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Books on the topic 'Poem film'

Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

Ibsen, Henrik. Peer Gynt: A dramatic poem. Oxford University Press, 2009.

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Peer Gynt: A dramatic poem. Oxford University Press, 1989.

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Peer Gynt: A dramatic poem. Scandinavian University Press, 1993.

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Peer Gynt: A dramatic poem. Oxford University Press, 2009.

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5

Ibsen, Henrik. Peer Gynt: A dramatic poem. Harrap, 1985.

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6

Seven Controlled Vocabularies and Obituary 2004, the Joy of Cooking: [AIRPORT NOVEL MUSICAL POEM PAINTING FILM PHOTO HALLUCINATION LANDSCAPE]. Wesleyan University Press, 2009.

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7

Film poems. Les Figues Press, 2014.

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8

Maginnes, Al. Film history: Poems. WordTech Editions, 2006.

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9

Film history: Poems. WordTech Editions, 2005.

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10

Barlow, John. Films and poems. Lyricalmyrical Press, 2006.

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11

The light in the film: Poems. University of Tampa Press, 2011.

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12

Hoz, Falki. Hipsters (sound file). LoFi-45 (record label), 2017.

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13

In case: Poems. Pecan Grove Press, 2012.

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14

Tony, Harrison. The shadow of Hiroshima and other film/poems. Faber and Faber, 1995.

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15

Maude, Caitlín. Caitlín Maude: File, poet, poeta. Edizioni dal sud, 1985.

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16

Alice, Walker. Once: Poems. Women's Press, 1986.

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17

Michael, Turner. The pornographer's poem. Soft Skull Press, 2004.

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18

Stevenson, Matt, ed. Adam Fieled reads Apparition Poem #1488 at the Eris Temple (video file). Eris Temple (venue), 2010.

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19

All movies love the moon: Prose poems on silent film. Rose Metal Press, 2014.

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20

Turner, Michael. The pornographer's poem: A novel. Doubleday Canada, 1999.

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21

Kmecl, Matjaž. Poet: Scenarij za televizijski film o življenju in nehanju Franceta Prešerna. Prešernova Družba, 2000.

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22

Michael, Turner. The pornographer's poem: A novel. Vintage Canada, 2000.

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23

Dickson, Andrew. The rough guide to Shakespeare: The plays, the poems, the life. 2nd ed. Rough Guides, 2009.

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24

Joe, Staines, ed. The rough guide to Shakespeare: The plays, the poems, the life. 2nd ed. Rough Guides, 2009.

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25

Here and hereafter: Poems. University of Arkansas Press, 2005.

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26

Stevenson, Matt, ed. Adam Fieled reads Apparition Poem #1613 at the Eris Temple (video file). Eris Temple (venue), 2010.

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27

Stevenson, Matt, ed. Adam Fieled reads Apparition Poem #1345 at the Eris Temple (video file). Eris Temple (venue), 2010.

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28

The films of Nicholas Ray: The poet of nightfall. Letts, 1991.

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29

1960-, Pascoe Judith, ed. Mary Robinson: Selected poems. Broadview Press, 2000.

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30

Smith, Don G. The Poe cinema: A critical filmography of theatrical releases based on the works of Edgar Allan Poe. McFarland & Co., 1999.

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31

Poe in the media: Screen, songs, and spoken word recordings. Garland Pub., 1990.

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32

Galens, Judy. Experiencing the Holocaust: Novels, nonfiction books, short stories, poems, plays, films & music. Edited by Hermsen Sarah. UXL, 2003.

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33

Stevenson, Matt, and Eris Temple, eds. Adam Fieled reads from Apparition Poems at the Eris Temple (video file). Eris Temple (venue), 2010.

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34

Pollack, Howard. Film Work. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190458294.003.0015.

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Latouche had a side career in film. This included writing songs for two avant-garde films by Hans Richter, Dreams That Money Can Buy and 8 x 8. He also wrote the narration for a Herbert Matter film about Alexander Calder, and began his own film company, Aries Productions, which produced Maya Deren’s last completed film, The Very Eye of Night, and an animated film based on his poem “The Peppermint Tree.” In one instance, he started to direct his own short, Presenting Jane, in conjunction with his friendship with the New York poets, but the film was never completed.

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35

Littschwager, Simin N. Verfilmung von Lyrik: Mit Beispielanalysen aus dem Film »Poem«. Tectum Verlag, 2010.

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36

Westfall, Damian. Viva Coleman Francis!: An Epic Poem about the Worst Film Director of All Time. Independently Published, 2021.

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37

Fan, Lei. The Legend of Mulan: A Folding Book of the Ancient Poem That Inspired the Disney Animated Film. Disney Editions, 1998.

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38

Ibsen, Henrik, James McFarlane, and Fry Christopher. Peer Gynt : A Dramatic Poem (Oxford World's Classics). Oxford University Press, USA, 1999.

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39

Lei, Fan, ed. The Legend of Mulan: A folding book of the ancient poem that inspired the disney animated film = [Hua Mulan]. Hyperion, 1998.

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40

Lin, Tan. Seven Controlled Vocabularies and Obituary 2004. the Joy of Cooking: [airport Novel Musical Poem Painting Film Photo Hallucination Landscape]. Wesleyan University Press, 2012.

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41

Ibsen, Henrik. Peer Gynt: A Dramatic Poem (A Scandinavian University Press Publications Series). A Scandinavian University Press Publication, 1994.

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42

Güell, Joel Amut, and Christoph Paul. Horror Film Poems. CLASH Books, 2016.

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43

Film - Found Poems: Film found poetry and misc poems. New Kiev Publishing, 2013.

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44

McCarthy, Shaun. Get Writing: Pack A of 6: Write That Play / Write That Film Script / Write That Poem / Write That Report / Write That Story / Write That Letter (Get Writing). Heinemann Educational Books - Library Division, 2003.

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45

Eickenbusch, Ann-Cristin, and Philipp Scheid, eds. Jonas Mekas. edition text + kritik im Richard Boorberg Verlag, 2021. http://dx.doi.org/10.5771/9783967074833.

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Jonas Mekas (1922–2019) prägte das New American Cinema entscheidend mit und gilt bis heute als eine der Schlüsselfiguren des Avantgarde-Films. Leben, das hieß für Jonas Mekas, immerfort zu filmen. In verschiedensten Medien und Formaten versuchte er seit Ende der 1940er Jahre, Fragmente der Zeit zu konservieren und sie durch die rhythmische Anordnung von Musik, Stimme, Schrift und Bild zu gestalteter Erinnerung zu verdichten. Sein wiedererkennbarer Stil ist geprägt von einem spontanen, geradezu impressionistischen Duktus, der auch die (materiellen) Grundlagen filmischer Arbeit vor Augen führt: "Cinema is light, movement, sun light, heart beating, breathing, light, frames", sagt er in "Walden" (1968). Auf diese Weise sammelte Mekas Erinnerungsbilder für die Geschichte einer Zeit und einer Stimmung, die auch seine eigene war, und trug sie als Filme und Frozen-Film-Frames an verschiedene Orte auch jenseits des Kinos: in die Galerie, in das Museum und das Internet ebenso wie in ein Fastfood-Restaurant oder eine Modeboutique. Ähnlich vielfältig war sein (film)kulturelles Engagement, war er doch nicht nur Filmer, sondern auch Filmkritiker und Kolumnist, Förderer, Kurator und Netzwerker, eifriger Tagebuchschreiber und Poet. Der Band widmet sich dem metamorphen Werk dieses Künstlers und nimmt neben den gestalterischen, erzählerischen Elementen seiner Filme auch seine Schriften und Ausstellungsprojekte in den Blick.

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46

Humphrey Jennings: Film-maker, Painter, Poet. British Film Institute, 2014.

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47

Jennings, Marie-Louise. Humphrey Jennings: Film-Maker, Painter, Poet. BFI Publishing, 2014.

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48

Jennings, Marie-Louise. Humphrey Jennings: Film-Maker, Painter, Poet. BFI Publishing, 2014.

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49

Graziosi, Barbara. Homer: A Very Short Introduction. Oxford University Press, 2019. http://dx.doi.org/10.1093/actrade/9780199589944.001.0001.

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Homer’s mythological tales of war and homecoming, the Iliad and the Odyssey, are widely considered to be two of the most influential works in the history of world literature. Yet their author, ‘the greatest poet that ever lived’, is something of a mystery. Homer: A Very Short Introduction considers Homer’s famous works, their composition, and their impact on readers throughout the centuries. It also shows how scholars’ notes on ancient manuscripts still influence our interpretation of Homer’s work today. Homer’s poems have inspired artists, writers, philosophers, musicians, playwrights, and film-makers. Exploring the main literary, historical, cultural, and archaeological issues at the heart of Homer’s narratives, this VSI analyses the enduring appeal of Homer and his iconic works.

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50

Clasen, Mathias. Monsters Everywhere. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190666507.003.0006.

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The chapter gives an outline of the history of American horror across media, from prehistoric roots to postmodern slasher films and horror videogames. A specifically American literary horror tradition crystallizes in the mid-1800s, with authors such as Edgar Allan Poe, and is developed in the twentieth century by writers including H. P. Lovecraft. In that century, horror films—beginning with Universal’s monster films of the 1930s—became the dominant medium for the genre. Horror became a mainstream genre during the 1970s and 1980s, with the emergence of popular writers like Stephen King and many lucrative film releases. Slasher films dominated the 1980s and were reinvented in a postmodern version in the 1990s. Horror videogames became increasingly popular, offering high levels of immersion and engagement. The chapter shows that horror changes over time, in response to cultural change, but changes within a possibility space constrained by human biology.

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