Relevant bibliographies by topics / Poet-composer

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Poet-composer'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Poet-composer"

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Hold, Trevor. "Ivor Gurney: Poet and Composer." Musical Times 131, no. 1770 (1990): 414. http://dx.doi.org/10.2307/966620.

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SCHILDKRAUT, JOSEPH J. "Adolf Wölfli: Draftsman, Writer, Poet, Composer." American Journal of Psychiatry 155, no. 12 (1998): 1787a—1788. http://dx.doi.org/10.1176/ajp.155.12.1787a.

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Korolevskaya, Natalia V. "In a Dialogue with the Poet." ICONI, no. 3 (2021): 105–16. http://dx.doi.org/10.33779/2658-4824.2021.3.105-116.

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The article devoted to questions of musical and poetic synthesis raises the issue of the relationship between the composer and the poet in its special interpretation, defined as spiritual “affinity”. In Elena Gokhman’s song cycle “Insomnia” analyzed from this position, a whole range of points of contact between the artistic worlds of the poet and the composer opens up to the poems of Marina Tsvetaeva. The analysis of the musical-poetic text at the pre-musical and musical levels of its organization, in the unity of syntagmatic and paradigmatic structures, which unfold, on the one hand, as a psy
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Selen TEKİN, Hatice. "The Harmony Between the Poet and the Composer." Journal of Turkish Studies Volume 6 Issue 3, no. 6 (2011): 329–54. http://dx.doi.org/10.7827/turkishstudies.2433.

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Hilger, Silke, and M. C. Hall. "Wolfgang von Schweinitz's impersonations of composer and poet." Tempo, no. 193 (July 1995): 15–17. http://dx.doi.org/10.1017/s0040298200004265.

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Franz & Morton Singing Together in Harmony (With the Lord Himself Enjoying His Bells) is the title of a recent chamber-music work for violin, cello and piano by Wolfgang von Schweinitz. The musically erudite will have no difficulty in identifying the persons referred to by those Christian names. They are, of course, the two composers, Schubert and Feldman – who, with Schweinitz, form a trio which combines more as a community than merely professionally.
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Carbó, Ferran. "Franz Schubert en Màrius Torres." Studia Romanica Posnaniensia 48, no. 3 (2021): 19–34. http://dx.doi.org/10.14746/strop.2021.483.002.

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This study reviews the presence of the composer Franz Schubert in five poems by Màrius Torres. These texts were written between 1933 and 1938, while Torres consolidated and evolved as a poet. The writer from Lleida performed musical scores with the piano and the Austrian composer, through his Lieder, became a model, something that is evident in the different ways in which transtextuality is present, not only between the songs’ lyrics and Torres’ poems, but also between the musical compositions and these same poems. This study analyzes how, on the one hand, Schubert’s Lieder “Der Erlkönig” and
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Petrov, Vladislav O. "The Semantics of Death Image in “Madrigals” Supercycle by George Crumb." Observatory of Culture, no. 4 (August 28, 2014): 49–56. http://dx.doi.org/10.25281/2072-3156-2014-0-4-49-56.

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Considers a unique song cycle of the postmodern epoch - “Madrigals” by American composer George Crumb. The author addresses the semantic meaning of Death image in particular and reveals parallels in its representations by the composer and by Federico García Lorca. It is argued that Crumb used particular phrases of the Spanish poet and dramatist to create the original dramaturgy that deepened the tragic death imaging.
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Roland-Silverstein, Kathleen. "Music Reviews." Journal of Singing 80, no. 5 (2024): 611–13. http://dx.doi.org/10.53830/sing.00053.

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Abstract: This column includes reviews of a four-volume opera anthology series organized by voice type (soprano, mezzo, tenor and baritone), by American composer Jake Heggie. Also reviewed are art song settings of the poetry of Harlem Renaissance poet Langston Hughes: "Dream Variations" by American composer Mark Carlson, and "Three Dream Portraits and Three Original Songs" by Margaret Bonds; the latter appears in an edition by scholar Louise Toppin.
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Haywood, Mark. "Monk Trio: A Sequence of Sonnets." Journal of Jazz Studies 7, no. 1 (2011): 73. http://dx.doi.org/10.14713/jjs.v7i1.5.

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<span style="font-size: 12pt; font-family: "Adobe Caslon Pro";">Poet Mark Haywood presents three sonnets that explore the life and music of Thelonious Monk, the great jazz pianist and composer.</span>
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Foreman, Lewis. "GATHERED FROM THE FIELD: TREVOR HOLD (1939–2004), COMPOSER AND POET." Tempo 58, no. 229 (2004): 28–39. http://dx.doi.org/10.1017/s004029820400021x.

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The composer and writer Trevor Hold, who died on 28 January, was an occasional contributor to Tempo over the years; perhaps his most substantial article being the meticulously researched ‘Grieg, Delius, Grainger and a Norwegian Cuckoo’ in Tempo 203 (January 1998). His latest contributions, a book review and CD review, appeared as recently as the January issue of this year, a few days before his death.
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Dissertations / Theses on the topic "Poet-composer"

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Hand, Angela René. "Francis Hopkinson : American poet and composer /." Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p9983125.

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Bauer, Beth. "Twentieth-Century American Composer, Thomas Pasatieri: An Examination of Style as Illustrated By The Works Set to The Text of American Poet Kit Van Cleave /." The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487931993466739.

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Books on the topic "Poet-composer"

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Elka, Spoerri, Baumann Daniel 1967-, and Adolf-Wölfli-Stiftung, eds. Adolf Wölfli: Draftsman, writer, poet, composer. Cornell University Press, 1997.

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Mittler-Battipaglia, Diana. Franz Mittler: Austro-American composer, musician, and humorous poet. P. Lang, 1993.

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A, Hoffmann E. T. E.T.A. Hoffmann's musical writings: Kreisleriana, The poet and the composer, music criticism. Cambridge University Press, 1989.

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A, Hoffmann E. T. E.T.A. Hoffmann's musical writings: Kreisleriana, The poet and the composer, music criticism. Cambridge University Press, 2003.

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Czuba, Mike. Satie et cocteau: A rehersal of play of a composer by a poet. Playwrights Guild of Canada, 2012.

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Hughes, Robert. Cavalcanti: A perspective on the music of Ezra Pound. Second Evening Art, 2003.

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Hughes, Robert G., and Margaret Fisher, eds. Le Testament "Paroles de Villon": 1926 and 1933 performance editions. Second Evening Art Publishing, 2008.

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Kennedy, Kate. Ivor Gurney: Poet, composer : a special issue of the Ivor Gurney Society journal based on papers given at the conference held at Lucy Cavendish College, Cambridge, on 8-9 September 2007. s.n.], 2007.

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Hull, A. Eaglefield. Cyril Scott, Composer, Poet and Philosopher. Franklin Classics, 2018.

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Cyril Scott, Composer, Poet and Philosopher. Franklin Classics, 2018.

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Book chapters on the topic "Poet-composer"

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Mahoney-Steel, Tamsyn. "2.Machaut: The Greatest Fourteenth-Century Poet and Composer of the Twenty-First Century." In Epitome musical. Brepols Publishers, 2022. http://dx.doi.org/10.1484/m.em-eb.5.132695.

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"Composer, Poet, Author, Editor (1779–1784)." In William Billings of Boston. Princeton University Press, 2019. http://dx.doi.org/10.2307/j.ctvd58rcr.11.

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Morey, Carl. "Words for Music: The Composer as Poet." In Istvan Anhalt. McGill-Queen's University Press, 2001. http://dx.doi.org/10.1515/9780773568754-012.

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Kršljanin, Nina, and Filip Milinković. "THE BOYARS, THE POET AND THE COMPOSER:." In History of Law and Other Humanities. Dykinson, 2019. http://dx.doi.org/10.2307/j.ctvr7f8t1.9.

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"CHAPTER IV. Composer, Poet, Author, Editor (1779-1784)." In William Billings of Boston. Princeton University Press, 2019. http://dx.doi.org/10.1515/9780691198453-009.

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"Poet and Composer: Operatic Insights of an Insider." In E. T. A. Hoffmann, Cosmopolitanism, and the Struggle for German Opera. Brill | Rodopi, 2016. http://dx.doi.org/10.1163/9789004309579_004.

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Clark, Walter Aaron. "Celedonio and Angelita, the Poet and his Muse." In Los Romeros. University of Illinois Press, 2018. http://dx.doi.org/10.5622/illinois/9780252041907.003.0010.

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Celedonio was a poet of the guitar. Though he dedicated his life to the guitar, as a performer, teacher, arranger, and composer, he was also an inspired poet who often accompanied poets in concert during the early years in Spain. He wrote poetry and published a volume of his poems. Angelita was the inspiration for much of his verse. She was a devotee of Spanish literature and often read to the family, on trips or at bedtime. She was also a virtuosa castanet player and appeared with the quartet in concerts.
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Kafka-Price, Laura, and Maksymilian Krzak. "Rymy dziecięce, op. 49." In Polish Pronunciation Guide for Singers. Oxford University PressNew York, NY, 2025. https://doi.org/10.1093/9780197775226.003.0007.

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Abstract In this chapter, the authors offer insight on the history behind the song cycle. The authors examine the exchange of letters between the composer and the poet, who did not immediately see eye to eye, as Szymanowski set Iłłakowiczówna’s poems to music without her knowledge. Also included is a discussion on select performing aspects of the songs based on observations and invaluable first-hand experience by Szymanowski’s sister, Stanisława Korwin-Szymanowska, who premiered the cycle with the composer at the piano. The goal of this chapter is to help singers peek into Szymanowski’s compos
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"How a Poet and a Composer Overcame Soviet Censorship of the Holocaust." In The 7 Deadly Myths. Academic Studies Press, 2023. http://dx.doi.org/10.1515/9798887193311-023.

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Kennedy, Kate. "Ivor Gurney: Embracing and Attacking A. E. Housman." In The Edinburgh Companion to Literature and Music. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9780748693122.003.0063.

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Ivor Gurney, probably the only composer since Thomas Campion to be as gifted a poet as he was a musician, used, in his 1919 song cycle Ludlow and Teme, a complex and conflicted engagement with poems from A. E. Housman’s A Shropshire Lad to express his deeply ambivalent relationship to the war he had just survived. His settings in Ludlow and Teme are compared with Butterworth’s Housman settings, written in 1911 and 1912, and with Gurney’s own war poetry. While Gurney does harness Housman’s cultural associations with the pastoral, England and nationhood, his musical treatment of the texts transl
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Conference papers on the topic "Poet-composer"

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Ciprian, Ion. "A COMPOSER... A POET... A MELOGRAM." In 6th SWS International Scientific Conference on Arts and Humanities ISCAH 2019. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sws.iscah.2019.1/s25.034.

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SERDEȘNIUC, Cristian. "Considerations about the axiological dimension of Vieru's song for children." In "Educaţia lingvistică şi literară în contextul dezvoltării valorilor general-umane", conferinţă ştiinţifică internaţională. Ion Creangă Pedagogical State University, 2024. https://doi.org/10.46727/c.10-11-11-2023.p87-91.

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In this article it is analysed the musicality feature of Vieru's verse, meanwhile the axiological dimension of Grigore Vieru's song devoted to infantile public. He is a poet of important themes, besides that Vieru is also a composer of songs for all ages. His songs educate human values, promote the culture of good neighborhood, prove the organic bund with the folkloric saps. The poet sang themes sacralized in time, such as: childhood, parental house, maternal verb, village, friendship, love, language, nature, peace and longing. The lullabies represent an honour place in his creation. Vieru's s
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Мир-Багирзаде, Ф. А. "Oriental symbolism of the ballet "Seven beauties" based on the poem by Nizami Ganjavi." In Современное социально-гуманитарное образование: векторы развития в год науки и технологий: материалы VI международной конференции (г. Москва, МПГУ, 22–23 апреля 2021 г.). Crossref, 2021. http://dx.doi.org/10.37492/etno.2021.91.54.086.

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автор исследует творческие интерпретации произведения поэта-гуманиста Низами Гянджеви (XII в.) из цикла «Хамсе» «Семь красавиц». Поэт, был подлинным эрудитом, знатоком не только коранических текстов, истории, античной и мусульманской философии, но и астрономии. Данная статья – попытка проследить ориентальную символику образов Гянджеви в одной из творческих интерпретаций поэмы «Семь красавиц», через призму хореографического и сценографического искусства. Метод исследования – семиотический анализ, объект исследования – балет «Семь красавиц», объединивший достижения современной европейской хореог
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Chronopoulou, Anna. "Music in the service of the directorial vision: The case study of the theatrical performance of Acharnians in 1976 by the Greek Art Theatre (Theatro Technis)." In 8th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2022. http://dx.doi.org/10.32591/coas.e-conf.08.03033c.

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Someone could claim that a well prepared, contemporary theatrical production consists of a thorough planning, a period of rehearsals and the final presentation of the work before the audience. Whether we talk about a collective theatrical organization or a hierarchical one, we should agree upon the fact that the directorial vision could be considered as the motivating gear of a theatrical performance. It is the director’s or the team’s directorial vision – in the cases of alternative, collective theatrical productions – which guides those who participate in a theatrical performance and, theref
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Reports on the topic "Poet-composer"

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Cox, Jeremy. The unheard voice and the unseen shadow. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.621671.

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The French composer Francis Poulenc had a profound admiration and empathy for the writings of the Spanish poet Federico García Lorca. That empathy was rooted in shared aspects of the artistic temperament of the two figures but was also undoubtedly reinforced by Poulenc’s fellow-feeling on a human level. As someone who wrestled with his own homosexuality and who kept his orientation and his relationships apart from his public persona, Poulenc would have felt an instinctive affinity for a figure who endured similar internal conflicts but who, especially in his later life and poetry, was more ope
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