Log in

Relevant bibliographies by topics / Poet calls / Journal articles

To see the other types of publications on this topic, follow the link: Poet calls.

Journal articles on the topic 'Poet calls'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Poet calls.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Muhammad, Shakil Ur Rehman Abdus Samad Husnat Ahmed Tabassam Raj Muhammad Khan. "A Stylistic Analysis Of The Representation Of Marginalized Voices In Nasir's Cries And Shouts And Hurried Calls." Multicultural Education 7, no. 8 (2021): 243. https://doi.org/10.5281/zenodo.5191774.

Full text

Abstract:

<em>This paper stylistically explores one of the substantial poetic pieces, 'Cries and Shouts and Hurried Calls' composed by Mir GulNasir, one of the representative poets of Balochistan in English. No in-depth study has been done to probe the stylistic art of the poet. The present research is, therefore, a critical quest to unfold the cloaked imaginative notions and thematic layers of the poem for the presentation of alternative understanding beyond superficial interpretation by turning the spotlight on the three vital tiers of the undertaken research framework of stylistics, namely, t

APA, Harvard, Vancouver, ISO, and other styles

2

Hussain, Mohammad. "L'engagement littéraire chez René Char." Kufa Journal of Arts 1, no. 55 (2023): 735–44. http://dx.doi.org/10.36317/kaj/2023/v1.i55.10741.

Full text

Abstract:

This study focuses on certain characteristics of literature commitment of the French poet René Char. For him, commitment in literature is not different from the meaning of freedom he calls for his people. René Char sees this commitment as an action that relates to political and historical necessity and as a field for human activity. The poet effectively took part in the resistance against German conquest, through writing prose poem full of opposition and revolt.

APA, Harvard, Vancouver, ISO, and other styles

3

Tsai, Wei-Ding. "An Intercultural Interpretation on Heidegger’s Poet." Yearbook for Eastern and Western Philosophy 2018, no. 3 (2019): 193–205. http://dx.doi.org/10.1515/yewph-2018-0014.

Full text

Abstract:

AbstractFor the later Heidegger, the poet is the messenger of Being, insofar as he speaks after the Saying (Sage) of Being. But only when the poet takes the risk of being mad, can he hear the message of Being and bring it out. As such, the poet does not need any human art of poetry. Heidegger calls this kind of bringing-out “techne” in its original sense – but not in the ordinary sense of human technique. This paper tries to discover how the poet in the state of madness without using any human art can still convey the message of Being. I try to answer this question at first with the help of tw

APA, Harvard, Vancouver, ISO, and other styles

4

Babich, Babette. "Heidegger and Leonard Cohen: “You Want It Darker”." Religions 12, no. 7 (2021): 488. http://dx.doi.org/10.3390/rel12070488.

Full text

Abstract:

This article seeks to ask the question of Leonard Cohen as a poet in terms of what Heidegger calls destitute or desperate times (dürftigerZeit) in his WozuDichter (“What Are Poets For”)? This question requires reflection on voice and attunement, including music and eros along with nothing less Heideggerian than the thought of death, reading Leonard Cohen on what appears to be a relation to the religious—for us? for him? for the Christ? ”forsaken, almost human”—but also painfully reflexive: ”we kill the flame”; a poet in dark times as we face them, together and alone.

APA, Harvard, Vancouver, ISO, and other styles

5

Tariq, Dr Mohammad. "“Mohaserah” of Ahmad Faraz as an Exemplum of Resistance Poetry." SMART MOVES JOURNAL IJELLH 8, no. 2 (2020): 14. http://dx.doi.org/10.24113/ijellh.v8i2.10379.

Full text

Abstract:

The present paper is an introduction of Ahmad Faraz in English and a critical study of his great poem “Mohaserah” (Siege). “Mohaserah” is one of the master pieces of Faraz which requires a wide range of hermeneutics. After Ghalib, Iqbal, and Faiz, he is known as the most influential poet in Urdu humanities. His famous collection is hugely celebrated as “The Bible of Love”. “Mohaserah” is an exemplum of rebel literature which glorifies the integrity of lambent pen. Ahmad Faraz calls himself a sinning poet of righteousness in the bad times and considers poetry a source of creation. Faraz in the

APA, Harvard, Vancouver, ISO, and other styles

6

Deudney, E. "The archetypal mandala: Visions of the self in the poetry of Coleridge, Eliot and Breytenbach." Literator 15, no. 2 (1994): 159–82. http://dx.doi.org/10.4102/lit.v15i2.669.

Full text

Abstract:

This paper is a preliminary survey of the visions of the s e lf in poetry. It is concerned with the transformation of consciousness as depicted by each of the three poets a Romantic, a Modernist and a Postmodernist poet respectively and expressed in specific poems with a cyclical nature. The romantic poet Coleridge's “The Rime of the Ancient Mariner” is taken as the first example. It is found to be an allegory of the metamorphosis of the poet’s temporal subjective consciousness into an ‘eternal ’ subject position in the narrated text. Eliot’s "Four Quartets" exemplifies the Modernist mode of c

APA, Harvard, Vancouver, ISO, and other styles

7

Vahdati, Mahnoosh. "Vattimo’s Decline of Art in Gertrude Stein’s ‘A Substance in a Cushion’." Littera Aperta. International Journal of Literary and Cultural Studies 7, no. 8 (2023): 23–39. http://dx.doi.org/10.21071/ltap.v7i8.16189.

Full text

Abstract:

Reading the poem “A substance in a Cushion”, by Gertrude Stein, and at the same time reciting the old, elevated poems of the great poets of the past, one would unconsciously question what it means to be a poet in the modern and postmodern world. When someone recites a traditional poem, like any simple piece of poetry by Wordsworth or Coleridge, he or she will be stunned by how they would make lots and lots of momentous lines out of a straightforward natural element in the world. This contrast is what Gianteressio Vattimo calls the decline of art in the modern world. This essay focuses on one o

APA, Harvard, Vancouver, ISO, and other styles

8

شاكر, سروود كنعان. "The image of women in the poetry of Jamil Sidqi al-Zahawi." JOURNAL OF LANGUAGE STUDIES 6, no. 3, 1 (2023): 216–28. http://dx.doi.org/10.25130/jls.6.3.1.15.

Full text

Abstract:

Woman was the core of poet`s attention throughout ages till this moment. They used to describe her as source of inspiration and ingenuity for their poetry. Woman was the main inspiration for writers as well as poets who played a real role within the psyche of human beings. Woman was presented within the poetry or works of Al Zahawi indifferent images. She, for example, took the image of good mother, daughter and wife. As mother, she incarnated the source of protection, emotion and education. As lover, she had a great role with the works of the poets in the sense that, the poet described her ph

APA, Harvard, Vancouver, ISO, and other styles

9

Curtis, James M. "Ephebes and Precursors in Chekhov's The Seagull." Slavic Review 44, no. 3 (1985): 423–37. http://dx.doi.org/10.2307/2498013.

Full text

Abstract:

Harold Bloom's The Anxiety of Influence takes the Freudian concept of an oedipal relationship between father and son as a model for the relationship that exists when one artist, the father figure (or precursor, as Bloom calls him), influences another artist (the ephebe, in Bloom's terminology). Bloom's work provides a desirable redefinition of standard treatments of influence and stylistic change in that it offers a dynamic, rather than a static, paradigm, and denies any simplistic dissociation of the artist as historical figure from the poet as poet. Furthermore, it denies that literary influ

APA, Harvard, Vancouver, ISO, and other styles

10

Agamben, Giorgio, and Kevin Attell. "Poetry as Translation." Romanic Review 115, no. 1 (2024): 52–57. http://dx.doi.org/10.1215/00358118-11012001.

Full text

Abstract:

Abstract This essay reflects on the constitutive bilingualism that characterizes the self-translation of twentieth-century poets in dialect into Italian. Here, Agamben proposes, the poem no longer dwells within the identity of one language but finds a true home in the white space that joins and divides the two texts, often printed on facing pages. Agamben traces back this poetic bilingualism to Dante, who contrasts the vernacular language, “which infants acquire from those around them,” and the language he calls “grammatical,” which we have to learn through a long course of study. This transla

APA, Harvard, Vancouver, ISO, and other styles

11

Saghafi, Kas. "Incurable Haunting: Saluting Michel Deguy." Oxford Literary Review 33, no. 2 (2011): 245–64. http://dx.doi.org/10.3366/olr.2011.0020.

Full text

Abstract:

Reframing the vocation of the poet in a reading of a singular poet, Michel Deguy, Derrida in ‘How to Name’ calls for a singular poetics ‘each time’ and an entirely other poetic accompaniment. Poetry, he shows, is devoted to an ‘incurable haunting,’ the haunting of two saluts: salvation (desiring safety and conferring health) and salutation (calling out and greeting).

APA, Harvard, Vancouver, ISO, and other styles

12

Dmitrieva, Nina L. "Boileau — Voltaire — Pushkin: About the poem “French rhymers’ strict judge…”." Vestnik of Saint Petersburg University. Language and Literature 21, no. 2 (2024): 344–50. http://dx.doi.org/10.21638/spbu09.2024.205.

Full text

Abstract:

Pushkin’s unfinished poem “French rhymers’ strict judge…” (1833) is an epistle addressed to Nicolas Boileau-Despréaux, the famous theorist of French classicism. In 1820s–1830s, when the Russian literary milieu was fascinated by romanticism, the significance of Boileau’s works was being reassessed and his name began to be perceived as a symbol of the false idea of art. Pushkin, on the contrary, calls him to be his “guide”. The poem is intentionally written in classic Alexandrine verse, in the form of a classicist appeal to a grand master. At the same time, the poet calls for support on another

APA, Harvard, Vancouver, ISO, and other styles

13

Priest, Robert. "Micro poems." Explorations in Media Ecology 23, no. 1 (2024): 61–66. http://dx.doi.org/10.1386/eme_00194_7.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Hayes, Michael Thomas. "The Poetic Generation of Place: Ethnography for a Better World." Ethnographic Edge 2, no. 1 (2018): 119. http://dx.doi.org/10.15663/tee.v2i1.39.

Full text

Abstract:

In this article, I employ the ethnographer poetic as a strategic provocation to rethink the foundation of contemporary ethnography. The root of the word poet or poem is the ancient Greek concept of poiesis. Poiesis is defined as making. While in the Greek tradition poiesis foregrounded an analysis of the arts or aesthetics, contemporary usages highlight the making of a social or political dimension. Drawing from the social and political dimensions of poiesis, I argue that the ethnographer does more than simply represent a social context, and, instead, calls the place into existence. The ethnog

APA, Harvard, Vancouver, ISO, and other styles

15

Omelsky, Matthew. "Queer Césaire." Small Axe: A Caribbean Journal of Criticism 28, no. 1 (2024): 1–19. http://dx.doi.org/10.1215/07990537-11131161.

Full text

Abstract:

This essay is a response to calls in Black studies in the last decade, by Jafari Allen and others, to excavate Black queer histories and experiences, including in archives where we least expect them. The author offers a queer reading of a foundational work in global Black literature often assumed to be irrelevant to such critical conversations: Aimé Césaire’s Notebook of a Return to the Native Land. He puts Césaire’s poem in dialogue with one of the three sketches produced by the Cuban painter Wifredo Lam for the 1943 Cuban translation of the Notebook—a drawing at once surrealist and decidedly

APA, Harvard, Vancouver, ISO, and other styles

16

Babar Hussain and Ghulam Shabbir. "The Rebellious Attitudes Of Forugh Farrokhzad's Poetry." Dareecha-e-Tahqeeq 1, no. 2 (2022): 30–46. http://dx.doi.org/10.58760/dareechaetahqeeq.v1i2.11.

Full text

Abstract:

Forugh Farrokhzad was one of Iran’s pre-eminent mid-20th-century writers, both reviled and revered for her poems, which often dealt with female desire. Throughout her life she struggled with how her gender affected the reception of her work in a culture where women were often confined to traditional roles, but where there are few higher callings than the life of a poet. Farrokhzad's strong feminine voice became the focus of much negative attention and open disapproval, both during her lifetime and in posthumous reception of her work. Emphasizing on human issues, she also calls for a recognitio

APA, Harvard, Vancouver, ISO, and other styles

17

Bello, Idaevbor. "The Poet as Town-Crier." Matatu 49, no. 1 (2017): 96–108. http://dx.doi.org/10.1163/18757421-04901006.

Full text

Abstract:

This essay proceeds from the consideration of literature as a medium of disseminating information to society at large, and argues that poetry, being a branch of literature, lends its resources and compact form to this function of information dissemination. It goes further to argue that Niyi Osundare in Village Voices, like the town-crier in our traditional societies, clearly brings to the attention of the leaders and the led important developments within society. However, he does not stop at informing society of those developments, especially the negative conduct of its leaders, but goes furth

APA, Harvard, Vancouver, ISO, and other styles

18

Sinitsyn, Alexander A. "On the wits and ardour in Plato’s Symposium: Socrates’ educator’s formula of love in Alexander Kushner’s poem." ΣΧΟΛΗ Ancient Philosophy and the Classical Tradition XVIII, no. 2 (2024): 842–59. http://dx.doi.org/10.25205/1995-4328-2024-18-2-842-859.

Full text

Abstract:

The article examines a poem written by a contemporary Petersburg poet, Alexander Semyonovich Kushner “And what a foreign lady said…” The poet mentions the Athenian thinker Socrates and a foreign lady, never giving her name. It is clear that he speaks about the priestess Diotima of Mantinea (an ancient city in Arcadia), with whom Socrates, a character in Plato’s dialogue Symposium (Plato, Symp. 201d–212b) conversed. Why should the story of love told by the Mantinean priestess have failed to inspire the Russian poet when he read it for the second time (“this time”)? Why did Kushner think that Sy

APA, Harvard, Vancouver, ISO, and other styles

19

Kavya, R. K. "Of Grief and Survival: Spirituality and Affect in the Poetry of K Satchidanandan and Louise Gluck." Criterion: An International Journal in English 16, no. 2 (2025): 821–31. https://doi.org/10.5281/zenodo.15318995.

Full text

Abstract:

This paper seeks to attempt a cross-cultural, comparative study of selected translations of the Malayalam Poet K. Satchidanandan and selected poems of the American Poet Louise Gluck. The emphasis is on the underlying spiritual concerns and related affects in their poetry. On the one hand, where Satchidanandan’s ideology differentiates the spiritual from the religious and calls the “sacred as equal to the secular,” Gluck’s poems showcase a sort of ambivalence wherein the poet wishes to be free herself from the compelling yet restricting forces of the “immutable&rdq

APA, Harvard, Vancouver, ISO, and other styles

20

Simpson, James. "The Information of Alan of Lille's ‘Anticlaudianus’: A Preposterous Interpretation." Traditio 47 (1992): 113–60. http://dx.doi.org/10.1017/s0362152900007212.

Full text

Abstract:

For the Methode of a Poet historical is not such, as of an Historiographer. For an Historiographer discourseth of affayres orderly as they were donne … but a Poet thrusteth into the middest, euen where it most concerneth him, and there recoursing to the thinges forepaste, and diuining of thinges to come, maketh a pleasing Analysis of all.Spenser, The Faerie QueeneLetter of the Authors.In his account of twelfth-century ‘cosmologists,’ Winthrop Wetherbee has pointed to an essential problem in the interpretation of Alan of Lille's Anticlaudianus (1182–1183). He argues that the major theme of the

APA, Harvard, Vancouver, ISO, and other styles

21

Serdesniuc, Cristian. "Grigore Vieru’s Poetry: Edification of the Spirit and (Re)Construction of the World." Philologia, no. 3(318) (December 2022): 89–97. http://dx.doi.org/10.52505/1857-4300.2022.3(318).08.

Full text

Abstract:

The poem of Vieru contributed significantly to the reeducation of a psychologically disfigured by proletarian ideology nation. Pioneer’s song and “October’s” acclamations replaced the tune of the sun and the impressive dialogue of non-speaker beings. Vieru’s living beings guided the little reader through the discovery of the vital senses and himself. The poem of Vieru demonstrates the sacredness of an infantile universe: a native village, a parent`s house, a mother’s being, and an inhabitant of nature. The figurative projector of the village in the poems of Vieru is identified as a truly “pant

APA, Harvard, Vancouver, ISO, and other styles

22

Harrison, S. J. "Two Notes on Horace, Epodes (10, 16)." Classical Quarterly 39, no. 1 (1989): 271–74. http://dx.doi.org/10.1017/s0009838800040738.

Full text

Abstract:

Epode 10: the Mystery of Mevius' CrimeHorace's tenth Epode, an inverse propempticon, calls down dire curses on the head of a man named Mevius as he leaves on a sea-voyage.1 Scholars have naturally been interested in what Mevius had done to merit such treatment, but answers have been difficult to find, for nothing explicit is said on this topic in the poem; as Leo noted, ‘[Horatius] ne verbo quidem tarn gravis odii causam indicat’. This is in direct contrast with the Strasbourg epode usually attributed to Hipponax (fr. 115 West), which served as Horace's model in this poem; there it is clear th

APA, Harvard, Vancouver, ISO, and other styles

23

Johnson, Rachel, and Sarah Kornfield. "Poetic Politics: Renewing a Black Jeremiad on the Inaugural Stage." Rhetoric and Public Affairs 26, no. 3 (2023): 35–68. http://dx.doi.org/10.14321/rhetpublaffa.26.3.0035.

Full text

Abstract:

Abstract National Youth Poet Laureate Amanda Gorman stunned the United States with her captivating performance of “The Hill We Climb: An Inaugural Poem for the Country” during the 2021 inaugural ceremony for President Biden and Vice President Harris. Analyzing this political poem, we contribute to the rhetorical scholarship of inaugural ceremonies and demonstrate how Gorman's performance renews a tradition of Black jeremiads. Specifically, we argue that Gorman's performance creates a “double play” on white expectations, thereby crafting a rival version of democratic unity as she poetically env

APA, Harvard, Vancouver, ISO, and other styles

24

Zhumakulova, M. K. "THE SIGNIFICANCE OF MAKHAMBET'S POEMS IN PATRIOTIC EDUCATION OF YOUNG PEOPLE." ARTS ACADEMY 1, no. 1 (2022): 100. http://dx.doi.org/10.56032/2523-4684.2022.1.1.100.

Full text

Abstract:

The article describes how to educate young people in an ambitious spirit by teaching the works of Makhambet Utemisuly. Makhambet is a truly national poet. He constantly sang about the people's thoughts, dreams, interests, desires and goals. Gave energy to the people's dreams and hopes. In his poems, The Poet instills courage, patriotism, and heroism. The purpose of the event is to inform the public about the history of the Kazakh people. The main purpose of the event is to familiarize students with the history of the Kazakh people. He calls people to love our country, own land, and be a patrio

APA, Harvard, Vancouver, ISO, and other styles

25

Danilova, N. K. "Poet, Russia, People: Myth, Propaganda Clich? or Cultural Archetype?" Art Logos – The Art of Word 1, no. 30 (2025): 178–83. https://doi.org/10.35231/25419803_2025_1_178.

Full text

Abstract:

The article provides a description of the study by A. S. Sobennikov on the myths of Russian literature. Myth is interpreted here as a property of consciousness to understand and interpret reality in mythological images. The historical myth, the myth of the poet, the myth of Russia, the myth of the people and the problem of demythologization are distinguished. Attention is drawn to the events of the Battle of Kulikovo, the Patriotic War of 1812 and the Battle of Borodino, which are considered by the author as military-patriotic discourse and historical myths. The author calls for distinguishing

APA, Harvard, Vancouver, ISO, and other styles

26

Sharma, Madhukar. "Affect of abjection in T. S. Eliot's the waste land." Journal of Tikapur Multiple Campus 3, no. 3 (2017): 138–44. http://dx.doi.org/10.3126/jotmc.v3i3.70109.

Full text

Abstract:

This paper deals with affect of abjection pervasive in modern people enunciated in T.S. Eliot's magnum opus The Waste Land (1922). This poem primarily enacts the poet's disgust with growing modernity of his time particularly relating to the declining of religion and the rise of sexual immorality. This research paper argues that this unhappiness swells in the force of disgust on the part of the poet at the immoral, unfulfilling sexual indulgence appearing repetitively in the text. It tries to unfold this disgust in terms of what Julia Kristeva calls the power (affect) of abjection. The assumpti

APA, Harvard, Vancouver, ISO, and other styles

27

McKnight, Lucinda, Owen Bullock, and Ruby Todd. "Whiteout." Qualitative Inquiry 23, no. 4 (2016): 313–15. http://dx.doi.org/10.1177/1077800416673664.

Full text

Abstract:

This article shares an experimental poem created by three poet-researchers using an online word processor to collaborate within a single document. We attempt to blur the line between creative and academic writing, focusing on the possibilities for writing as a method of inquiry and the opportunities for different perceptions of being that it suggests. Our project unfolds as we also produce a brief diffractive reading that does not mirror or deconstruct the poem, but thinks it in an alternative way, as a broader collaboration, or intra-action between entities, both human and non-human. We avoid

APA, Harvard, Vancouver, ISO, and other styles

28

فيصل, ابتهال عبد الكريم, and رمضان صالح عباد. "Empathy for Animals in Andalusian poetry, The Era of Tawa'f and Moravids." JOURNAL OF LANGUAGE STUDIES 5, no. 1 (2022): 513–25. http://dx.doi.org/10.25130/jls.5.1.33.

Full text

Abstract:

The Andalusian nature is a wonderful environment that has always inspired poets to come up with many poetical images and ideas . The overall landscape is the essential source of these poetical images which are conveyed beautifully by the poets to the recipient audience , poets also use these images to express their ideas , imagination and emotions which intertwine with the poet’s essence finally leading him to express what comes to his mind. The poet communicates with these subjects as if they were humanized , it is the empathy that calls for characterization and sharing with others through ex

APA, Harvard, Vancouver, ISO, and other styles

29

Doç., Dr. Yavuz Çelik. "Symbolism of Freedom in Maya Angelou's poem "The Caged Bird" from Context to Text." International Journal of Social and Humanities Sciences Research 11, no. 113 (2024): 2158–67. https://doi.org/10.5281/zenodo.14222038.

Full text

Abstract:

Maya Angelou, an African-American woman with a long writing career as an author, poet and civil rights activist, rose to fame with her autobiography <em>I Know Why the Caged Bird Sings</em> published in 1969 and died at the age of 86 in 2014, only to be honoured by President Barack Obama with the Presidential Medal of Freedom four years before her death. Inspired by her fondness for freedom, Angelou’s poem “The Caged Bird” depicts the theme of freedom with multifaceted symbolism, while the images of the caged bird and the free bird successfully reflect the complex dynamics of

APA, Harvard, Vancouver, ISO, and other styles

30

Jarvis, Jill. "Forget Decolonizing." Representations 162, no. 1 (2023): 125–43. http://dx.doi.org/10.1525/rep.2023.162.9.125.

Full text

Abstract:

This paper considers the possibilities and limits of anticolonial resistance alongside the transmedial artworks of Tuareg poet and artist Mahmoudan Hawad, setting what he calls his “furigraphies” in a radioactive historical and geographical context that presently extends from Taourirt Tan Afela (Algeria) to Arlit (Niger) because of indelible—and currently unfolding—French nuclear imperialism that includes both nuclear bomb and uranium extraction infrastructures.

APA, Harvard, Vancouver, ISO, and other styles

31

Minguzzi, Dario. "Mid-Tang Exchange Poetry, the Kingdom of Parhae, and the Reception of Bai Juyi in Early Heian Japan, Part 2: The Yuan-Bai Corpus and the Rise of Heian Sinitic Poetry." Sungkyun Journal of East Asian Studies 25, no. 1 (2025): 33–50. https://doi.org/10.1215/15982661-11631549.

Full text

Abstract:

Abstract Scholars have long been puzzled by the immense popularity of mid-Tang poet Bai Juyi (772–846) at the Heian court (794–1185), especially compared to the relatively limited attention given to other Tang poets known to have reached Japan. This article traces the origins of the Heian court's appreciation of Bai Juyi to what the author calls a “mode of reading” his poetic corpus, shaped both directly and indirectly by the Heian literati's familiarity with Yuan-Bai exchange poetry, whose significance was reinforced by regular poetic exchanges between Heian poets and envoys from the Kingdom

APA, Harvard, Vancouver, ISO, and other styles

32

Amundsen Bergström, Matilda. "Peritextuella gränsland." Tidskrift för litteraturvetenskap 45, no. 2-3 (2015): 5–16. http://dx.doi.org/10.54797/tfl.v45i2-3.8968.

Full text

Abstract:

Peritextual Borderlands: La querelle des femmes and the Early Modern Book Market The article investigates the roles played by printers, publishers and book traders in la querelle des femmes, the literary debate about women that took place in Europe in the early modern period. I discuss what Gerard Genette calls the peritext, as a section of the printed book where the interests of authors, printers, publishers and traders intersect. After discussing the English Swetnam controversy of 1615-1617 from the perspective of the literary market, I turn to the French poet Louise Labé and her work

APA, Harvard, Vancouver, ISO, and other styles

33

Gianluca, Della Corte. "Una «trasognata apertura di obbiettivo cinematografico». La poesia di Sandro Penna." Aura, no. 1 (March 15, 2021): 49–60. https://doi.org/10.5281/zenodo.10732518.

Full text

Abstract:

Sandro Penna’s poetry and cinema arise from the same matrix, an element that allows us to recognize in them a genetic affinity: the train. However, before attempting a reconstructive track of that kinship, it seems necessary to point out that it was not that founding Saturday of December 28, 1895 that gave the history of cinema <em>L’Arrivée d’un train à La Ciotat</em>: the short film that in fifty seconds consecrated the fortunes of the Lumière brothers would startle audiences a few days later. Yet, in the collective imagination this film stands as

APA, Harvard, Vancouver, ISO, and other styles

34

SHAMAILA, AMIR. "Psychological Effects of War on Women in Iraq: An Analysis in the Light of Dunya Mikhail's Poem "The Cup"." Commonwealth Journal of Academic Research (CJAR.EU) 1, no. 1 (2020): 65–72. https://doi.org/10.5281/zenodo.3875665.

Full text

Abstract:

In “The Cup,” Dunya Mikhail, the Iraqi- American poet, who is the witness of two wars herself, describes war as its recurring theme as it has touched her life and thematic interests. The poem is about a widow of a soldier who calls his spirit through a Ouija Board with a cup that moves to answer questions, asked by the widow, on behalf of the spirit of the martyred soldier. The aim of the paper is to analyze the effects of war on Iraqi women through analyzing the themes of war in the poem. The paper will also analyze the mental perplexities of those women who lose their loved ones

APA, Harvard, Vancouver, ISO, and other styles

35

Bartczak, Kacper. "Change and the Poetics of Plenitude in Wallace Stevens and John Ashbery." Text Matters, no. 5 (November 17, 2015): 159–76. http://dx.doi.org/10.1515/texmat-2015-0012.

Full text

Abstract:

The essay attends to a paradox found in some crucial poetic efforts by Wallace Stevens and John Ashbery. In some of their most important poetic works Stevens and Ashbery take on the task of positioning the poem toward the plurality of reality, the plurality that is concentrated in the phenomenon of change. As they do so, they invariably encounter a tension within the poem itself: as the poem merges with the flow of changes in the external world-the physical changes in time and space-it also calls up permanent forms of imaginative purposive capability of attending to change, envisioning it, or,

APA, Harvard, Vancouver, ISO, and other styles

36

CHEISHVILI, Nani. "T. S. Eliot’s Wasteland and Feminism." Journal in Humanities 9, no. 2 (2021): 37–41. http://dx.doi.org/10.31578/hum.v9i2.415.

Full text

Abstract:

The minority asks questions, and triggers power dynamics to transform and transcend. The Modernist movement portrays already defeated Post- World War One Man in a meeker light. The colonial white male base is urged to pass down the power to other members of society. T.S. Eliot depicts the new influential members of that society and grants them temporary authority. The poet adequately estimates the gender misbalance and introduces Transgender Tiresias, who watches over the newly empowered female typist enjoying her newly found independence. The poet also emancipates the famous clairvoyant and c

APA, Harvard, Vancouver, ISO, and other styles

37

Donskikh, Oleg, Natalya Martishina, and Vladislav Cheshev. ""The muse stands beside me" (On the source of creativity from Homer to Kant)." Ideas and Ideals 16, no. 1-1 (2024): 29–47. http://dx.doi.org/10.17212/2075-0862-2024-16.1.1-29-47.

Full text

Abstract:

The article explores the question of how the ideas about the source of creativity were been changing among European thinkers. In the classical period in Ancient Greece the idea prevailed, coming from Homer, Hesiod and Pindar, that poets derive the content and form of poetic works from Muses, who give them the opportunity to create at their will. At the same time, a common place was the idea that poets do not always bring the truth to the world. Plato, analyzing the work of poets, speaks of two sources – pleasure and inspiration, but only the gods choose when the poet speaks on their behalf. He

APA, Harvard, Vancouver, ISO, and other styles

38

Pavlenko, Yuliia. "The motive of the freedom in the intertextual dimension of Ukrainian poetry: a dialogue of «Khatian» poets with H. S. Skovoroda." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu Serìâ Fìlologìâ 15, no. 26-27 (2022): 164–71. http://dx.doi.org/10.34079/2226-3055-2022-15-26-27-164-171.

Full text

Abstract:

The article examines the motif of freedom in the poetry of the "Ukrainska Khata" journal in the intertextual space with "The Garden of Divine Songs" by H. S. Skovoroda. Having selected the poetic works published in the "Ukrainska Khata" journal, it was found that the motif of freedom appears in its polysemantic expression in the poetry of the following authors: Maksym Rylskyi, Pavlo Tychyna, Oleksandr Neprytskyi-Hranovskyi, M. Dontsiv, O. Nedolia, Yakiv Mamontov, Sydir Tverdokhlib, Mykola Voronnyi, Oleksandr Oles, Khrystyna Alchevska, Hryhorii Chuprynka, Mykola Filianskyi. The following themat

APA, Harvard, Vancouver, ISO, and other styles

39

Pearce, S. J. "Bracelets are for Hard Times: Economic Hardship, Sentimentality and the Andalusi Hebrew Poetess." Cultural History 3, no. 2 (2014): 148–69. http://dx.doi.org/10.3366/cult.2014.0068.

Full text

Abstract:

Of thousands of poems written in Hebrew between the closure of the canon of the Hebrew Bible and the dawn of modernity, a single exemplar is identified as having been written by a woman, known only as the wife of her husband, Dūnash ben Labrāṭ. Modern scholarship on this poem has primarily been interested in it as a unique and curious artefact of a woman writer working in Hebrew. The present article will reconsider that poem in light of documents in the Cairo Genizah that deal, from a documentary perspective, with the same concerns and activities that the poet treats in verse, specifically the

APA, Harvard, Vancouver, ISO, and other styles

40

Burke, Jordan. "Lawino in the Library: Anthropology, Modernity, and the Profession of African Literature." PMLA/Publications of the Modern Language Association of America 137, no. 3 (2022): 407–23. http://dx.doi.org/10.1632/s0030812922000335.

Full text

Abstract:

AbstractThis essay examines the shadowy brokerage of literary and anthropological value during the era of decolonization and its connection to the institutionalizing of African literature. Drawing on original archival research, it recovers the conversation between the Ugandan poet Okot p'Bitek's major long poem Song of Lawino and the Oxford Library of African Literature, a series of oral-literature anthologies edited by Okot's and Talal Asad's advisers at the Oxford Institute of Social Anthropology. Instead of reciprocating the series's temporal and hierarchical assumptions, which appropriate

APA, Harvard, Vancouver, ISO, and other styles

41

Borris, Kenneth, and Meredith Donaldson Clark. "Hymnic Epic andThe Faerie Queene’s Original Printed Format: Canto-Canticles and Psalmic Arguments*." Renaissance Quarterly 64, no. 4 (2011): 1148–93. http://dx.doi.org/10.1086/664087.

Full text

Abstract:

AbstractWhen Edmund Spenser (1552?–99) published hisFaerie Queenein 1590 and 1596, two pervasive structural features would have seemed surprising: the abbreviationCant.in sectional and running titles, used instead ofCanto;and a four-line stanza of common meter for each section's argument, instead of a more expansive and prestigious stanza. Study of the relevant early modern Italian and English norms of publication indicates that these were complementary and innovative means of merging heroic form with divine poetry and hymnic discourse, and recognized as such.Cant.readily suggestedcanticleand

APA, Harvard, Vancouver, ISO, and other styles

42

الساعدي, رحيم خريبط, and إسراء محمد العكراوي. "Rotation in Shawqi Bazie's Poetic Works." Kufa Journal of Arts 1, no. 31 (2017): 345–58. http://dx.doi.org/10.36317/kaj/2017/v1.i31.6172.

Full text

Abstract:

Shawqi Bzei used rotation in his poems, trying to catch up with his fragmented fantasies, as if this rotation reflects the extent of the acceleration of the events around him with his helplessness in the face of them. The use of rotation between the lines was not absurd in Bzeih's experience, as the research proved that the formal division of the lines carried other semantic advantages, with the notification of adhesion and cohesion between the parts of the poem or the rounded syllable. In addition, the poet relied on narration in many of his poems, which calls for continuity and building word

APA, Harvard, Vancouver, ISO, and other styles

43

Azimov, Adiz Abdullaevich. "RUDAKI'S PHILOSOPHICAL VIEWS IN HIS WORKS." Educational Research in Universal Sciences (ERUS) 2, no. 8 (2023): 214–28. https://doi.org/10.5281/zenodo.10024108.

Full text

Abstract:

The article analyzes the philosophical and ethical views of the great poet Abu Abdullah Rudakiy Samarkandiy, Rudakiy's worldview was formed during the period of the power of the Samanid state, when, thanks to peace and relative calm, agriculture, crafts, trade, literature, science and philosophy rapidly developed. Rudaki constantly calls for action, work, acquisition of knowledge, life experience: In life we gain experience - life teaches us, gives advice, To avoid accidental troubles on the road of life.

APA, Harvard, Vancouver, ISO, and other styles

44

Shapiro, Nadezhda A. "On the Poem by Boris Slutsky “They shot Van’ka, the platoon commander…”. Problems of Understanding." Russkaia rech, no. 2 (2023): 120–27. http://dx.doi.org/10.31857/s013161170025489-6.

Full text

Abstract:

The article is devoted to analysis of a poem written by Boris Slutsky. Boris Abramovich Slutsky (1919–1986), Russian poet and a veteran of the Great Patriotic War, is an important figure in the Russian poetry of the second half of the 20th century. The article examines the poem “They shot Van’ka, the platoon commander…” that was not published until the late 80s. While very simple in form, the poem leaves a great deal of room for interpretation of its content. The author intentionally chooses a restrained tone and avoids judgmental vocabulary that could reveal his attitude towards the depicted

APA, Harvard, Vancouver, ISO, and other styles

45

Nowaczewski, Artur. "PRZESŁANIE ROZBITKA. WĄTKI ORFICKIE W POEZJI KRZYSZTOFA KARASKA." Colloquia Litteraria 19, no. 2 (2016): 69. http://dx.doi.org/10.21697/cl.2015.2.06.

Full text

Abstract:

Although Krzystof Karasek counts among the most outstanding representatives of the Nowa Fala (New Wave) generation, his poems have not been subject to detailed analysis so far. The author attempts to highlight the meaning of the Orphic threads in Krzysztof Karasek’s poetry written after 1989. For more than twenty years Karasek’s poems have been tied to each other by a suggestive figure of a hero named by the poet a ‘castaway’. This castaway’s characteristics include distance to himself and lack of delusion about the condition of the world after personal and cultural collapse. Still, it also in

APA, Harvard, Vancouver, ISO, and other styles

46

Toshniyozova, Dilfuza Polvonovna. "IBNI DAVLAT - CREATIVITY OF MODERN APPROACH IN HIS WORK." Eurasian Journal of Academic Research 1, no. 5 (2021): 115–18. https://doi.org/10.5281/zenodo.5347962.

Full text

Abstract:

This article calls for the promotion of communist ideology in the majority of Uzbek Soviet literature published during the reign of Ibn Davlat, a representative of Eastern classical literature, but the works that do not adhere to this ideology and their authors, of course, persecute the poet. , is based on classical traditions. Ibn Davlat's mastery of the devon, one of the classical traditions, was based on the mastery of the work of the classical salaf, which reflected the harmony and commonality of general ideas.

APA, Harvard, Vancouver, ISO, and other styles

47

Aksenova, Anastasia, and Kapitalina Sinegubova. "TRANSFORMATION OF THE IMAGE OF THE PROPHET AND THE PROPHETIC WORD IN THE WORKS OF K.D. BAL’MONT AND V.YA. BRYUSOV IN COMPARISON WITH THE POEM “THE PROPHET” BY M.YU. LERMONTOV." Literaturovedcheskii Zhurnal, no. 1 (2022): 140–54. http://dx.doi.org/10.31249/litzhur/2022.55.08.

Full text

Abstract:

The purpose of the article is to consider the image of the prophet and the prophetic word in the works of the poets of the Silver Age in comparison with the previous tradition presented in the text of M.Yu. Lermontov. The transformation of the poet-prophet noted by researchers, which occurs in the lyrics of the Silver Age, is clarified in our article by considering the change of functions of the prophetic word. In conclusion, it is found out that with numerous motivational and semantic calls, the prophetic word in the lyrics of K. Bal’mont and V. Bryusov indicates a different direction. In the

APA, Harvard, Vancouver, ISO, and other styles

48

ლომოური, სალომე. "მეორე მსოფლიო ომის რეფლექსია ქართველ „პოეტ-ჯარისკაცთა“ ლირიკაში". სჯანი 25 (18 жовтня 2024): 53–83. http://dx.doi.org/10.62119/sjn.25.2024.8106.

Full text

Abstract:

The experiences and impressions of World War II (1939-1945) have been extensively reflected in the literature of the participating countries and have garnered significant attention. Almost eight decades have passed since the end of the war, yet this topic remains profoundly relevant. The war claimed the lives of 25 million soldiers and 55 million civilians, including 11 million who perished in concentration camps, making it the bloodiest conflict in world history. Many poets actively participated in the war, vividly describing what they witnessed and felt on the battlefield. However, the war's

APA, Harvard, Vancouver, ISO, and other styles

49

Wicher, Andrzej. "Wawel Meets Elsinore. The National and Universal Aspects of Stanisław Wyspiański’s Vision of Shakespeare’s Hamlet." Text Matters, no. 7 (October 16, 2017): 214–38. http://dx.doi.org/10.1515/texmat-2017-0012.

Full text

Abstract:

The aim of this paper is to show the role, the possibilities and the limits of Wyspiański’s national thinking through Shakespeare’s Hamlet. Of particular importance, in this context, is the role the Ghost takes in Wyspiański’s celebrated interpretation of Shakespeare’s Hamlet. By the Ghost we mean the spirit of history, the ghost of a father, the spirit of the fatherland, the voice of the ancestors, and particularly that of the Polish king Casimir the Great, as well as the Holy Ghost and the Evil Spirit because all these aspects of the Ghost belong to Wyspiański’s vision. The play in question

APA, Harvard, Vancouver, ISO, and other styles

50

Biggs, Frederick M. "Beowulf and some fictions of the Geatish succession." Anglo-Saxon England 32 (December 2003): 55–77. http://dx.doi.org/10.1017/s0263675103000048.

Full text

Abstract:

Having just killed the dragon, and with death ‘ungemete neah’ (2728b; ‘exceedingly near’), Beowulf begins to speak, remarking first on his lack of a son: Nu ic suna minum syllan woldeguðgewædu, þær me gifeðe swaænig yrfeweard æfter wurdelice gelenge. (2729–2732a)The language here seems almost neutral, but at least two of the terms are suggestive. The ‘guðgewædu’ (‘war-garments’) that he wishes to leave to his son recall most notably the elaborate gifts of weapons and horses – including the saddle that the king used in battle (1037b–1043) – that Hrothgar had given him following the fight with G

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!