Academic literature on the topic 'Poet laureate'

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Journal articles on the topic "Poet laureate"

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Anderson, R. A. B. "Poet Laureate of Peebles." Gut 55, no. 4 (2006): 553. http://dx.doi.org/10.1136/gut.2005.086009.

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Johnson, Rob. "Poet Laureate: San Francisco." American Book Review 30, no. 2 (2009): 16. http://dx.doi.org/10.1353/abr.2009.0022.

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Dalrymple, T. "The forgotten poet laureate." BMJ 339, dec02 4 (2009): b5182. http://dx.doi.org/10.1136/bmj.b5182.

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Gioia, Dana. "A Boom Interview with California’s Poet Laureate." Boom 6, no. 4 (2016): 70–73. http://dx.doi.org/10.1525/boom.2016.6.4.70.

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Dana Gioia provides his accounting of his work as California’s tenth Poet Laureate. Originally delivered to the California Senate Rules Committee, this interview accounts for Gioia’s understanding of how poetry and the arts can connect with ordinary Californians in collaborative ways. Additionally, Gioia’s poem, “A California Requiem,” accompanies the interview.
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Olson, Kirby. "Flower Power's Enduring Poet Laureate." American Book Review 28, no. 5 (2007): 22–23. http://dx.doi.org/10.1353/abr.2007.0131.

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Ober, Kenneth H., and Warren U. Ober. "Puškin and Southey: Russia's Greatest Poet Translates England's Poet Laureate." Russian Literature 55, no. 4 (2004): 529–47. http://dx.doi.org/10.1016/s0304-3479(04)00035-3.

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Sathian Paenluea. "Sunthorn phu : a Thai Poet Laureate and a Major World Poet." JOURNAL OF KOREAN ASSOCIATION OF THAI STUDIES 15, no. 2 (2009): 101–15. http://dx.doi.org/10.22473/kats.2009.15.2.004.

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Cottrell, Jill. "An Indian Poet Laureate and the Constitution." Asia Pacific Law Review 4, no. 1 (1995): 107–15. http://dx.doi.org/10.1080/18758444.1995.11788025.

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Beveridge, Allan W. "Edinburgh's Poet Laureate: Robert Fergusson's illness reconsidered." History of Psychiatry 1, no. 3 (1990): 309–29. http://dx.doi.org/10.1177/0957154x9000100303.

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BFN, EDN, Donna P. Isaac, et al. "Booksearch: Choosing the Poet Laureate: Were They Listening?" English Journal 79, no. 7 (1990): 84. http://dx.doi.org/10.2307/818730.

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Dissertations / Theses on the topic "Poet laureate"

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Rothfuss, David Alexander. "Fireworks and Sex! A field study guide to America's shiniest religion." Miami University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=miami1304805353.

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Best, Felton O. "Crossing the color line : a biography of Paul Laurence Dunbar, 1872-1906 /." Connect to resource, 1992. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1249488861.

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Gwynne, Paul Gareth. "The life and works of Johannes Michael Nagonius, poeta laureatus c. 1450 - c. 1510." Thesis, University of London, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.366500.

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Okuroglu, Sule. "An Analysis Of Metafictional Self-reflexivity In Laurence Sterne." Master's thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/3/12606560/index.pdf.

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This thesis evaluates metafictional self-reflexivity, and presents it within the scope of certain structuralist and post-structuralist approaches especially by referring to William Gass&rsquo<br>definition of metafiction and Raymond Federman&rsquo<br>s theories on the devices of metafiction. Then aspects of the works of William Gass&rsquo<br>Willie Master&rsquo<br>s Lonesome Wife and Laurence Sterne&rsquo<br>s The Life and Opinions of Tristram Shandy are discussed within this framework.
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Moore, Lindsay Emory. "The Laureates’ Lens: Exposing the Development of Literary History and Literary Criticism From Beneath the Dunce Cap." Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc822784/.

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In this project, I examine the impact of early literary criticism, early literary history, and the history of knowledge on the perception of the laureateship as it was formulated at specific moments in the eighteenth century. Instead of accepting the assessments of Pope and Johnson, I reconstruct the contemporary impact of laureate writings and the writing that fashioned the view of the laureates we have inherited. I use an array of primary documents (from letters and journal entries to poems and non-fiction prose) to analyze the way the laureateship as a literary identity was constructed in several key moments: the debate over hack literature in the pamphlet wars surrounding Elkanah Settle’s The Empress of Morocco (1673), the defense of Colley Cibber and his subsequent attempt to use his expertise of theater in An Apology for the Life of Colley Cibber (1740), the consolidation of hack literature and state-sponsored poetry with the crowning of Colley Cibber as the King of the Dunces in Pope’s The Dunciad in Four Books (1742), the fashioning of Thomas Gray and William Mason as laureate rejecters in Mason’s Memoirs of the Life and Writings of William Whitehead (1788), Southey’s progressive work to abolish laureate task writing in his laureate odes 1813-1821, and, finally, in Wordsworth’s refusal to produce any laureate task writing during his tenure, 1843-1850. In each case, I explain how the construction of this office was central to the consolidation of literary history and to forging authorial identity in the same period. This differs from the conventional treatment of the laureates because I expose the history of the versions of literary history that have to date structured how scholars understand the laureate, and by doing so, reveal how the laureateship was used to create, legitimate and disseminate the model of literary history we still use today.
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Sala, Monique. "Structure et nature des corps sédimentaires formes en régime post-glaciaire dans le domaine sous-marin du delta holocène de la Natashquan (Golfe du Saint Laurent - Canada)." Perpignan, 1991. http://www.theses.fr/1991PERP0122.

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L'evolution du delta de la riviere natashquan (cote-nord du golfe du st-laurent) en domaine sub-boreal fournit un exemple de construction successives de prismes de bas niveau marin submerges dans un contexte d'epirogenie positive post-glaciaire lors de la transgression mondiale holocene. La serie quaternaire-type (diamictons, argiles, silts et sables ferriferes avec placers de magnetite) est determinee par des etudes geophysiques et sedimentologiques. Le cone submerge du delta est constitue par 4 lobes mis en place chronologiquement d'est en ouest a partir de 8500 ans b. P. Ils repondent d'une part a l'alimentation de depocentres determines par des embouchures successives et d'autre part au potentiel d'accommodation du bassin recepteur, dans un cadre de regression apparente, induit par le jeu antagoniste et desynchronise du mouvement purement eustatique du niveau marin et du relevement glacio-isostatique. Leur deplacement est regle par plusieurs facteurs: frequence des secousses telluriques, pulsation negative relative du niveau marin, transits sedimentaires provoquant la progression de fleches d'embouchures. La diminution de profondeur accroit l'action des houles, ce qui entraine l'erosion des couches sommitales, la troncation des couches frontales et l'accumulation d'un niveau de remaniement superficiel. Dans certains cas, en particulier sur la plateforme du lobe principal, cette condensation conduit a la formation d'un placer de magnetite. Des evolutions plus complexes, impliquant remaniements de lobes, constructions puis destructions de fleches sedimentaires, triages reiteres en milieu littoral, expliquent la formation d'un autre placer localise sur la haute plage et les bermes actuelles. Le delta de natashquan, en domaine sub-boreal, est un exemple d'adaptation des conditions de depot des sediments aux variations d'espace disponible du bassin recepteur, dans un cadre de regression apparente lie a un contexte paleogeographique de deglaciation relativement recente
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Normand, France. "Pratiques et conditions de la petite navigation sur le Saint-Laurent dans les dernières décennies du XIXe siècle : le cas de la batellerie du port de Québec." Thèse, Université du Québec à Trois-Rivières, 1995. http://depot-e.uqtr.ca/6802/1/000623165.pdf.

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Wei-YingLin and 林蔚頴. "A Study on the Poet Laureate of Lan-Yung, Wan-Yang Lee and his "Westward Poem Volumes"." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/42922683053474178106.

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碩士<br>國立成功大學<br>台灣文學系碩博士班<br>98<br>Wan-Yang Lee, a man of strict morality, was born and grew up in Yi-lan. Of all his life, he experienced across four emperors’ ages of the Ching . He was born at the time when Japanese ruled the island. He studied very hard and got the permission to be the candidate when he was young. Then he practiced his ideal becoming a professional scholar by following Confucius’ rules and principles. He revitalized the culture and education system and stood as a role of advocacy even before he became an official in the government. Moreover, he visited Gansu, a province of China, for thirteen years. He made great achievement in Gansu, so he was highly praised by the people. After he returned from Gansu, he continued to honor and gave compliments to Confucianism of all his life. His demeanor could be summarized into a few words, the holy person who lets. My thesis aims at analyzing Lee’s life and his collection of poems “Westward Poem Volumes”. Also, I would make some comments and discussion about its style, and the issue which was provoked by the poems. Besides making a careful description of his works, I would like to make a just, exact appreciation of Lee’s life and show his attitudes confronting with Japanese’s governance.
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"The Orphic laureate: Jonson, Milton, and Dryden as national poets." Tulane University, 1997.

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The increasing cultural authority of writers in the seventeenth century fosters the growth of many modern notions of authorship. I argue that the myth of the poet/musician Orpheus, whose skillful words civilized 'savage' early humans, provides the model for this more powerful role. The Orpheus myth intersects with key emerging discourses: the dynastic state and the nation-state, patronage and print, and gender and sexuality. Pursuit of Orphic laureateship emerges as a common thread in the careers of three very different poets, the professional and patronage writers John Dryden and Ben Jonson, and the anti-monarchist and scholar John Milton. In arguing for an Orphic laureate, I use evidence from Jonson's, Milton's, and Dryden's texts to establish the existence of a larger cultural pattern in the early modern period. I consider the Protestant embrace of text over ritual and the advent of print culture in conjunction with the application of musical theory in contemporary scientific discourses of medicine, political science, and rhetoric to establish the theoretical foundation for how Orphic magic influences human actions through music and texts. The ambiguities of the shift from patronage to print allow the Orphic laureates to magnify the threat of political censorship while using the new authority of critical expertise to reallocate this power to the academy. At the center of this effort are the formalization of the office of poet laureate and proposals to centralize cultural authority in a British Academy presided over by the chief critic, the laureate. The concept of the Orphic laureate also connects with Orpheus's reputation after his wife's death as a hater of women and the originator of male homosexuality. Laureates begin the later move toward biologically-based gender difference by reworking the traditional associations of women with the magic of creation and offering Orphic magic as the masculine, civilizing force that contains and shapes feminine Nature. One important result of these efforts is the trend among male writers to create all-male professional genealogies for themselves, lists that have formed many of our notions about canonicity and literary standards<br>acase@tulane.edu
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Tremblay, André Junior. "Les sapinières mixtes post-tordeuses : une option pour la restauration des vieilles forêts dans le Bas-Saint-Laurent? /." 2004. http://proquest.umi.com/pqdweb?did=885680531&sid=5&Fmt=2&clientId=9268&RQT=309&VName=PQD.

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Books on the topic "Poet laureate"

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Zetlin, Liz. Addictions of a poet laureate. Always Press, 2008.

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Addictions of a Poet Laureate. Always Press, 2007.

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Grindrod, Cathy. Laureate lines: Poems from the first Derbyshire poet Laureate. Derbyshire County Cultural & Community Services Dept., 2007.

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Vaṅʻʺ, Khyacʻ Caṃ. Mekong poet: Portrait of great poet laureate Htilar Sitthu. Lat Moe Swe Pub. House, 2005.

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Hill, Norah. Like: the Middlesbrough poet laureate poems 2002-2003. Mudfog, 2002.

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Tennyson, Tennyson Alfred. The poetical works of Alfred Tennyson, poet laureate. J.R. Osgood, 1993.

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Tennyson, Tennyson Alfred. The poetical works of Alfred Tennyson, poet laureate. J.R. Osgood, 1993.

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Ragan, Sam. Collected poems of Sam Ragan, poet laureate of North Carolina. St. Andrews Press, 1990.

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J, Rodriguez Luis. Borrowed bones: New poems from the poet laureate of Los Angeles. Curbstone Books/Northwestern University Press, 2016.

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Luers, Margaret. Laureate of labor: A biography of J.K. McDougall, socialist and poet. Banyan Press, 1987.

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Book chapters on the topic "Poet laureate"

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Gill, Jo. "The “Poet Laureate” of Suburbia." In The Poetics of the American Suburbs. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137340238_4.

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"3. The Oral Poet Laureate." In Song and Silence. Columbia University Press, 2005. http://dx.doi.org/10.7312/davi13526-005.

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"A Woman Poet Laureate – E.V. Lucas 190." In Thomas Hardy Remembered. Routledge, 2017. http://dx.doi.org/10.4324/9781315236193-104.

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"Poet-laureate Bahar in the constitutional era." In Iran. Routledge, 2013. http://dx.doi.org/10.4324/9780203081310-17.

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"A Poet Laureate for Australia? God Forbid!" In Spatial Relations. Volume One. Brill | Rodopi, 2013. http://dx.doi.org/10.1163/9789401209380_047.

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Griffiths, Jane. "Titular Identity: orator regius, poet laureate, and vates." In John Skelton and Poetic Authority. Oxford University Press, 2006. http://dx.doi.org/10.1093/acprof:oso/9780199273607.003.0002.

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Scott, Walter. "Walter Scott recommends Southey as Poet Laureate, I September 1813." In Robert Southey. Routledge, 2002. http://dx.doi.org/10.4324/9780203197271-62.

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"About Being Representative: Ramsey Nasr’s Poetic Performances as Antwerp City Poet and Dutch Poet Laureate." In Challenging the Myth of Monolingualism. Brill | Rodopi, 2014. http://dx.doi.org/10.1163/9789401210980_009.

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"Fred Chappell." In Writing Appalachia, edited by Katherine Ledford and Theresa Lloyd. University Press of Kentucky, 2020. http://dx.doi.org/10.5810/kentucky/9780813178790.003.0044.

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Poet, fiction writer, essayist, and educator Fred Chappell was reared on his grandparents’ farm in Canton, North Carolina. He began writing poems when he was fifteen. While attending Duke University (receiving his AB in 1961 and his MA in 1964), he became friends with southern writers Reynolds Price, Anne Tyler, and James Applewhite. Chappell taught creative writing at the University of North Carolina at Greensboro from 1964 until 2004 and was poet laureate of North Carolina from 1997 until 2002. Although claimed by the southern literary canon, Chappell considers himself an Appalachian author, believing that Appalachian literature is distinct from its southern cousin....
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Thomas, Jayne. "Monodrama and Madness: Maud and the Shrieking of the Wainscot Mouse." In Tennyson Echoing Wordsworth. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474436878.003.0005.

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This chapter examines Tennyson’s Maud, published in 1855. The poem was met with sustained criticism, not least because of its ‘innovatory’ form, a ‘drama in lyrics’ as Tennyson himself terms it. Maud displays a variety of influences, including, most conspicuously, Hamlet, and a variety of metrical forms, in its attempt to render the speaker’s successive phases of passion; the latter include ballad, heroic couplet, alexandrines, and epithalamion. It has also been claimed that Maud, Tennyson’s first non-occasional poem as Laureate, is the result of an Oedipal rivalry with Wordsworth, largely as a result of his inheritance of the Laureateship in 1850. However, Wordsworth’s presence in Maud is more complex than Harold Bloom’s somewhat monolithic model would allow, creating a multiplicity of effects: some borrowings allow Tennyson to remodulate Wordsworth, allowing him to define himself in relation to his predecessor; others define him in turn, underlining the trajectory of the poem and questioning its narrative form; others allow Tennyson to address issues which the poem ostensibly avoids; yet others allow Tennyson to question his role as public poet and as poet of ‘sensation’.
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Conference papers on the topic "Poet laureate"

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Kolesnikov, Andrei Vitaljevich, Georgii Gennadyevich Malinetskii, and Svetlana Nikolaevna Sirenko. "Digital reality: Choosing the future." In 4th International Conference “Futurity designing. Digital reality problems”. Keldysh Institute of Applied Mathematics, 2021. http://dx.doi.org/10.20948/future-2021-1.

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We present an analysis of reports, round table discussions, approaches presented at the IV International Conference “Designing the Future and Horizons of Digital Reality”. The focus of the conference participants was the analysis of the results, risks and prospects for the development of the computer reality of the world and the Belarus-Russia Union State from the position of an interdisciplinary synthesis of knowledge at the intersection of philosophy, mathematics, computer science, sociology and a number of other disciplines. At one time, the Nobel Prize laureate academician Zh.I. Alferov said that it is in Russia and Belarus that the potential in the field of information and telecommunication (IT) technologies is greatest among the post-Soviet countries. And it is these technologies that should become the basis of our scientific and technical breakthrough. This foresight is the leitmotif of this conference. Many innovations in our countries are perceived with the imperative: “New is good”. But it’s not always the case. Our world is not linear. It is characterized by bifurcation points, in one of which it is now. Discoveries, technologies, inventions at this point can determine which branch of further development will be chosen. Therefore, a broad interdisciplinary analysis of the strategic risks of the development of computer reality is required. The choice that is now being made must be conscious and responsible. This circle of problems is also in the center of attention of the conference participants.
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Osborne, Gonzalo, and Frederic Saleh. "Main span closure for the New Samuel de Champlain Bridge (NSCB) - An innovative alternative closure using a temporary king-post to accelerate construction." In IABSE Congress, New York, New York 2019: The Evolving Metropolis. International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/newyork.2019.2345.

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&lt;p&gt;Signature Saint Laurent (SSLC) is the consortium comprised of SNC Lavalin, Flatiron Constructors Canada, Dragados USA and EBC, that selected the design and construction for the New Samuel de Champlain Bridge (NSCB) in Montreal, Canada.&lt;/p&gt;&lt;p&gt;The NSCB’s construction schedule was the major challenge for a successful project completion. The geometry of the main bridge is complex, with an asymmetric stay cable arrangement and a unique transverse behavior with three independent corridors connected by crossbeams, involving the location of the stay cable anchorages. This geometry questioned the constructability and the stringent schedule requirement. The subject of this paper is relevant to this conference as it pertains to an innovative construction method for cable-stayed bridges.&lt;/p&gt;&lt;p&gt;The back span was fully erected on temporary towers in advance, followed by the main span which was to be built with heavy lifting equipment in cantilever sequentially from the main single pylon towards to the East approach. A set of three gantries erected the preassembled segments from the ground to the tip of the deck, where they were connected to the previous segment.&lt;/p&gt;&lt;p&gt;To expedite the construction, an innovative method was developed to erect some segments from the opposite end with cranes from the ground, with a stick-built conventional method. The closure location was therefore shifted by 50 meters (four segments) towards the pylon. These segments would be supported with temporary stay cables anchored to a 36-meter high king-post on top of the deck. The king-post would be sitting on top of the deck, supported temporarily by shoring towers to reduce the demands in the superstructure and adjacent pier.&lt;/p&gt;&lt;p&gt;This erection system can serve as an alternative method to expedite construction for long span single tower cable stayed bridges, by erecting segments with a temporary stay tower from the opposite end, therefore reducing schedule constraints.&lt;/p&gt;
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Marcotte, Sophie. "Le calme après la tempête. Le pouvoir symbolique de l'eau dans l'œuvre de Gabrielle Roy." In XXV Coloquio AFUE. Palabras e imaginarios del agua. Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.2527.

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La romancière Gabrielle Roy (1909-1983) a été, dès le début de sa carrière, une fine observatrice de la nature. En témoignent, notamment, les passages consacrés aux excursions de pêche dans ses reportages sur la Gaspésie et les descriptions des Prairies de l'Ouest canadien apparaissant dans les textes rédigés pour le compte de périodiques montréalais comme Le Canada et Le Bulletin des agriculteurs (1940-1942). En attestent aussi les descriptions du fleuve Saint-Laurent et du canal Lachine qui ponctuent son premier roman, Bonheur d'occasion, paru en 1945 au Québec (Felicidad ocasional, 1948) – pour lequel elle a remporté le Prix Fémina (1947). Or, on remarque, dans l'ensemble de son œuvre et dans certaines portions de sa correspondance, une présence marquée des milieux aquatiques (étangs, lacs, rivières, marécages, etc.) et des paysages marins (océan, mer, plage, etc.), auxquels l'écrivaine paraît – c'est l'hypothèse que nous chercherons à développer – conférer un pouvoir d'apaisement et de rédemption. Ce pouvoir symbolique s'observe tout particulièrement dans deux scènes de tempête que nous analyserons dans le cadre de cette communication : l'une se déroulant en Bretagne et décrite dans le menu détail dans la correspondance avec son mari (1948), reprise ensuite et modulée dans un récit inédit intitulé « La tempête » ; l'autre ayant lieu en Gaspésie, à Port-Daniel, en 1943, où l'écrivaine s'était réfugiée suite au décès de sa mère, scène qui est racontée dans son autobiographie, Le temps qui m'a manqué (1997). Nous montrerons, par l'examen de ce corpus, et par quelques autres exemples puisés dans ses romans et textes autobiographiques, que l'eau, dont l'agitation initiale reflète les tourments et l'errance intérieurs des personnages, devient, au terme de la tempête, une force d'apaisement et de rédemption agissant sur ceux-ci et les invitant, dès lors, par son calme retrouvé et son caractère désormais rassurant et protecteur, à une introspection, puis à une fuite vers l'avant.DOI: http://dx.doi.org/10.4995/XXVColloqueAFUE.2016.2527
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