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Journal articles on the topic 'Podcasts – Fiction'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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1

Martínez-Otón, Laura, Cristina Rodríguez-Luque, and Mario Alcudia-Borreguero. "El reportaje de historias de vida como punto de partida de la radio dramatizada y el ´podcast´ de no ficción en el ecosistema digital. Estudio de caso. ´Sin mi identidad´ (Cadena COPE), ´Lo conocí en un Corpus´ (Podium Podcast) y ´Las tres muertes de mi padre´ (Cuonda)." INDEX COMUNICACION 9, no. 2 (2019): 135–62. http://dx.doi.org/10.33732/ixc/09/02elrepo.

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In current digital ecosystem, sound is gaining prominence through new formats such as podcasting, born in the era of mobility. Formats that can share elements, characteristics, dynamics of work and consumption with other traditional radio formats, such as reports, docudramas or the radio soap opera. This article aims to analyze whether the strength of human reach storytelling is a common starting point in analogic reports and in fictional and non-fiction podcasts, both on audio platforms and on conventional radio. For this, three podcast are proposed as case study: ‘Sin mi identidad’ (2018, CO

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Olmedo-Salar, Silvia, and Paloma López-Villafranca. "Análisis comparativo de ´podcasts´ y series televisivas de ficción. Estudio de casos en España." INDEX COMUNICACION 9, no. 2 (2019): 183–213. http://dx.doi.org/10.33732/ixc/09/02analis.

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Sound fiction genre takes a relevant position after the irruption of American productions such as Serial in the year 2014, whose success boosted its emission in other media as a series with the same title offered by HBO. In Spain, the conversion from podcast to television series hasn´t been produced yet, but we do have on stream podcasts that derive from television series, specifically, on RTVE platform. The objective of this work is to perform a formal comparative analysis and content of podcasts and series of television platforms in Spain and the United States applied to the first season of

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3

Arense-Gómez, Alfredo, Maria de la Peña Mónica Pérez Alaejos, Raúl Terol-Bolinches, and Luis Miguel Pedrero-Esteban. "Journalism in the age of audification: Features of narrative non-fiction podcasting in Spain." Radio Journal:International Studies in Broadcast & Audio Media 22, no. 2 (2024): 163–85. https://doi.org/10.1386/rjao_00098_1.

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The digital ecosystem has promoted on-demand audio listening as a complimentary and even alternative to traditional radio. Some 51 per cent of Spanish internet users listen to podcasts on a regular basis, and podcast consumption in Spain is the highest in Europe. Narrative non-fiction podcasts are giving impetus to topics and issues which may be absent from traditional radio, limited by production schedules and the constraints of the antenna. Audio documentaries combine information, fiction and context through narrative and audio elements that are unusual in conventional audio journalism. This

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Vicente, Eduardo. "Non-fiction narrative podcasts: an overview of the Brazilian production." Slow Journalism: estilo, contenidos, nuevos formatos y audiencias, no. 21 (February 29, 2024): raeic112101. http://dx.doi.org/10.24137/raeic.11.21.1.

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This text seeks to provide an overview of the development and current production of non-fiction narrative podcasts in Brazil. To this end, it initially presents a definition of the genre, highlighting its origin in radio journalism in the United States. Next, this production is contextualized in relation to Brazilian radio and some of the pioneering or most influential productions are listed. Subsequently, we provide a sample of the most recent works. Through this sample, the text seeks to present both the main agents involved in this field of production (large local media groups and larger po

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5

Skjerseth, Amy. "Podcast Reenactments and the Sonics of Fictionalization from Cher to Swift." Journal of Popular Music Studies 35, no. 4 (2023): 34–53. http://dx.doi.org/10.1525/jpms.2023.35.4.34.

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Podcasts often blend journalistic investigation with personal reflection, from Serial to Switched on Pop. Their veneer of fiction-as-fact especially confounds representation when podcasts’ voice acting and sound design portray pop stars in caricatured dramatizations. This paper examines reenactments of Cher and Taylor Swift in podcasts that investigate popular music industries and technology. As I show, these stars often are ventriloquized on podcasts due to their respective ages and visibility as women. Podcasts interrogate them for being too old or too young and for trespassing onto the ofte

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Yeates, Robert. "Serial fiction podcasting and participatory culture: Fan influence and representation in The Adventure Zone." European Journal of Cultural Studies 23, no. 2 (2018): 223–43. http://dx.doi.org/10.1177/1367549418786420.

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New media affords significant opportunities for audience feedback and participation, with the power to influence the creation and development of contemporary works of fiction, particularly when these appear in serialized instalments. With access to creators permitted via social media, and with online platforms facilitating the creation and distribution of audience paratexts, fans increasingly have the power to shape the fictional worlds and diversity of the characters found within the series they enjoy. A noteworthy and understudied example is fiction podcasting, an emerging form that draws on

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7

Razali, Geofakta, and Wirawan Wirawan. "Social Criticism through Ghost Storytelling on Tirto.id Podcast Contents." Jurnal Communio : Jurnal Jurusan Ilmu Komunikasi 13, no. 2 (2024): 241–57. http://dx.doi.org/10.35508/jikom.v13i2.9383.

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This research aims to identify the pattern of ghost storytelling in podcasts produced by Tirto.id journalists. It attempts to answer the question whether ghost storytelling on the Tirto.id podcast channel is a means of audience entertainment or whether it truly reflects the function that journalists play in educating the public and actualising societal criticism. Implementing a qualitative content analysis method, this study explores five ghost episodes on Tirto.id’s INSENTIF podcast channel. We argue that the selected podcast episodes exemplify the hybridity of journalism which amalgamates in

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Stewart, Victoria. "True Crime and Contemporary Crime Fiction." Crime Fiction Studies 3, no. 2 (2022): 159–74. http://dx.doi.org/10.3366/cfs.2022.0072.

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The incorporation of thematic and formal references to true-crime texts in recent British and Irish crime novels shows fiction authors acknowledging that they share an audience with true-crime podcasts, documentaries and books. At the same time, these authors assert the particular contribution that fiction makes to the raising of awareness of both real-world crime and its representations. Examples considered include novels by Ruth Rendell, Denise Mina and Catherine Ryan Howard.

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9

Fitó-Carreras, Maria, Montserrat Vidal-Mestre, and Alfonso Freire-Sánchez. "The storytelling of destination podcasts of government tourism agencies for the promotion and construction of territorial identity." Radio Journal:International Studies in Broadcast & Audio Media 23, no. 1 (2025): 127–46. https://doi.org/10.1386/rjao_00110_1.

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The podcast has emerged as a format for the promotion of tourism destinations. This study explores how, through branding, governmental tourism agencies convey the identity of the territory they represent and manage to create travel expectations among their stakeholders. We therefore employed a descriptive documentary method with a quantitative and qualitative approach and analysed titles produced by fourteen agencies. The results reveal that the most used genre for the construction of the narrative is the interview and the least used is fiction and that local expert sources predominate, with a

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10

Yeates, Robert. "Serial fiction podcasting and participatory culture: Fan influence and representation in The Adventure Zone." European Journal of Cultural Studies 23, no. 2 (2018): 223–43. https://doi.org/10.1177/1367549418786420.

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New media affords significant opportunities for audience feedback and participation, with the power to influence the creation and development of contemporary works of fiction, particularly when these appear in serialized instalments. With access to creators permitted via social media, and with online platforms facilitating the creation and distribution of audience paratexts, fans increasingly have the power to shape the fictional worlds and diversity of the characters found within the series they enjoy. A noteworthy and understudied example is fiction podcasting, an emerging form that draws on

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11

López Villafranca, Paloma, and Silvia Olmedo Salar. "El proceso creativo y los elementos distintivos de la ficción sonora en radios y plataformas españolas: estudio de caso." Ámbitos. Revista Internacional de Comunicación, no. 62 (2023): 88–103. http://dx.doi.org/10.12795/ambitos.2023.i62.05.

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La ficción sonora resurge en España con la irrupción de las plataformas sonoras como la red de podcasts Podium Podcast desde el año 2016, la innovación experimental sonora de la emisora pública RNE con el Laboratorio de Innovación Audiovisual de RTVE y la emisión puntual de audiodramas en las cadenas de radio convencionales, que difunden estos espacios en momentos especiales. En esta investigación se realiza un estudio de caso de diez ficciones radiofónicas de la emisora pública RNE, las emisoras privadas Ser y Onda Cero y las plataformas Podium Podcast y Spotify. Para ello se aplica una metod

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José, Patricio Pérez Rufí, Expósito-Barea Milagros, Isabel Pérez Rufí María, and Javier Gómez Pérez Francisco. "Metodología de análisis del personaje en el podcast de ficción:estudio de caso." ASRI. Arte y Sociedad. Revista de Investigación en Arte y Humanidades Digitales, no. 23 (July 31, 2023): 30–46. https://doi.org/10.5281/zenodo.8183058.

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El auge del <em>podcast</em> ha conllevado el interés académico por la ficción radiofónica desde una perspectiva narrativa. El objetivo principal de este trabajo es formular una metodología de análisis de personajes en la ficción radiofónica, basada en la actualización de metodologías previas de la narrativa audiovisual y su adaptación al medio y lenguaje radiofónico. Esta metodología se aplica en un estudio de caso: el serial <em>Negra y Criminal</em>, de Mona León Siminiani. Los resultados demue

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13

Slobodian, Elvira Yu. "THE FUNCTION OF EKPHRASIS AND METAEKPHRASIS IN PODCASTS ABOUT PLASTIC ARTS." Articult, no. 3 (September 30, 2023): 51–61. http://dx.doi.org/10.28995/2227-6165-2023-3-51-61.

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The article for the first time distinguishes between the functions of ekphrasis, narrative ekphrasis and metaekphrasis in Russian podcasts about plastic arts on the example of eight episodes dedicated to painters and architects. Episodes of podcasts “Art for Guys”, “Talk About Art”, “About History and Art. Project YaAndArt”, “Walls have ears”, “Art and Facts” have become the empirical material of the research. By reviewing the content of episodes, it is proved that polyfunctionality is inherent in both ekphrasis, including its narrative version, and metaekphrasis. In particular, the examples g

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Skurtul, H. "ЯК ЗВУЧИТЬ ВІЙНА: НАРАТИВНІ ПОДКАСТИ ЯК ПРОДУКТ МЕДІАКОНВЕРГЕНТНОСТІ". State and Regions. Series: Social Communications, № 4(56) (20 січня 2024): 50. http://dx.doi.org/10.32840/cpu2219-8741/2023.4(56).6.

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<p class="Default"><strong><em>The purpose.</em></strong><em> The aim of the scientific research is to determine the functioning features the narrative podcasts of the audio projects of Public Broadcasting Company of Ukraine «Suspilne»: «Yak my vyzhyly» («How we survived»), «Poshramovanyi» («Scarred») and «Moia istoriia viiny» («My war story»). The research focuses on the peculiarities of narrative design, construction of meanings, structural organization uniqueness, ways and methods of historical information actualization, and its media coverage. </em&gt

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15

Paritosh, Praveen, and Gary Marcus. "Toward a Comprehension Challenge, Using Crowdsourcing as a Tool." AI Magazine 37, no. 1 (2016): 23–30. http://dx.doi.org/10.1609/aimag.v37i1.2649.

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Human readers comprehend vastly more, and in vastly different ways, than any existing comprehension test would suggest. An ideal comprehension test for a story should cover the full range of questions and answers that humans would expect other humans to reasonably learn or infer from a given story. As a step toward these goals we propose a novel test, the Crowdsourced Comprehension Challenge (C3), which is constructed by repeated runs of a three-person game, the Iterative Crowdsourced Comprehension Game (ICCG). ICCG uses structured crowdsourcing to comprehensively generate relevant questions a

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16

Edwards, Makayla. "Taking the "Psycho" out of "Psycho-Killer"." Digital Literature Review 10, no. 1 (2023): 37–49. http://dx.doi.org/10.33043/dlr.10.1.37-49.

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“Psycho”, “maniac”, and “madman” are all words that are found to be synonymous with serial killers and criminal activity. For decades, the media has perpetuated an extremely harmful image that those suffering from mental illness are violent and dangerous. These portrayals can be found across mediums from fictional books and movies to docuseries and podcasts. In the realm of fiction, specifically, some of the most harmful depictions can be found in horror films. These films tend to paint their villains to be caricatures of various psychiatric disorders including schizophrenia, bipolar disorder,

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17

Ding, Yang. "Sensory extension, imagined scenes and affective connection: A qualitative analysis of Chinese documentary podcast Page Seven." Radio Journal:International Studies in Broadcast & Audio Media 21, no. 2 (2023): 201–19. http://dx.doi.org/10.1386/rjao_00083_1.

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Documentary podcasts are attracting people’s attention as a form of podcast. These non-fictional aural texts require substantial effort and time to produce, presenting true stories to the audience through the utilization of recording technology and sound design, resulting a distinct aesthetic. Taking Page Seven as a case study, the objective of this article is to examine the process of auditory scene interaction between the audience and the aural text in documentary podcasts. Page Seven was founded in 2012 and is recognized as the first audio documentary podcast in Mainland China. This article

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18

Ferreyra, Emilia. "LGBTQ+ Representation in Fictional Podcast Series." Literatura Ludowa 66, no. 2 (2022): 13–27. http://dx.doi.org/10.12775/ll.2.2022.002.

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The article offers an analysis of the frequency and quality of LGBTQ+ representation in fictional podcasts. I examine how frequently and with what intent LGBTQ+ characters are included in this medium. This research aims to fill the gap in academic work on LGBTQ+ representation in podcasts. Though scholars note an increase in representation in mainstream media, LGBTQ+ media consumers, especially young people, still look to other sources for validation of their identities. Many LGBTQ+ people look to fictional podcasts as a source of quality representation, especially because podcasts are small-s

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Mitchell, Claudia. "Graphic Girlhood." Girlhood Studies 17, no. 3 (2024): v—vi. http://dx.doi.org/10.3167/ghs.2024.170301.

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In recent years, the scope of girlhood studies has included the investigation of a wide range of cultural artifacts and media that shape, reflect, and challenge society's prescriptive notions of girlhood. These artifacts include podcasts, girlfestos, fan fiction and, as this special issue highlights, comics. As Nicoletta Mandolini, Lisa Maya Quaianni Manuzzato, and Eva Van de Wiele, the guest editors of this special issue demonstrate, comics have emerged as a particularly rich and multifaceted medium in which to explore the complexities of girl culture, identity formation, and representation.

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20

Marshall, Andrea. "Our stories, our selves: Star Wars fanfictions as feminist counterpublic discourses in digital imaginaria." Journal of Fandom Studies 8, no. 3 (2020): 277–88. http://dx.doi.org/10.1386/jfs_00024_1.

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Fanfiction has a long and varied history in the Star Wars franchise since it began in 1977 with the debut of the first film, Star Wars Episode IV: A New Hope. The decade of the 1970s created new possibilities for science fiction multiverses and metanarratives; science fiction became an adaptive film genre that could be reimagined with seemingly infinite narrational results. The myriad of genre films that were released in the mid-to-late 1970s revealed dynamic syntheses with horror (e.g. Alien, Invasion of the Body Snatchers and Close Encounters of the Third Kind), franchises that previously ha

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BĂLĂȘOIU, CEZAR. "Construirea unui etos fictiv prin diagrafuri co-operative. Studiu de caz." Studii și cercetări lingvistice 2023, no. 2 (2023): 143–58. http://dx.doi.org/10.59277/scl.2023.2.02.

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The author analyzes the morphological features of the popular novel Barlaam Josaphat. The novel was translated by Udriște Năsturel from Slavonic into Romanian in 1648. The examples were extracted from the oldest copy of this writing, which is found In this study we explore ho w Damian Anfile, theologian, historian and cultural storytel ler, constructs a gravedigger ethos over the course of several podcasts in which he is a guest. We show that the work of identifying and understanding this ethos by podcast followers (of which the author of this article is a member) requires not only stere otypi

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Limaj, Elona. "Development of the stoic teachings in antiquity." Interdisciplinary Cultural and Humanities Review 2, no. 2 (2023): 32–38. http://dx.doi.org/10.59214/2786-7110-2023-2-2-32-38.

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Modern stoicism is becoming increasingly popular in the world: a large number of non-fiction books are published on this topic; many videos reveal the essence of this philosophy; podcasts, articles in magazines, etc. are also dedicated to stoicism. Thus, there is a need to study Stoicism at the scientific level. The study aims to provide an in-depth examination of the history of the Stoic doctrine, in the course of which it is necessary to determine the ideological origins of the Stoic doctrine and the contribution of the Stoics to the development of philosophy. One of the study objectives is

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Pokrowiecki, Michał. "Antifascist Mothers and Folk Healers: Queer Reinterpretations of Polish and Regional Cultural Archetypes in Familia." Literatura Ludowa 66, no. 2 (2022): 29–43. http://dx.doi.org/10.12775/ll.2.2022.003.

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The article serves as an analysis of Familia, a Polish independent fiction podcast from 2020 produced by the Teraz Poliż theatre as a response to increase of state supported homophobic propaganda in the recent years. By pointing out similarities and differences between the podcast in question and mainstream Polish audio series, as well as drawing comparisons to popular globally distributed independent audio fiction produced in English, the author aims to prove the unique position of Familia as a sole representative of a politically conscious podcast drama presenting a specifically Polish persp

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Rodríguez Ortiz, Raúl. "Las tres etapas del radioteatro en Chile: de la época dorada al nuevo auge de las series de ficción." INDEX COMUNICACION 9, no. 2 (2019): 55–73. http://dx.doi.org/10.33732/ixc/09/02lastre.

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Following the growth, since 2016, of new fiction and non-fiction sound series in a large part of Ibero America, thanks to podcast and radio on demand, the task of analyzing the history of radio theater as a genre in Chile, from its roots and sociocultural importance to the new ways of producing and thinking about the genre in the 21st century is conducted. On the basis of documentary information, consisting of press archives, audios of radio theater scripts and the few studies on radio and radio theater, three stages can be elucidated: the golden age (1940-1970); the rebirth of radio theater (

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McMurtry, Leslie. "Dark night of the soul: Applicability of theory in comics and radio through the scripted podcast drama." Studies in Comics 10, no. 2 (2019): 235–54. http://dx.doi.org/10.1386/stic_00004_1.

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Abstract This article responds to McCloud's theoretical framework for comics and applies this framework to audio drama, which I argue is, like comics, a mono-sensory medium (one can only be seen in static image and the other can only be heard); both require a great degree of closure from the audience to frame together sequential narratives (of visual art and sound, respectively). To do this, it uses the case study of Marvel and Stitcher's Wolverine: The Long Night (2018), a 'scripted podcast' (audio drama). While comics are escaping from decades of critical disregard due to their status as a p

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Ryan, Bruce, Hazel Hall, Marianne Wilson, and Iain McGregor. "PODCASTING THE ARCHIVE: AN EVALUATION OF AUDIENCE ENGAGEMENT WITH A NARRATIVE NON-FICTION PODCAST SERIES." Archives: The Journal of the British Records Association 58, no. 2 (2023): 123–53. https://doi.org/10.3828/archives.2024.3.

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The purpose of the empirical work discussed in this paper was to explore the theme of audience engagement with digitised archive data in different formats. A comparison is drawn between experiences of interacting with an archive presented as a narrative non-fiction audio performance and the same core material displayed as online text and images. The findings derive from an analysis of data collected in interviews with participants familiar with both versions of the archive: (1) as a podcast series entitled Diary of the War, and (2) photographs in the LornaL journal on the Blipfoto platform. Th

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MacCath-Moran, Ceallaigh S., and Aldona Kobus. "Contemporary Folklore and Podcast Culture: Towards Democratization of Knowledge and Re-Oralization of Culture." Literatura Ludowa 66, no. 2 (2022): 81–86. http://dx.doi.org/10.12775/ll.2.2022.006.

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Ceallaigh S. Maccath-Moran is a PhD candidate in the Folklore Department at Memorial University of Newfoundland, a writer, a poet and a musician. Ceallaigh’s research interests include animal rights activism as a public performance of ethical belief, which is the topic of her dissertation, and creative applications of folkloristic scholarship for storytellers. Her Folklore & Fiction podcast, “where folklore scholarship meets storytelling craft”, launched in 2021.

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Peters, Fiona. "True Crime Narratives." Crime Fiction Studies 1, no. 1 (2020): 23–40. http://dx.doi.org/10.3366/cfs.2020.0005.

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This article investigates the contemporary fascination with true crime narratives, an subject which is fast becoming a central area of interest in crime fiction studies. As the overarching genre of crime fiction itself becomes the most read literature genre, not to mention its growing popularity in other popular cultural mediums – TV, film, documentary, podcast, blogs, etc., true crime – which has always been a popular sub-genre – is arguably moving centre stage aligned to our recent obsession with the real life figure of the serial killer. The usual discussions of both individual and collecti

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Halwani, Fuad. "Narratives of Enfoldment: Multi-linear and Parafictional Storytelling in Media Art." International Journal of Film and Media Arts 7, no. 2 (2022): 98–109. http://dx.doi.org/10.24140/ijfma.v7.n2.05.

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Narratives have been witnessing a state of enfoldment within the virtual world(s) since the proliferation of transmedia story worlds and new media art works. The aesthetics of enfoldment are discussed by Laura U. Marks within different trends in media art. She follows a genealogy of media art that has its roots in premodern Islamic concepts. Enfoldment is therefore situated as the broad framework of this paper’s discussion. Since the prevalence of the concept of transmedia storytelling, coined by Henry Jenkins in 2007, different franchises (be it in entertainment and others) have adopted certa

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Halwani, F. "Narratives of Enfoldment: Multi-linear and Parafictional Storytelling in Media Art." International Journal of Film and Media Arts 7, no. 2 (2022): 98–109. https://doi.org/10.24140/ijfma.v7.n2.05.

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Narratives have been witnessing a state of enfoldment within the virtual world(s) since the proliferation of transmedia story worlds and new media art works. The aesthetics of enfoldment are discussed by Laura U. Marks within different trends in media art. She follows a genealogy of media art that has its roots in premodern Islamic concepts. Enfoldment is therefore situated as the broad framework of this paper’s discussion. Since the prevalence of the concept of transmedia storytelling, coined by Henry Jenkins in 2007, different franchises (be it in entertainment and others) have adopted

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Hudoshnyk, Oksana, and Valeriia Iarovkina. "FAN FICTION AS ALTERNATIVE MEDIA: MODERN COMMUNICATIVE PRACTICES." Bulletin of Lviv Polytechnic National University: journalism 1, no. 1 (2021): 43–48. http://dx.doi.org/10.23939/sjs2021.01.043.

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The modern directions of development of fan fiction as a media system that has acquired the characteristics of self-organization are actualized. Three stages of development of scientific views on the formation of the process of collective authorship are presented: from narrative criticism and isolation of media features of fandoms to comprehension of the facts of the reverse influence of fan fiction on culture and communication processes. On the example of the development of modern fan fiction space, the phenomena that express the communicative nature of the fan fiction community, as well as t

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Agirreazkuenaga, Irati, and Mikel Ayllon. "Beyond the Power of Audio in Native Transmedia Storytelling: Synergies between Fiction and Reality." Social Sciences 12, no. 6 (2023): 344. http://dx.doi.org/10.3390/socsci12060344.

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This paper analyses a transmedia universe featuring a web series revolving around interpersonal relations and gender issues, which was then expanded using a musical podcast and a live concert. The project aims to discover production and narrative development strategies that define a native transmedia production, and how it might be expanded to build stories around complex and multidimensional contemporary themes. An analysis model is proposed to identify the fundamental structural characteristics of the transmedia universe. The research is initially powered by a qualitative approach to ethnogr

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Bartira. "Sample packing: especulando futuros sônicos." Arte e Ensaios 30, no. 48 (2025): 282–89. https://doi.org/10.60001/ae.n48.15.

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O que você está prestes a ler é um ensaio poético especulativo de musicologia que vislumbra o fim do áudio, do som organizado; as armadilhas colocadas por aqueles que acumularam poder suficiente para dominar essa disputa pelo tecido sonoro da realidade.Também propõe a prática do sample packing como forma de conexão, troca, inspiração e resistência às estéticas impostas pela indústria do entretenimento. Baseia-se em um podcast de ficção sônica de minha autoria intitulado Countryside Data Grass e se cruzacom o imaginário de uma estória especulativa de Max Alper, publicada na revista Klang. Palav

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Redaktion, Peripeti. "En auditiv vending?" Peripeti 12, no. 22 (2015): 5–8. http://dx.doi.org/10.7146/peri.v12i22.109427.

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Anledningen er den stigende interesse for kulturens lydlige sider og i særdeleshed den store opmærksomhed radio og audio drama har fået i de senere år: Vi går i radiobiograf, til radiodramafestival, vi lytter til audiodrama som podcast fra de store broadcastere eller fra uafhængige producenter som aldrig før. Hvad mere er, denne "auditive vending" efter mange års visuel dominans slår også igennem i scenedramatikken. Audiodramaet belyses fra dramaturgiske, mediehistoriske og kulturanalytiske vinkler og artiklerne spænder over emner og genrer som tysk og britisk radiodrama, fan fiction dra

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Kobus, Aldona. "Do Be Afraid: Folk Horror, Monstrous Sacred and Divine Terror in The Silt Verses Podcast." Literatura Ludowa 69, no. 1-2 (2025): 125–39. https://doi.org/10.12775/ll.1-2.2025.007.

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The article analyzes contemporary folk horror podcast series The Silt Verses (2021–ongoing) in order to theorize how horror as a genre conveys the relationship with the sacred in contemporary culture, with the characteristics and functions of the sacred described by Roger Caillois in L’homme et le sacré. First, the article focuses on the folk horror aspect of the series, how it alters the sub-genre conventions and how it presents the monstrous sacred which leads to notion of “divine terror” or “sacred dread” and fear as a primordial response to the sacred and, therefore, the role of religious

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Razali, Geofakta, and Wirawan Wirawan. "When Journalism Produces Horror Story: The Case of the INSENTIF Podcast by Tirto.id." Jurnal Riset Komunikasi 6, no. 1 (2023): 1–11. http://dx.doi.org/10.38194/jurkom.v6i1.664.

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TThis research aims to investigate the production of horror contents in the INSENTIF podcast channel by Tirto.id, an Indonesian online news media. When journalistic media are involved in the production of ghost stories and mystery, it raises concerns about journalistic basic principles of providing verified information. To understand this phenomenon, we conducted a qualitative case study and interviewed three key informants from the INSENTIF production team. Using Giddens’ structuration theory as an analysis framework, we identify that the INSENTIF production crews still perceive their routine

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Haggett, George K. "Philip Venables and Ted Huffman, Denis & Katya, London, Southbank Centre, Purcell Room, 13–14 March 2020." Tempo 74, no. 294 (2020): 85–86. http://dx.doi.org/10.1017/s0040298220000431.

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Oral history is experiencing something of a heyday in the public imagination. The past ten years have seen a proliferation of podcasts – Sarah Koenig's Serial, Brian Reed's S-Town, Jon Ronson's The Butterfly Effect – which revolve around the testimony of ordinary people. Many of their fictional counterparts, most overtly Archive 81, hinge around the very practice of documenting, archiving and interpreting oral histories. BBC radio's oral history The Century Speaks (1999) was broadcast to an audience of millions. In the same year, radio historian Susan Douglas presciently called for a return to

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Маркова, Т. Н., та Г. А. Шиганова. "ОБУЧЕНИЕ ИНОСТРАННЫХ СТУДЕНТОВ ЛИТЕРАТУРЕНА ФИЛОЛОГИЧЕСКОМ ФАКУЛЬТЕТЕ ПЕДВУЗА". Журнал "Вестник Челябинского государственного педагогического университета", № 1(185) (28 лютого 2025): 126–41. https://doi.org/10.25588/cspu.2025.185.1.007.

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Введение. В статье предпринята попытка научно-методической рефлексии проблемы адаптации учебных программ по современному филологическому образованию к условиям обучения иностранных студентов. Актуальность исследования определяется потребностью внедрения в современные методики обучения русской литературе иностранных студентов новых приемов, позволяющих организовать учебный процесс на основе межкультурного взаимодействия, преодолеть шаблоны восприятия русской литературы, проявить творческий потенциал студентов. Материалы и методы. Исследование опирается на актуальные методы в области филологии и

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Magrino, William. "From Disaffected Youth to Dangerous Adults: The Brooding Evil of the Familiar in Bret Easton Ellis’s Fiction." [Inter]sections 26, no. 2023 (2023): 18–47. https://doi.org/10.31178/inter.12.26.2.

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Contemporary American author Bret Easton Ellis has written seven novels, one collection of interrelated short stories, multiple screenplays, one long work of non-fiction, and a number of essays throughout the better part of the past four decades. In addition, in recent years, he has cultivated a significant online presence through social media, as well as a popular podcast. From the time of his debut novel, published while he was still an undergraduate student, until the present day, his works have been the subject of much scrutiny in terms of subject matter and style. Particularly in the case

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Jahl, Jakub. "Q přijíždí na bílém koni: konspirační teorie u mormonů, aneb, Proč 16 milionové americké náboženství inklinuje ke QAnonu?" Religio revue pro religionistiku, no. 2 (2022): [157]—183. http://dx.doi.org/10.5817/rel2022-2-4.

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This text deals with Mormon conspiracism, the belief in conspiracies among members of the Mormon religion. I examine how conspiracy theories are reflected in Mormon culture, history, and faith and how they were influenced by the emergence of Denver Snuffer's modern neo-fundamentalist movement. Using the example of the new age movement and Mormon preppers, I show the growing influence of conspiracy thinking and its connection to Donald Trump and the QAnon theory. Using the story of Nathan Wayne Entrekin, one of the participants in the January 6, 2021, insurrection who came dressed as a warrior

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Romanicheva, E. S. "CREATIVE TASKS IN LITERATURE: FROM THE PAST TO THE PRESENT, FROM THE PRESERVATION OF FORMS TO THEIR DEVELOPMENT AND TRANSFORMATION (GENERAL OVERVIEW)." Pedagogical IMAGE 15, no. 2 (2021): 198–214. http://dx.doi.org/10.32343/2409-5052-2021-15-2-198-214.

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Introduction to the paper raises the questions: what are the causes of today’s crisis faced by the “traditional,” which has lost its creative character, and if there are ways out of this crisis. Materials and methods. When searching for the answers to these questions, the study relies on the comparative analysis of the sources and shows how Russian teaching methodology experts of the 20th century solved the “essay problem,” what tasks were offered for the text written by students to be an original “answer” in their dialogue with the literary text. Bibliography overview. A whole host of the sou

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Hartnett, Elizabeth. "Making a Killing, Bob Torres." UnderCurrents: Journal of Critical Environmental Studies 17 (November 16, 2013): 34. http://dx.doi.org/10.25071/2292-4736/37687.

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San Francisco, AK Press, 2007 Full Text You cannot buy the Revolution. You cannot make the Revolution. You can only be the Revolution. It is in your spirit, or it is nowhere. -Shevek, in The Dispossessed, by Ursula K. LeGuin In a testament to his ability to draw on diverse authors and theories, Bob Torres opens the final chapter of Making a Killing: The Political Economy of Animal Rights with a quote from a science fiction novel, and in so doing he successfully draws together many of the themes of his work. LeGuin's character Shevek hails from a society organized by property-less relationships

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Sewell, Amber. "The Citational Practices of Science Fiction Fan Podcasts." Proceedings from the Document Academy 10, no. 1 (2023). http://dx.doi.org/10.35492/docam/10/1/4.

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Podcasts are important sites of knowledge sharing and co-creation. As opportunities to discuss niche interests, podcasts are where individuals come together to discuss the things they love, and for fans, podcasts are often opportunities to critically engage with their franchise or work with others in the fandom. The conversational nature of podcasting means each party can bring forth new ideas and perspectives that shape how we engage with the work and fandom that’s grown around it. This paper shares the results of an exploratory study of the citational practices of science fiction fan podcast

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Rodríguez-Ortiz, Raúl, and Manuel Fernández-Sande. "Analysis of Narrative Strategies in Independent Non-Fiction Narrative Podcasts in Ibero-America." Media and Communication 13 (February 24, 2025). https://doi.org/10.17645/mac.9096.

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This study analyses the narrative strategies employed in 11 independent narrative non-fiction podcasts from seven Ibero-American countries: Argentina, Brazil, Spain, Portugal, Colombia, Chile, and Mexico. The research concentrates on identifying the primary narrative trends applied within this genre of audio journalism, focusing on how the role of the narrator and the structure of the story boost credibility and listener engagement. The methodology combines semi-structured interviews with 16 podcast producers and content analysis of 73 episodes to explore how these podcasts shape their narrati

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García de Torres, Elvira, José M. Legorburu, David Parra-Valcarce, Concha Edo, and Lilly Escobar-Artola. "Intimacy in Podcast Journalism: Ethical Challenges and Opportunities in Daily News Podcasts and Documentaries." Media and Communication 13 (March 11, 2025). https://doi.org/10.17645/mac.8994.

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This research contributes to understanding how podcast intimacy shapes the evolving relationship between journalists and their audiences in the digital age. Intimacy in podcasting refers to creating a close emotional connection between journalist and audience, facilitated by this audio format and the growth of headphone—and earbud—listening. Podcasting allows for a more personal relationship, where journalists not only inform but also share emotions and experiences. However, this “emotional truth” can blur the boundaries between fiction and reality, raising ethical challenges regarding objecti

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Krause, Till. "From Niche Narrative to Audio Blockbusters." M/C Journal 27, no. 2 (2024). http://dx.doi.org/10.5204/mcj.3031.

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Introduction For the past ten years, a transformative trend has emerged in the consumption of journalistic content, diverging significantly from its traditional engagement pathways. This evolution is characterised by the allure of serial journalistic podcasts such as Serial, which have seamlessly integrated narrative techniques typically reserved for fiction into journalistic storytelling (Kulkarni et al.). These podcasts have leveraged episodic structures, suspenseful build-ups, and dramatic climaxes to foster a level of engagement akin to fiction's grip on audiences. This shift towards addic

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Verma, Neil. "Pillow, Talk: Kaitlin Prest’s The Shadows and the Elements of Modern Audio Fiction." RadioDoc Review 4, no. 1 (2018). http://dx.doi.org/10.14453/rdr.24.

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This essay is a study of The Shadows (2018), a series produced by Kaitlin Prest and Phoebe Wang for CBC Podcasts. I situate the work in the framework of Prest’s career after her podcast The Heart, and argue that The Shadows crystallises a set of conventions about “audio fiction” that set it apart from “audio drama,” “radio features” and other similar forms, at least at this particular historical moment. These conventions include: the embrace of naive themes; a preference for retroversion or 'queer temporality'; a focus on body sound; multiplication in mixing and editing that comes across as a

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Steiner, Ann. "Ljudlitteratur med buller och bång." Barnboken, December 7, 2023. http://dx.doi.org/10.14811/clr.v46.829.

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Audio Fiction Making Noise: A Changing Genre in Children’s Literature This article is a study of contemporary audio fiction for children in Sweden, what is sometimes also called audio originals or born-audio books. Audio fiction is defined in the article as literature written to be recorded for audio and consumed through listening. It is a genre related to, and overlapping with, audiobooks, radio, and podcasts but obviously also with literature in printed books. While audio fiction has risen in production and popularity it is not a new phenomenon as such, but rather a kind of literature

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Romero, Laura, and Siobhan McHugh. "EDITORIAL: Transnational Audio Storytelling: Writing the Common Language of Sound." RadioDoc Review 4, no. 1 (2018). http://dx.doi.org/10.14453/rdr.22.

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Editorial on a special transnational issue of RadioDoc Review, curated by Dr Laura Romero and co-edited by A/Prof Siobhan McHugh. The issue features mainly sound-rich European works in languages other than English, critiqued by reviewers from four continents. It also showcases invited articles on mainstream podcasts, The Shadows (audio fiction) and Serial Season Three (crafted documentary) .

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Wyld, Jasper. "Collaborative storytelling and canon fluidity in The Adventure Zone podcast." Convergence: The International Journal of Research into New Media Technologies, September 3, 2020, 135485652095055. http://dx.doi.org/10.1177/1354856520950555.

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Podcast fiction storytelling is an underdeveloped area of new media studies. There is a wealth of texts available suitable for exploration. The example of The Adventure Zone in particular presents a strong argument that the medium possesses its own singular strengths for storytelling. The Adventure Zone is a fictional, audio-only, serialised podcast in which a narrative of both considerable length and depth is constructed through the playing of tabletop roleplaying game Dungeons & Dragons. It is hosted by the McElroy brothers, Griffin, Justin, and Travis, along with their father, Clint. Th

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