Relevant bibliographies by topics / Platics as art material

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  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
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Academic literature on the topic 'Platics as art material'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "Platics as art material"

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S.V., Podolyanchuk. "CONTENT FULL AND FEATURES OF THE STUDY OF MATERIAL SCIENCE IN THE TRAINING OF BACHELORS OF DECORATIVE ART." Collection of Research Papers Pedagogical sciences, no. 93 (February 23, 2021): 111–16. http://dx.doi.org/10.32999/ksu2413-1865/2020-93-16.

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The article is devoted to the problems of training bachelors of decorative arts. The research was carried out using the methods of analysis, synthesis, comparison, abstraction and generalization. The importance of studying materials science in decorative arts in general and as a component of professional training of future specialists in particular is shown. The substantive part of the study of the discipline, along with the acquaintance of higher education students with the basics of materials science as a science and a list of basic properties of materials should include a wide range of different groups of materials. Such groups of materials and products should include metallic materials and products; wood materials and products; ceramic materials and products; glass and glass products; materials and products made of natural stone; materials and products based on polymers and mineral binders; textile materials and products; leather and fur.The importance of a detailed study of various properties of materials is proved. At the same time, along with the study of the basic physical, mechanical and chemical properties of materials, increased attention should be paid to those properties that must be considered by bachelors of decorative arts in the process of future professional activity. Such groups of properties include: technological, which characterize the ability of the material to perceive various technological operations to change the shape, size, and individual properties of the product; operational, which are related to the operating conditions and (or) environmental impact; ecological, which characterize the degree of impact of the material on the environment and living organisms; aesthetic, which characterize the level of artistic expression of the material.The expediency of acquainting higher education students with the main groups of methods of processing materials and products, namely – by plastic deformation, by cutting, and using thermal methods is shown as well. The importance of studying different methods of surface treatment of products (painting, varnishing, enameling, nickel plating, chrome plating) is emphasized, as such methods have not only an aesthetic component but also serve as an important component of product protection from various external factors.Key words: decorative materials, decorative art, properties of materials, processing of materials, surface treatment. Стаття присвячена проблемам підготовки бакалаврів декоративного мистецтва. Дослідження здій-снювалось за допомогою методів аналізу, синтезу, порівняння, абстрагування та узагальнення. Пока-зана важливість вивчення матеріалознавства в декоративному мистецтві загалом та як складника професійної підготовки майбутніх фахівців зокрема. Змістовна частина вивчення дисципліни поряд з ознайомленням здобувачів вищої освіти з основами матеріалознавства як науки та переліком основних властивостей матеріалів має включати в себе широкий спектр різноманітних груп матеріалів. До таких груп матеріалів та виробів варто зарахувати: металеві матеріали та вироби; матеріали та вироби з дере-вини; керамічні матеріали та вироби; скло та вироби зі скла; матеріали і вироби з природного каме-ню; матеріали і вироби на основі полімерів та мінеральних в’яжучих речовин; текстильні матеріали та вироби; шкіра і хутро.Доведена важливість детального вивчення різноманітних властивостей матеріалів. При цьому поряд із вивченням основних фізичних, механічних та хімічних властивостей матеріалів, посилена увага має приділятись тим властивостям, які необхідно враховувати бакалаврам декоративного мистецтва в процесі майбутньої професійної діяльності. До таких груп властивостей належать: технологічні, які характеризують здатність матеріалу сприймати різні технологічні операції щодо зміни форми, розмірів та окремих властивостей виробу; експлуатаційні, які пов’язані з умовами експлуатації та (або) впливом довкілля; екологічні, які характеризують ступінь впливу матеріалу на навколишнє середовище і живі організми; естетичні, які характеризують рівень художньої виразності матеріалу.Показана доцільність ознайомлення здобувачів вищої освіти з основними групами методів обробки матеріалів та виробів, а саме: шляхом пластичного деформування, шляхом різання та за допомогою термічних методів. Підкреслена важливість вивчення різних способів обробки поверхні виробів (фар-бування, лакування, емалювання, нікелювання, хромування), оскільки такі методи мають не лише есте-тичну складову частину, а й слугують важливим компонентом захисту виробів від дії різноманітних зовнішніх чинників.Ключові слова: декоративні матеріали, декоративне мистецтво, властивості матеріалів, обробка матеріалів, обробка поверхні.
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Best, Keith, Ognian Dimov, Sudmun Habib, and Sanjay Malik. "Lithographic evaluation of thin photoimageable dielectric dry film for advanced panel level packaging applications." International Symposium on Microelectronics 2018, no. 1 (October 1, 2018): 000361–64. http://dx.doi.org/10.4071/2380-4505-2018.1.000361.

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Abstract This paper presents a new dielectric material capable of resolving 2 to 3μm features that are required for high density advanced packaging applications. The material is applied in dry film format to be conducive to panel-level processing. The material can be processed at temperatures below 170°C and total thermal shrinkage is below 5%, resulting in exceptionally low stress of 11 MPa. The film is thermally stable at temperatures up to 350°C. Mechanical and electrical properties of the material are state of the art. As the demand for high density packages increases, so will the pressure to lower the cost of manufacturing. Migrating from wafers to large non-circular panels offers several key cost advantages. There are multiple technical challenges that need to be addressed before commercial viability of panel scale manufacturing can be established. A new class of novel dielectric materials will be needed that can be processed at low temperatures and demonstrate low shrinkage to minimize warpage. In this study, 2 to 3μm patterns were successfully formed using i-line stepper exposure conditions. The process started by laminating a 510mm × 515mm panel with highly photosensitive dielectric film. The laminated panels were exposed at a nominal dose of 125 mJ/cm2. Fine negative tone patterns were created after development. For the metallization of the layer, the seed layer was deposited with titanium-copper sputtering. After the seed formation, trenches were filled with copper by an electrolytic plating process.
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Kulikov, G. M., E. Carrera, and S. V. Plotnikova. "Hybrid-Mixed Quadrilateral Element for Laminated Plates Composed of Functionally Graded Materials." Advanced Materials & Technologies, no. 1 (2017): 044–55. http://dx.doi.org/10.17277/amt.2017.01.pp.044-055.

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Sui, Xue Ye, Jie Xu, Mei Ling Wei, Chong Hai Wang, Chang Ling Zhou, and Rui Xiang Liu. "Laser Stealth Properties for SiO2 Hollow Spheres with a Layer of Copper." Advanced Materials Research 624 (December 2012): 38–41. http://dx.doi.org/10.4028/www.scientific.net/amr.624.38.

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A kind of SiO2 hollow spheres with a layer of copper cladding have been prepared using the electroless copper plating metal processing technology on the surface of core material. We Study the effects of the process parameters on the properties of materials, and measure spectral reflectance for the SiO2 hollow spheres with the surface modification. The results show that the reflectance is about 4% for the wavelength of 1.06μm and is about 0.44% for 10.6μm wavelength. This compound hollow sphere structures can be act as laser camouflage materials.
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Chen, X. B., H. Y. Yang, T. B. Abbott, M. A. Easton, and N. Birbilis. "Corrosion-Resistant Electrochemical Platings on Magnesium Alloys: A State-of-the-Art Review." Corrosion 68, no. 6 (June 1, 2012): 518–35. http://dx.doi.org/10.5006/i0010-9312-68-6-518.

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Industrial deployment of magnesium alloys in most instances requires anti-corrosion coatings. Distinct from conversion coatings, the electro/electroless plating techniques are emerging as the common means of coating magnesium; however, more research is needed. A state-of-the-art review was undertaken with respect to aqueous plating systems (including pretreatment, under-coating, and electroplating), electroless plating (being treated individually, though it is used as undercoating for subsequent plating in some cases), non-aqueous plating systems (including high-temperature molten salts and ionic liquids), and novel plating methods. In addition to the performance assessment of various plated coatings on magnesium alloys, merits and demerits of existing plating techniques are discussed. Based on the literature to date, the practical issues faced in magnesium plating are raised, and possible advances discussed, providing some instructive guidelines for future work.
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Sharma, Shikha, and Anoop Kumar. "Evaluation of the Drug Utilization Pattern of Pre and Post Operative Medicines used in Surgical Department: A Prospective Observational Study." Current Drug Therapy 15, no. 4 (November 30, 2020): 389–95. http://dx.doi.org/10.2174/1574885515666200106111129.

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Background: Surgery is the art of treating lesions and malformations of the human body which involves various surgical techniques. Various classes of drugs are being used in the surgery but unfortunately, the drug utilization pattern of these drugs particularly in developing countries like India is still unsatisfactory. Thus, there is a need to conduct drug utilization studies of various medicines used in the surgical department. Objective: The main objective of the current study is to evaluate the drug utilization pattern of pre and post- operative medicines used in surgery to promote the rational use of medicines. Material and Methods: A prospective observational study was carried out over a period of 6 months (November 2017 to April 2018) from in Global Hospital, Jalandhar, Punjab, India. A consent form has been designed and filled by the patients after explaining the aims and objectives of the study. The case record form (CRF) has been designed to collect all the relevant information from the surgery patients. Results: A total of 271 cases have been reported and evaluated. 58.0% of patients were female and 42.0% of patients were male. The most common surgery was nailing, plating and knee replacement. In pre and post-operative procedures, the most common medicines prescribed were a combination of antimicrobials and antacids followed by anti-emetics, analgesics. Conclusion: The prescribed medicines were less from the National Essential Medical List (EML) which should be increase in future.
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RAJAN, SIDDHARTH, ARPAN CHAKRABORTY, UMESH K. MISHRA, CHRISTIANE POBLENZ, PATRICK WALTEREIT, and JAMES S. SPECK. "MBE-Grown AlGaN/GaN HEMTs on SiC." International Journal of High Speed Electronics and Systems 14, no. 03 (September 2004): 732–37. http://dx.doi.org/10.1142/s0129156404002752.

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We report on the development of AlGaN/GaN high-electron mobility transistors (HEMTs) grown on SiC using plasma-assisted molecular beam epitaxy (MBE). In this work, we show that performance comparable to state-of-the-art AlGaN/GaN HEMTs can be achieved using MBE-grown material. Buffer leakage was an important limiting factor for these devices. The use of either carbon-doped buffers, or low Al/N ratio in the nucleation layer growth were effective in reducing buffer leakage. Studies varying the thickness and concentration of the carbon doping were carried out to determine the effect of different carbon doping profiles on the insulating and dispersive properties of buffers, On devices without field plates, at 4 GHz an output power density of 12 W/mm was obtained with a power-added efficiency (PAE) of 46 % and gain of 14 dB. 15.6 W/mm with PAE of 56 % was obtained from these devices after field-plating. Two-tone linearity measurements of these devices were also carried out. At a C/I 3 level of 30 dBc, the devices measured had an output power of 1.9 W/mm with a PAE of 53 %. The effect of the Al/N ratio in the AlN nucleation layer on buffer leakage was studied. N -rich conditions yielded highly insulating GaN buffers without carbon doping. At 4 GHz, devices without field plates delivered 4.8 W/mm with a PAE of 62 %. At a higher drain bias (50 V), 8.1 W/mm with a PAE of 38 % was achieved.
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Grigorova, Yana. "Art and “non-material labour»." Bulletin of PNRPU. Culture. History. Philosophy. Law, no. 4 (2017): 69–73. http://dx.doi.org/10.15593/perm.kipf/2017.4.08.

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Brett, David. "Art and Society: Material Evidence." Circa, no. 62 (1992): 20. http://dx.doi.org/10.2307/25557713.

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Gudeman, Stephen. "Epilogue: Art and Material Culture." Museum Anthropology 16, no. 3 (October 1992): 58–61. http://dx.doi.org/10.1525/mua.1992.16.3.58.

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Dissertations / Theses on the topic "Platics as art material"

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Langille, Nicole. "Of Measure and Material." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1243885956.

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Freeman, Julie. "Defining data as an art material." Thesis, Queen Mary, University of London, 2018. http://qmro.qmul.ac.uk/xmlui/handle/123456789/31793.

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Digital technology, and speci cally digital data, forms the backbone of nearly all our communications including machine to machine, human to machine, and, increasingly, human to human. It is unsurprising that one of the most prevalent materials of our time is used by artists to create work. This thesis defines data as an art material. It investigates the variety of manifestations of data when used in art, through the review of existing artwork and the development of new artworks and visualisations that use a dataset collected for this research. Through the lens of conceptualising data as an art material, a definition and manifesto of data art is put forward (Chapter 2). In addition, a taxonomy for describing data as an art material is proposed and its usage explored by applying it to a number of data art descriptions and by analysing a database of data artworks tagged with relevant terms (Chapter 3). Temporal, biological, and real-time, terms from the taxonomy, are particularly relevant to the way in which digital technology mediates our connection to nature. To explore these forms of data within artwork, a collaboration with Dr Chris Faulkes, Reader in Evolutionary Ecology, facilitated the design and implementation of an electronic system to collect data from a colony of animals. Chapter 4 describes the tracking system which resulted in a real-time stream of biological temporal data. Translations of this data are explored in more detail through the practical application of various computational techniques including scientific analysis (Chapter 5), animation, sonification, data visualisation (Chapter 6) and soft robotic objects (Chapter 7). The thesis demonstrates that an inanimate object, animated through the translation of data, can have a body language through which to effectively convey characteristics of living things (Chapter 8). Finally, public engagement events are presented in Chapter 9, with reflections, contributions and future work concluded in Chapter 10.
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Greening, Daniel John. "Art, landscape and material : subject into media." Thesis, University of Wolverhampton, 2010. http://hdl.handle.net/2436/299209.

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A research investigation that illustrates the development of the European landscape tradition as an unbroken interactive and material movement, through discussion of artists from Annibale Carracci (1560-1609) to Richard Long (1945 –). The contribution of each artist within their respective epoch will be used to propose that the subject of landscape has become an actual creative medium, integral to and consistent with the external Plein-Air technique. Thus, presenting a ‘creative narrative’ from the observed into the articulated that will demonstrate how the examination and representation of actual landscapes have become physically used within creative presentations. The study uses key artworks that have been inspired by landscape to show the shift from documentation into interaction with the reality of the natural world. This entails the chronology of the investigation and commences with the concept of Ideal Landscape, established by Carracci, within the late 16th century, through the development of the Plein-Air tradition and culminating with particular emphasis on European landscape artists’ and movements since 1945 that have interacted with actual sites and natural materials: from the ideal to the actual. Furthermore, the European transfer and diffusion of interactive and material based landscape methods, including drawing and painting outside, the collection of organic items and photography, passed and developed from one generation to the next, informs a body of personal creative work. This is a 50/50 co-dependent strand used to illustrate the practical and creative discourses between practitioner and landscape, involving the articulation of actual land materials, found objects and Plein-Air excursions to the drawing locations of previous practitioners’, sketchbooks and journals. The insights provided, by the personal practice and associated theoretical position, aid the evaluation, analysis and description of the evolution of the creative methods inherent in the development of subject into media, but not presently described in historical accounts, therefore, presenting a Material Chronology and thus the original contribution of knowledge for this investigation.
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Voegelin, Salome. "Practising timespace-collage : art as material complex." Thesis, Goldsmiths College (University of London), 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.419777.

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Kim, George E. (George Ea-Hwan). "The effects of low pressure nitrogen on titanium cathode sources in TiN arc ion-plating." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=29062.

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The arc ion-plating technique is used in the industrial coating processes where TiN thin films are deposited onto various base materials. The overall objective of this research was to study the effects of low pressure nitrogen introduced into a continuous, titanium vacuum arc. An arc ion-plating system was designed and built to allow for as much flexibility as possible. Permanent magnets were placed behind the cathode surface to confine and rotate the arc.
Changes in cathode, arc and emission properties were noted with respect to vacuum, argon and nitrogen ambients. The introduction of nitrogen, above a critical pressure ($ sim$1 $ times 10 sp{-3}$ Torr), increased arc velocity and decreased crater diameter, erosion rate and ion emission. This occurred when arc rotation was combined with nitrogen introduction. Thermal properties of the cathode during arcing seemed to play an important role in determining the extent of nitrogen-cathode interaction. X-ray photoelectron spectroscopy (XPS) analysis has shown that nitriding occurred within the regions of arcing and was dependent on nitrogen pressure (with all other parameters remaining constant). The most encouraging result found was the complete elimination or macroparticles normally present in the coating/film.
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Grace, Claire Robbin. "Group Material and the 1980s: A Materialist Postmodernism." Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11662.

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Group Material's seventeen-year collaboration began in New York in 1979 through the artists' shared interests in collective, politicized practices and their immersion in a localized network of countercultural activities. While GM's cadre of participants shifted over time (from the dozen who launched its first year to a smaller core comprising Doug Ashford, Julie Ault, Mundy McLaughlin, Félix González-Torres, and Tim Rollins), its practice developed a consistent aesthetic vocabulary in dialogue with major figures of 1980s art and with an eye to 1960s conceptualism and the Soviet avant-garde. GM threw open the class coordinates of art's public and introduced a distinct set of responses to the central problematics of 1980s art: the debates over representation, appropriation, painting, public space, and activism.
History of Art and Architecture
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Hornbuckle, Rosie. "Design and the material cycle : an investigation into secondary material use in design practice." Thesis, Kingston University, 2010. http://eprints.kingston.ac.uk/21839/.

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Since the UK government's Waste Strategy was introduced in 2000 there has been sustained emphasis on the diversion of waste material from landfill and it has been acknowledged that stable markets for secondary materials must be developed to ensure that the resources used to recover them are not expended needlessly. This thesis looks at the issues surrounding a designer's ability to select secondary materials for the production of new artefacts and proposes a new framework for supporting that activity. While in the past recycled materials have mainly been used either for highly visible 'one-offs' or hidden components the stance taken here is that both creative design and volume production are essential for stable markets in the short term and effective materials cycles in the future. Therefore product and industrial design was the initial focus of this research. The investigation involved three empirical enquiries: Enquiry 1 employed a survey method to explore the design scenario of product and industrial designers and its influence on their ability to select secondary materials. Enquiries 2 & 3 looked at the issues involved in recovering and using secondary materials (focusing on plastic in London), and the tools currently available to support designers. The primary research suggests that the scenario of product and industrial design consultants is not generally conducive to the consideration and use of secondary materials. Specifications for two tools that could improve the situation are proposed: 1) to build knowledge and awareness of secondary materials, and; 2) to improve materials information for design. However the issues with using secondary materials in design practice are manifold and so the research concludes with a framework identifying five central considerations for supporting the use of secondary materials in design practice. This thesis contributes original knowledge in the field of design research by: • proposing specifications for new tools to support the use of secondary materials in design practice; • presenting a range of approaches to sourcing and using secondary materials in design practice; • furthering understanding of the design scenario and how it may inhibit or enable designers to act in specific ways; • challenging existing approaches to material information provision for designers with a new emphasis on dialogue with specialists and the important role of materials librarians.
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Gordon, Rebecca Alison. "Rethinking material significance and authenticity in contemporary art." Thesis, University of Glasgow, 2011. http://theses.gla.ac.uk/3041/.

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The traditional notion of material authenticity as being the physical and aesthetic evidence of the artist’s hand in the ‘original’ materials is outmoded. With the changed nature of art must come a rethinking of the concept of authenticity. Authenticity was and is often discussed in relation to attribution, and is traditionally linked with the artwork’s material presence. This thesis questions that assumption, drawing on the literature of philosophy that describes authenticity as someone’s ‘true essence’ in order to propose the significance of the interrelation of the artwork’s multiple attributes to the work’s identity. The artist’s voice has been a crucial source in this re-evaluation, with the voices of Scottish artists, or artists represented by a Scottish gallery or collection, building a picture of the way practitioners think about the significance of materials to their work. These contemporary primary sources have been contextualised with artists’ voices from published compendiums and international case studies. They have revealed the general pragmatism of artists’ approaches, particularly in relation to their creative processes. Therefore, this thesis has based its discussion around seemingly incongruous approaches: a conceptual framework and artists’ practices. However, these poles are reconciled by rooting the investigation at the point of the artwork’s creation. This has meant placing weight on the artist’s intentions for the work and his or her decision-making process, rather than the subsequent interpretations of curators and conservators that inevitably inform the artwork’s institutional afterlife. Doing so has led to a greater understanding of artists’ conceptions of material significance and their thoughts on the identity of their works. This inevitably bears implications for the preservation and display of contemporary art.
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Lymer, Kenneth J. "Animals, art and society : rock art and material culture in ancient Central Asia." Thesis, University of Southampton, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.400540.

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Buzz, Lu La. "The states and status of clay : material, metamorphic and metaphorical values." Thesis, University of Plymouth, 2018. http://hdl.handle.net/10026.1/11639.

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This doctoral project combines a performance-led practice with contextual research in order to demonstrate how arts practice can challenge historical perceptions of clay and enhance its material status. The core knowledge deduced from this research is that embodied performance transforms connectivity between artist and clay and produces a unified incarnation of both elements. Through the use of immersive research methods I gained insights which could not have been predicted - particularly that my experiential performances were a process of ‘clay becoming’ in which I ultimately became the clay. In terms of locality, the practice, comprising eight performance-led works and related documentation, focuses on the China Clay and Ball Clay of South West England. Traditionally in the arts, these materials are associated with ceramics, where through heating, clay becomes rigid and fixed. In contrast, my research investigates the textural fluidity and metamorphic potential of these clays in their raw state. The practice encompasses two interrelated groups of work; the In-breath and Out-breath. These terms are significant in three respects. Firstly they define two different modes and moments of practice. Secondly they refer to myself as a living component of these practices. Thirdly they reflect the cultural associations of clay as a metaphor for life. During the initial exploratory ‘In-breath’ phase of my practice, comprising four site-specific pieces, I engaged with clay at sites of historical relevance, building an expansive knowledge of my material. During the later ‘Out-breath’ phase, identification with site was relinquished. These works took place within neutral spaces, allowing the clay to be explored in relation to my body. The introduction of layering, where photographic elements of private clay rituals were situated within the context of a live performance, allowed a texturally dynamic and immersive experience to be created for both artist and viewer. By collecting and preserving clay traces from these live performances (e.g. foot and body prints) additional value was given to the embedded significance of the clay.
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Books on the topic "Platics as art material"

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Rodgers, Margaret. Material support. Edited by Eccles Jane 1949- and Visual Arts Centre of Clarington. Bowmanville, ON: Visual Arts Centre of Clarington, 2000.

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Fox, Howard N. Glass: Material matters. Los Angeles, CA: Los Angeles County Museum of Art, 2006.

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C, Nichols Sarah, and Los Angeles County Museum of Art., eds. Glass: Material matters. Los Angeles, CA: Los Angeles County Museum of Art, 2006.

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Montgomery Museum of Fine Arts. Material transformations. Montgomery, Alabama: Montgomery Museum of Fine Arts, 2013.

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Prown, Jules David. Art as evidence: Writings on art and material culture. New Haven, CT: Yale University Press, 2001.

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Westküste, Museum Kunst der, ed. Handarbeit: Material und Symbolik. Alkersum: Museum Kunst der Westküste, 2013.

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(Gallery), Tate Modern, Hamburger Kunsthalle, and National Gallery of Canada, eds. Pop life: Art in a material world. London: Tate Pub., 2009.

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(Gallery), Tate Modern, Hamburger Kunsthalle, and National Gallery of Canada, eds. Pop life: Art in a material world. London: Tate Pub., 2009.

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The Text Festivals: Language art and material poetry. Plymouth, Devon, United Kingdom: University of Plymouth Press, 2013.

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Ryall, Jeanette. Junk art. New York: Windmill Books, 2013.

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Book chapters on the topic "Platics as art material"

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Anguissola, Anna. "Art and material." In Pliny the Elder and the Matter of Memory, 13–30. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429329159-3.

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Hughes, Rolf, and Rachel Armstrong. "Material knowledge." In The Art of Experiment, 7–16. Abingdon, Oxon ; New York : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781351065504-2.

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Wengrow, David. "Art and Material Culture." In A Companion to Ancient Near Eastern Art, 23–48. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781118336779.ch2.

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Lynch, Michael. "Material play and artistic renderings." In Practicing Art/Science, 80–100. New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315175881-5.

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Grollemond, Larisa. "A Material Legacy." In Hybridity in Early Modern Art, 80–98. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429345203-7.

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"Plates." In The Art and Material Culture of Iranian Shi’ism. I.B.Tauris, 2012. http://dx.doi.org/10.5040/9780755610709.0022.

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"Material Modifications (Coatings, Treatments, etc.) for Tribological Applications." In Tribomaterials, 335–62. ASM International, 2021. http://dx.doi.org/10.31399/asm.tb.tpsfwea.t59300335.

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Abstract This chapter covers coatings and treatments that are used to improve the friction and wear behaviors of materials. It describes modifications that work by hardening contacting surfaces, including heat treating, vacuum coating, thermal spray, and plating, and those that separate or lubricate surfaces, including solid film, chemical conversion, and vacuum coatings, surface oiling and texturing, and lubricating platings. It compares and contrasts methods based on thickness and depth and their relative effect on friction, erosion, and wear.
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Hickmann, Thorsten, Toni Adamek, Oliver Zielinski, and Thorsten Derieth. "Key Components in the Redox-Flow Battery: Bipolar Plates and Gaskets – Different Materials and Processing Methods for Their Usage." In Energy Storage Battery Systems - Fundamentals and Applications [Working Title]. IntechOpen, 2021. http://dx.doi.org/10.5772/intechopen.94863.

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Graphite filled thermoplastic based composites are an adequate material for bipolar plates in redox flow battery applications. Unlike metals, composite plates can provide excellent resistance to the highly aggressive chemical environment at elevated temperatures in combination with an electrochemical potential in battery operation. The chapter therefore gives an overview of the most important requirements for the graphite-plastic composite material and thus also for the bipolar plates, as well as the different characterization methods of the bipolar plates. In the following, both the modern composite materials based on polypropylene (PP) and polyvinylidene fluoride (PVDF) and their general properties are described with a focus on improved long-term stability. Furthermore, recycling is also considered. One section is dedicated to seals, which - as so often - are an underestimated component of redox flow batteries. In this gasket part of the chapter, the most common materials and interactions between gaskets and other stack components are presented, as well as the material properties, characterization and processing methods of the gaskets.
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Ihlein, Lucas. "Blogging as Art, Art as Research." In Material Inventions. I.B.Tauris, 2014. http://dx.doi.org/10.5040/9780755603695.ch-002.

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"Preliminary Material." In Public Art, 1–7. Verlag Ferdinand Schöningh, 2018. http://dx.doi.org/10.30965/9783657793556_001.

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Conference papers on the topic "Platics as art material"

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Kurumisawa, Jun. "Non-material construction #1." In ACM SIGGRAPH 99 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1999. http://dx.doi.org/10.1145/312379.312499.

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Johnson, J. A., R. Weber, A. I. Kolesnikov, and S. Schweizer. "Glass Ceramics for High-Resolution Imaging." In ASME 2008 International Mechanical Engineering Congress and Exposition. ASMEDC, 2008. http://dx.doi.org/10.1115/imece2008-66205.

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Glass-ceramic materials are being developed for use in digital mammography systems. The materials are transparent x-ray storage phosphors, which are potentially less expensive than competing materials with superior performance. The materials do not suffer from loss of resolution and increased noise due to light scattering from grain boundaries, as do the currently available polycrystalline materials. The glass ceramics are based on Eu2+-doped fluorochlorozirconate glasses. These can be heat treated to nucleate Eu-doped barium chloride nanocrystals. The glass ceramic converts ionizing radiation (typically x-rays) into stable electron-hole pairs that can be “read” by scanning a stimulating light beam across the glass to cause photostimulated luminescence (PSL) emission. Measurements on the materials are ongoing to elucidate structure-property relationships developed as a result of introducing rare-earth ions and modifying process conditions. Image quality measurements indicate that the current material competes with state-of-the-art x-ray imaging plates. The paper presents results on structure, properties and future directions of the materials described above.
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Reinhard, Erik. "Image-based material editing." In the ACM SIGGRAPH 05 electronic art and animation catalog. New York, New York, USA: ACM Press, 2005. http://dx.doi.org/10.1145/1086057.1086187.

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"Microscopic Material Forms--The Abstractive Use of Comprehensive Material in Art Creation." In 2018 International Conference on Culture, Literature, Arts & Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icclah.18.058.

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He, Yuanyuan. "Research on Material Design of Decoration Art Glass." In 2016 International Conference on Advances in Management, Arts and Humanities Science (AMAHS 2016). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/amahs-16.2016.60.

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Fan, Chinbay, Michael Onischak, and William Liss. "Advanced Components for PEMFC Stacks." In ASME 2006 4th International Conference on Fuel Cell Science, Engineering and Technology. ASMEDC, 2006. http://dx.doi.org/10.1115/fuelcell2006-97144.

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Currently, fuel cell cost reduction and long life are major priorities for fuel cells to be commercially successful for vehicle, stationary, or portable power applications. In the last five years, Gas Technology Institute (GTI) has formulated and developed a low cost, long lifetime, high conductivity proton exchange membrane (PEM) yielding state-of-the-art fuel cell performance. Additionally, a non-coated, corrosion-resistant metal alloy bipolar separator plate has been patented and tested for both hydrogen-fueled and direct methanol fueled PEMFC applications. Tests in fuel cells plus out-of-cell ASTM corrosion tests have shown very low corrosion rates under fuel cell operating conditions. Metal alloy separator plates have run for over 23,000 hours in cells with corrosion rates an order of magnitude less than the DOE target of 1 μA/cm2. GTI’s fuel cell polymer membrane research focused on three criteria: (1) use of low cost materials; (2) polymer structures stable under fuel cell operating conditions; and (3) performance equal or better than current Nafion membrane electrode assemblies (MEAs). Fluorine-containing polymers were eliminated due to cost issues, environmental factors, and the negative influence fluorine ion loss has on metallic separator plates. The polymer membrane material was synthesized and cast into films, then fabricated into MEAs. The cost of the membrane (raw materials plus film processing materials) is estimated to be less than $10/m2 — or less than 10% of available technology. A variety of out-of-cell testing showed the membrane has sufficient strength, flexibility, and conductivity to serve as an ion conducting membrane for fuel cells. A series of 60 cm2 active area single cells and short stacks were operated over a wide range of fuel cell conditions, showing state-of-the-art MEA performance with long-term polymer stability.
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Lem, Nolan. "BDSMR: Velcro as a Sensory Material and Erotic Interface." In Politics of the Machines - Art and After. BCS Learning & Development, 2018. http://dx.doi.org/10.14236/ewic/evac18.27.

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Otto, David J., and John L. Hanley. "From Art to Science: A New Acoustic Baffle Material." In SAE Noise and Vibration Conference and Exposition. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 1995. http://dx.doi.org/10.4271/951245.

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Maute, K., M. L. Dunn, R. Bischel, M. Howard, and J. M. Pajot. "Multiscale Design of Vascular Plates." In ASME 2005 International Mechanical Engineering Congress and Exposition. ASMEDC, 2005. http://dx.doi.org/10.1115/imece2005-82203.

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Inspired by actuation mechanisms in plant structures and motivated by recent advances in electro-chemically driven micro-pumps, this paper is concerned with a novel concept for active materials based on distributed hydraulic actuation. Due to the similarity of the actuation principles seen in plants undergoing nastic motion, we refer to this class of active materials as nastic materials. We present a mechanical modeling approach for nastic materials representing the effects of pressure generation and fluid transport by incompressible eigenstrains. This model is embedded into a two-level macro/micro topology optimization procedure. On a macroscopic level, the integration of nastic material into a structural system is optimized. The placement and distribution of nastic material on a flexible substrate are optimized to generate target displacement and force distributions. On a microscopic level, the stress and strain generation is tailored to desired macroscopic material properties by optimizing the layout of vascular fluid channels embedded in an elastic matrix. For the layout optimization of vascular fluid channels, a novel topology optimization procedure is presented that models the effects of pressure along the fluid channels via an analogy with thermal conduction and convection. For this purpose an auxiliary heat transfer problem is solved. The macro-scale optimization procedure is studied for plate structures patterned by nastic materials in order to generate target bending and twist deformations. The results show the significant differences of the optimal distributions of active material depending on the strain model used for representing the actuation concept. The micro-scale vascular design methodology is verified with plane-stress examples. The results show that the layout of fluid channels can be optimized such that target strains are generated.
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Hines, Megan K., David Kadish, and Maja Fagerberg Ranten. "Sound as Material for Eco-technogenesis." In RE:SOUND 2019 – 8th International Conference on Media Art, Science, and Technology. BCS Learning & Development, 2019. http://dx.doi.org/10.14236/ewic/resound19.30.

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Reports on the topic "Platics as art material"

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Donovan, Jordan. Understanding state-of-the-art material classification through deep visualization. Engineer Research and Development Center (U.S.), July 2020. http://dx.doi.org/10.21079/11681/37618.

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Winkler-Portmann, Simon. Umsetzung einer wirksamen Compliance in globalen Lieferketten am Beispiel der Anforderungen aus der europäischen Chemikalien-Regulierung an die Automobilindustrie. Sonderforschungsgruppe Institutionenanalyse, August 2020. http://dx.doi.org/10.46850/sofia.9783941627796.

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This publication based on a master thesis explores the challenges of the automotive industry regarding the European chemical regulations REACH and CLP, as well as potential improvements of the current compliance activities and the related incentives and barriers. It answers the research question: "To what extent should the compliance activities of actors in the automotive supply chain be extended in order to meet the requirements of European chemicals regulation; and where would it help to strengthen incentives in enforcement and the legal framework?“. The study’s structure is based on the transdisciplinary delta analysis of the Society for Institutional Analysis at the Darmstadt University of Applied Sciences. It compares the target state of the legal requirements and the requirements for corresponding compliance with the actual state of the actual compliance measures of the automotive players and attempts to identify their weak points (the delta). The main sources for the analysis are the legal texts and relevant court decisions as well as guideline-based expert interviews with automotive players based on Gläser & Laudel. As objects of the analysis, there are in addition answers to random enquiries according to Article 33 (2) REACH as well as the recommendations and guidelines of the industry associations. The analysis identifies the transmission of material information in the supply chain as a key problem. The global database system used for this purpose, the IMDS, shows gaps in the framework conditions. This results in compliance risk due to the dynamically developing regulation. In addition, the study identifies an incompliance of the investigated automobile manufacturers with regard to Art. 33 REACH. In answering the research question, the study recommends solutions to the automotive players that extend the current compliance activities. In addition, it offers tables and process flow diagrams, which structure the duties and required compliance measures and may serve as basic audit criteria. The analysis is carried out from an external perspective and looks at the entire industry. It therefore cannot cover all the individual peculiarities of each automotive player. As a result, the identified gaps serve only as indications for possible further compliance risks.
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Hunter, Fraser, and Martin Carruthers. Iron Age Scotland. Society for Antiquaries of Scotland, September 2012. http://dx.doi.org/10.9750/scarf.09.2012.193.

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The main recommendations of the panel report can be summarised under five key headings:  Building blocks: The ultimate aim should be to build rich, detailed and testable narratives situated within a European context, and addressing phenomena from the longue durée to the short-term over international to local scales. Chronological control is essential to this and effective dating strategies are required to enable generation-level analysis. The ‘serendipity factor’ of archaeological work must be enhanced by recognising and getting the most out of information-rich sites as they appear. o There is a pressing need to revisit the archives of excavated sites to extract more information from existing resources, notably through dating programmes targeted at regional sequences – the Western Isles Atlantic roundhouse sequence is an obvious target. o Many areas still lack anything beyond the baldest of settlement sequences, with little understanding of the relations between key site types. There is a need to get at least basic sequences from many more areas, either from sustained regional programmes or targeted sampling exercises. o Much of the methodologically innovative work and new insights have come from long-running research excavations. Such large-scale research projects are an important element in developing new approaches to the Iron Age.  Daily life and practice: There remains great potential to improve the understanding of people’s lives in the Iron Age through fresh approaches to, and integration of, existing and newly-excavated data. o House use. Rigorous analysis and innovative approaches, including experimental archaeology, should be employed to get the most out of the understanding of daily life through the strengths of the Scottish record, such as deposits within buildings, organic preservation and waterlogging. o Material culture. Artefact studies have the potential to be far more integral to understandings of Iron Age societies, both from the rich assemblages of the Atlantic area and less-rich lowland finds. Key areas of concern are basic studies of material groups (including the function of everyday items such as stone and bone tools, and the nature of craft processes – iron, copper alloy, bone/antler and shale offer particularly good evidence). Other key topics are: the role of ‘art’ and other forms of decoration and comparative approaches to assemblages to obtain synthetic views of the uses of material culture. o Field to feast. Subsistence practices are a core area of research essential to understanding past society, but different strands of evidence need to be more fully integrated, with a ‘field to feast’ approach, from production to consumption. The working of agricultural systems is poorly understood, from agricultural processes to cooking practices and cuisine: integrated work between different specialisms would assist greatly. There is a need for conceptual as well as practical perspectives – e.g. how were wild resources conceived? o Ritual practice. There has been valuable work in identifying depositional practices, such as deposition of animals or querns, which are thought to relate to house-based ritual practices, but there is great potential for further pattern-spotting, synthesis and interpretation. Iron Age Scotland: ScARF Panel Report v  Landscapes and regions:  Concepts of ‘region’ or ‘province’, and how they changed over time, need to be critically explored, because they are contentious, poorly defined and highly variable. What did Iron Age people see as their geographical horizons, and how did this change?  Attempts to understand the Iron Age landscape require improved, integrated survey methodologies, as existing approaches are inevitably partial.  Aspects of the landscape’s physical form and cover should be investigated more fully, in terms of vegetation (known only in outline over most of the country) and sea level change in key areas such as the firths of Moray and Forth.  Landscapes beyond settlement merit further work, e.g. the use of the landscape for deposition of objects or people, and what this tells us of contemporary perceptions and beliefs.  Concepts of inherited landscapes (how Iron Age communities saw and used this longlived land) and socal resilience to issues such as climate change should be explored more fully.  Reconstructing Iron Age societies. The changing structure of society over space and time in this period remains poorly understood. Researchers should interrogate the data for better and more explicitly-expressed understandings of social structures and relations between people.  The wider context: Researchers need to engage with the big questions of change on a European level (and beyond). Relationships with neighbouring areas (e.g. England, Ireland) and analogies from other areas (e.g. Scandinavia and the Low Countries) can help inform Scottish studies. Key big topics are: o The nature and effect of the introduction of iron. o The social processes lying behind evidence for movement and contact. o Parallels and differences in social processes and developments. o The changing nature of houses and households over this period, including the role of ‘substantial houses’, from crannogs to brochs, the development and role of complex architecture, and the shift away from roundhouses. o The chronology, nature and meaning of hillforts and other enclosed settlements. o Relationships with the Roman world
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