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Journal articles on the topic 'Poems (Blake, William)'

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Published: 26 February 2023

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1

Adudu, Husnul Hatima, and Dahlia Husain. "SEMIOTIC ANALYSIS IN WILLIAM BLAKE POEMS." British (Jurnal Bahasa dan Sastra Inggris) 8, no. 1 (2019): 39. http://dx.doi.org/10.31314/british.8.1.39-54.2019.

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Semiotic Analysis in William Blake Poems. The problem in this research is how to apply Riffaterre’s theory. This research focused on semiotic of Riffaterre’s theory in William Blake poems, titled The Sick Rose, My Pretty Rose Tree, and The Garden of Love. The method that used in this research was descriptive qualitative method. The data that used in this research was a written record in the form of three poems by William Blake. Three poems in question were The Sick Rose, My Pretty Rose Tree, and The Garden of Love. The technique used to collect data in this research was the technique of readin
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2

Kanceff, Emanuele. "William Blake, Selected Poems." Studi Francesi, no. 148 (XLX | I) (April 1, 2006): 192. http://dx.doi.org/10.4000/studifrancesi.30751.

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3

Garnida, Susie Chrismalia, and Mateus Rudi Supsiadji. "METHODISM IN WILLIAM BLAKE'S THE CHIMNEY SWEEPER." ANAPHORA: Journal of Language, Literary and Cultural Studies 1, no. 1 (2018): 29–32. http://dx.doi.org/10.30996/anaphora.v1i1.2087.

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This article explores one of Blake's poems entitled The Chimney Sweeper which sees gloomily the condition of child labour during the industrial revolution in Britain. In the poem, it seems that Blake critizes the use of children to work for family income. Especially, this article discusses Blake’s ironical discussion on the Methodism's teaching to work hard in order to have the eternal life in the poem.
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Sinthya, Fingky, Dahnilsyah Dahnilsyah, and Erni Erni. "An Analysis of Conceptual Metaphor in the Poems Entitled “Classic Poetry Series” by William Blake." IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature 10, no. 2 (2022): 1655–61. http://dx.doi.org/10.24256/ideas.v10i2.3368.

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This research aims to analyze the types of metaphors used and contained meanings contained in a collection of poems by William Blake. A metaphor is a part of figurative language that compares one thing to another. The researcher used a descriptive employed in study qualitative method to identify a collection of classic poetry by William Blake. The researcher uses the theory of Lakoff, George, and Johnsen (2003) to analyze the conceptual metaphors that shape the reality of 'life' which is reflected in poetry. There are three steps in collecting research data: observation, selection, and classif
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Keshavarzian, Ramin, and Pyeaam Abbasi. "Visions of the Daughters of Albion: The Influence of Mary Wollstonecraft’s Life and Career on William Blake." International Letters of Social and Humanistic Sciences 40 (September 2014): 48–63. http://dx.doi.org/10.18052/www.scipress.com/ilshs.40.48.

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The present study discussed the influence of one of the eighteenth-century British women of color, the feminist Mary Wollstonecraft, on William Blake. By adopting a biographical and also a comparative approach, the authors tried to highlight the influences of Wollstonecraft‟s personal life, character, and career, chiefly her A Vindication of the Rights of Woman (1792), on one of William Blake‟s less-referred-to poems Visions of the Daughters of Albion (1793). The study will help readers to both know Wollstonecraft‟s prominence and also to grasp more of William Blake and his poetry. The authors
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Klafkowski, Piotr. "A personal look at three Swedish poets: Carl Michael Bellman, Esaias Tegner, Erik Johan Stagnelius." Studia Rossica Gedanensia, no. 4 (December 30, 2017): 368–87. http://dx.doi.org/10.26881/srg.2017.4.23.

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The paper is the author’s personal homage to his three favourite Swedish poets. It attempts at showing the Polish readers that Sweden, too, had its share of great poets, as Swedish poetry is almost wholly unknown in Poland. Carl Michael Bellman is compared with his contemporary Robert Burns, Esaias Tegner is presented in the context of epic poems of Denmark and Norway, whereas Erik Johan Stagnelius – in comparison with John Keats and William Blake.
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Serdechnaya, Vera V. "«Russian Theme» in William Blake’s Works." Proceedings of Southern Federal University. Philology 2020, no. 4 (2020): 137–45. http://dx.doi.org/10.18522/1995-0640-2020-4-137-145.

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The article is devoted to the factors and evidences of William Blake’s interest in Russia, Russian places and politicians. An analysis of Blake’s works, especially his prophetic poems, confirm that Russia, Russian territories, and in particular the Russian Empress Catherine II, were interesting to Blake and were manifested in many ways in his works. Blake counts Russia and its territories in his great prophecies Milton and Jerusalem. The mention of Poland and Siberia, Tartaria, and Russia separately indicates that the spiritual geography of Blake’s works did not exactly correspond to the curre
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8

G, Dr Jeyashree. "ON DECODING THE TRAJECTORY OF CONSCIOUSNESS IN BLAKE’S POETRY." Journal of English Language and Literature 09, no. 02 (2022): 72–80. http://dx.doi.org/10.54513/joell.2022.9210.

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Poetry is defined as spontaneous overflow of feelings recollected in tranquility by one of the remarkable poets of the romantic age William Wordsworth. Human beings are conditioned by emotions and feelings that come out in varied forms like paintings, sculptures, poetries etc. An artist absorbs elements that prevail around him and effuses in art forms. An artist is adept at reading the nuances of socio economic and political impact of the society and shares his/her thoughts through their artistic products. Unless there is a balance maintained between the emotional and intellectual quotient, an
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9

Serdechnaia, Vera. "Blake's Russian literary heir: Based on unpublished poems by Boris Anrep." Literary Fact, no. 15 (2020): 352–65. http://dx.doi.org/10.22455/2541-8297-2020-15-352-365.

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The article deals with unpublished poems by Russian poet and artist Boris Anrep, which are studied in the context of developing the traditions of English romantic epical poems. The research of these poems as evidence of creative dialogue between Anrep and the prophetic poetry of William Blake is proposed. The research considers the epics “Vladimir”, “Creation of the world” and “Creation of man” written by Anrep in the 1900s, before he emigrated from Russia, and are kept in the archive of N. Nedobrovo (Personal collection of the Manuscript Department of the Institute of Russian Literature (Push
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Alkayid, Majd M., and Murad M. Al Kayed. "The Language of Flowers in Selected Poems by William Blake: A Feminist Reading." Theory and Practice in Language Studies 12, no. 4 (2022): 784–89. http://dx.doi.org/10.17507/tpls.1204.20.

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The study aims at analyzing the meanings and symbolic implications of flowers in selected poems by William Blake (1757-1827) from a feminist perspective. This paper analyzes the themes and symbolism of different kinds of flowers to explain how William Blake tries to expose the situation of women in the patriarchal nineteenth-century society. The study discusses the language of flowers from a feminist perspective relying on three prominent feminists. First, the study relies on Mary Wollstonecraft (1759–1797) who rejected the patriarchal role of women as submissive and weak. Second, the study ap
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11

Ferrara, Mark S. "Ch’an Buddhism and the Prophetic Poems of William Blake." Journal of Chinese Philosophy 24, no. 1 (1997): 59–73. http://dx.doi.org/10.1163/15406253-02401004.

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12

FERRARA, MARK S. "CH'AN BUDDHISM AND THE PROPHETIC POEMS OF WILLIAM BLAKE." Journal of Chinese Philosophy 24, no. 1 (1997): 59–73. http://dx.doi.org/10.1111/j.1540-6253.1997.tb00197.x.

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13

Serdechnaia, Vera V. "WILLIAM BLAKE IN THE SOVIET RECEPTION: FORMING THE IMAGE OF ‘REVOLUTIONARY ROMANTIC’." Вестник Пермского университета. Российская и зарубежная филология 12, no. 4 (2020): 136–46. http://dx.doi.org/10.17072/2073-6681-2020-4-136-146.

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The article is devoted to a scantily explored aspect of the Russian reception of William Blake: the justification of the poet in Soviet criticism as a ‘revolutionary Romanticist’. The purpose of the article is to characterize strategies for understanding the heritage of William Blake by Soviet critics. Soviet Blake was officially ‘born’ in 1957 – after the World Peace Council’s decision on celebrations of the poet’s bicentennial. Blake, with a reputation tainted by the Symbolists, needed serious justification in Soviet literary criticism. The arguments for his justification were the revolution
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Yan, Hanjin. "Reforming the Relations of the Sexes: Zhou Zuoren’s Translation and Imitation of William Blake’s Poems about Love and Sexuality." NAN NÜ 22, no. 2 (2020): 313–41. http://dx.doi.org/10.1163/15685268-02220003.

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Abstract This article probes into the motivation behind Zhou Zuoren’s (1885-1967) translation and imitation of the English poet William Blake’s (1757-1827) poems about love and sexuality in the May Fourth era. It situates Zhou’s approach to Blake’s poems in the contemporary context of the New Culture Movement and traces the Japanese and English sources that informed Zhou’s reading of Blake. By analyzing Zhou’s selective use of his foreign sources and his calculated translation of Blake’s poems, it argues that Zhou’s appropriation of Blake was driven by his agenda for unfettered sexuality, free
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Oroskhan, Muhammad Hussein. "Devotional Mysticism: An Analogical Study of Hafez-e Shirazi and William Blake." Theory and Practice in Language Studies 11, no. 5 (2021): 475–80. http://dx.doi.org/10.17507/tpls.1105.03.

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Mysticism is a method of thinking not wildly shared by the majority of the people around the entire world whereas unique individuals sap at the roots of this concept. Less a coherent movement than a way of thinking, the concept of mysticism is not systematically defined as a firm set of ideas but is more tended to be shaped by the individuals dealing with this concept. In this respect, each person carries this notion in his further exploration on his own accord since the concept is highly individualistic. As such, William Blake directed the concept toward a sort of devotional mysticism emphasi
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Torralbo, Juan de Dios. "“Beauty is truth”: Carlos Clementson, traductor de los románticos ingleses." Monteagudo, no. 27 (March 9, 2022): 379–407. http://dx.doi.org/10.6018/monteagudo.487171.

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This paper examines the translations of the English Romantics by the Cordoban poet Carlos Clementson, who put works by these eight poets into Spanish: William Blake, Robert Burns, William Wordsworth, Samuel Taylor Coleridge, Joseph Blanco White, Lord Byron, Percy Bysshe Shelley and John Keats. For their study, the analysis models proposed by James Holmes (1970) and Armin Paul Frank (1990) are applied, with the aim of exploring not only morphosyntactic and semantic correlations between the original texts and their translations, but also the prosodic patterns of the target texts with respect to
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17

Serdechnaia, Vera V. "William Blake in Contemporary Russian Literature and Culture." Imagologiya i komparativistika, no. 15 (2021): 71–88. http://dx.doi.org/10.17223/24099554/15/4.

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The article discusses the creativity of the English romantic William Blake comprehended in contemporary Russian literature and culture. These facts are quite significant, since many Russian thinkers and writers, such as Igor Garin and Merab Mamardashvili, mention Blake in their works. Blake, partly remembered as a symbolist and mystic, loomed large in the cultural universe of the Moscow mystical “Yuzhinsky” circle, members of which were, in particular, Yuri Mamleev, Yevgeny Golovin, Alexander Dugin, Yuri Stefanov. For them, Blake was an integral part of the great Tradition or ancient knowledge
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18

Wang, Yilin. "The Revelation of Social Reality in the Poetry of William Blake." BCP Education & Psychology 7 (November 7, 2022): 392–99. http://dx.doi.org/10.54691/bcpep.v7i.2693.

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As one of the most outstanding representatives of the Pre-Romanticism poet in the 18th century English literature, William Blake lived through and witnessed an era of great political and social upheaval and transitional period: the American War of Independence, the French Revolution, and the Industrial Revolution which brought significant and essential impact on social and historical progress in England. Coming from the social injustices and the coverage of the dark side of industrial England, Blake caught the pulse of his times through his sharp and deep insight, condemned the oppression and
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19

Nawaf Jaber Alhomoud, Ghassan. "A Critical Analysis of William Blake’s Short Poems: Depth in Simplicity." Arab World English Journal For Translation and Literary Studies 6, no. 4 (2022): 102–12. http://dx.doi.org/10.24093/awejtls/vol6no4.8.

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The investigation’s goal is to examine a selection of William Blake’s short poems. The study discovered that, in contrast to other shorter works on the same theme, reviewers and scholars saw Blake’s “Songs of Innocence and of Joy” as a depiction of his subtle and profound poetry. Blake’s writings were studied to discover this. By examining the strong themes in Blake’s little poems, the study hopes to demonstrate that works like “Visions of the Daughters of Albion,” “America,” “The Book of Arisen,” and a few stanzas from his word-books are just as significant as “Songs of Innocence and of Enjoy
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20

Palupi, Muji Endah. "AN ANALYSIS OF FIGURATIVE LANGUAGE USED IN POEM OF THE ECHOING GREEN BY WILLIAM BLAKE." Journal of English Language and Literature (JELL) 6, no. 2 (2021): 9–20. http://dx.doi.org/10.37110/jell.v6i2.131.

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The purpose of this research is to study an analysis of figurative language in poetry. People are interested in reading literary books because reading literary books makes them to understand about life, human and nature. Reading literary books can get pleasure. The language used in poetry make more complex. Figurative language can make create interesting poetry. It is important to know the meaning of poems. Sometimes people read poetry without understanding the meaning conveyed. Poetry is a collection of words that express emotions or ideas into a literary text. In poetry there are many elemen
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21

Gooch, Bryan N. S., Donald Fitch, and William Blake. "Blake Set to Music: A Bibliography of Musical Settings of the Poems and Prose of William Blake." Notes 48, no. 1 (1991): 107. http://dx.doi.org/10.2307/941798.

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22

Ardhani, Olyvia Vita. "Stylistic Analysis on William Blake's The Little Boy Lost." Jadila: Journal of Development and Innovation in Language and Literature Education 1, no. 2 (2020): 175–81. http://dx.doi.org/10.52690/jadila.v1i2.52.

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This research presented the stylistic analysis of a poem by William Blake, The Little Boy Lost. The poem was chosen as it becomes Blake's one of well-known poems in his Song of Innocence. Moreover, this poem uses simple structure and dictions, but it conveys a profound meaning. This research aimed: (1) to discover how the language level in the poem used and (2) to find out the interpretation of the poem. The stylistic analysis aimed at observing the meaning of either literary or non-literary text by the language device used. The researcher conducted a data population method in analyzing the po
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23

Leporati, Matthew. "New Formalism in the Classroom: Re-Forming Epic Poetry in Wordsworth and Blake." Humanities 8, no. 2 (2019): 100. http://dx.doi.org/10.3390/h8020100.

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Recent years have seen a resurgence of interest in “New Formalism,” a close attention to textual language and structure that departs from the outdated and regressive stances of old formalisms (especially “New Criticism”) by interrogating the connections between form, history, and culture. This article surveys the contributions of New Formalism to Romanticism studies and applies its techniques to two canonical texts, suggesting that New Formalism is useful both for literary criticism and teaching literature. Opening with a survey of New Formalist theory and practices, and an overview of the the
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Sultan, Dr Muthanna Mohammed. "Colonialism Revisited: Reading in Selected Poems of the Nineteenth Century." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 224, no. 1 (2018): 165–78. http://dx.doi.org/10.36473/ujhss.v224i1.253.

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This paper will try to discover and discuss the colonial contentsof some of the nineteenth-century British poets. At that time, the colonial ideology and impetus were increasingly elevated and demanded as the British Empire notably expanded and significantly flourished. Colonialism was among the main aspects in the British political and social life. Literary figures and scholars dealt with thisnewly-born phenomenon differently; some welcomed and adhered it, while others showed some doubts and suspicion. There was no unified thread about the colonial project the Europeans held. Did exist there
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Davidson, Ryan J. "A proposal for Revaluation: Points of Contact and Sides of Likeness between William Blake and Walt Whitman." Hawliyat 18 (July 11, 2018): 61–76. http://dx.doi.org/10.31377/haw.v18i0.78.

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This article proposes an approach to evaluating the relationship between William Blake and Walt Whitman. I begin by grounding my proposal in a critical framework. It is framed by a book history approach, but also an approach to 19th century American literature as a post-colonial literature. In regards to the book history element I trace an outline of Blake’s publication history and the poems of Blake’s that Whitman might have encountered. I then provide examples of the similarities between Blake and Whitman. This paper concludes with a discussion of the implications it may have on ideas of lit
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Dr. Dharmendra Kumar Singh. "Painting in Poetry and Poetry in Painting: Aesthetic Reflections in D.G. Rossetti." Creative Launcher 7, no. 3 (2022): 58–75. http://dx.doi.org/10.53032/tcl.2022.7.3.08.

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Bright eyed and bushy-tailed poems and paintings are very rare, so are their past masters who create them. The history of the world literature is often brimming with such rare authors as are the unparalleled amalgamator of paintings and writings. In this field, the names, which are counted highly with boundless esteem, are of William Blake, Lewis Carroll, Hans Christian Andersen, Elizabeth Bishop, Leo Tolstoy, Lorraine Hansberry, Victor Hugo, Sylvia Plath, George Sand, Jack Kerouac, Herman Hesse, Gunter Grass, Charles Bukowski, Henry Miller, William S. Burroughs, E.E. Cummings, Tennessee Willi
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Kerler, David. "Archive Fever and British Romanticism: Blake, Byron, and Keats." Anglia 138, no. 3 (2020): 355–83. http://dx.doi.org/10.1515/ang-2020-0034.

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AbstractThe article explores the interrelation of archives, melancholia, and their (de)constructive features in British Romantic poetry. It will argue that the proliferation of archives and archival practices from the late eighteenth century on had a strong influence on the literary‑cultural output of the British Romantics. This shall be scrutinised by drawing on an extended reading of Jacques Derrida’s “Archive Fever” (1995) and Julia Kristeva’s Black Sun, focusing on two basal, closely related aspects: (1) the subject’s feverish desire to archive, and (2) the archive’s (self‑)destructive ten
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Flores, Cristina. "William Blake Translated: The Creation of Blake's Literary Fame in Spain." Comparative Critical Studies 15, supplement (2018): 117–29. http://dx.doi.org/10.3366/ccs.2017.0228.

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André Lefevere highlights the central role of translations in the creation of literary fame, that is, in ‘the general reception and survival of works of literature among non-professional readers’. Through translations, the image of an author is shaped and projected in different national, historical and cultural contexts. The analysis of the selection of poems translated, and the introduction, notes and annotations that usually accompany those translations, can provide us with a preliminary overview of the presence of an author in a specific country of reception. This is especially true in the
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Venkataramana, Dr B. "The Songs of Innocence-Blake’s Intuitive Flights into the Realm of the Absolute." IJOHMN (International Journal online of Humanities) 4, no. 5 (2018): 1–10. http://dx.doi.org/10.24113/ijohmn.v4i5.57.

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Just like William Wordsworth who came a little later William Blake was known for an absolute sincerity, a mystic renunciation and a boldness of spirit. His originality and individuality, both of which were of a high order, came in the way of his public acceptance and acclaim. His drawings bear the stamp of a “characteristic and inimitable vision”. His poetry is marked by the utmost subtlety of symbolism and the skill with which it is sustained is truly matchless. The philosophical framework of his poetry is no more than a series of “intuitive flights into the realm of the absolute, soaring wit
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Baradaran Jamili, Leila, and Sara Khoshkam. "Interrelation/Coexistence between Human/Nonhuman in Nature: William Blake’s Songs of Innocence and Songs of Experience." Advances in Language and Literary Studies 8, no. 4 (2017): 14. http://dx.doi.org/10.7575/aiac.alls.v.8n.4p.14.

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This paper considers the interrelation and coexistence between human and nonhuman in nature in William Blake’s (1757-1827) Songs of Innocence and Songs of Experience (1789-1794). The paper looks at his poems in the light of ecocentrism, especially the theories of Lawrence Buell (1939- ) and Ashton Nichols (1953- ), who articulate ecocentrism as a word which expresses the interconnection between human and nonhuman in nature and environment. The word, ecocentrism, denotes nature and environment as the central and essential parts of the world to represent them as a web or system wherein all membe
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Chatterjee, Arnab. "William Golding’s Apocalyptic Vision in Lord of the Flies and Pincher Martin." Prague Journal of English Studies 6, no. 1 (2017): 45–56. http://dx.doi.org/10.1515/pjes-2017-0003.

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Abstract Humanity has long been haunted by the notions of Armageddon and the coming of a Golden Age. While the English Romantic poets like Shelley saw hopes of a new millennium in poems like “Queen Mab” and “The Revolt of Islam”, others like Blake developed their own unique “cosmology” in their longer poems that were nevertheless coloured with their vision of redemption and damnation. Even Hollywood movies, like The Book of Eli (2010), rehearse this theme of salvation in the face of imminent annihilation time and again. Keeping with such trends, this paper would like to trace this line of apoc
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Aman, Yasser K. R. "The Apocalyptic Image of the Beast in William Blake’s ‘The Tyger’ and W.B. Yeats’ ‘The Second Coming’." Critical Survey 33, no. 3-4 (2021): 47–61. http://dx.doi.org/10.3167/cs.2021.33030407.

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The monstrous image created by William Blake in ‘The Tyger’ left the world wrapped in an apocalyptic vision that creates an epiphany of unknown Romantic potentials symbolised in ‘The Tyger’. The apocalyptic vision, deeply rooted in Christian religion, develops into an ominous harbinger of the destruction of the modern world portrayed in W.B. Yeats’ ‘The Second Coming’. The image of the beast marks the difference between two ages, one with strong potentials and the other with fear and resident evil unexplained. I argue that the apocalyptic theory in Christianity has an impact on the development
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Soltan Beyad, Maryam, and Mahsa Vafa. "Transcending Self-Consciousness: Imagination, Unity and Self-Dissolution in the English Romantic and Sufis Epistemology." International Journal of Linguistics, Literature and Translation 3, no. 8 (2021): 08–18. http://dx.doi.org/10.32996/ijllt.2021.4.8.2.

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English Romantic literature of the late eighteenth and early nineteenth centuries often recounts an individual life journey which depicts physical and spiritual pilgrimage and traverses both the inner and outer world to liberate the self and reach a revelatory moment of unification where the division between human mind and the external world is reconciled. For the Romantic poets this reconciliatory state cannot be achieved through rational investigation but via the power of imagination. In this regard, there is striking resemblance between the mystical and philosophical thought of Sufism and t
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Vainshtein, Olga B. "THE STRUCTURE OF THE OTHER WORLD IN CHARLES KINGSLEY’S “THE WATER BABIES”." Folklore: structure, typology, semiotics 5, no. 3 (2022): 45–62. http://dx.doi.org/10.28995/2658-5294-2022-5-3-45-62.

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The fairy tale “The Water-Babies” by the British novelist Charles Kingsley depicts the other world as water kingdom. The boy chimney sweeper Tom gets there having drowned in the river. The paper analyses how the other world is organized to provide the Victorian up-bringing and support the ideas of Darwinian evolution. Tom’s life in water is interpreted as the period of moral transformation and the study of nature. The topography of the other world is structured around the magic Isle of St. Brendan. The boundary between this world and the other world is crossed through mirrors, water surfaces a
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Clinton, Daniel. "Line and Lineage." Nineteenth-Century Literature 73, no. 1 (2018): 1–29. http://dx.doi.org/10.1525/ncl.2018.73.1.1.

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Daniel Clinton, “Line and Lineage: Visual Form in Herman Melville’s Pierre and Timoleon” (pp. 1–29) This essay examines Herman Melville’s reflections on form, line, and perspective in his novel Pierre (1852) and his poems on art and architecture in Timoleon (1891), a late book of verse partly inspired by his tour of the Mediterranean during 1856–57. I argue that Melville arrives at his understanding of literary form through the language of optical perspective, particularly the terms of “foreshortening” and “outline.” I compare Melville’s figurative conception of outline with the artistic theor
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Muñoz, Adrián. "The Devil's Party: Milton en la poética de William Blake." Anuario de Letras Modernas 15 (November 3, 2010): 63–76. http://dx.doi.org/10.22201/ffyl.01860526p.2010.15.645.

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La imaginería de William Blake está fuertemente anclada en el simbolismo religioso en torno de la Biblia. Con todo, dicha imaginería está filtrada por la particular ideología de Blake, para quien el poeta es una manifestación legítima y óptima del profeta bíblico. Para Blake, John Milton constituye uno de los paradigmas de la figura del poeta-profeta en lengua inglesa. Este ensayo se propone explorar los modos en que Blake incorporó la obra y la figura de Milton en su proyecto poético, tanto a través de los ecos de la obra miltoniana como de su interpretación de la ideología de Milton. La disc
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Linkin, Harriet Kramer. "Lucy Hooper, William Blake, and “The Fairy’s Funeral”." Articles, no. 54 (December 15, 2009): 0. http://dx.doi.org/10.7202/038760ar.

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Abstract The American poetess and abolitionist Lucy Hooper (1816-1841) was the first North American to publish a poem inspired by Blake’s prophetic imagination, “The Fairy’s Funeral” (1833), which transforms the famous anecdote about Blake witnessing a fairy funeral into a visionary lyric. This essay provides a brief introduction to Hooper, perhaps best-known as the subject of Whittier’s elegy “On the Death of Lucy Hooper” (1841), situates her in a literary milieu of British Romantic poets that includes Hemans, Landon, Byron and Clare, discusses how an American poetess from Brooklyn might have
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Hayes, K. J. "Poe's Knowledge of William Blake." Notes and Queries 61, no. 1 (2014): 83–84. http://dx.doi.org/10.1093/notesj/gjt243.

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Duarte, Flavia Maris Gil. "Londres dos limpadores de chaminés: literatura e experiência histórica nos poemas London e The Chimney Sweeper de William Blake (1789-1794). Dissertação (Mestrado em História Social). Londrina, 2011." Antíteses 4, no. 7 (2011): 409. http://dx.doi.org/10.5433/1984-3356.2011v4n7p409.

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Este trabalho pretende analisar algumas das transformações sociais ocorridas na Inglaterra nas últimas décadas do século XVIII a partir do poema London e dos poemas homônimos The Chimney Sweeper presentes na obra Songs of Innocence and of Experience do poeta e gravador William Blake, autor inserido no movimento romântico inglês. Sua obra foi marcada, como um todo, pelo pensamento místico culminando na criação de uma cosmogonia capaz de explicar, segundo o autor, a condição humana. No pensamento Blakeano personagens e situações fictícias muitas vezes referenciam e se misturam à nomes e situaçõe
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Diniz, Thaïs Flores Nogueira. ""A Rosa Doente” dos tempos modernos." Letras, no. 51 (December 18, 2015): 71. http://dx.doi.org/10.5902/2176148523547.

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O poema de William Blake “The Sick Rose” é analisado levando-se em conta não apenas os elementos intrínsecos ao poema, a ilustração que o acompanha e as características do Romantismo, mas também elementos externos que ampliam seu significado, inserindo-o em um contexto mais amplo, que insinua que ele seja lido como uma afirmação sobre o estado corrupto da Inglaterra.
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Cabañas Alamán, Rafael. "Del tigre de la ira al tigre del ensueño: William Blake y Jorge Luis Borges." Revista de Filología y Lingüística de la Universidad de Costa Rica 30, no. 1 (2004): 9. http://dx.doi.org/10.15517/rfl.v30i1.4450.

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Si bien la crítica tiende a atribuir características negativas inherentes al tigre poetizado por William Blake, en el caso de Jorge Luis Borges el péndulo oscila hacia el lado opuesto. Aunque Borges tiene presente en su obra "el tigre de la ira" de Blake, poeta a quien tanto admiraba, el escritor adapta la imagen del tigre con gran originalidad en sus poemas y breves narraciones.
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Brenkman, John. "A utopia concreta da poesia: "Uma árvore de veneno" de Blake." Teresa, no. 12-13 (December 23, 2013): 244. http://dx.doi.org/10.11606/issn.2447-8997.teresa.2013.99369.

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O ensaio examina algumas perspectivas amplas sobre a arte que vêm da tradição do “marxismo crítico”, por meio da análise de um poema de Canções da experiência, de William Blake. A leitura deve tanto à hermenêutica e ao pós-estruturalismo quanto aos escritos estéticos da Escola de Frankfurt.
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Da Silva, Amanda Foro, Suellen Cordovil Da Silva, and Teofilo Augusto Da Silva. "A tradução intersemiótica em Frankenstein de Mary Shelley, The Little Girl Lost de William Blake e a série The Frankenstein Chronicles." Tabuleiro de Letras 11, no. 2 (2018): 127. http://dx.doi.org/10.35499/tl.v11i2.4071.

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O principal objetivo deste artigo é investigar a tradução intersemiótica em três obras. O livro de Frankenstein de Mary Shelley, a série televisiva The Frankenstein Chronicles (2015) e um poema de William Blake intitulado The Little Girl Lost. Constatamos várias relações com o romance de Mary Shelley e trabalhos de William Blake com a série Televisiva. A teoria da tradução intersemiótica foi explanada por Julio Plaza (2003) e Roman Jakobson (2001) que tomam como base Charles Peirce, esse tipo de tradução basicamente significa a transmutação de um signo para outro. Portanto, o estudo desse trab
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Riley, James. "Iain Sinclair, William Blake and the Visionary Poetry of the 1960s." Bulletin of the John Rylands Library 98, no. 1 (2022): 75–92. http://dx.doi.org/10.7227/bjrl.98.1.7.

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This article considers the use made of William Blake by a range of writers associated with the ‘countercultural’ milieu of the 1960s, particularly those linked to its London-based literary context. Iain Sinclair is offered as a writer who, in his appreciation of Blake, stands apart from the poets linked to the anthology, Children of Albion (1969). The article unpacks this distinction, analysing Sinclair’s ‘topographic’ take in comparison to the ‘visionary’ mode of his contemporaries. Having established this dualism, the argument then questions the nature of the visionary poetics assumed to app
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Steil, Juliana. "William Blake e as vozes proféticas da tradição dissidente." Revista da Anpoll 1, no. 47 (2018): 37–45. http://dx.doi.org/10.18309/anp.v47i1.1178.

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Em Fearful Symmetry, Frye menciona a necessidade de desfazer o “mito de que Blake é uma anomalia literária” (FRYE, 1990, p. 147). Considerando que persistem ressonâncias deste mito, este artigo explora a afinidade entre a obra poética de William Blake e a tradição dissidente inglesa, uma relação raramente discutida pela crítica do poeta no Brasil. O artigo revisa a literatura existente sobre o assunto e, destacando os trabalhos de Mee (1992, 1994, 2003) e de Makdisi (2003), avalia a inclinação antinomiana dos escritos de Blake para explicar as ideias de “profeta” e de “profecia” assumidas em s
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Santos, Andrio J. R. dos. "“My evil, and my lusty little heart”: Tradução intersemiótica de “The Tyger”, de William Blake, em “The Tale Of The Body Thief”, de Anne Rice." Literartes 1, no. 7 (2017): 266. http://dx.doi.org/10.11606/issn.2316-9826.literartes.2017.127636.

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O presente trabalho visa analisar criticamente a operação de tradução intersemiótica do poema The Tyger, de William Blake, no romance The Tale Of The Body Thief, de Anne Rice. Para tal, empregam-se concepções teóricas propostas por autores como Diniz (1998), Clüver (2006) e Plaza (2008), que compreendem tradução intersemiótica essencialmente como um diálogo de significados intermídia em um processo de produção de sentido sempre em expansão.
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Bode, Christoph. "Discursive Constructions of the Self in British Romanticism." Articles, no. 51 (October 31, 2008): 0. http://dx.doi.org/10.7202/019264ar.

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Abstract This essay examines how subjective identities are discursively constructed in William Blake and P.B. Shelley, making brief references to William Wordsworth, Samuel Taylor Coleridge, Lord Byron, John Keats, and Charlotte Smith. It is argued that, although the poets come up with strikingly divergent solutions to the challenge of self-modelling, they face the same fundamental problems of self-grounding, working as they do within the paradox-prone paradigm of a Romantic self that tries to constitute itself out of itself. Comparing these Romantic poets with twentieth-century poetic models
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Masseran, Claudia Barbieri. "Inocente experiência: pequeno diálogo com as canções de William Blake." Letras, no. 51 (December 18, 2015): 53. http://dx.doi.org/10.5902/2176148523546.

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O poeta, pintor, gravador e ilustrador inglês William Blake não foi compreendido pela maioria dos homens do seu tempo. Sua arte, até os dias atuais, apresenta múltiplas interpretações e interrogações, pois exige do seu público um olhar atento e disposto. Este artigo procura recuperar alguns pontos da biografia de Blake como sua formação, suas visões e seus métodos, com o objetivo de contextualizar a produção dos livros iluminados Canções da Inocência e da Experiência. Essa base permitirá que três de seus poemas sejam discutidos sob a luz de que vislumbres da experiência permeiam desde o início
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Diniz, Thaïs Flores Nogueira. "Transmediating corruptive beauty: William Blake’s “The sick rose” of modern times." Cadernos de Letras da UFF 27, no. 54 (2017): 11. http://dx.doi.org/10.22409/cadletrasuff.2017n54a514.

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<p>O poema de William Blake, “The Sick Rose”, que trata da oposição rosa versus verme e serve para denunciar a corrupção, é transmidiado para a instalação intitulada “Sick Rose”, criada por David Burrows e exposta na Cloud & Vision Exhibition de 2005, em Londres. As acusações do tempo de Blake são transpostas para as do século XX e a recuperação contemporânea da obra de Blake no Brasil nos dá pistas de que a denúncia radical do poeta contra a corrupção é ainda válida.</p><p>---</p><p> </p><p>DOI: <a href="http://dx.doi.org/10.22409/cadletras
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Santos, Andrio J. R. dos. "“Amante de selvagem rebelião”: a figuração satânica nas profecias continentais de William Blake." FronteiraZ : Revista do Programa de Estudos Pós-Graduados em Literatura e Crítica Literária, no. 19 (December 4, 2017): 272. http://dx.doi.org/10.23925/1983-4373.2017i19p272-290.

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Neste estudo, analiso o desenvolvimento temático da figura satânica de William Blake, a personagem Orc, nos poemas iluminados denominados de “Continental Prophecies”, compostos pelas obras America A Prophecy (1793), Europe A Prophecy (1794) e The Song of Los (1795), este dividido em duas partes, Africa e Asia. Nessas obras, Blake articula temas como apocalipse, energia, imaginação e revolução — em relação à Revolução Francesa e à Americana — e tece críticas ao pensamento político, religioso e artístico do período. Minha discussão é desenvolvida em um constante diálogo entre três instâncias: re
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