Relevant bibliographies by topics / Play – Juvenile fiction

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Academic literature on the topic 'Play – Juvenile fiction'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Play – Juvenile fiction"

1

White, Ashley J. J. "Child’s Play." After Dinner Conversation 4, no. 3 (2023): 5–15. http://dx.doi.org/10.5840/adc20234322.

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Who is in the best situation to understand the just punishment for a crime? To what extent should crimes of youth carry lifetime stigmas? In this work of ethical fiction, Rory is the middle-school bully. The focus of this bully is on taking naked pictures with his cell phone of other boys in the locker room, then using those photos to blackmail them into getting, and giving him, nude photos of their girlfriends. This is exactly what he does to get nude photos of Elizabeth. He then blackmails Elizabeth with those photos for sexual favors. His plan would have gone smoothly enough (again) except
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2

Langbauer, Laurie. "Young America: Dime Novels and Juvenile Authorship." Victorian Popular Fictions Journal 4, no. 2 (2023): 101–20. http://dx.doi.org/10.46911/zcyu5206.

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American dime novels, first published under that term in 1860, built on earlier movements in American literary traditions. Critics for over a century have recognised that this popular form emphasised the same sense of literary nationalism strongly at play in the nineteenth century when cultural pundits sought to define and assert a properly American character for so-called “serious” publications. This essay expands that understanding by directly grounding the dime novel within the tenets of the 1830s and 1840s Young America movement, as it formed around the New York circle of Evert Duyckinck.
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3

Mazurkiewicz, Adam. "Kryminałki dla najmłodszych. O nurcie polskiej literatury kryminalnej adresowanej do dziecięco-młodzieżowego czytelnika po roku 1989. Rekonesans." Literatura i Kultura Popularna 23 (May 31, 2018): 121–34. http://dx.doi.org/10.19195/0867-7441.23.9.

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Crime stories for the youngest. About the current of Polish crime novels addressed to children and teenagers after 1989: ReconnaissanceLiterature intended for children and teenagers has got a specific character because of the specificity of the reader. What attracts our attention is first of all the didactic level of texts addressed to young concerning both age and literary knowledge readers and the instrumentalism, understood as a flow of particular information which aim is exerting a pedagogical influence. Therefore, the criminal intrigue is not in the centre of reader’s attention. It does,
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4

Bajaj, H. K., and R. S. Kanwar. "Biology and predatory attributes of a diplogasterid nematode, Fictor composticola Khan et al., 2008." Helminthologia 52, no. 1 (2015): 50–57. http://dx.doi.org/10.1515/helmin-2015-0009.

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Summary Biology of Fictor composticola has been studied on Aphelenchus avenae in vitro. It reproduces by amphimixis, embryonic development is completed in 24 - 27 h and life cycle in 3 - 4 days. Fusion of sperm and egg pronuclei occurs in the uteri. Pulsation of median oesophageal bulb and pressing of lips against egg shell is seen just prior to hatching but teeth seem to play no role in this process. No moulting occurs inside the egg shell and the first stage juvenile hatches out. Female and male undergo mating upon addition of water in the culture plates and continue to swim in copula for a
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5

Feldman, Alex. "Currents in the Cross-Legal: Recontextualizing Terence Rattigan’s The Winslow Boy." New Theatre Quarterly 31, no. 2 (2015): 99–115. http://dx.doi.org/10.1017/s0266464x15000226.

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Though Terence Rattigan’s reputation as a playwright has successfully been revived in recent years, critical responses to the plays – The Winslow Boy (1946) being a case in point – remain limited to the perspectives of British theatre history and British party politics. Paying particular attention to ‘cross-legal’ parallels between The Winslow Boy and a variety of historical and fictional analogues, Alex Feldman restores the play to a broader frame of reference, and to some of its original contexts of production and reception. First considering Rattigan’s juvenile dramatic forays into the law,
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6

Циганій, С.О., та Є.В. Кузьмічова-Кисленко. "ТАКТИКА ДОПИТУ НЕПОВНОЛІТНЬОГО ПІДОЗРЮВАНОГО ПІД ЧАС ДОСУДОВОГО РОЗСЛІДУВАННЯ". Наукові записки Львівського університету бізнесу та права. Серія економічна. Серія юридична, № 32 (30 березня 2022): 37–43. https://doi.org/10.5281/zenodo.6430807.

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The article deals with the minor suspect interrogation tactics in the pre-trial investigation to identify the features of such tactics. The research determined the legal regulation of minor interrogation, which consists of international and national instruments. It is established that the criminal legislation does not stipulate the minimum age from which a minor may be interrogated. Two stages of effective interrogation of a minor are proposed, including preparation for interrogation and interrogation. The article provides the age classification according to the psychological development of ch
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7

Plotz, John, and Celia Easton. "Reviews." Journal of Juvenilia Studies 6, no. 2 (2024). http://dx.doi.org/10.29173/jjs133.

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Celia Easton reviews Sir Charles Grandison, Edited by Lesley Peterson and Sylvia Hunt, assisted by Catherine Jones, Laurel Charron, Stephanie Leblanc, Laurie Morin, Ann Vanderaa, and Katarina Valentic. Illustrated by Juliet McMaster. Juvenilia Press, 2022. John Plotz reviews Virtual Play and the Victorian Novel: The Ethics and Aesthetics of Fictional Experience by Timothy Gao. Cambridge UP, 2021.
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8

Qian, Tony D. "Snares of Youth: Juvenile Offenders and Popular Criminology in the Early Reform Era." Modern China, April 12, 2025. https://doi.org/10.1177/00977004251323476.

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This article examines popular narratives about juvenile offenders—their psychology, propensities, and reformation—in the context of legal popularization ( pufa 普法) in the early reform era. With the end of the Cultural Revolution (1966–1976), the Chinese Communist Party mobilized a series of anti-crime campaigns to combat high crime rates especially among youth—but with only short-term success. In 1985, the party officially circulated a five-year plan to disseminate “common legal knowledge,” which, among other things, encouraged the production of works that featured fictional and true crime nar
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9

Farmer, Brett. "Loving Julie Andrews." M/C Journal 5, no. 6 (2002). http://dx.doi.org/10.5204/mcj.1998.

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At the beginning of his recent collection of essays in queer studies, Jeffrey Escoffier makes the assertion at once portentous and banal that “the moment of acknowledging to oneself homosexual desires and feelings … and then licensing oneself to act ... is the central drama of the homosexual self.” That “moment of self-classification,” he explains, “is an emergency – sublime, horrible, wonderful – in the life of anyone who must confront it.” (1) In the theatre of my own biography, I am unsure how or when I first played out this epiphanic drama of queer self-acknowledgment, but I can vividly re
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10

Brammer, Rebekah. "Dark Laughs." M/C Journal 28, no. 1 (2025). https://doi.org/10.5204/mcj.3152.

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Introduction: From Classic Noir Parody to Aussie Comedy Noir However you choose to identify noir – as a genre, style, or cycle – over its 80 years from classic American film noir to neo-noir, neon-noir, national noirs, and television noir, it has undeniably seeped into popular culture. Exemplary of this is the way noir has hybridised with other genres and styles, true of comedy as much as its more serious pairings with science fiction, Western, and Gothic. This is not a new phenomenon: Sue Short points out that pastiche noir began appearing at the end of the classic cycle, citing Kiss Me Deadl
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Books on the topic "Play – Juvenile fiction"

1

Ann, Morris. Play. Lothrop, Lee & Shepard, 1998.

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2

Parent, Nancy. Let's play. Paradise Press, 2006.

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3

Murphy, Patricia J. Let's Play Soccer. Dorling Kindersley Limited, 2008.

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4

ill, Vojtech Anna, ed. Otter play. Atheneum Books for Young Readers, 1998.

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5

Christopher, Matt. Play ball! Scholastic, 2013.

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6

Christopher, Matt. Play ball! Little, Brown, 2013.

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7

Bryant, Bonnie. Horse play. Gareth Stevens Pub., 1996.

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8

Wise, Beth Alley. Pig's play. Macmillan/McGraw-Hill, 2002.

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9

Lionni, Leo. Let's play. Knopf, 2003.

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10

Blake, Michel. Let's play! Candlewick Press, 2007.

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Book chapters on the topic "Play – Juvenile fiction"

1

Shippey, Tom. "Science Fiction and the Idea of History." In Hard Reading. Liverpool University Press, 2016. http://dx.doi.org/10.5949/liverpool/9781781382615.003.0008.

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Just over half-way through his juvenile novel, Citizen of the Galaxy, Robert Heinlein gets his hero Thorby involved in a play. The play is a historical one, dramatising the origins of the queer, nomadic, matriarchal, spaceship-society of Free Traders among whom Thorby now finds himself, and is to be produced publicly at their great Gathering. But it is introduced irreverently, like this:...
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2

Smith, Vanessa. "Our Plays." In Toy Stories. Fordham University Press, 2023. http://dx.doi.org/10.5422/fordham/9781531503574.003.0004.

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Engages with the juvenile fiction of the Brontës, whose writing careers originated in perhaps the most famous of Victorian literary toy stories. A gift of twelve toy soldiers prompted the Brontë siblings to commence what they referred to as a series of “plays,” set in the imaginary worlds of Glasstown, Angria, and Gondal, which were eventually transcribed in tiny print into tiny books. Whereas the miniature books have been traditionally interpreted as objects of mourning, this chapter asks that we return to their foundation in games with toy objects and to reconceive the juvenilia as play ther
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3

Moore, Paul, and Sandra Gabriele. "Subscribing to the Sunday Newspaper." In The Sunday Paper. University of Illinois Press, 2022. http://dx.doi.org/10.5622/illinois/9780252044496.003.0002.

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There was no singular type of Sunday paper. A multiplicity of Sunday supplements produced new kinds of readers through their very form and design. Each asked readers to do more than read, but to interact with the materiality of the paper as a form of leisure. Sunday supplements established a different temporality from the weekday newspaper and the bustle of the workweek. They entreated readers to spend time with the paper, tying them to the rhythms of the weekend and the home. This temporality linked one Sunday to another, making a subscription all the more logical by providing a cultural aest
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4

Ballaster, Ros. "Macklin and the Novel." In Charles Macklin and the Theatres of London. Liverpool University Press, 2022. http://dx.doi.org/10.3828/liverpool/9781800855984.003.0006.

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Charles Macklin’s career invites us to think about what happens when the actor steps ‘out’ or ‘off’ the stage into the pages to feature as a character in an extended printed and fictional narrative. What is the role of the actor in the business of novelistic character? And is the representation of a well-known actor in a novel different from that of other non-acting celebrities? The chapter addresses these three questions through three different parts Macklin played in the history of the novel: first, as a walk-on part adding to the realism of a novel in Maria Edgeworth’s Harrington (1817); se
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