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1

Almimi, Ashraf. Split-Plot Designs: Follow-Up Experiments, Missing Observations, and Model Adequacy Checking. Saarbrucken, Germany: LAP LAMBERT Academic Publishing, 2010.

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2

A model marriage. New York, NY: Kensington Pub. Corp., 1998.

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3

Schuster, Melanie. Model Perfect Passion. Toronto, Ontario: Kimani Press, 2008.

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4

Benbow, Dave. Male model: A novel. New York: Kensington Books, 2004.

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5

Perumal, Balu. Biological diversity study of the Lower Montane Forest of Peninsular Malaysia: A model research plot. Petaling Jaya, Selangor Darul Ehsan, Malaysia: WWF Malaysia, 1998.

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6

Cooper, Sharon C. Model attraction. Toronto, ON: Harlequin Kimani Romance, 2016.

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7

Marking past tense in second language acquisition: A theoretical model. London: Continuum, 2008.

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8

Fool's Paradise. Toronto: Harlequin Books, 1996.

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9

Pudjirahardjo, Christanto. Memahami teks Jawa kuna dari the Romance of King Angling Darma versi G.W.J. Drewes berdasarkan tindak komunikasi model Jakobson. [Jember]: Pusat Penelitian, Universitas Jember, 1990.

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10

Clark, Bridie. Maybe tonight? New York, N.Y: Roaring Brook Press, 2013.

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11

Weiss, Judith, Nicole Clifton, and Ivana Djordjevic, eds. Waldef. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9781641894067.

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This first English translation of Le Roman de Waldef makes a significant representative of the French literature of medieval England accessible for the first time. Its wide-ranging content provides an ideal introduction to a number of themes in medieval literature, making it suitable for a variety of undergraduate and graduate courses. The fast-moving romance plot of this early thirteenth-century tale recounts the ancestry and exploits of Waldef and his two sons, set against a history of pre-Conquest England. The narrative shares themes and incident types with other important insular romances, including the Lai of Haveloc, Boeve de Haumtone, and Gui de Warewic. Waldef’s scope, interest in battle, and political stratagems bear reading alongside medieval chronicles, while secret love affairs connect it with other romance literature of the period, and adventures across a wide area of the known world provide affinities with medieval travel narrative.
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12

Capron, J. Perilous Plot. Thomas Bouregy & Company, 1992.

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13

Ericson, Carol. Pregnancy Plot. Harlequin Mills & Boon, Limited, 2015.

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14

Roe, Paula. Pregnancy Plot. Harlequin Enterprises, Limited, 2013.

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15

Roe, Paula. Pregnancy Plot. Harlequin Mills & Boon, Limited, 2014.

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16

Pregnancy Plot. Harlequin Mills & Boon, Limited, 2014.

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17

Cresswell Plot. Hyperion Books for Children, 2017.

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18

Roe, Paula. The pregnancy plot. 2013.

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19

Phillips, Krista. The Engagement Plot. Center Point Pub, 2018.

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20

Ericson, Carol. Pregnancy Plot. Harlequin Enterprises, Limited, 2015.

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21

Ericson, Carol. Pregnancy Plot. Harlequin Enterprises, Limited, 2015.

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22

Pregnancy Plot. Harlequin Enterprises, Limited, 2015.

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23

Layne, Harlow. MODEL. Harlow Layne, 2020.

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24

Layne, Harlow. MODEL. Harlow Layne, 2020.

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25

The Cresswell plot. 2016.

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26

Morgan, Tamara. Model Behaviour. Harlequin Mills & Boon, Limited, 2015.

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27

Dunbar, Natalie. Model Spy. Harlequin Mills & Boon, Limited, 2012.

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28

Allen, Louise. A Model Debutante. Harlequin Mills & Boon, Limited, 2005.

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29

Eugenides, Jeffrey. The marriage plot. 2012.

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30

The Model Wife. London: Penguin Group UK, 2010.

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31

Model Perfect Passion (Kimani Romance). Kimani, 2008.

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32

Scott, Amanda. Dangerous Angels. Pinnacle, 1997.

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33

Richter, David H. The Gothic Novel and the Lingering Appeal of Romance. Edited by Alan Downie. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199566747.013.021.

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Romance, the dominant long-form fiction since 200 CE, is in eclipse for half a century after the rise of the realistic novel, but has a new efflorescence around 1790 in the Gothic novel for a number of reasons. It was a mode of historical writing without any need for accuracy about dates and places, a mode of sentimental writing that found in its villainous anti-heroes an entry point to the sadomasochistic desires of its readers. The chief characteristic of the heroine or hero is passivity, an attitude mirrored in the implied female reader of the Gothic, who seeks escape or retreat into an inner world of fantasy. It is ironic that the Gothic was displaced by 1820 by the historical romance of Scott, who adopted its plots and themes, but set them in a colder verisimilar world.
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34

Suntanned Days (Follow Your Heart Romance No. 9). Pocket Books, 1985.

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35

Allen, Louise. A Model Debutante. Thorndike Press, 2005.

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36

Dunbar, Natalie. A Model Spy. Silhouette, 2006.

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37

A Model Debutante. Mills & Boon, 2005.

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38

Maddening Model (Hazards, Inc.). Silhouette, 1995.

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39

Benbow, Dave. Male Model. Kensington, 2005.

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40

Kansas City Secrets: The Pregnancy Plot. Harlequin Mills & Boon, Limited, 2015.

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41

A Model Spy. Toronto, Ontario: Silhouette, 2006.

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42

Read, Lorna. Desert Wedding (Point Romance Cover Model S.). Scholastic Point, 1997.

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43

Spencer, Jane. Amatory and Scandal Fiction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199580033.003.0030.

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This chapter takes a look at amatory and scandal fiction. In the first forty years of the eighteenth century, there appeared a wide variety of novels that have since been loosely grouped under the overlapping labels ‘amatory’ and ‘scandal’ fiction. ‘Amatory’ serves to name love stories neither so explicit as pornography nor so high-minded as romance; ‘scandal’ to designate the exposure of corrupt behaviour whether in political figures or merely people of the author's acquaintance. Drawing on various models including the long French romance, the short French and Italian novellas of the previous two centuries, and the Ovidian tradition of epistolary love-complaint revitalized in the popular Lettres portugaises (1669), they presented no real generic unity. However, they formed a handy group on whose plots, preoccupations, and techniques mid-century novelists drew, and against whose vices they liked to define their virtues.
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44

Model Marine. Harlequin, 2011.

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45

Read, Lorna. Assignment in Spain (Point Romance Cover Model S.). Scholastic Point, 1997.

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46

Read, Lorna. Escape to America (Point Romance Cover Model S.). Scholastic Point, 1997.

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47

Jane, Austen. Lady Susan: With Plot and Character Summaries. Horsham House, 2016.

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48

Cooper, Sharon C. Model Attraction. Harlequin Enterprises, Limited, 2016.

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49

Milburne, Melanie, Kelly Hunter, and Annie West. Bedded by the Billionaire: The Billionaire's Perfect Opportunity the Billionaire's Revenge Plot the Billionaire's Sizzling Reunion. Harlequin Enterprises, Limited, 2016.

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50

author, Zageris Larissa, ed. My lady's choosing: An interactive romance novel. 2018.

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