Academic literature on the topic 'Poem and verses successor'

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Journal articles on the topic "Poem and verses successor"

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Pa, Pa Khaing Oo. "The Reflection of Lives of the Authors in Nyaungyann Age." Dagon University Research Journal Vol.3, no. 2011 (2019): Pg.1–9. https://doi.org/10.5281/zenodo.3542317.

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This paper concerns with the works of the Minister Padetharājā who was a famous minister in the days of Hantharwaddyyaut-min (King Hantharwaddyyaut). The King was the last one in the Nyaungyann Dynasty. Minister Padetharājā wrote classical poems, literature, music, poems and verses for the children of the king. In addition, this paper consists of the reflection of the lives of Ministers, Padetharājā, Mintheikpann and Hantharwaddyyaut-min related to the poem, verses, etc. Studying the reflection of their lives will be an aid to the record of their literature and history.
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Bakumenko, Vitalii M. "Successor of Glorious Traditions." Bibliotekovedenie [Russian Journal of Library Science], no. 2 (April 27, 2012): 77–80. http://dx.doi.org/10.25281/0869-608x-2012-0-2-77-80.

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The article is devoted to the 65th birth anniversary of Moscow talented artist Nikolai Yegorov. The highest achievements of the artist were excellent illustrations to the poem of the 12th century “Tale of Igor's Campaign”, to the poetic collections of I. Goethe and to the poem of N. Gogol “Dead Souls”. The dream of every bibliophile collections are “Roman satire” and “Poems” by Michelangelo Buonarroti with original illustrations by N. Yegorov.
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Bernstein, Moshe J. "Reading an Aramaic Qina Framed by a Biblical One." Aramaic Studies 17, no. 2 (2019): 174–97. http://dx.doi.org/10.1163/17455227-01702003.

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Abstract The author of the first poem of a manuscript from the Cairo Geniza, CUL T-S H14.64, used the verses in Lamentations 1 as a technical device to frame his poem, while he found a variety of ways to connect the stanzas of the poem with verses from Lamentations and other biblical verses. He linked the stanzas of the poem forward and backward through themes and language that are significant in the poem as a whole. This study also follows the trajectories of both the first- and third-person voices, reflecting on how their interchange might contribute to our understanding of the message of th
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Gottschall, Dagmar. "Mystische Reimverse mit Kommentar." Beiträge zur Geschichte der deutschen Sprache und Literatur 137, no. 1 (2015): 80–107. http://dx.doi.org/10.1515/bgsl-2015-0004.

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Abstract The paper presents mystical rhyme verses preserved on page 153a–b of the manuscript Einsiedeln, Stiftsbibliothek, Cod. 278 from the 14th century. The verses, which have never been discussed before, follow the preceding mystical poem ›Ein meister der seit vns das wesen blos‹ in terms of content. However, they are separated from the poem by two aphorisms in prose attributed to a master. In the following paper the newly found rhyme verses are edited and interpreted in the context of the poem ›Ein meister der seit vns das wesen blos‹ and the two aphorisms of the master.
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Izdebska, Anna. "Man, God and the Apotheosis of Man in Greek and Arabic Commentaries to the Pythagorean Golden Verses." International Journal of the Platonic Tradition 10, no. 1 (2016): 40–64. http://dx.doi.org/10.1163/18725473-12341332.

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This paper focuses on the four preserved commentaries to a Pythagorean poem known as the Golden Verses. It deals with two Greek texts—Iamblichus’ Protrepticus and Hierocles’ Commentary to the Golden Verses—as well as two commentaries preserved in Arabic, attributed to Iamblichus and Proclus. The article analyses how each of these commentators understood the relationship between man and god in the context of the eschatological vision presented in the poem. It also demonstrates how differences in the interpretation of particular verses and ideas within the poem were dependent on an author’s phil
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Mock, Carle. "The Structure, Design, and Argument of Thomas More’s Fortune Verses." Moreana 48 (Number 185-, no. 3-4 (2011): 69–120. http://dx.doi.org/10.3366/more.2011.48.3-4.6.

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This article shows that Thomas More’s Fortune Verses present a three-way dialectical consideration of how best to live one’s life in the world controlled by Fortune. The poem is shown to progress from speaker to speaker in its several parts, in order to present an increasingly accurate understanding of the person of Fortune and her relationship to human life. The article also provides analysis of each portion of the poem, points out the issues raised by the various speakers from part to part, and indicates the persuasive argument the poem as a whole offers to its readers. Appendix A is a new c
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Pavlov, Sergey G. "An Experience of linguo-hermeneutical Interpretation of A. Dolgareva’s Poem «The First Is Twenty, the Second one Is Forty, the Father and Son...»." Izvestia Ural Federal University Journal Series 1. Issues in Education, Science and Culture 31, no. 1 (2025): 127–36. https://doi.org/10.15826/izv1.2025.31.1.011.

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The paper presents an interpretation of A. Dolgareva’s poem «The First is Twenty, the Second is Forty, Father and Son...». The subject of the work is the hermeneutic situations of the poem. The main goal is to reconstruct its implicit meanings. The novelty of the study is determined by the appeal to the linguahermeneutic interpretation of A. Dolgareva’s poem. The possibilities of the linguahermeneutic method are demonstrated, the main meanings of the poem are revealed. It is shown that A. Dolgareva can be called the successor of A. Akhmatova’s poetic mission.
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Dr Asma abdulaziz aljnobi, Dr Asma abdulaziz aljnobi. "Controversy of presence and absence in the poetry of Jareer bin." journal of King Abdulaziz University Arts And Humanities 30, no. 3 (2022): 157–77. http://dx.doi.org/10.4197/art.30-3.7.

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Kaneva, Tatyana S. "THE SPIRITUAL POEM GOLUBINAIA KNIGA AT PECHORA." Texts and History Journal of Philological Historical and Cultural Texts and History Studies 2 (2024): 175–91. https://doi.org/10.31860/2712-7591-2024-2-175-191.

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The article presents a commentary on three versions of a spiritual poem called Golubinaia Kniga, all of which come from the Pechora region. Two of these versions were published by N. E. Onchukov in the Pechorskie byliny collection in 1904. Despite this old publication, the recordings of the poem have not yet received special attention. A comparison of these texts with variants of the same poem that come from other local traditions has yielded the following observations. The version of the performer E. F. Toropova from Ust’-Tsilma is rather short — 47 verses. Although it presents only a fragmen
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Imran Nadir, Muhammad Akram Ali, and Muhammad Yousaf Mengal. "Similarities in Free Verses between Ghulam Hussain Shohaz & Nadir Kambriani’s Poetry." Al-Burz 8, no. 1 (2016): 93–99. http://dx.doi.org/10.54781/abz.v8i1.132.

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In the literary history poem is considered as the building block of all the existing poetry. It is a well-established fact that poem is the genesis of the poetry in any language and likewise Balochi literature is no more an exception. The very initial evolutionary phases of balochi literature in states other than the poemic one. Balochi literary poems have successfully waded through all its phases of development i.e. from first to second and subsequently from second to the third one. it is worth mentioning over here that cataclysmic changes were brought up in the third phase along with the int
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Dissertations / Theses on the topic "Poem and verses successor"

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Speranza, Robert Scott. "Verses in the celluloid : poetry in film from 1910-2002, with special attention to the development of the film-poem." Thesis, University of Sheffield, 2002. http://etheses.whiterose.ac.uk/6018/.

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Poetry is not a new phenomenon in film and television. It is consistently treated as such because its presence is not common; poetry is repeatedly viewed as a 'special element' in a production. However, visual poetry is becoming less and less of an oddity in modern-day films. This thesis, which surveys multiple intersections of poetry and cinema, places particular emphasis on the most specific and direct use of poetry within film: 'film-poems'. Numerous poets and filmmakers today have made film-poems, particularly poet Tony Harrison. These works are important because they are revolutionary in
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Timmermann, Anke. "The circulation and reception of a Middle English alchemical poem : the Verses upon the Elixir and the associated corpus of alchemica." Thesis, University of Cambridge, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.613055.

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Books on the topic "Poem and verses successor"

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James, Thomson. Winter: a poem: And other verses. Akros, 2002.

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ill, Hamanaka Sheila, ed. A poem for a pickle: Funnybone verses. Morrow Junior Books, 1989.

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Bullard, Lisa. Nina and Nolan build a nonsense poem. Norwood House Press, 2011.

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1850-1894, Stevenson Robert Louis, Kinkade Thomas 1958 ill, and Ford June 1957-, eds. A Child's Garden of Verses: A Collection of Scriptures, Prayers & Poem. Tommy Nelson, 1999.

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Edward, Lear. The table and the chair: A poem. HarperCollins, 1993.

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Kitaj, R. B. Second diasporist manifesto (a new kind of long poem in 615 free verses). Yale University Press, 2007.

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Southey, Caroline Bowles. The birth-day; a poem, in three parts: To which are added, occasional verses. William Blackwood and Sons, Edinburgh; and Thomas Cadell, London, 1990.

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1812-1888, Lear Edward, ed. Hilary Knight's the owl and the pussy-cat: Based on the poem by Edward Lear. Aladdin Books, 1989.

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1812-1888, Lear Edward, and Colby Douglas 1954-, eds. Hilary Knight's The owl and the pussy-cat: Based on the poem by Edward Lear. Simon & Schuster Books for Young Readers, 2001.

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Lewis, Carroll. Jabberwocky: The classic poem from Lewis Carroll's Through the looking glass, and what Alice found there. Jump at the Sun/Hyperion Books for Children, 2007.

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Book chapters on the topic "Poem and verses successor"

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Baselica, Giulia. "L’Italia, l’arte e la poesia nel Fra Beato Andželiko di Nikolaj Gumilëv." In Biblioteca di Studi Slavistici. Firenze University Press, 2018. http://dx.doi.org/10.36253/978-88-6453-723-8.21.

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The lyric poem Fra Andželiko (1912) was inspired by the vivid impressions Nikolaj Gumilëv gained during his Italian tour in the very same year. The work should be seen in its context that acts as a background for the gumilevian perception of the artistic civilization of the Italian Renaissance. Leonardo da Vinci, Raffaello, Benvenuto Cellini, Michelangelo are here awakened, described and matched to the eponymous character. This article aims to reconstruct the image of Italy, of Poetry and to depict the poet through the verses of the poem.
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Goldstein, David. "Todros Ben Judah Abulafia." In Hebrew Poems from Spain. Liverpool University Press, 2007. http://dx.doi.org/10.3828/liverpool/9781904113669.003.0014.

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This chapter explores the poetry of Todros ben Judah Abulafia. Todros ben Judah Halevi Abulafia was born in Toledo in 1247. Alfonso of Castille attracted many Jews to his court, and Todros was among those who sought wealthy patrons in an effort to reach the royal favour, and he did indeed succeed in being received by the king, to whom he dedicated a number of verses. One of his patrons, Don Isaac de la Maleha, was executed by the king in 1279. Todros himself was imprisoned with many other Jews of Castille, and held for ransom. In 1281, however, he was released amid circumstances which are unkn
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Dudek, Jolanta. "Tryptyk rzymski. Medytacje. O poszukiwaniu źródła życia i twórczości oraz początku Przymierza z Tym, „który mówił tak do Abrama | jak mówi Człowiek do człowieka”." In W poszukiwaniu źródeł. Jan Paweł II o Ukrainie w Europie i inne studia. Uniwersytet Papieski Jana Pawła II w Krakowie Wydawnictwo Naukowe, 2023. http://dx.doi.org/10.15633/9788374389174.16.

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This article presents an interpretation of John Paul II’s Roman Triptych, which comprises three meditations written by him in Rome in the year 2002. At first sight, this work would seem to be a longer religious poem that has its roots in the author’s biography as well as in European art and philosophy — not unlike T. S. Eliot’s Four Quartets. Here, however, the main point of reference turns out to be the Bible. John Paul II’s Roman Triptych is essentially a biblical poem for our times. The poet’s musings have been written down in free verse, reflecting the rhythmic flow of normal speech and th
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Emery, Jacob. "Versions of Possession." In The Vortex That Unites Us. Cornell University Press, 2023. http://dx.doi.org/10.7591/cornell/9781501769382.003.0002.

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This chapter focuses on the trope of possession across the whole of modern Russian literature, from the early Romantic poetry of Konstantin Batiushkov to the contemporary fiction of Vladimir Sorokin. It cites Batiushkov's Scandinavian elegies, wherein the ghosts of Viking skalds dictate verses to their supposed successor, a Russian soldier poet who sojourned in Finland as a member of the occupying Russian Army. It also describes the structure of possession in which the wellspring of Russian poetry is located in the Scandinavian past and is superimposed on the structure of empire. The chapter m
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"A POEM WITH FOUR VERSES." In Poems of the First Buddhist Women. Harvard University Press, 2021. http://dx.doi.org/10.2307/j.ctv33mgbrb.7.

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"A POEM WITH ELEVEN VERSES." In Poems of the First Buddhist Women. Harvard University Press, 2021. http://dx.doi.org/10.2307/j.ctv33mgbrb.13.

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"A POEM WITH TWELVE VERSES." In Poems of the First Buddhist Women. Harvard University Press, 2021. http://dx.doi.org/10.2307/j.ctv33mgbrb.14.

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"A POEM WITH EIGHT VERSES." In Poems of the First Buddhist Women. Harvard University Press, 2021. http://dx.doi.org/10.2307/j.ctv33mgbrb.11.

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"A POEM WITH NINE VERSES." In Poems of the First Buddhist Women. Harvard University Press, 2021. http://dx.doi.org/10.2307/j.ctv33mgbrb.12.

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"A POEM WITH SIXTEEN VERSES." In Poems of the First Buddhist Women. Harvard University Press, 2021. http://dx.doi.org/10.2307/j.ctv33mgbrb.15.

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Conference papers on the topic "Poem and verses successor"

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Pilar, Martin. "�UNPOETICAL� POETRY OF PETR HRUSKA." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/s10.23.

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Petr Hruska (born 1964) is a poet and literary historian from Ostrava. This post-industrial city used to be famous for its black coal mines and steel factories. At the time of the industrial boom, Ostrava started to be a �melting pot� of nations living in this part of Central Europe � the Czechs, Poles, Germans from Silesia, Austrians, Jews, and Slovaks. No wonder, then, that the cultural life of this region differs from that in traditional centres of Czech culture like Prague or Brno. Nevertheless, Hruska�s collections of poems have been awarded the most prestigious Czech literary prizes and
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Nikolaeva, S. "THE NATIONAL HISTORICAL CONCEPT OF RUSSIA IN Y.P. KUZNETSOV'S POEM “FEDORA”." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3741.rus_lit_20-21/261-265.

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The article deals with historiosophical meaning of the verses by J.P. Kuznetsov “Fedora”. It is concluded that the poet defines the essence of the current historical moment in the fate of Russia in 1993, outlines historical Parallels with previous eras, enters into a polemic with Chaadaev and Vyazemsky, develops the ideas of Dostoevsky and Blok. In the center of attention Yu.P. has the way of Russia in world history, the “Russian idea”, which is not a movement in a circle or on a curve, without a goal, as Chaadaev believed, not trampling on the spot, but a conscious and bequeathed by the ances
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Pelevin, M. S. "A Local Tribal Conflict in the Lyrics of an Early Modern Pashtun Poet." In IV Международный научный форум "Наследие". SB RAS, 2023. http://dx.doi.org/10.25205/978-5-6049863-1-8-145-149.

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The article discusses a poem of ʿAbd al-Qadir Khatak (d. after 1713) on an armed conflict in the Momand tribe as a specimen of classical Pashto verses reflecting socio-political realities. A study of this text suggests that its author intended, first, to draw a parallel between the Momand incident and the political confrontation in the Khatak tribe and, second, to demonstrate the continuity of literary traditions in the Khatak ruling family by directly emulating the war ballads of Khushhal Khan Khatak (d. 1689).
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Tomić, Minja. "POETIČKI „CREDO“ IVANA V. LALIĆA NA PRIMERU PESME „SLOVO O SLOVU”." In XVI načni skup mladih filologa Srbije. University of Kragujevac, Faculty of Philology and Art, Serbia, 2025. https://doi.org/10.46793/mfxvi-2.097t.

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The research represents an interpretation of the poem “Word about the Word” by Ivan V. Lalić, pub- lished in the poetry collection „Pismo” (1992). The focus of the interpretation will be on the meaning of the verses, aiming to understand the unique phenomenology of the poetic world. The starting point will be the establishment of the semantic function of form and style, thereby opening the field for observing the poet's interaction with literary tradition. It will point out the complex symbolism of the concept of purgatory, thus establishing an intertextual link with Dante Alighieri’s epic. Th
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MEHMETALI, bekir. "VIII. International Congress of Humanities and Educational Research." In VIII. International Congress of Humanities and Educational Research. Rimar Academy, 2023. http://dx.doi.org/10.47832/ijhercongress8-8.

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Arabic poetry, ancient and modern, remains a feature distinguished by the Arabs, and a distinguishing mark for which they were known, as it flows on the tongues of their poets the flow of water in the river, and flows from their mouths the flow of fresh water from the spring, as it is twittering on their tongues, and hymns that delight the speaker, the listener, the narrator, the reader, and the student Alike, he is the flame that ignited in their world hundreds of years ago, and is still glowing in every country of theirs, and in every age. The Arabic poetry that we are talking about is nothi
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Mehmetali, Bekir. "Examples of the wonderful poetic image in ancient Arabic poetry." In VII. International Congress of Humanities and Educational Research. Rimar Academy, 2023. http://dx.doi.org/10.47832/ijhercongress7-7.

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Arabic poetry, ancient and modern, remains a feature distinguished by the Arabs, and a distinguishing mark for which they were known, as it flows on the tongues of their poets the flow of water in the river, and flows from their mouths the flow of fresh water from the spring, as it is twittering on their tongues, and hymns that delight the speaker, the listener, the narrator, the reader, and the student Alike, he is the flame that ignited in their world hundreds of years ago, and is still glowing in every country of theirs, and in every age. The Arabic poetry that we are talking about is nothi
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Petrović, Nemanja. "„DANAS SE HRISTOS U VITLEJEMU OD DJEVE RAĐA“ ZAPAŽANjA IKONOGRAFSKIH POJEDINOSTI BOŽIĆNE HIMNE KAO ODRAZA POBOŽNOSTI KRALjA MILUTINA." In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.763p.

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Fresco-composition, painted above the entrance of the katholikon of Žiča monastery, represents a unique scene within Serbian monumental painting from the beginning of the second decade of 14th century. This carefully thought-up picture illustrates a Christmas' Hymn which ascribes to the authorship of John of Damaskus. However, verses written on the arc, above the composition, are associated with poems of Anatoly of Constatinopole’s poetic content. Decora- tion of the entrance consists of clearly expressed theme of the portal, therefore it can be said that frescoes obviously indicate activities
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