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1

Antonio, Jorge Luiz. Poesia digital: Negociac̜ões com os processos digitais : teoria, história, antologias. Navegar Editora, 2010.

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2

Neto, Amador Ribeiro. Turbilhões do tempo: Notas e anotações sobre poesia digital. Ideia, 2015.

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3

W, Block Friedrich, Heibach Christiane, and Wenz Karin, eds. The aesthetics of digital poetry =: P0es1s. äesthetik digitaler poesie. Hatje Cantz, 2004.

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4

1960-, Block Friedrich W., Heibach Christiane, and Wenz Karin, eds. P0es1s: Ästhetik digitaler Poesie = the aesthetics of digital poetry. Hatje Cantz, 2004.

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5

Magherini, Simone, ed. Strale – le poesie di Aldo Palazzeschi. SEF - Centro Studi Palazzeschi, 2022. http://dx.doi.org/10.35948/9788860326058.

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La "Biblioteca digitale" di AD900 è uno strumento informatico per lo studio delle edizioni elettroniche di testi letterari, realizzato dal Centro di Studi "Aldo Palazzeschi" dell'Università di Firenze nell'ambito del progetto di ricerca di interesse nazionale (PRIN 2006), Strumenti di ricerca per gli archivi letterari digitali del Novecento italiano (Strale.di.ad900.it), coordinato da Gino Tellini, direttore del Centro di Studi, e cofinanziato dal Ministero dell'Istruzione, dell'Università e della Ricerca (MIUR).
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6

W, Hempfer Klaus, and Regn Gerhard, eds. Sprachen der Lyrik von der Antike bis zur digitalen Poesie: Für Gerhard Regn anlässlich seines 60. Geburtstags. Steiner, 2008.

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7

Adachi, Tomomi, and Günter Vallaster. Räume für Notizen: Visuelle, digitale & transmediale Poesie : Festivaldokumentation 2014 & 2016 = Rooms for notes = Jegyzetterek = Espacios para notas = Plass for notator = Prostor dli︠a︡ zapiseĭ = Nōto no tame no yohaku. Edition ch, 2016.

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8

Mistrorigo, Alessandro. Phonodia. Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-236-9.

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This essay focuses on the ‘voice’ as it sounds in a specific type of recordings. This recordings always reproduce a poet performing a poem of his/her by reading it aloud. Nowadays this kind of recordings are quite common on Internet, while before the ’90 digital turn it was possible to find them only in specific collection of poetry books that came with a music cassette or a CD. These cultural objects, as other and more ancient analogic sources, were quite expensive to produce and acquire. However, all of them contain this same type of recoding which share the same characteristic: the author’s
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9

Poesia digital: Deena Larsen i Stephanie Strickland. Universitat de València, 2015.

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10

Kokubun, William. Amor Poesia Redenção: Ed. Digital - Com 50 Poemas Extras. Independently Published, 2018.

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11

Poesía digital: Deena Larsen y Stephanie Strickland. Universitat de València, 2015.

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12

ALVES, Joemar Braga. Poesias Digitais de Rameoj Apaixonado. Independently Published, 2021.

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13

{, Der Digitalpoet }. Digital } { Poesie: 66 Neue App Poeme 2018 - 2019. Books on Demand GmbH, 2019.

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14

Bose, Siddartha. Digital Monsoon. Penned in the Margins, 2013.

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15

Casten, J. D. Post-Digital Revelation. Lulu Press, Inc., 2008.

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16

Coventry, Rachel. Heidegger and Poetry in the Digital Age. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350347830.

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In this original study, Rachel Coventry expands Heidegger’s philosophy of art to include his ontological account of poetry and technology. Following Heidegger’s definition of technology as preventing authentic poetic language, alongside his argument that poetry can successfully confront technology, Coventry considers the possibility of great poetry in the digital age. This approach takes us beyond conventional literary criticism, using different case studies from contemporary poetry including eco-poetry, digital poetry, and post-internet poetry. Heidegger and Poetry in the Digital Age asks pro
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17

SANCHEZ, REMEDIOS. Nuevas poéticas y redes sociales: Joven poesía española en la era digital. Siglo XXI de España Editores, S.A., 2014.

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18

SANCHEZ, REMEDIOS. Nuevas poéticas y redes sociales: Joven poesía española en la era digital. Siglo XXI de España Editores, S.A., 2014.

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19

Elder, Scott Alan. Across the Field: Hybrid Digital Poetry By. Outskirts Press, Incorporated, 2012.

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20

Edilberto: Echoes from a Digital Age. AYAFY, LLC, 2023.

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21

Textmaschinen - Kinetische Poesie - Interaktive Installation: Zum Verstehen Von Kunst in Digitalen Medien. transcript Verlag, 2014.

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22

Simanowski, Roberto. Textmaschinen - Kinetische Poesie - Interaktive Installation: Zum Verstehen Von Kunst in Digitalen Medien. Transcript Verlag, 2014.

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23

Textmaschinen - kinetische Poesie - interaktive Installation: Zum Verstehen von Kunst in digitalen Medien. Transcript, 2012.

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24

Caldera, Adrian, and Charlotte Hart. Desert Flow: The Poetry of Abstract Digital Art. Cloud Hands, Incorporated, 2022.

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25

Dencker, Klaus Peter. Optische Poesie: Von Den Prähistorischen Schriftzeichen Bis Zu Den Digitalen Experimenten der Gegenwart. de Gruyter GmbH, Walter, 2010.

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26

Optische Poesie: Von den prähistorischen Schriftzeichen bis zu den digitalen Experimenten der Gegenwart. De Gruyter, 2010.

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27

Optische Poesie: Von den prähistorischen Schriftzeichen bis zu den digitalen Experimenten der Gegenwart. De Gruyter, Inc., 2011.

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28

Digitalis and Other Poems. Setu Publication, 2023.

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29

Bressett, Angela. Cupid in the Clouds: Love Poems for Women in the Digital Age. New Prosperity Publishing, 2023.

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30

Bressett, Angela. Cupid in the Cloud: Love Poems for Women in the Digital Age. New Prosperity Publishing, 2023.

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31

Bressett, Angela. Cupid in the Cloud: Love Poems for Women in the Digital Age. New Prosperity Publishing, 2023.

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32

Forss, Hilda, Hanna Lahdenperä, and Julia Tidigs, eds. Tanke/världar : Studier i nordisk litteratur. Helsingin yliopiston kirjasto, 2022. http://dx.doi.org/10.31885/978951515069.

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Litteratur berättar för oss om världen och oss själva i den – litteraturen är en del av samhället, den formar vår värld och förmår tänka nytt. Tanke/världar. Studier i nordisk litteratur presenterar Norden som en plats för gränsövergångar och experiment, men också kontinuiteter. I boken samsas vetenskapliga artiklar och essäer på svenska, finska, norska och danska i en helhet som sträcker sig från danskt 1500-tal till digital poesi. Skribenten ställer frågor om vårt förhållande till naturen, om litteraturens och samhällets växelverkan, om texters rörelse mellan språk, länder och medier – och o
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33

Traducción de Poesía en Internet Al Español y Sus Redes Material-Semióticas: Entre la Globalidad Digital y la Reivindicación de Las Culturas Minorizadas. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2024.

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34

cárdenas, micha. Poetic Operations. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478022275.

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In Poetic Operations artist and theorist micha cárdenas considers contemporary digital media, artwork, and poetry in order to articulate trans of color strategies for safety and survival. Drawing on decolonial theory, women of color feminism, media theory, and queer of color critique, cárdenas develops a method she calls algorithmic analysis. Understanding algorithms as sets of instructions designed to perform specific tasks (like a recipe), she breaks them into their component parts, called operations. By focusing on these operations, cárdenas identifies how trans and gender-non-conforming ar
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35

MS. Junius 11: The origins of English poetry, a masterpiece of Anglo-Saxon art; Bodleian Library Digital Texts 1 (Bodlein Digital Texts). Bodleian Library, University of Oxford, 2005.

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36

Muir, Bernard J. MS. Junius 11: The origins of English poetry, a masterpiece of Anglo-Saxon art; Bodleian Library Digital Texts 1 (Bodleian Digital Texts). Bodleian Library, University of Oxford, 2007.

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37

Shakespeare, William. King Lear (Audiofy Digital Audiobook Chips). Audiofy/Naxos, 2006.

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38

La lira de las masas: Internet y la crisis de la ciudad letrada : una aproximación a la poesía de los nativos digitales. Páginas de Espuma, 2019.

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39

Richardson, John. Between Speech, Music, and Sound. Edited by Yael Kaduri. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199841547.013.47.

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This chapter discusses the growing tendency toward aestheticization of the spoken voice in cinema. It provides a taxonomy of different means of speech aestheticization, including poetic speech; accelerated and decelerated speech; wordy or dialogue-heavy soundtracks; heightened voice and dialogue in literary adaptations; fetishization of the voice; technologically manipulated speech; aesthetically marked speech resulting from distinct physical or psychological attributes; comic timing as musicality in speech; and interaction of voices with environmental sounds or aestheticized non-diegetic soun
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40

Caxton's Canterbury Tales: The British Library Copies on CD-Rom (individual licence): Images and Text of British Library 167.c.26 (IB.55009; the Royal ... second edition) (Scholarly Digital Editions). Scholarly Digital Editions, 2003.

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41

Caxton's Canterbury Tales: The British Library Copies on CD-Rom: Images and Text of British Library 167.c.26 (IB.55009; the Royal Copy of the first edition) ... second edition) (Scholarly Digital Editions). Scholarly Digital Editions, 2003.

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42

Chiani, Miriam, ed. Escrituras en voz. Facultad de Humanidades y Ciencias de la Educación (UNLP), 2021. http://dx.doi.org/10.35537/10915/122897.

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Escrituras en voz: Conversaciones sobre literatura argentina reúne una serie de entrevistas realizadas a Julián Axat, Mariano Blatt, Emiliano Bustos, Gabriela Cabezón Cámara, Arturo Carrera, Omar Chauvié, Marcelo Díaz, Mariana Enriquez, Fernanda García Lao, Fernanda Laguna, Julián López, Claudia Masin, Silvio Mattoni, Ángel Oliva, Cecilia Palmeiro, Nicolás Prividiera, Mercedes Roffé, Erich Schierloh, Paula Tomassoni y Paloma Vidal. Los diálogos, además de descubrir nuevos ángulos o revisiones de poéticas particulares, se abren a la reflexión sobre temas, procesos, problemas y debates que atrav
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43

Paulo Guimarães, João. Experimental American Poetry and the New Organic Form. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350414914.

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Arguing that the 19th century concept of “living form” (the idea that, like an organism, a poem develops itself from within, according to an internal logic) is not, as some critics have argued, anathema to avant-garde writing, this book contends that the concept survived and flourished in the work of a number of contemporary experimental poets.Indebted to 19th century science, the notion of a “living form” endured throughout the 20th century and the poetic vanguard’s word games and collages mirrored the disjunctive frameworks that redefined how scientists made sense of life in the age of netwo
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44

Petho, Ágnes, ed. Caught In-Between. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474435499.001.0001.

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This collection of essays explores intermediality as a new perspective in the interpretation of the cinemas that have emerged after the collapse of the former Eastern Bloc. As an aesthetic based on a productive interaction of media and highlighting cinema's relationship with the other arts, intermediality always implies a state of in-betweenness which is capable of registering tensions and ambivalences that go beyond the realm of media. The comparative analyses of films from Hungary, Romania, Poland, the Czech Republic, Bosnia and Herzegovina, and Russia demonstrate that intermediality can be
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45

Gray, Jeffrey, James McCorkle, and Mary McAleer Balkun, eds. Greenwood Encyclopedia of American Poets and Poetry. Greenwood Publishing Group, Inc., 2005. http://dx.doi.org/10.5040/9798216193326.

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The most comprehensive reference on American poetry ever assembled, this encyclopedia includes more than 900 alphabetically arranged entries, contributed by approximately 350 scholars. Written for students and general readers, the set covers poetry from the colonial era to the present, devoting special attention to contemporary poets and their works. Multicultural in scope, the encyclopedia covers poets, genres, critics, poetic terms, and movements. Its entries range from Caribbean to Confessional Poetry, from Dada to Eco-poetics, from Gay and Lesbian Poetry to Literary Magazines, New Formalis
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46

Conexões: linguagens e educação em cena. Editora Amplla, 2021. http://dx.doi.org/10.51859/amplla.cle283.1121-0.

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O conhecimento se fabrica nos múltiplos circuitos da linguagem e em conexões estabelecidas nos próprios efeitos dos saberes humanos. As dinâmicas dos discursos, as práticas de ensino e os territórios das artes são algumas fronteiras que deslizam entre conceitos e experiências, significantes e significados. Em As palavras e as coisas, Michel Foucault (2007) reflete que “a linguagem representa o pensamento como o pensamento se representa a si mesmo”. Nesses termos, a produção crítica e intelectual constrói um jogo em que os textos se transformam em repositórios daquilo que somos e buscamos repre
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