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Books on the topic 'Playwriting process'

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1

Wright, M. Playwriting in process: Thinking and working theatrically. Heinemann, 1997.

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2

Playwriting in process: Thinking and working theatrically. 2nd ed. Focus Pub./R. Pullins Company, 2009.

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3

Wright, Michael. Playwriting in process: Thinking and working theatrically. 2nd ed. Focus Pub./R. Pullins Company, 2009.

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4

Michael, Wright. Playwriting-in-process: Thinking and working theatrically. Heinemann, 1997.

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5

Zeder, Suzan. Spaces of creation: The creative process of playwriting. Heinemann, 2005.

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6

Michael, Wright. Playwriting master class: The personality of process and the art of rewriting. 2nd ed. Focus Pub., 2010.

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7

Tracing the footprints: Documenting the process of performance. University Press of America, 2003.

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8

I ain't sorry for nothin' I done: August Wilson's process of playwriting. Limelight Editions, 1998.

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9

McLaughlin, Buzz. The playwright's process: Learning the craft from today's leading dramatists. Back Stage Books, 1997.

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10

The performer's guide to the collaborative process. Heinemann, 2001.

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11

Howard, Diane E. Autobiographical writing and performing: An introductory, contemporary guide to process and research in speech performance. McGraw-Hill Primus Custom, 2000.

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12

Michael, Wright. Sensory writing for stage and screen: An etude-based process of exploration. Focus, an imprint of Hackett Publishing Company, Inc., 2015.

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13

Peña, Edilio. Trama: Proceso y construcción de la obra teatral. Universidad de Los Andes, Dirección General de Cultura y Extensión, 2010.

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14

Poetics of the Creative Process: An Organic Practicum to Playwriting. University Press of America, 2005.

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15

Poetics of the Creative Process: An Organic Practicum to Playwriting. University Press of America, 2005.

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16

Jenkins, Linda Walsh. The 90-Day Play: The Process and Principles of Playwriting. 90-Day Novel Press, The, 2017.

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17

Playwriting Master Class: The Personality of Process and the Art of Rewriting. Heinemann Drama, 2000.

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18

1945-, Wright Michael, ed. Playwriting master class: The personality of process and the art of rewriting. Heinemann, 2000.

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19

Herrington, Joan. I Ain't Sorry for Nothin' I Done: August Wilson's Process of Playwriting. Limelight Editions, 2004.

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20

Silverman, Lisa. Playwriting as experiential education: Beginning the process, from the perspective of three novice playwrights. 2003.

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21

Jeffs, Kathleen. Metatheatrical Staging. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198819349.003.0006.

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Over the course of the RSC season of Spanish Golden Age plays, metatheatre emerged as a common element of all four productions, one that challenged and bolstered the company at all phases of the plays’ translation, rehearsal, and performance processes. Using the varieties of metatheatre established by Richard Hornby, this chapter shows how the RSC capitalized on the metatheatrical devices in the four plays, and in doing so made direct contact with their audiences, drawing them in by linking multiperspectivism endemic to Golden Age playwriting styles with an audience living in an age characteri
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