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Relevant bibliographies by topics / Poems (Blake, William)

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Academic literature on the topic 'Poems (Blake, William)'

Author: Grafiati

Published: 26 February 2023

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Journal articles on the topic "Poems (Blake, William)"

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Adudu, Husnul Hatima, and Dahlia Husain. "SEMIOTIC ANALYSIS IN WILLIAM BLAKE POEMS." British (Jurnal Bahasa dan Sastra Inggris) 8, no. 1 (July 1, 2019): 39. http://dx.doi.org/10.31314/british.8.1.39-54.2019.

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Semiotic Analysis in William Blake Poems. The problem in this research is how to apply Riffaterre’s theory. This research focused on semiotic of Riffaterre’s theory in William Blake poems, titled The Sick Rose, My Pretty Rose Tree, and The Garden of Love. The method that used in this research was descriptive qualitative method. The data that used in this research was a written record in the form of three poems by William Blake. Three poems in question were The Sick Rose, My Pretty Rose Tree, and The Garden of Love. The technique used to collect data in this research was the technique of reading log. The researcher used the Riffaterre’s theory to analysis the poems. Based on the analysis, it can be concluded that poem The Sick Rose and The Garden of love depict of live before France Revolution occurred, and poem My Pretty Rose Tree describe about the author’s feeling to his wife.

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Kanceff, Emanuele. "William Blake, Selected Poems." Studi Francesi, no. 148 (XLX | I) (April 1, 2006): 192. http://dx.doi.org/10.4000/studifrancesi.30751.

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Garnida, Susie Chrismalia, and Mateus Rudi Supsiadji. "METHODISM IN WILLIAM BLAKE'S THE CHIMNEY SWEEPER." ANAPHORA: Journal of Language, Literary and Cultural Studies 1, no. 1 (July 31, 2018): 29–32. http://dx.doi.org/10.30996/anaphora.v1i1.2087.

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This article explores one of Blake's poems entitled The Chimney Sweeper which sees gloomily the condition of child labour during the industrial revolution in Britain. In the poem, it seems that Blake critizes the use of children to work for family income. Especially, this article discusses Blakeâ€™s ironical discussion on the Methodism's teaching to work hard in order to have the eternal life in the poem.

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Sinthya, Fingky, Dahnilsyah Dahnilsyah, and Erni Erni. "An Analysis of Conceptual Metaphor in the Poems Entitled “Classic Poetry Series” by William Blake." IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature 10, no. 2 (December 31, 2022): 1655–61. http://dx.doi.org/10.24256/ideas.v10i2.3368.

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This research aims to analyze the types of metaphors used and contained meanings contained in a collection of poems by William Blake. A metaphor is a part of figurative language that compares one thing to another. The researcher used a descriptive employed in study qualitative method to identify a collection of classic poetry by William Blake. The researcher uses the theory of Lakoff, George, and Johnsen (2003) to analyze the conceptual metaphors that shape the reality of 'life' which is reflected in poetry. There are three steps in collecting research data: observation, selection, and classification. This research result shows that ninety-five metaphorical lyrics are contained in the ten of classic collections of poetry by William Blake. The data were gathered using a collection of poems from three types of conceptual metaphors: structural, orientational, and ontological. The types of metaphors found in this research are ontological metaphors. And in reverse, the meaning of each metaphor depends on the type used in the poem. In conclusion, the poems by William Blake have a high imagination based on experiences as well as advice to the readers.

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Keshavarzian, Ramin, and Pyeaam Abbasi. "Visions of the Daughters of Albion: The Influence of Mary Wollstonecraft’s Life and Career on William Blake." International Letters of Social and Humanistic Sciences 40 (September 2014): 48–63. http://dx.doi.org/10.18052/www.scipress.com/ilshs.40.48.

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The present study discussed the influence of one of the eighteenth-century British women of color, the feminist Mary Wollstonecraft, on William Blake. By adopting a biographical and also a comparative approach, the authors tried to highlight the influences of Wollstonecraft‟s personal life, character, and career, chiefly her A Vindication of the Rights of Woman (1792), on one of William Blake‟s less-referred-to poems Visions of the Daughters of Albion (1793). The study will help readers to both know Wollstonecraft‟s prominence and also to grasp more of William Blake and his poetry. The authors also attempted to show that William Blake was part of the early feminism of the late eighteenth century.

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Klafkowski, Piotr. "A personal look at three Swedish poets: Carl Michael Bellman, Esaias Tegner, Erik Johan Stagnelius." Studia Rossica Gedanensia, no. 4 (December 30, 2017): 368–87. http://dx.doi.org/10.26881/srg.2017.4.23.

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The paper is the author’s personal homage to his three favourite Swedish poets. It attempts at showing the Polish readers that Sweden, too, had its share of great poets, as Swedish poetry is almost wholly unknown in Poland. Carl Michael Bellman is compared with his contemporary Robert Burns, Esaias Tegner is presented in the context of epic poems of Denmark and Norway, whereas Erik Johan Stagnelius – in comparison with John Keats and William Blake.

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Serdechnaya, Vera V. "«Russian Theme» in William Blake’s Works." Proceedings of Southern Federal University. Philology 2020, no. 4 (December 25, 2020): 137–45. http://dx.doi.org/10.18522/1995-0640-2020-4-137-145.

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The article is devoted to the factors and evidences of William Blake’s interest in Russia, Russian places and politicians. An analysis of Blake’s works, especially his prophetic poems, confirm that Russia, Russian territories, and in particular the Russian Empress Catherine II, were interesting to Blake and were manifested in many ways in his works. Blake counts Russia and its territories in his great prophecies Milton and Jerusalem. The mention of Poland and Siberia, Tartaria, and Russia separately indicates that the spiritual geography of Blake’s works did not exactly correspond to the current administrative division of the world. There is a reason to believe that the image of the Russian Empress Catherine II was for Blake the embodiment of the sinister Female Will and became a model for the harlot of Babylon, captured by him in a portrait of 1809, as well as one of the prototypes of the powerful demiurge-spinner Enitharmon in prophetic poems. In politics, the end of the XVIII century, there was no ruler who would more embody the concept of female power than Catherine II.

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G, Dr Jeyashree. "ON DECODING THE TRAJECTORY OF CONSCIOUSNESS IN BLAKE’S POETRY." Journal of English Language and Literature 09, no. 02 (2022): 72–80. http://dx.doi.org/10.54513/joell.2022.9210.

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Poetry is defined as spontaneous overflow of feelings recollected in tranquility by one of the remarkable poets of the romantic age William Wordsworth. Human beings are conditioned by emotions and feelings that come out in varied forms like paintings, sculptures, poetries etc. An artist absorbs elements that prevail around him and effuses in art forms. An artist is adept at reading the nuances of socio economic and political impact of the society and shares his/her thoughts through their artistic products. Unless there is a balance maintained between the emotional and intellectual quotient, an art cannot reach the audience. Critics speculate the language and the content of poetry. Language is a channel of expression where the poets try to exploit to reach the audience effectively. William Blake is one of the remarkable poets of the Romantic age and the paper attempts to unveil the submerged consciousness of the poet reflected through his poems. Short poems are pecked for the study to illumine the impact of the contemporary society on the psyche of the poet. Literature mirrors a society and aspiring scholars can certainly accrue knowledge by perusing the literature of the past. The elements of romanticism in Blake’s poems are elicited and the poetic devices reflect in his poems are explored. Blake’s poems reflect multi layered emotions firmly anchored in ethos and pathos that permeate in the social lives of the people. The elements of romanticism in his poems are discussed.

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Serdechnaia, Vera. "Blake's Russian literary heir: Based on unpublished poems by Boris Anrep." Literary Fact, no. 15 (2020): 352–65. http://dx.doi.org/10.22455/2541-8297-2020-15-352-365.

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The article deals with unpublished poems by Russian poet and artist Boris Anrep, which are studied in the context of developing the traditions of English romantic epical poems. The research of these poems as evidence of creative dialogue between Anrep and the prophetic poetry of William Blake is proposed. The research considers the epics “Vladimir”, “Creation of the world” and “Creation of man” written by Anrep in the 1900s, before he emigrated from Russia, and are kept in the archive of N. Nedobrovo (Personal collection of the Manuscript Department of the Institute of Russian Literature (Pushkin House) of the Russian Academy of Sciences). The methods of comparative literature studies and those of analysis, synthesis and generalization are used. The idea is substantiated that Anrep, already in his early poetic work, inherits in many respects the poetics and themes of William Blake's prophetic books, which he knew in childhood. The author identifies the commonality in the figurative system of poems Anrep and Blake: the characters are elements, giants, generalized natural phenomena. The gravitation of Anrep to a combination of physiology and philosophy, synthesis of author's inference and mimetic descriptions also testifies to influence of romantic lyre-epics. It is concluded that the early poems of Boris Anrep, as well as his later works (“The Man”, “Fiza”, “Foreword To The Book Of Anrep”), are in many ways an attempt to embody in Russian the principles of English romantic poetry, primarily the prophecies of William Blake. The reception of these poems in the work of the artist Dmitry Stelletsky has been studied. It has been proved that such an example of the reception of English romanticism in general is typical for the culture of the Silver Age, which rediscovered European early romanticism (Poe, Novalis, Hölderlin) and felt it as modern art.

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Alkayid, Majd M., and Murad M. Al Kayed. "The Language of Flowers in Selected Poems by William Blake: A Feminist Reading." Theory and Practice in Language Studies 12, no. 4 (April 2, 2022): 784–89. http://dx.doi.org/10.17507/tpls.1204.20.

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The study aims at analyzing the meanings and symbolic implications of flowers in selected poems by William Blake (1757-1827) from a feminist perspective. This paper analyzes the themes and symbolism of different kinds of flowers to explain how William Blake tries to expose the situation of women in the patriarchal nineteenth-century society. The study discusses the language of flowers from a feminist perspective relying on three prominent feminists. First, the study relies on Mary Wollstonecraft (1759–1797) who rejected the patriarchal role of women as submissive and weak. Second, the study applies Virginia Woolf’s feminist perspective about rejecting the role of women as the angels of the house. Third, the study applies Simone de Beauvoir’s rejection of categorizing women as subjective and inferior. William Blake is an early feminist who rejected the submission of women and used his poetry to comment on the situation of women in the nineteenth century. He expresses many issues related to women. He believed in women’s ability to be independent and strong and he refutes the traditional social stereotyping of women as being inferior and weak and therefore they are in constant need of the support of men. Blake stresses the beauty and strength of women through describing women in floral imagery.

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Dissertations / Theses on the topic "Poems (Blake, William)"

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Marks, Cato Whitfield. "Forging a political aesthetic : The influence of John Milton's political prose on the later prophetic poems of William Blake." Thesis, Queen Mary, University of London, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.500076.

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Vallor, Honor Penelope. "How Gothic Influences and Eidetic Imagery in Eight Color Plates and Key Poems by William Blake Figuratively Unite Body and Soul by Dramatizing the Visionary Imagination." PDXScholar, 1992. https://pdxscholar.library.pdx.edu/open_access_etds/4659.

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A study of Gothic influences and eidetic imagery evident in eight Blake color plates to demonstrate that, when interpreted together with key Blake poems, unity of body and soul can be accomplished by means of the visionary imagination.

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Zinter, Erik Andrew. "The Tyger and the Lamb: Exploring the Relationship Between Text and Music in Selected Contemporary Choral Settings of Two Poems by William Blake (1757-1827)." Diss., North Dakota State University, 2015. https://hdl.handle.net/10365/27616.

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Texts have been influencing composers of choral music for centuries. Some composers manipulate the text through the use of form and compositional technique, whereas others rely on highlighting specific words. Still others work to convey emotions or to conjure aural images for the listener. Expressive poetry, such as The Tyger and The Lamb, two poems by William Blake (1757-1827), has inspired several composers to set these texts to music, among them John Tavener (1944-2013), Ren? Clausen (b. 1953), and Andrew Miller (b. 1983). This dissertation focuses on the choral settings of Blake?s The Tyger and The Lamb by these three composers. It offers an understanding of their compositional thought processes, a key element for the interpretation and performance of these works. It is only through careful consideration of these thought processes that choral conductors can ensure an informed performance of this literature. This study draws on interviews I have conducted with Ren? Clausen and Andrew Miller, as well as on other scholars? interviews with the late John Tavener. Furthermore, I have analyzed the compositional style and updated previous research on each of the composers. Each composer sets Blake?s texts in a different manner, however all approached the compositional process through the lens of imagery. Clausen?s, Miller?s, and Tavener?s compositional techniques create aural images and, in doing so, rely entirely upon their musical backgrounds and belief systems. In Clausen?s settings of The Tyger and The Lamb, he colors the melodic, harmonic, and textural material to reflect the nuances of each animal. For Tavener, his Orthodox faith guides his settings with the chant-like melody, ison, and use of canon, retrograde, and inversion. For Miller, he iv highlights the emotion in the music to demonstrate the ?core? meaning of the poetry. Observing these three contemporary composers setting the same texts in different styles offers a glimpse into their creative process and gives conductors critical information for performance.

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Rayneard, Max James Anthony. "Reading William Blake and T.S. Eliot: contrary poets, progressive vision." Thesis, Rhodes University, 2002. http://hdl.handle.net/10962/d1007545.

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Many critics resort to explaining readers' experiences of poems like William Blake's Jerusalem and T.S. Eliot's Four Quartets in terms of "spirituality" or "religion". These experiences are broadly defined in this thesis as jouissance (after Roland Barthes' essay The Pleasure of the Text) or "experience qua experience". Critical attempts at the reduction of jouissance into abstract constructs serve merely as stopgap measures by which critics might avoid having to account for the limits of their own rational discourse. These poems, in particular, are deliberately structured to preserve the reader's experience of the poem from reduction to any particular meta-discursive construct, including "the spiritual". Through a broad application of Rezeption-Asthetik principles, this thesis demonstrates how the poems are structured to direct readers' faculties to engage with the hypothetical realm within which jouissance occurs, beyond the rationally abstractable. T.S. Eliot's poetic oeuvre appears to chart his growing confidence in non-rational, pre-critical faculties. Through "The Love Song of J. Alfred Prufrock", The Waste Land, and Four Quartets, Eliot's poetry becomes gradually less prescriptive of the terms to which the experience of his poetry might be reduced. In Four Quartets he finally entrusts readers with a great deal of responsibility for "co-creating" the poem's significance. Like T.S . Eliot, although more consistently throughout his oeuvre, William Blake is similarly concerned with the validation of the reader's subjective interpretative/creative faculties. Blake's Jerusalem is carefully structured on various intertwined levels to rouse and exercise in the reader what the poet calls the "All Glorious Imagination" (Keynes 1972: 679). The jouissance of Jerusalem or Four Quartets is located in the reader's efforts to co-create the significance of the poems. It is only during a direct engagement with this process, rather than in subsequent attempts to abstract it, that the "experience qua experience" may be understood.

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Slattery, Erin Ferretti. "The book of moonlight /." free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p1421159.

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Mccawley, Nichola Lee. "Re-sounding radicalism : echo in William Blake and the chartist poets Ernest Jones and Gerald Massey." Thesis, University of Manchester, 2012. https://www.research.manchester.ac.uk/portal/en/theses/resounding-radicalism-echo-in-william-blake-and-the-chartist-poets-ernest-jones-and-gerald-massey(c8cc6dbf-b0c2-4b1a-9e9e-a0b284e0ff73).html.

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This thesis argues that William Blake’s poetry creates meaning through internal poetic echoes, and that these Blakean echoes re-sound in Ernest Jones and Gerald Massey’s Poetry. There is no demonstrable link between Blake and Chartism; this raises the question of how to account for poetic echoes that occur in the absence of a direct link. The thesis uses two complementary methodological strategies. The significance of the Blakean echoes in Jones and Massey’s work will be demonstrated through extensive close textual analysis. This is accompanied by the historically focused argument that the Blakean echoes in Chartist poetry can be explained by a shared underlying cultural matrix of radical politics and radical Christianity. Chapter 1 opens by presenting the evidence against a demonstrable link between Blake and the Chartists. It outlines how the lack of a direct link impacts upon our understanding of the Blakean echoes in Chartist poetry. Existing theories of influence insufficiently describe these textual effects; this chapter draws upon aspects of Intertextuality and New Historicist theory to propose that Blake, Jones and Massey’s poetry is best considered in terms of echo, re-sounding and correspondence. Chapter 2 addresses the question of how Blakean echoes can occur in the absence of a direct link. Using recent Blake scholarship as a methodological model, this chapter outlines the ‘cultural matrix’ theory, suggesting that Blake and the Chartists engaged with many of the same radical historical ‘threads’. Chapter 3 explores key examples of Shelleyan influence in Jones and Massey’s poetry. This chapter highlights the direct intertextual link between Shelley and the Chartists and demonstrates how Chartist poetry might be discussed in terms of influence and allusion. Chapter 4 outlines the most notable Blakean echoes in the poetry of Jones. Jones’ poetry resonates with images of Priestcraft and Kingcraft, as well as chains and binding; similar images play a central role in Blake’s Songs of Innocence and Experience. The chapter contains significant engagement with Blake studies; it presents Blake’s imagery as echoingly interconnected both within and across poems and collections. Chapter 5 extends this close textual exploration to the work of Massey. Massey’s poetry contains many of the key Blakean images identified in the work of Jones. However, ‘The Three Voices’ contains an uncanny resonance of Blake; echo occurs as mis-hearing and trace. ‘Echo’ is not being used as a simple substitute for ‘allusion’, ‘influence’ or ‘intertext’, but here denotes an entirely different textual effect that must be judged in new terms. The conclusion summarises the thesis and asks whether the radical nature of Blake, Jones and Massey’s shared culture may have affected not only their vocabulary of imagery, but also the way in which these images were deployed.

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Duarte, Flavia Maris Gil. "Londres dos limpadores de chaminés : literatura e experiência histórica nos poemas London e The Chimney Sweeper de William Blake (1789-1794)." Universidade Estadual de Londrina. Centro de Letras e Ciências Humanas. Programa de Pós-Graduação em História Social, 2011. http://www.bibliotecadigital.uel.br/document/?code=vtls000164611.

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Este trabalho pretende analisar algumas das transformações sociais ocorridas na Inglaterra nas últimas décadas do século XVIII a partir do poema London e dos poemas homônimos The Chimney Sweeper presentes na obra Songs of Innocence and of Experience do poeta e gravador William Blake, autor inserido no movimento romântico inglês. Sua obra foi marcada, como um todo, pelo pensamento místico culminando na criação de uma cosmogonia capaz de explicar, segundo o autor, a condição humana. No pensamento Blakeano personagens e situações fictícias muitas vezes referenciam e se misturam à nomes e situações reais, sendo um indicativo de que a condição humana que tenta demonstrar seria a da sociedade inglesa na transição entre os séculos XVIII e XIX: que integrava o processo de industrialização, o crescente deslocamento da razão como centro do pensamento e ouvia os ecos da revolução francesa. Songs of Innocence and of Experience contém os fundamentos do pensamento desenvolvido ao longo das obras posteriores de William Blake, expressa as transformações sociais por ele vivenciadas num universo onde política, religião e arte se entrelaçam na construção de uma interpretação peculiar da formação da sociedade industrial moderna.
This work intends to analyse some of the social transformations happened in England over the decades in the eighteenth century as from the London poem and also homonym poems The Chimney Sweeper shown on the work Songs of Innocence and of Experience from the poet William Blake who took part in the English romantic movement. His work was mark marked as a hole by the mistic thought ended in the creation of a cosmogony arle to explain according to the actor the human condition. To the Blake's thought characters and fictitions situations many times they are referred and names and real situations are mixed up being indicates that a human condition that is shown would be an English society during the eighteenth and nineteenth senturies at which the industrialization process took part the increasing displacement of the reason as center of thought and would hear the echo of the French revolution. Songs of Innocence and of Experience contains the grounds of the developed through out the forwards works from William Blake concerning the social transformation experienced by him in a universe where politics, religion, and arts interwine in a construction of the peculiar interpretation of the formation of the modern industrial society.

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Ames, Clifford R. "The social construction of the female self : studies in the shorter poems and designs of William Blake." Thesis, 1995. http://hdl.handle.net/10125/9760.

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"Insights into an Original SSAA Choral Work of Donald Patriquin: Songs of Innocence: On Poems of William Blake." Doctoral diss., 2017. http://hdl.handle.net/2286/R.I.44234.

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abstract: Canadian composer, conductor, pianist, and organist Donald Patriquin (b. 1938) is best known for his choral folksong arrangements but is also a composer of many original works. Songs of Innocence, which Patriquin calls “one of my very best choral works,” exemplifies his approach to setting text to music and provides a rich opportunity for understanding Patriquin’s method of selecting text, creating a kind of libretto out of the available text, setting the text to music, and conceiving of and composing instrumental parts equal in importance to the choral parts. Also evident in this work is his attention to such elements as precise word painting, varied theoretical approaches, and a general musical aesthetic that focuses on beauty. This quintessential composition provides important insights into Patriquin’s personal artistry and his approach to composition. Patriquin does not fit text to music; instead, all of the musical elements are generated out of the textual nuances. Patriquin’s comments on the work and his process, gleaned from extensive email correspondence and his attendance at the U.S. premiere of the work, provide important insights that can inform conductors and singers of his music. The study of this suite highlights Patriquin’s expert crafting of musical elements and the methodical layering of elements he combines to tell the musical story. Pairing Patriquin’s email correspondence with an in-depth look at Songs of Innocence reveals his overarching compositional ideas and underlying musical motivations.
Dissertation/Thesis
Doctoral Dissertation Music 2017

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"Bestiality, animality, and humanity a study of the animal poems by D. H. Lawrence and Ted Hughes in their historical and cultural contexts (William Blake)." 2003. http://library.cuhk.edu.hk/record=b6073518.

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"June 2003."
Thesis (Ph.D.)--Chinese University of Hong Kong, 2003.
Includes bibliographical references (p. 285-301).
Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Mode of access: World Wide Web.
Abstracts in English and Chinese.

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Books on the topic "Poems (Blake, William)"

1

Marsh, Nicholas. William Blake: The poems. Houndmills, Basingstoke, Hampshire: Palgrave, 2001.

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William, Blake. Poems of William Blake. London: Sinclair-Stevenson, 1995.

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Marsh, Nicholas. William Blake: The Poems. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-1-137-09472-8.

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William Blake: Selected poems. New York: St. Martin's Press, 1995.

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Marsh, Nicholas. William Blake: The Poems. London: Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-1-137-07057-9.

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Marsh, Nicholas. William Blake: The poems. 2nd ed. New York: Palgrave Macmillan, 2012.

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William Blake: The poems. Houndmills, Basingstoke, Hampshire: Palgrave, 2001.

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William, Blake. Selected poems of William Blake. London: Bloomsbury, 1994.

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Fitch, Donald. Blake set to music: A bibliography of musical settings of the poems and prose of William Blake. Berkeley: University of California Press, 1990.

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Fitch, Donald. Blake set to music: A bibliography of musical settings of the poems and prose of William Blake. Berkeley, CA: University of California Press, 1989.

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Book chapters on the topic "Poems (Blake, William)"

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Marsh, Nicholas. "Introduction." In William Blake: The Poems, 3–7. London: Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-1-137-07057-9_1.

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Marsh, Nicholas. "Innocence and Experience." In William Blake: The Poems, 9–49. London: Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-1-137-07057-9_2.

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Marsh, Nicholas. "Nature in Innocence and Experience." In William Blake: The Poems, 50–106. London: Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-1-137-07057-9_3.

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Marsh, Nicholas. "Society and its Ills." In William Blake: The Poems, 107–60. London: Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-1-137-07057-9_4.

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Marsh, Nicholas. "Sexuality, the Selfhood and Self-Annihilation." In William Blake: The Poems, 161–93. London: Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-1-137-07057-9_5.

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Marsh, Nicholas. "Blake’s Life and Works." In William Blake: The Poems, 197–219. London: Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-1-137-07057-9_6.

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Marsh, Nicholas. "A Sample of Critical Views." In William Blake: The Poems, 220–40. London: Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-1-137-07057-9_7.

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Marsh, Nicholas. "Introduction." In William Blake: The Poems, 3–7. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-1-137-09472-8_1.

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Marsh, Nicholas. "Innocence and Experience." In William Blake: The Poems, 8–46. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-1-137-09472-8_2.

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Marsh, Nicholas. "Nature in the Songs, and towards the Prophetic Books." In William Blake: The Poems, 47–106. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-1-137-09472-8_3.

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Reports on the topic "Poems (Blake, William)"

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Vallor, Honor. How Gothic Influences and Eidetic Imagery in Eight Color Plates and Key Poems by William Blake Figuratively Unite Body and Soul by Dramatizing the Visionary Imagination. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.6543.

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