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Journal articles on the topic 'Poe, edgar allan, 1809-1849, in literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 January 2023

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1

IV, Benjamin Franklin Fisher, Dwight Thomas, and David K. Jackson. "The Poe Log: A Documentary Life of Edgar Allan Poe 1809-1849." American Literature 60, no. 1 (March 1988): 115. http://dx.doi.org/10.2307/2926408.

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2

SEMTNER, CHRISTOPHER P. "A Young Girl's Recollections of Edgar Allan Poe." Resources for American Literary Study 38 (January 1, 2015): 53–64. http://dx.doi.org/10.2307/26367560.

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Abstract In a previously unpublished essay, Elma Mary Gove Letchworth (1832–1921) details her visits to the Fordham, New York, cottage of American poet, critic, and short story writer Edgar Allan Poe (1809–49). Her account provides a young girl's impressions of the famous author and insights into Poe's domestic life, humor, and fondness for children. The present paper examines Letchworth's essay and compares it with the reminiscences of other acquaintances of Poe, including a similar article written by her mother, Mary Gove Nichols (1810–84), in order to evaluate the accuracy of Letchworth's account.
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3

SEMTNER, CHRISTOPHER P. "A Young Girl's Recollections of Edgar Allan Poe." Resources for American Literary Study 38 (January 1, 2015): 53–64. http://dx.doi.org/10.5325/resoamerlitestud.38.2015.0053.

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Abstract In a previously unpublished essay, Elma Mary Gove Letchworth (1832–1921) details her visits to the Fordham, New York, cottage of American poet, critic, and short story writer Edgar Allan Poe (1809–49). Her account provides a young girl's impressions of the famous author and insights into Poe's domestic life, humor, and fondness for children. The present paper examines Letchworth's essay and compares it with the reminiscences of other acquaintances of Poe, including a similar article written by her mother, Mary Gove Nichols (1810–84), in order to evaluate the accuracy of Letchworth's account.
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4

Martinicorena, Sofía. "Post-Enlightened Poe: Analysing the Pathologies of Modernity in "The Purloined Letter" and "The Colloquy of Monos and Una"." Miscelánea: A Journal of English and American Studies 62 (January 25, 2021): 109–23. http://dx.doi.org/10.26754/ojs_misc/mj.20205154.

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This paper delves into the long-debated tensions that critics have found in Edgar Allan Poe (1809-1849)’s writings, which have placed him as a liminal figure between the Enlightenment and Romanticism. In particular, I will maintain that these tensions are representative of the contradictions inherent in the modern project, which I will argue are present in Poe’s writings and which situate Poe’s texts as both a symptom of and a reaction to the pathologies of modernity. To this end, I will consider Max Horkheimer and Theodor W. Adorno’s Dialectic of Enlightenment (1944), arguing that the problems addressed in the volume were foreshadowed by Poe’s writings a century earlier. After a brief introduction, I will analyse the widely-discussed “The Purloined Letter” (1844) and the attitudes towards rationality that Poe presents in the story. I will then explore the lesser-known “The Colloquy of Monos and Una” (1841),2 where Poe anticipates some of the problems that Horkheimer and Adorno voiced, most notably the confusion between progress and technification.
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5

Vinicius do Amaral Felipe, Cleber. "A ILHA COMO LOCUS HORRENDUS EM EDGAR ALLAN POE." Revista de Estudos de Cultura 5, no. 16 (August 4, 2020): 65–80. http://dx.doi.org/10.32748/revec.v5i16.14162.

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Pretende-se analisar o romance The Narrative of Arthur Gordon Pym of Nantucket, de Edgar Allan Poe (1809-1849), publicado em 1838 pela editora Harper & Brothers. Dentre vários temas envolvendo motins, tempestades, ataques de animais selvagens, antropofagia, naufrágios etc., a narrativa em questão relata uma experiência vivenciada na ilha de Tsalal, parte de um arquipélago situado no extremo sul. Os habitantes dessa região insólita, todos negros, simulam cordialidade, mas, em segredo, tramam a ruína dos nautas. O romance foi recorrentemente concebido como expressão do racismo de Poe ou como desdobramento de traumas e angústias do autor. Buscar-se-á analisar algumas leituras psicologizantes e biografistas para, em seguida, estudar a representação desse território insular e de seus habitantes levando-se em consideração dois lugares-comuns que Edgar Alan Poe retomou: a obrigação da hospitalidade e o locus horrendus que, no caso, foi empregado para retratar Tsalal.Palavras-chave: Edgar Allan Poe; locus horrendus; hospitalidade.
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6

Fernandez Castillo, Jose Luis. "Edgar Allan Poe y Juan Eduardo Cirlot: símbolo y negatividad." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 35 (January 30, 2021): 235–55. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.2021354394.

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En este artículo se analiza la recepción que de la obra de Edgar Allan Poe (1809-1849) realizó el poeta español Juan Eduardo Cirlot (1916-1973) y, especialmente, de su poema «Ulalume», admirado por Cirlot como uno de los textos más importantes de la poesía moderna. Interpretar el ciclo Bronwyn desde la teoría del símbolo implícita en «Ulalume» permitirá ir más allá de la discusión de deudas literarias para plantearse la comprensión del símbolo en la obra de Cirlot en relación con el legado del romanticismo. Cirlot agudiza el componente negativo de lo simbólico que caracteriza el poema de Poe (distancia entre lo presente simbolizante y lo ausente simbolizado) para situarlo en el centro de su práctica poética. El autor de Bronwyn perfila, de esta forma, una concepción trágica del símbolo, dividida entre el nihilismo y un particular misticismo sin fusión última.
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7

Manrique, Juan Francisco. "El concepto de ‘perversidad’ en Edgar Allan Poe. Una reflexión filosófica." Polisemia 7, no. 12 (September 9, 2011): 91–101. http://dx.doi.org/10.26620/uniminuto.polisemia.7.12.2011.91-101.

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En algunos cuentos como The black cat y The imp of the perverse, el escritor estadounidense Edgar Allan Poe (1809-1849) trata de dar una explicación de la actitud de los personajes protagónicos haciendo uso de su concepción de la “perversidad”. En los cuentos mencionados hace un esbozo de lo que podría ser una teoría de la perversidad, donde son destacables las alusiones al poco o nulo trato que filósofos y moralistas han dado a la cuestión. El presente artículo tiene como objetivo dar un primer paso en el trato filosófico de la perversidad tal y como la entiende Poe. Para ello, el escrito está dividido en dos grandes partes: la primera explorará la noción de perversidad en cuentos como The black cat y The imp of the perverse, mientras que la segunda, explorará las posibles doctrinas filosóficas y teológicas que podrían emular el concepto que Poe maneja. Trataré de probar que efectivamente Poe tiene razón cuando dice que su concepto de perversidad no ha sido abordado por la filosofía y la teología del modo que él lo expone.
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8

Higginson, Ian N. "The first Antarctic voyage of Edgar Allan Poe." Polar Record 30, no. 175 (October 1994): 287–98. http://dx.doi.org/10.1017/s0032247400024554.

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AbstractThe Palmer-Pendleton sealing and exploring expedition (1829–1831) was the first American voyage of discovery to the Antarctic that had official government sanction. For the writer Edgar Allan Poe (1809–1849), this expedition was an important landmark in an age when science was beginning to change the American continent socially, politically, and geographically. The shift away from Jefferson's agrarian Utopia was marked tangibly by increased industrialisation, the advent of the railroad, the growth of scientific societies, the beginning of elite professionalisation in the sciences, and this major American Antarctic voyage. In the same year as the expedition left the US, Thomas Carlyle (1795–1881), philosopher and author, recorded the effect that such scientific and technological changes had wrought upon the literary artist when he characterised the era metaphorically as: ‘the Age of Machinery in every outward and inward sense of that word.’ The belief that a repetitive, blunt mechanism that stifled artistic imagination had entered society led Poe to offer a stark criticism of science and scientific method in his tale ‘MS found in a bottle’ (1832). This tale, written shortly after the return of the Palmer-Pendleton expedition, centres upon a voyage to the Antarctic and embodies some of Poe's finest early writing. Interleaved with the critique of science are contemporary themes of discovery, and the Romantic preoccupation with man's relationship to nature.
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9

Alvarez, Roxana Guadalupe Herrera. "Edgar Allan Poe, Machado de Assis e Julio Cortázar: três visões do conto em conjunção." Revista Crítica Cultural 5, no. 1 (June 1, 2010): 232. http://dx.doi.org/10.19177/rcc.v5e12010232-251.

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A partir do ensaio "Kafka y sus precursores", de Jorge Luis Borges (1899-1986), faz-se uma incursão pelo terreno do conto, relacionando as visões que Edgar Allan Poe (1809-1849), Machado de Assis (1839-1908) e Julio Cortázar (1914-1984) possuem sobre esse gênero. Propõe-se uma possível conexão entre os três escritores, considerados mestres do conto, pela via da proposta do ensaio borgeano, destacando as similaridades dos enfoques que pautam a elaboração artística dos contos dos três autores. Dá-se destaque à relação comprovada entre Poe e Machado de Assis e entre Poe e Cortázar, expondo a possibilidade de pensar também numa relação estreita entre Machado de Assis e Cortázar.
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10

Ayala Calderón, Javier. "El orden del caos : naturaleza, orden y regularidad del mundo según Edgar Allan Poe." Estudios: filosofía, historia, letras 19, no. 136 (2021): 117. http://dx.doi.org/10.5347/01856383.0136.000299529.

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Two of the recurrent topics in Edgar Allan Poe’s (1809-1849) work are the origin and order of the world, which this author considered expressions of a superior spiritual reality, and for the approach of which he wrote some texts that went from the philosophy of furniture and landscaping to cosmology in an attempt to explain the sense of the physical world for human beings, as well as its impact on them from forms, magnitudes and distribution.
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11

Guilhen, Ellen. "Mallarmé redivivo em Eduardo Guimaraens." Revista Texto Poético 15, no. 28 (October 15, 2019): 338. http://dx.doi.org/10.25094/rtp.2019n28a618.

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Publicado em 1916, o livro de poemas Divina Quimera, de Eduardo Guimaraens (1892-1928), estabelece, em suas inúmeras referências, relações com as obras e os textos críticos de Charles Baudelaire (1821-1867), Edgar Allan Poe (1809- 1849), Stéphane Mallarmé (1842-1898), entre outros. Sua configuração, calcada na alternância de caráter das cinco partes, permite-nos aproximá-lo da forma musical fantasia, ao mesmo tempo em que “redivive” o projeto de Mallarmé de incorporar nas Letras a anatomia da música, elegendo o ritmo (e não a progressão lógica) como princípio organizador da coletânea.
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12

Murad, Ibrahim A. "Non-Dualism: Thanatos and Eros in Edgar Allan Poe’s Poetry." Twejer 4, no. 1 (May 2021): 1193–208. http://dx.doi.org/10.31918/twejer.2141.27.

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The life drive and its seemingly opposite, death drive, are inherent powers in man’s mind and psyche since the beginning of life on earth and will last for life. These powers, therefore, draw a great deal of attention in every aspect of life, the social, scientific, philosophical, and literary fields being the most prominent among them. The study is an attempt, through three sections and a conclusion, to elucidate the range of the interrelations between the two powers through several poetic works of the American gothic writer and poet Edgar Allan Poe (1809-1849). It is supposed that for him as well, they could be complementary power drives. After critical analyses of extracts of some of his poems, the study concludes some main points, the most prominent of which is that Eros and Thanatos complete each other in many of Poe’s poems. The study used some newly disclosed up-to-date sources about the poet’s life and works to help in coming up with valuable conclusions that can help researchers who may be interested in writing about this poet’s works and poems in the future. Keywords: instinct, power, Eros, complementary, elucidate, prominent, Poe
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13

Francis, Roger A. "The Final Days of Edgar Allan Poe: Clues to an Old Mystery Using 21st Century Medical Science." OMEGA - Journal of Death and Dying 60, no. 2 (March 2010): 165–73. http://dx.doi.org/10.2190/om.60.2.d.

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This study examines all documented information regarding the final days and death of Edgar Allan Poe (1809–1849), in an attempt to determine the most likely cause of death of the American poet, short story writer, and literary critic. Information was gathered from letters, newspaper accounts, and magazine articles written during the period after Poe's death, and also from biographies and medical journal articles written up until the present. A chronology of Poe's final days was constructed, and this was used to form a differential diagnosis of possible causes of death. Death theories over the last 160 years were analyzed using this information. This analysis, along with a review of Poe's past medical history, would seem to support an alcohol-related cause of death.
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14

Ketterer, David. "Dwight Thomas and David K. Jackson, The Poe Log: A Documentary Life of Edgar Allan Poe 1809–1849 (Boston: G. K. Hall & Co., 1987, $80.00). Pp. 919. ISBN 0 8161 8734 7." Journal of American Studies 23, no. 1 (April 1989): 130–31. http://dx.doi.org/10.1017/s0021875800019502.

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15

Rigal Aragón, Margarita, and Ricardo Marín Ruiz. "Poe y la anticipación científica." Signa: Revista de la Asociación Española de Semiótica 23 (January 1, 2014). http://dx.doi.org/10.5944/signa.vol23.2014.11728.

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El objetivo del presente artículo es poner de relieve la importancia que la ciencia y la pseudo-ciencia tienen en la obra del escritor estadounidense Edgar Allan Poe (1809-1849). Se revisa, para ello, prácticamente la totalidad de sus escritos, no solo el grupo de relatos tradicionalmente considerados como de anticipación científica («Hans Pffaall» [1835], «The Baloon Hoax» y «Mellonta Tauta»), y que le han conducido a ganarse el título de «pionero de la ciencia-ficción».The purpose of this essay is to underline the importance of science and pseudo-science in the works of Edgar Allan Poe (1809-1849). In order to achieve this aim, almost the whole of his production will be reviewed, and not only those tales traditionally regarded as proto-science fiction («Hans Pffaall», «The Baloon Hoax», and «Mellonta Tauta»), which have made him creditor of the title of «Science Fiction Pioneer».
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16

Ribeiro, Emilio Soares, and Lucas Sales Barbosa. "EDGAR ALLAN POE NO BRASIL: O GÓTICO DE BERENICE TRADUZIDO PARA A TV." Abusões 16, no. 16 (September 3, 2021). http://dx.doi.org/10.12957/abusoes.2021.57931.

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O escritor Edgar Allan Poe (1809-1849) teve uma grande influência na história da literatura, especialmente no desenvolvimento da ficção gótica e do conto enquanto forma artística. Embora também tenha escrito ficção científica, histórias de detetive, paródias cômicas e poesia, o autor se destaca pelo terror, em que expressa “[...] uma visão obscura do lado irracional da mente humana e sua tendência à autodestruição” (SCOFIELD, 2006, p. 32). Tal aspecto, somado ao seu estilo hiperbólico, repleto de referências esotéricas, aos elementos sobrenaturais de seus contos e a estranheza de seus personagens fazem de Poe uma referência na literatura gótica do século XIX. Desde o cinema mudo, os contos de Poe têm sido adaptados para a tela, em mais de duzentos filmes. Entre essas adaptações está a série brasileira produzida por Fernando Meirelles e dirigida por Pedro Morelli, Contos do Edgar (2013), transmitida pelo canal FOX. Analisa-se, no presente trabalho, como aspectos góticos do conto Berenice (1835), de Poe, em especial a ambientação gótica e a decadência e morbidez, foram traduzidos para a série televisiva, no episódio Berê. O estudo se volta para as estratégias utilizadas na realização do filme ao recriar a literatura gótica de Poe para o Brasil do século XXI. As análises apresentam uma perspectiva pós-moderna de cunho desconstrutivista e partem da concepção de que os fenômenos que se apresentam à nossa consciência se constituem de representações sociais, simbólicas, culturais e/ou políticas, não sendo, assim, instâncias que trazem qualquer essência identificável que transcende lugares e épocas.
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17

Arraes, Esdras Araujo. "A estética do jardim na literatura: Delille, Goethe e Poe." Anais do Museu Paulista: História e Cultura Material 28 (2020). http://dx.doi.org/10.1590/1982-02672020v28e49.

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RESUMO O artigo reflete sobre os discursos literários e visuais do jardim e da natureza que há em determinadas obras dos poetas e escritores Jacques Delille, Johann Wolfgang von Goethe e Edgar Allan Poe. Inicialmente apresenta-se uma bibliografia atual dedicada a interpretar as imbricações entre a literatura e a jardinagem para, em seguida, abordar a representação dos jardins no poema “Os jardins” (1782) de Delille, no romance As afinidades eletivas (1809) de Goethe e em dois contos de Poe - O domínio de Arnheim ou o jardim-paisagem (1842) e A cottage de Landor. Um caminhante no domínio de Arnheim (1846). A narrativa do texto considera as duas formas de jardins do século XVIII - a de “gosto francês” e o “jardim-paisagem” - como alegorias de diferentes cosmovisões, as quais dizem respeito, sobretudo, à maneira como o ser humano se relaciona com seus pares e com a natureza. A metodologia emprega uma abordagem interdisciplinar com foco na estética, na literatura, na história da arte e na arquitetura.
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