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1

Dr. Upendra Kumar. "Reinterpretation of Alfred Lord Tennyson’s Selected Poetry: A Thematic Analysis." Creative Launcher 5, no. 3 (2020): 124–29. http://dx.doi.org/10.53032/tcl.2020.5.3.17.

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Alfred Lord Tennyson was the most loved and acclaimed poet of the Victorian Era. He was born on 06 August 1809 in Somersby, Lincolnshire, England. He belonged to an influential family as his father was a clergyman having a large family. Alfred Lord Tennyson had 11 siblings and he showed his interest for writing in his early age. When he was merely thirteen years old, he wrote a 6000-line poem in epic style. His father was suffering from mental breakdowns and had an addiction for alcoholism. One of Tennyson’s brothers would quarrel with his father and another was sent to mental asylum. One more
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2

Tawfiq, Hatim Hassan. "A Study of the Phonological Poetic Devices of Selected Poems of Robert Browning and Alfred Tennyson." English Language and Literature Studies 10, no. 4 (2020): 16. http://dx.doi.org/10.5539/ells.v10n4p16.

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This paper focuses on the phonological poetic devices found in the poetry of Robert Browning and Alfred Tennyson. It investigates five patterns of phonological poetic devices. The study is based on randomly selected poems from each poet to obtain a representative sample of the particular poetic devices and tabulates the frequency their usage. The poetic devices under investigation are onomatopoeia, assonance, consonance, alliteration, and rhyme. The paper quantitatively analyzes the occurrence of these phonological poetic devices in randomly selected poems from the works of the two poets to a
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3

SAAD, HAIDER LUAIBI. "SUFFERING OF WOMAN IN THE POETRY OF ALFRED TENNYSON." Journal of Education College Wasit University 2, no. 25 (2021): 1687–706. http://dx.doi.org/10.31185/eduj.vol2.iss25.2758.

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Woman was and stills the center of any family; consequently she is the center of the whole society. The social suffering of women was of different forms which varied from suppression in education to isolation, deprivation of love and market-marriage. Woman in all societies lived in hard circumstances and was yoked to enslavement to man's prejudice and proud feeling of superiority. Alfred Tennyson highlighted woman's torture and problems trying to get his people acquainted with such suffering and open his people's eyes and minds to the tragedy of woman's maltreatment. He used his poetry to exhi
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4

Whissell, Cynthia. "Emotion Conveyed by Sound in the Poetry of Alfred, Lord Tennyson." Empirical Studies of the Arts 20, no. 2 (2002): 137–55. http://dx.doi.org/10.2190/6k4g-lwpq-ray8-67qg.

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The use of sound was studied in several of Tennyson's shorter and better-known poems (e.g., Break, Break, Break and Ulysses) and in In Memoriam A. H. H. Poems were broken down into their component phonemes which were then classified in terms of their emotional character. The emotional character of sounds preferentially employed in each of the shorter poems matched the emotional theme of the poem (e.g., sounds employed in Airy Fairy Lilian and Lady of Shallot were most pleasant, those in Crossing the Bar were least pleasant). The emotional character of sounds preferentially employed in the fina
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Mashao, Elizabeth Thadeus. "The Cutting Age Literature, from Romanticism to Victorian Age: A Study on Victor Hugo and Alfred Tennyson." Indonesian Journal of English Language Studies (IJELS) 4, no. 1 (2018): 31–38. http://dx.doi.org/10.24071/ijels.v4i1.1632.

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This study compares the features of poetry works of Victor Hugo from the Romantic Movement to those of Alfred Lord Tennyson from the Victorian Age of literature who lived in cutting age of the two periods of literature. These two ages experienced great expansion of industrial and agricultural revolutions, expansion of British as a super power nation with many colonies and the French revolution which to a great extent influenced the writings of these authors. Romanticism style of portraying themes of imagination, natural beauty and individual emotions over reasoning and sense of intellect influ
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6

Young-Zook, Monica M. "SONS AND LOVERS: TENNYSON'S FRATERNAL PATERNITY." Victorian Literature and Culture 33, no. 2 (2005): 451–66. http://dx.doi.org/10.1017/s106015030505093x.

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TERRY EAGLETONhas suggested that “the mid-nineteenth century bourgeois state had problems in resolving its Oedipus complex” (76). Eagleton's semi-serious remark certainly holds true for nineteenth-century British culture, which, while supposedly patriarchal in its political structures, features a great number of significant literary narratives in which the paternal parent is either missing, dead, or never mentioned. The poems of Alfred, Lord Tennyson, are no exception. Gerhard Joseph, Christopher Ricks, and Linda Shires, among others, turn to Freudian psychoanalysis, the Oedipal complex, and F
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7

Anna Jane Barton. "Letters, Scraps of Manuscript, and Printed Poems: The Correspondence of Edward FitzGerald and Alfred Tennyson." Victorian Poetry 46, no. 1 (2008): 19–35. http://dx.doi.org/10.1353/vp.0.0006.

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8

Phelan, Joseph. "“Bloomluxuriance”." Nineteenth-Century Literature 75, no. 1 (2020): 1–23. http://dx.doi.org/10.1525/ncl.2020.75.1.1.

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Joseph Phelan, “‘Bloomluxuriance’: Compound Words in the Poetry of the 1830s and 1840s” (pp. 1–23) The brief interregnum between Romanticism and Victorianism saw the emergence of and retreat from a number of formal and linguistic experiments in poetry. One of the most striking of these is the ostentatious employment of compound words; the early verse of Alfred Tennyson and some of his less-illustrious contemporaries is littered with coinages such as “tendriltwine,” “mellowmature,” and “bloomluxuriance.” The impetus behind this phenomenon came from developments in philology that emphasized the
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Sultan, Dr Muthanna Mohammed. "Colonialism Revisited: Reading in Selected Poems of the Nineteenth Century." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 224, no. 1 (2018): 165–78. http://dx.doi.org/10.36473/ujhss.v224i1.253.

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This paper will try to discover and discuss the colonial contentsof some of the nineteenth-century British poets. At that time, the colonial ideology and impetus were increasingly elevated and demanded as the British Empire notably expanded and significantly flourished. Colonialism was among the main aspects in the British political and social life. Literary figures and scholars dealt with thisnewly-born phenomenon differently; some welcomed and adhered it, while others showed some doubts and suspicion. There was no unified thread about the colonial project the Europeans held. Did exist there
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10

Buda, Agata. "In the postmodern mirror: intertextuality in Angels and Insects by Antonia Susan Byatt." Journal of Language and Cultural Education 3, no. 2 (2015): 66–70. http://dx.doi.org/10.1515/jolace-2015-0015.

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Abstract The aim of the paper is to analyse the novel Angels and Insects by Antonia Susan Byatt in terms of intertextual references. The author’s assumptions are based on the categorisation by Ryszard Nycz, who distinguishes three major types of intertexts: text versus text, text versus literary genre and text versus mimesis. Byatt uses intertextuality mainly to comment on the role of nature in the world, as well as to enhance the importance of human relationship with nature. Moreover, the writer moves towards literary criticism, discussing poems by famous artists, such as Alfred Tennyson or J
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11

Shears, Jonathon. "'Thou Breath of Autumn's Being': Voicing Masculinity in the Poetry of Late Life." Journal of the British Academy 11s2 (2023): 95–116. http://dx.doi.org/10.5871/jba/011s2.095.

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This article argues that lyric poetry is a form suited to contesting dominant ideas about masculinity because of its thematic and formal preoccupations with voice. It argues that voice offers a different way of viewing the social constrictions that accompany male experiences of ageing to the well-known theory of the mask of ageing. Through a study of a long history of Western lyric verse, which includes writers such as William Shakespeare, Percy Bysshe Shelley, Alfred, Lord Tennyson, W. B. Yeats, Robert Frost and Philip Larkin, the article explores the significance of restricted breathing in r
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12

Naous, Mazen. "The Anglo-Arabic Poetics of “Locksley Hall”: Importation, Oscillation, and Disorientation." Hawliyat 15 (June 26, 2018): 9–40. http://dx.doi.org/10.31377/haw.v15i0.49.

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 Considerable scholarly attention has been given to Alfred Lord Tennyson's poem, "Locksley Hall," in relation to one of its main sources, the "Mu'allaqa" of Imru' al-Qais, but scarcely any has been paid to the comparative aspects of the two poems. This essay engages Tennyson 's debt to the "Mu 'allaqa"—its meter, imagery, and themes— in writing "Locksley Hall, " and traces the modifications of al-Qais's poetics as they travel from one culture to another. The essay argues that Tennyson's borrowing—importing—of the "Mu'allaqa's" more salient poetics reveals much about "Locksley Hall's " sp
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Dobosiewicz, Ilona. "“The wrathful sunset glared…”: The Krakatoa Sunsets in Victorian Science and Art." Anglica Wratislaviensia 58 (November 13, 2020): 11–20. http://dx.doi.org/10.19195/0301-7966.58.1.

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The eruption of Krakatoa on August 27, 1883 was an event both tragic and spectacular. Thousands of lives were lost; sea waves and atmospheric disturbances were detected around the globe. Billions of tons of volcanic ash were thrown into the atmosphere producing multi-coloured sunsets caused by the scattering of light by aerosol particles. The paper discusses the ways in which these so-called Krakatoa sunsets, which were experienced by most of the world, were reflected in Victorian scientific and artistic discourse. The accounts included in the section “Descriptions of the Unusual Twilight Glow
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14

Ford, Sean. "Authors, Speakers, Readers in a Trio of Sea-Pieces in Herman Melville's John Marr and Other Sailors." Nineteenth-Century Literature 67, no. 2 (2012): 234–58. http://dx.doi.org/10.1525/ncl.2012.67.2.234.

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Much recent interest in Herman Melville's poetry involves reassessing its position both within the Melville canon and within or against various literary traditions. This essay considers the range of stances, speakers, and personae in John Marr and Other Sailors With Some Sea-Pieces (1888) and its resonances of past works as evidence that Melville is more committed to a public audience and less oppositional or adversarial to established traditions than a number of scholars have proposed. A study of topical and rhetorical interdependencies in a sequence of poems in the volume uncovers dynamic af
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15

Khan, Jalal Uddin. "Literature of the New Year: Literary Variations on the Celebration of the New Year." IJOHMN (International Journal online of Humanities) 5, no. 4 (2019): 1–29. http://dx.doi.org/10.24113/ijohmn.v5i4.105.

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Is the New Year really new or old? Happy or sad? Is it only part of the process and the cycle of seasons making one look back and think of death? Is it a time to wish to stay where one is or hope for opportunities and possibilities? Like a point in a circle, is every day a New Year’s day? Is it a time for nostalgia and reminiscence or promises and resolutions for the future? With the (Gregorian and the British Government) changes in the Western calendar at different times in history and with different countries/cultures celebrating the New Year at different times of the year and with the fisca
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16

Koy, Christopher E. "Revising Alfred, Lord Tennyson: A Closer Look at Two Color Line Stories “The Wife of His Youth” and “Cecily’s Dream” by Charles W. Chesnutt." Primerjalna književnost 44, no. 3 (2021). http://dx.doi.org/10.3986/pkn.v44.i3.09.

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This article explores an African American writer’s revision of a famous English poet Tennyson whose versified medieval portrait of the Arthurian legend appears in Idylls of the King as well as other poems. The Wife of His Youth and Other Stories of the Color Line (1899), a story collection by African American author Charles Chesnutt (1858–1932), addresses parameters contextualized in the aftermath of slavery such as esthetic notions of beauty tied to whiteness and intra-racial inequality. The final failure of two protagonists, a man and a woman, to fulfill their romantic aspirations of whitene
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17

ÇAMELİ, Muhammed Metin. "ALFRED LORD TENNYSON’IN MARIANA VE SHALOTT LEYDİSİ ŞİİRLERİNDE EV SEMBOLÜNÜN KAPANA KISILMIŞ KADINI TEMSİLİ." Pamukkale University Journal of Social Sciences Institute, June 21, 2023. http://dx.doi.org/10.30794/pausbed.1245883.

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The representation of home has remained in the forefront of studies from different periods in Western literature. When Victorian literature is considered, the poetry of Alfred Lord Tennyson stands out as it provides a fertile ground for the exploration of meanings home takes on to a serious extent. Two of his well-known poems, Mariana and The Lady of Shalott, can be regarded as illustrative of Victorian attitude toward women ensnarement through the symbol of home. More specifically, what makes the study of these poems somewhat special is that they enable contemporary readers to think criticall
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18

Speer, Margaret. "Queer for Art: Tennyson’s Poetic Autonomy as Female Same-Sex Desire." Journal of Victorian Culture, December 1, 2022. http://dx.doi.org/10.1093/jvcult/vcac077.

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Abstract This article argues that in ‘The Lady of Shalott’, and later, to lesser degree, in In Memoriam, Alfred Tennyson expresses artistic autonomy by a Renaissance poetic trope of female same-sex desire. He does so to do away with the aesthetic closure and separation from the world implied by lesbianism in the Renaissance poetic imaginary. Via readings of these two poems, as well as historical and biographical examination of Tennyson’s writings and contemporaries’ writings about Tennyson – including later sexological writings – this article suggests that Tennyson’s choice of early modern aes
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