020): 9. http://dx.doi.org/10.24113/ijellh.v8i1.10322.

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The creative genius of Kamala Das, one of the most prominent voices of protest in Indian English Literature is often compared to the American poet Sylvia Plath and Anne Sexton as both of them used the confessional mode of writing in their poetry. Kamala Das, born in 1934 in Thrissur district of kerela emerged as a distinctive poetic voice with the publication of the first volume of her poetry Summer in Calcutta. In her poems Kamala Das has always raised a voice against the conventionalized figure of a woman, seeking a more dignified and honourable position for woman as an entity. In fact her p
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3

Bonasera, Carmen. "Bodies and self-disclosure in American female confessional poetry." European Journal of Life Writing 10 (July 9, 2021): SV33—SV56. http://dx.doi.org/10.21827/ejlw.10.37638.

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Far from being a mere thematic device, the body plays a crucial role in poetry, especially for modern women poets. The inward turn to an intimate autobiographical dimension, which is commonly seen as characteristic of female writing, usually complies with the requests of feminist theorists, urging writers to reconquer their identity through the assertion of their bodies. However, inscribing the body in verse is often problematic, since it frequently emerges from a complicated interaction between positive self-redefinition, life writing, and the confession of trauma. This is especially true for
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4

Groom, Kelle. "Truth be told: Humor in postconfessional poetry." Humor - International Journal of Humor Research 22, no. 3 (2009). http://dx.doi.org/10.1515/humr.2009.016.

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AbstractDenise Duhamel and Michael Burkard continue the work of postconfessional poets like Robert Lowell, Sylvia Plath, and Anne Sexton using humor to explore culturally taboo topics and expand the traditional range of poetic subjects. The works of Duhamel and Burkard often explore subjects that are secret, shameful or unspoken made approachable through tender and satirical humor to turn these issues into something beautiful. Duhamel uses humor to critique American culture and the domestic arena with the clarity of an outsider while Burkard uses humor to write about loss and recovery, discove
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Mishra, Richa, and Hitesh Raviya. "HISTORY OF CONFESSIONAL POETRY IN INDIAN WOMEN WRITINGS A SHORT OVERVIEW." Towards Excellence, March 31, 2020, 79–89. http://dx.doi.org/10.37867/te120209.

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‘Confessional’ is an adjective first applied to the poems of the American poets Robert Lowell, Anne Sexton, Sylvia Plath, W.D. Snodgrass, John Berryman and Theodore Roethke to refer to the autobiographical nature of their work. The confessional poet considers the world, an extension of herself. All confessional poetry springs from the need to confess; confessional poets bare their soul and body and hide nothing between their self and their direct expression of that self. They put no restrictions on subject matter, no matter how personal. Usually anti-elegant and anti- establishment, confession
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Scholes, Nicola. "The Difficulty of Reading Allen Ginsberg's "Kaddish" Suspiciously." M/C Journal 15, no. 1 (2011). http://dx.doi.org/10.5204/mcj.394.

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The difficulty of reading Allen Ginsberg's poetry is a recurring theme in criticism of his work and that of other post-WWII "Beat Generation" writers. "Even when a concerted effort is made to illuminate [Beat] literature," laments Nancy M. Grace, "doing so is difficult: the romance of the Beat life threatens to subsume the project" (812). Of course, the Beat life is romantic to the extent that it is romantically regaled. Continual romantic portrayals, such as that of Ginsberg in the recent movie Howl (2010), rekindle the Beat romance for new audiences with chicken-and-egg circularity. I explor
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Dissertations / Theses on the topic "Plath, Sylvia Sexton, Anne American poetry. Humorous poetry, American. Poetry Poetry"

1

Boswell, Marta. "Mustang Sally pays her debt to Wilson Pickett /." free to MU campus, to others for purchase, 2001. http://wwwlib.umi.com/cr/mo/fullcit?p3025604.

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Khalifeh, Areen Ghazi. "Transforming the Law of One : Anne Sexton and Sylvia Plath from a Kristevan perspective." Thesis, Brunel University, 2010. http://bura.brunel.ac.uk/handle/2438/5236.

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A recent trend in the study of Anne Sexton and Sylvia Plath often dissociates Confessional poetry from the subject of the writer and her biography, claiming that the artist is in full control of her work and that her art does not have naïve mimetic qualities. However, this study proposes that subjective attributes, namely negativity and abjection, enable a powerful transformative dialectic. Specifically, it demonstrates that an emphasis on the subjective can help manifest the process of transgressing the law of One. The law of One asserts a patriarchal, monotheistic law as a social closed syst
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Iannone, Ami M. "You Can't Go Home Again." Ohio University Honors Tutorial College / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1275585545.

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Books on the topic "Plath, Sylvia Sexton, Anne American poetry. Humorous poetry, American. Poetry Poetry"

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A new tradition?: The poetry of Sylvia Plath, Anne Sexton, and Adrienne Rich, a study of feminism and poetry. P. Lang, 1985.

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2

Markey, Janice. A new tradition?: The poetry of Sylvia Plath, Anne Sexton, and Adrienne Rich : a study of feminism and poetry. P. Lang, 1988.

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Markey, Janice. A new tradition?: The poetry of Sylvia Plath, Anne Sexton and Adrienne Rich : a study of feminism and poetry. Peter Lang, 1988.

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With Robert Lowell and his circle: Sylvia Plath, Anne Sexton, Elizabeth Bishop, Stanley Kunitz, and others. Northeastern University Press, 2012.

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Zaccaria, Paola. A lettere scarlatte: Poesia come stregoneria : Emily Dickinson, Hilda Doolittle, Sylvia Plath, Anne Sexton, Robin Morgan, Adrienne Rich e altre. F.Angeli, 1995.

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6

Ellen, Snodgrass Mary. CliffsNotes American Poets of the 20th Century. John Wiley & Sons, Ltd., 2000.

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7

1934-, Conarroe Joel, ed. Eight American poets: Theodore Roethke, Elizabeth Bishop, Robert Lowell, John Berryman, Anne Sexton, Sylvia Plath, Allen Ginsberg, James Merrill : an anthology. Random House, 1994.

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Ellen, Snodgrass Mary. American Poets of the 20th Century (Cliffs Notes). Cliffs Notes, 2000.

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Book chapters on the topic "Plath, Sylvia Sexton, Anne American poetry. Humorous poetry, American. Poetry Poetry"

1

Waters, Melanie. "Anne Sexton, Sylvia Plath and Confessional Poetry." In The Cambridge Companion to American Poets. Cambridge University Press, 2015. http://dx.doi.org/10.1017/cco9781316403532.029.

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