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Journal articles on the topic 'Poésie de la Négritude'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Lambert, Fernando, and Marcien Towa. "Poésie de la Négritude: approche structurale." Canadian Journal of African Studies / Revue Canadienne des Études Africaines 20, no. 1 (1986): 147. http://dx.doi.org/10.2307/484722.

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2

Carnier, Carolina Cunha. "La poésie contemporaine comme défi à la francophonie et à la Négritude." Francosphères 7, no. 1 (July 2018): 29–48. http://dx.doi.org/10.3828/franc.2018.3.

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3

Selao, Ching. "Échos de la négritude césairienne chez Gaston Miron et Paul Chamberland." Études 36, no. 3 (July 6, 2011): 99–114. http://dx.doi.org/10.7202/1005126ar.

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Gaston Miron et Paul Chamberland ont tous deux affirmé avoir été influencés par la poésie d’Aimé Césaire, dont l’impact du célèbre Cahier d’un retour au pays natal dans le milieu littéraire québécois des années 60 a créé un petit mouvement de « négritude blanche ». De manière intéressante, et sans doute paradoxale, ce sont pourtant les différences qui ressortent de cette influence, comme si Césaire avait représenté un idéal poétique et de libération impossible à atteindre au Québec. Cet article offre d’abord un survol du contexte littéraire qui a permis la réception favorable des écrits de Césaire, figure d’altérité positive pour plusieurs poètes québécois, avant de proposer une lecture parallèle du Cahier et des poèmes de Miron et de Chamberland.

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4

Selao, Ching. "Les fils d’Aimé Césaire. De la Martinique au Québec." Tangence, no. 98 (September 26, 2012): 35–56. http://dx.doi.org/10.7202/1012486ar.

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Cet article propose de se pencher sur le legs d’Aimé Césaire en mettant en parallèle la révolte de ses fils martiniquais et le détournement de ses fils québécois dans leur appropriation de la négritude. Il s’agira de voir comment la révolte des écrivains de la Martinique concerne l’héritage politique du père, malgré sa poésie de protestation et de revendication de liberté absolue, alors que ce même héritage politique ne semble pas avoir été pris en considération par les poètes engagés et indépendantistes du Québec qui voyaient en Césaire un modèle. Plusieurs questions surgiront en cours de route, de sorte que c’est davantage une exploration que nous proposons dans les pages qui suivent qu’une analyse tranchée sur l’héritage particulier de Césaire.

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5

Souffrant, Claude. "Une contre-négritude caraïbe : Littérature et pratique migratoire à travers la poésie de Anthony Phelps." Présence Africaine 135, no. 3 (1985): 71. http://dx.doi.org/10.3917/presa.135.0071.

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6

Dash, J. Michael. "Aimé Césaire: The Bearable Lightness of Becoming." PMLA/Publications of the Modern Language Association of America 125, no. 3 (May 2010): 737–42. http://dx.doi.org/10.1632/pmla.2010.125.3.737.

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Allons, la vraie poésie est ailleurs. Come on, true poetry lies elsewhere.—Suzanne CésaireThe Recent Death of AIMÉ Césaire has Been an Occasion for Extolling his Virtues As Venerable Patriarch, Founding Father, and sovereign artist. Even his fiercest critics have considered him a unique poet-politician worthy of being interred in the Pantheon by the French state. Members of the créolité movement, such as Raphael Confiant and Patrick Chamoiseau, hailed him as the “nègre fondamental” ‘foundational black man,’ who was also like the father of the Martinican people. Confiant reiterated his filial devotion as Césaire's “fils à jamais” ‘son forevermore,’ and Chamoiseau identified him as the “maître-marronneur” ‘master Maroon.’ This wave of adulation tends to emphasize the militant poet-politician that Césaire never quite was. He was arguably the founder neither of a nation nor of a people nor, for that matter, of a movement. While he coined the word négritude, he was less the founder of the negritude movement than was his contemporary Léopold Sédar Senghor, who set about creating a totalizing, biologically based ideology around the concept of negritude. Perhaps even more telling is his view of the Haitian leader Henry Christophe as tragically flawed because of Christophe's obsession with founding a people. The protagonist of the play La tragédie du roi Christophe (The Tragedy of King Christophe) is a heedless builder, so obsessed by the need to construct and to found that he destroys himself, leaving behind the massive stone ship of the Citadelle as his legacy.

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7

Mouralis, Bernard. "Négritude et mondialisation." Présence Africaine 175-176-177, no. 1 (2007): 258. http://dx.doi.org/10.3917/presa.175.0258.

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8

Amselle, Jean-Loup. "Négritude, créolisation, créolité." Les Temps Modernes 662-663, no. 1 (2011): 340. http://dx.doi.org/10.3917/ltm.662.0340.

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9

Kisukidi, Nadia Yala. "Négritude et philosophie." Rue Descartes 83, no. 4 (2014): 1. http://dx.doi.org/10.3917/rdes.083.0001.

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10

Diagne, Souleymane Bachir. "Négritude as Existence." Nka Journal of Contemporary African Art 2018, no. 42-43 (November 1, 2018): 10–19. http://dx.doi.org/10.1215/10757163-7185701.

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11

Soto, Michael. "The Négritude Renaissance." Twentieth-Century Literature 52, no. 1 (2006): 92–95. http://dx.doi.org/10.1215/0041462x-2006-2005.

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12

Arnold, A. James, and Roger Toumson. "Portulan: Négritude, Antillanité, Créolité." World Literature Today 71, no. 4 (1997): 846. http://dx.doi.org/10.2307/40153459.

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13

Perina, Mickaella. "Beyond Négritude and Créolité." CLR James Journal 15, no. 1 (2009): 67–91. http://dx.doi.org/10.5840/clrjames20091514.

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14

Khalfa, Jean. "Naissance de la négritude." Les Temps Modernes 656, no. 5 (2009): 38. http://dx.doi.org/10.3917/ltm.656.0038.

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15

Dibakana, Jean-Aimé. "Monga, Célestin. — Nihilisme et négritude." Cahiers d'études africaines, no. 205 (March 15, 2012): 293–99. http://dx.doi.org/10.4000/etudesafricaines.14360.

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16

Kasanda, Albert. "Monga, Célestin. — Nihilisme et négritude." Cahiers d'études africaines, no. 205 (March 15, 2012): 299–305. http://dx.doi.org/10.4000/etudesafricaines.14362.

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17

Hausser, Michel. "Et la négritude fut plantée..." Présence Africaine 151-152, no. 3 (1995): 59. http://dx.doi.org/10.3917/presa.151.0059.

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18

Marin, Richard. "L'identité brésilienne ou l'incertaine négritude." Caravelle 62, no. 1 (1994): 135–52. http://dx.doi.org/10.3406/carav.1994.2585.

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19

Haxall, Daniel. "In the Spirit of Négritude." Nka Journal of Contemporary African Art 2017, no. 41 (November 1, 2017): 126–39. http://dx.doi.org/10.1215/10757163-4271685.

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20

Brochu, André. "Poésie impure, poésie/prose, classicisme." Voix et Images 41, no. 2 (2016): 139. http://dx.doi.org/10.7202/1036944ar.

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21

Navarro Alvarado, Guillermo Antonio. "El movimiento de la négritude y el problema de la “unidad” panafricana (1919-1945)." Cuadernos Inter.c.a.mbio sobre Centroamérica y el Caribe 17, no. 2 (August 19, 2020): e42405. http://dx.doi.org/10.15517/c.a..v17i2.42405.

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El siguiente artículo analiza el problema de la “unidad negra” en ejes conceptuales, históricos y teoréticos del movimiento de la négritude, proponiendo a este como eje determinante de su articulación política en el contexto colonial francés. En esta línea se examina la relación entre el movimiento de la négritude, el panafricanismo y el internacionalismo negro, propuestos como movimientos relacionales y salidas alternativas al mismo problema. El artículo concluye y defiende la existencia de una matriz teórica conjunta a la négritude y al panafricanismo, determinada por una historia común y el problema estructurante de la constitución de una unidad “negro-africana” en la superación de las identidades coloniales asignadas. Para ello se analizan fuentes primarias y secundarias producidas desde y sobre el movimiento.

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22

Camara, Gamby Diagne. "Faces of Blackness: The Creation of the New Negro and Négritude Movements in Harlem and Paris." Journal of Black Studies 51, no. 8 (August 12, 2020): 846–64. http://dx.doi.org/10.1177/0021934720948737.

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This article explores the cultural and ideological link between the New Negro Movement of Harlem and the Négritude Movement of Paris from 1920s to the 1940s. It examines how the works of African American, Caribbean, and African authors such as Langston Hughes, Claude McKay, Aimé Césaire, and Léopold Sedar Senghor amongst others are, despite their different backgrounds, united by the common themes of racialized oppression, cultural alienation, and pride in their African heritage. The article also addresses social, cultural and theoretical shortcomings of the New Negro and Négritude movements, which have resulted in widespread criticism of theories of Black culture and identity. Lastly, it explains how the values promoted by New Negro and Négritude literarure remain useful in catalyzing social change today.

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23

Houser, Éric Pierre. "Poésie confisquée, maudite poésie deux avatars de la poésie engagée." Topique 146, no. 2 (2019): 127. http://dx.doi.org/10.3917/top.146.0127.

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24

Famin, Victoria. "Les Griots, entre indigénisme et négritude." Revue de littérature comparée 364, no. 4 (2017): 422. http://dx.doi.org/10.3917/rlc.364.0422.

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25

Oh, Seunghyun. "Aime Cesaire’s Négritude and Post-colonialism." Journal of Western History 62 (May 31, 2020): 1–46. http://dx.doi.org/10.16894/jowh.62.1.

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26

Moïse, Myriam. "PARA UMA NOVA GENEALOGIA DA NÉGRITUDE." Revista TransVersos, no. 21 (April 20, 2021): 241–50. http://dx.doi.org/10.12957/transversos.2021.55187.

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Esse artigo procura explorar, por meio da análise de publicações de Suzanne Roussi-Césaire e Paulette Nardal, como a ideologia da Négritude foi abraçada por homens e por mulheres por meio de seus ensaios, romances, poesias e obras de arte. As intelectuais, escritoras e artistas martinicanas não permaneceram em silêncio, elas articularam suas visões e forneceram importantes análises sobre as complexidades da construção da identidade africano-martinicana.

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27

Miralles, Yann. "Poésie." Le français aujourd'hui 188, no. 1 (2015): 111. http://dx.doi.org/10.3917/lfa.188.0111.

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28

Miralles, Yann. "Poésie." Le français aujourd'hui N°207, no. 4 (2019): 123. http://dx.doi.org/10.3917/lfa.207.0123.

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29

Miralles, Yann. "Poésie." Le français aujourd'hui N°209, no. 2 (2020): 133. http://dx.doi.org/10.3917/lfa.209.0133.

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30

Abdolrezaei, Ali, and Parham Shahrjerdi. "Poésie." Po&sie 137-138, no. 3 (2011): 146. http://dx.doi.org/10.3917/poesi.137.0146.

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31

Chamberland, Roger. "Poésie." University of Toronto Quarterly 67, no. 1 (January 1998): 375–90. http://dx.doi.org/10.3138/utq.67.1.375.

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32

Chamberland, Roger. "Poésie." University of Toronto Quarterly 68, no. 1 (January 1999): 38–59. http://dx.doi.org/10.3138/utq.68.1.38.

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33

Chamberland, Roger. "Poésie." University of Toronto Quarterly 69, no. 1 (January 2000): 401–18. http://dx.doi.org/10.3138/utq.69.1.401.

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34

Chamberland, Roger. "Poésie." University of Toronto Quarterly 70, no. 1 (January 2001): 39–59. http://dx.doi.org/10.3138/utq.70.1.39.

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35

Chamberland, Roger. "Poésie." University of Toronto Quarterly 71, no. 1 (January 2002): 432–51. http://dx.doi.org/10.3138/utq.71.1.432.

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36

Marcotte, Hélène. "Poésie." University of Toronto Quarterly 75, no. 1 (January 2006): 504–20. http://dx.doi.org/10.3138/utq.75.1.504.

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37

Gagnon, Daniel. "Poésie." University of Toronto Quarterly 77, no. 1 (January 2008): 510–31. http://dx.doi.org/10.3138/utq.77.1.510.

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38

Gagnon, Daniel. "Poésie." University of Toronto Quarterly 78, no. 1 (January 2009): 510–40. http://dx.doi.org/10.3138/utq.78.1.510.

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39

Colin, Patrick. "Poésie." Cahiers de Gestalt-thérapie 40, no. 2 (2018): 170. http://dx.doi.org/10.3917/cges.040.0170.

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40

Gagnon, Daniel. "Poésie." University of Toronto Quarterly 85, no. 3 (August 2016): 45–71. http://dx.doi.org/10.3138/utq.85.3.45.

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41

Lepage, Élise. "Poésie." University of Toronto Quarterly 86, no. 3 (August 2017): 351–70. http://dx.doi.org/10.3138/utq.86.3.351.

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42

Lepage, Élise. "Poésie." University of Toronto Quarterly 87, no. 3 (August 2018): 64–84. http://dx.doi.org/10.3138/utq.87.3.omnibus.fr.3.

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43

Lepage, Élise. "Poésie." University of Toronto Quarterly 88, no. 3 (December 2019): 319–41. http://dx.doi.org/10.3138/utq.88.3.003.fr.

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44

Gagnon, Daniel. "Poésie." University of Toronto Quarterly 76, no. 1 (January 2007): 35–48. http://dx.doi.org/10.3138/e283-4164-8130-7520.

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45

Gagnon, Daniel. "Poésie." University of Toronto Quarterly 80, no. 2 (April 2011): 438–68. http://dx.doi.org/10.3138/utq.80.2.438.

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46

Abramson, Julia, and Jacques Roubaud. "Poésie." World Literature Today 75, no. 1 (2001): 139. http://dx.doi.org/10.2307/40156418.

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47

Tellermann, Esther. "Poésie." Journal français de psychiatrie 27, no. 4 (2006): 50. http://dx.doi.org/10.3917/jfp.027.0050.

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48

Tellermann, Esther. "Poésie." Journal français de psychiatrie 28, no. 1 (2007): 51. http://dx.doi.org/10.3917/jfp.028.0051.

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49

Marcotte, Hélène. "Poésie." University of Toronto Quarterly 74, no. 1 (January 2005): 48–63. http://dx.doi.org/10.3138/utq.74.1.48.

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50

Lepage, Élise. "Poésie." University of Toronto Quarterly 89, no. 3 (February 2021): 301–22. http://dx.doi.org/10.3138/utq.89.3.03.fr.

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