Relevant bibliographies by topics / Poet vates

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Poet vates'

Author: Grafiati
Published: 15 March 2025

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Journal articles on the topic "Poet vates"

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Catellani-Dufrêne, Nathalie. "“Sed vatem canimus vates”. Le supplice de Thomas More dans les Funera de Jean Second." Moreana 48 (Number 185-, no. 3-4 (2011): 47–68. http://dx.doi.org/10.3366/more.2011.48.3-4.5.

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The torture of Thomas More gave rise to strong reactions throughout Europe, as can be seen in the lamentation “Naenia in mortem Thomae Mori” written by Johannes Secundus and at first attributed to Erasmus. The article aims at exploring the functions and stakes of that poem of a hybrid making, which explores different styles and tones and is based on antique models. If this poem depicts an antithetic couple, Thomas More, painted as a saint and an elegiac poet, and Henry VIII, true parangon of the tyrant, it implicitely supports the project of Charles V’s European imperialism. Moreover, Johannes
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Borowski, Andrzej. "Pius Vates." Tematy i Konteksty specjalny 1(2020) (2020): 63–73. http://dx.doi.org/10.15584/tik.spec.eng.2020.4.

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The question dealt with in the paper is as follows: to what extent might the notion of “religious literature” be functional if applied both to the early modern literature and the contemporary literary culture? Does it mean “sacred literature,” simply opposed to the “secular” one, whatever it might mean? The author’s suggestion is to use the notion of “religious literature” more consistently, depending strictly on the liturgical functions of the text (e.g. of prayers, hymns or homilies), while the term “sacred literature” should be used only with reference to the so-called “Sacred Books,” i.e.
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Harrison, S. J. "Deflating the Odes: Horace, Epistles 1.20." Classical Quarterly 38, no. 2 (1988): 473–76. http://dx.doi.org/10.1017/s0009838800037083.

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Epistles 1.20, the last poem of its book, begins with an elaborate joke on the entry of Horace's book of epistles into the world and ends with a well-known σϕραγίς describing the poet himself. It will be argued here that this final poem recalls and subverts the pretensions of two earlier final poems in Horace's own Odes, and that its good-humoured depreciation of Horace himself is matched by a similar attitude towards his previous grand poetic claims as a lyric vates.
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Nielsen, Rosemary M., and Robert H. Solomon. "Rescuing Horace, Pyrrha and Aphra Behn: A Directive." Ramus 22, no. 1 (1993): 60–77. http://dx.doi.org/10.1017/s0048671x0000254x.

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The question before us at the turn of both century and millennium is how one determines whether Horace is a dangerous love-poet (unrecognised because we read badly). Or a panderer, playing to our delight in the comedy of manners. Or a serious analyst of communication between the sexes—even a prophet for our time. The choice varies from villain to vates, the extremes reminding us how certainly the past exists, as Robert Frost laments in ‘Directive’: ‘Back in a time made simple by the loss/Of detail, burned, dissolved, and broken off,/Like a graveyard marble sculpture in the weather.’Recently, a
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Kellner, Beate. "Apologie der deutschen Sprache und Dichtkunst in Johann Fischarts Geschichtklitterung." Daphnis 49, no. 3 (2021): 379–415. http://dx.doi.org/10.1163/18796583-12340024.

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Abstract In competing with Rabelais’ French novel Garguanta, the German author Fischart aims to illustrate the richness of the German language and its poetry in his comic novel Geschichtklitterung. Focusing on the second chapter of this text, which has so far been viewed as nothing more than an absurd play on language, this article offers a new interpretation and demonstrates how the German author stylizes himself as a poeta vates in his Pantagruelian prophecy and presents himself as a being purified by wine in his poem “Glucktratrara”. In the end, inspired by Apollo and the Muses, he seems to
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Robert, Jörg. "Poetic Physics (Poetische Naturwissenschaft)." Daphnis 46, no. 1-2 (2018): 188–214. http://dx.doi.org/10.1163/18796583-04601013.

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This article deals with Martin Opitz’s didactic poem Vesuvius (1633) and tries to elucidate its fundamental poetical and epistemological issues. In his Buch von der Deutschen Poeterey (1624), Opitz establishes a set of rules for the genre of carmen heroicum that comprises both didactic poetry and narrative epics. Especially didactic resp. scientific poetry plays a decisive role in Opitz’s overall concept of poetry as it denies being fiction (‘Erdichtung’) and claims strict factuality. Thus it is not surprising that Vesuvius becomes the opening piece of the posthumous collection of Opitz’s Teut
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Kõvamees, Anneli. "Constructing a Text, Creating an Image: The Case of Johannes Barbarus." Interlitteraria 23, no. 1 (2018): 33–47. http://dx.doi.org/10.12697/il.2018.23.1.4.

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The Estonian poet, physician and politician Johannes Vares-Barbarus (1890–1946) is a contradictory figure in Estonian history and culture. He was a well-known and acknowledged doctor named Vares, but also a poet named Barbarus who was notable for his modernistic poems in the 1920s and 1930s. His actions in the 1940s as one of the leading figures in the Sovietization of Estonia have complicated the reception of his poetry. His opposition to the Republic of Estonia and his left-wing views are nearly always under observation when he or his poems are discussed. Predominantly his poetry has been di
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Sansom, Stephen A. "Typhonic Voices." Mnemosyne 73, no. 4 (2019): 609–32. http://dx.doi.org/10.1163/1568525x-12342683.

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Abstract This article argues that Lucan references Hesiod’s Typhonomachy in the voice of Erictho (Luc. 6.685-694). The intertext is significant in two respects. It casts Erictho as a nonpartisan proponent of Gigantomachy and cosmic war itself, a portrayal that informs aspects of her character as a theomachos and vates. Likewise, it presents an innovative use of Hesiod’s Theogony: instead of a poem of peace, Lucan adapts it as a paradigm of civil war.
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Segall, Kreg. "The Tree and the Chaplet: Wanting the Laurel in Skelton’s The Laurel." Explorations in Renaissance Culture 42, no. 2 (2016): 124–64. http://dx.doi.org/10.1163/23526963-04202002.

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This essay argues that the various images of the laurel wreath and laureation in John Skelton’s The Laurel are marked by ambivalence. Far from a unified and full-throated celebration of his own achievements, the poem partakes of good-humored self-parody, serious self-mockery, and open disgust to undermine and question the political and aesthetic significance of the laurel, and what one must do to achieve it. The Laurel acknowledges and mocks the laureate’s impossible balancing act between a prophetic role as vates and a political role as orator regius; this essay suggests that this tension is
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Bobay, Orsolya. "Az archaikus költészet szerepe Ioachimus Vadianus költészetelméletében." Antikvitás & Reneszánsz, no. 2 (January 1, 2018): 167–78. http://dx.doi.org/10.14232/antikren.2018.2.167-178.

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The aim of my study is the analysis of the views on the archaic Latin literature in the early modern works based on the theory and practice of poetry, especially in the Swiss humanist’s, Joachim von Watt’s work (De poetica et carminis ratione). The concepts of poeta vates, poeta theologus, and poeta eruditus are commonly used by the Italian authors – who knew the most important authors of the early Roman literature regarding this period ‒ in order to emphasize the moralistic and social morals of the archaic poetry’s lecture. Some of the authors – for example Pietro Crinito ‒ following Suetoniu
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Dissertations / Theses on the topic "Poet vates"

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Sierra, Sophie. "Οppοsitiοn et cοnciliatiοn dans les "Ηymnes" de Rοnsard". Electronic Thesis or Diss., Normandie, 2024. http://www.theses.fr/2024NORMR122.

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De 1549 à 1584, Ronsard écrit des hymnes d’une grande variété formelle et thématique. Le poète y développe des récits mythologiques ou allégoriques, évoque les guerres contemporaines, pratique l’éloge, tout en respectant une posture d’orant qui tente de restaurer les liens entre humanité et divinité. Ce simple constat peut justifier de réfléchir sur les hymnes à partir du couple notionnel « opposition et conciliation ». Notre étude, fondée sur des analyses narratologiques, stylistiques et rhétoriques, vise à comprendre comment la poétique du conflit contribue à rendre compte de la conception d
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Claassen, Jo-Marie. "Poeta, exsul, vates : a stylistic and literary analysis of Ovid's Tristia and Epistulae ex Ponto /." Online version, 1986. http://bibpurl.oclc.org/web/24196.

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Araújo, Valmir Freitas de. "Memória da imigração síria e libanesa nos vales dos rios Acre e Purus - 1900-1975." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-15072015-135201/.

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Esta pesquisa analisa a presença de imigrantes sírios e libaneses no Acre, a partir de duas perspectivas distintas. Na primeira, partimos da análise das memorias reminiscentes de dois descendentes da segunda geração de imigrantes, cujas narrativas, reconstituem a trajetória de vida de seus pais, descrevendo as estratégias e os arranjos sociais necessários para conviverem, se estabelecerem e se integrarem à sociedade acolhedora. As narrativas demonstram o entrelaçamento entre o discurso idealizado sobre a memória dos antepassados com a história de vida dos próprios narradores. Na segunda aborda
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Jones, Richard Oliver. "Cellular innate immune responses to lung resection via video-assisted thoracoscopic surgery (VATS) and thoracotomy : predictors of post-operative pneumonia." Thesis, University of Edinburgh, 2013. http://hdl.handle.net/1842/8118.

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Background and Objectives: The pathophysiology of post-operative pneumonia following lung resection is poorly understood despite it being the most common complication which may lead to death. The role of the acute inflammatory response following lung resection, in particular innate immune cells, was investigated and used to identify biomarkers for post-operative pneumonia. Comparison of inflammatory responses to resection undertaken by video-assisted thorascopic surgery (VATS) and thoracotomy was also evaluated. Methods: Patients undergoing lung resection for suspected bronchogenic carcinoma w
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Hamani, Vincent. "Vers une meilleure compréhension des écosystèmes portuaires : interactions entre les organismes filtreurs et leur environnement." Thesis, La Rochelle, 2022. http://www.theses.fr/2022LAROS013.

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L’hyper-anthropisation, en particulier le long de nos côtes, a profondément modifié l’environnement. De plus en plus de structures, telles que les ports, forment des écosystèmes à part entière. Parmi la multitude d’espèces qui peuplent le port, un groupe semble particulièrement intéressant à étudier : les Filtreurs (bivalve set tuniciers). Ces organismes, par leurs modes de vie, ont une forte interaction avec l’environnement portuaire. En effet, en restant fixés sur les structures, ils subissent sans cesse les facteurs environnementaux qui caractérisent le port et leur mode d’alimentation, la
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Books on the topic "Poet vates"

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Maldonado, José. José Maldonado, "el vate": Poeta del amor. Instituto Mexicano del Seguro Social, Delegación en Nayarit, 1995.

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Wescoat, Bonna D. Poets & heroes: Scenes of the Trojan War. Emory University Museum of Art and Archaeology, 1986.

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Wescoat, Bonna D. Poets & heroes: Scenes of the Trojan War. Emory University Museum of Art and Archaeology, 1986.

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Schmidbauer, Wolfgang. "Ich wusste nie, was mit Vater ist": Das Trauma des Krieges. Rowohlt, 1998.

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Nola, Gerardo Di. Tommaso Campanella, il nuovo Prometeo: Da poeta-vate-profeta a restauratore della politica e del diritto. Edizioni Studio Domenicano, 1993.

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Wescoat, Bonna D. Poets & heroes: Scenes of the Trojan War : [exhibition] November 8, 1986-February 28, 1987, Emory University Museum of Art and Archaeology, Michael C. Carlos Hall, Emory University, Atlanta, Georgia. The University, 1986.

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FitzGerald, Brian. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198808244.003.0001.

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The Introduction offers an overview of recent scholarship on medieval prophecy and provides the book’s interpretative framework. The book differs from much previous scholarship by examining how prophecy had a multiplicity of meanings besides prediction in the Middle Ages and by showing the significance of debates over those meanings. The chapter then explains the chronological parameters of the book, beginning in the twelfth century when prophecy became a subject of controversy and ending in the early fourteenth century when humanist intellectuals and poets began challenging the authority of s
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Cuadernos De UN Vate Vago/Notebook of a Wandering Poet. Aims Intl Books Corp, 1989.

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Larson, Stephanie. Meddling with Myth in Thebes. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198744771.003.0007.

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This chapter discusses an Attic red-figure vase found on the Ismenion hill, in Thebes in Greece; the vase changes the iconography of the canonical Panhellenic grypomachy scene by substituting a sphinx, a symbol of local Theban significance. The chapter sets this vase into the context of sphinx imagery and adduces other vases from both within and outside Boeotia as evidence for a link between the image of the sphinx and the myth of Oedipus. It also suggests that this substitution on the vase could be seen as following a Theban trend in altering details of myth to fit local interests, as seen al
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Piqueux, Alexa. The Comic Body in Ancient Greek Theatre and Art, 440-320 BCE. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192845542.001.0001.

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Abstract Using both textual and iconographic sources, this richly illustrated book examines the representations of the body in Greek Old and Middle Comedy, how it was staged, perceived, and imagined, particularly in Athens, Magna Graecia, and Sicily. The study also aims to refine knowledge of the various connections between Attic comedy and comic vases from Sout Italy and Sicily (the so-called ‘phlyax vases’). After introducing comic texts and comedy-related vase-paintings in the regional contexts, the book considers the generic features of the comic body, characterized as it is by a specific
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Book chapters on the topic "Poet vates"

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Blake, Hugo. "«Quel maestro che fa vasi in Antigniano»: un ceramista al servizio di Cosimo I." In Strumenti per la didattica e la ricerca. Firenze University Press, 2024. http://dx.doi.org/10.36253/979-12-215-0376-0.09.

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In the second half of the sixteenth century a master ceramist (or two?) worked on the villa-farm of Duke (later Grand Duke) Medici in Antignano south of Livorno. In the 1560s he made “large vases” of which some were inventoried in 1574 and 1578 in the royal palaces of Florence. Towards the end of the century the license given to a tableware maker from Montelupo to Antignano to sell his work in Livorno “et for everything” was confirmed. While it appears that in the 1960s the potter had been employed to supply vases to the farm, the one known thirty years later appears to have worked on his own. It is probable that the “kilnsmen” known in Antignano in 1571 made lime to build the new port of Livorno. Instead, one of the two brick “kilns” illustrated in the plans in the following centuries, if already existing before then, was perhaps used to make ceramics.
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Ingleheart, Jennifer. "Vates Lesbia." In Roman Receptions of Sappho. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198829430.003.0012.

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This chapter argues that the representation of Sappho the poet appears as a coherent portrait in the poetry of Ovid, and that this portrait closely resembles that of Ovid himself. This is so even when Heroides 15, also known as Epistula Sapphus, where Sappho as poet is centre stage, is set aside. The argument emerges from close readings of passages from the earliest of Ovid’s poetic career, such as the Amores, Ars amatoria (Book 3), and Remedia amoris, and also deals with some of his latest poetry in the Tristia, written in exile, all in the context of passages in Sappho and other Latin poetry and prose.
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Griffiths, Jane. "Titular Identity: orator regius, poet laureate, and vates." In John Skelton and Poetic Authority. Oxford University Press, 2006. http://dx.doi.org/10.1093/acprof:oso/9780199273607.003.0002.

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Macleod, C. W. "Propertius 4,1." In Collected Essays. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198150848.003.0019.

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Abstract The unity and coherence of Propertius 4,1 are still debated. It also poses the reader another and larger question: what an Augustan poet may mean when he considers the different possibilities open to him as a writer, when he states a programme .and refuses alternatives, and in particular when he indicates his relation to Callimachus ‘ aesthetic. That question in its turn leads us to ask how the writer ‘s character as more or less a Callimachean is connected with his character as the poet of love and as the poet of Rome, the vates. The claim of this paper is that Propertius 4,1 is a well-knit whole, and thus represents these three personae as significantly related aspects of one person. In what follows I go through the poem bit by bit in an attempt to illustrate this thesis.
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Abad Del Vecchio, Julene. "Vatic Authority and Poetics." In The Dark Side of Statius' Achilleid. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780198895206.003.0005.

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Abstract This chapter examines in more depth the question of poetic authority in the Achilleid. The figure of Calchas as the authorial vates of the composition is under scrutiny, and Thetis’ agency is envisioned as adversarial to Calchas. Important questions about the relationship between prophetic status and the status of the poet himself, between violation and violence, between perpetrator and victim, will be considered. Through the examination of the gender-bending elements to Calchas’ characterization, the chapter pays heed to the idea that the Achilleid is characterizable as a feminine composition, and Thetis as its diva. Thetis is therefore interpreted in a new light, a figure of tragic inspiration but also as the artifex behind the poem’s composition, and thus linked to Statius the poet. The chapter ends with an analysis of Thetis against other lamenting mothers in the literary tradition.
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Reverand Ii, Cedric D. "The Final ‘Memorial of my Own Principles’: Dryden’s Alter Egos in his Later Career." In John Dryden. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198186441.003.0011.

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Abstract With modern scholarship over the last thirty years or so being more attentive to what Thomas H. Fujimura has aptly called ‘the personal element‘ in Dryden‘s poetry, we have become more alert to the ways in which he used alter egos in his poems to help him work through his frustrations, defend himself, and express his values. We have also become more alert to a recurrent Dryden concern, which often appeared when he addressed other artists, namely the power of art, of particular interest to him because he regarded his role as a public poet in a classical sense, as vates, meaning both bard and prophet, empowered with special authority to comment and criticize. One of the most telling examinations of this issue occurs in his ode to Anne Killigrew (1686), where Dryden, having recently converted to Catholicism, takes stock of his career to this point and rebukes himself for stooping to write obscene plays when he might have had nobler poetic ambitions.
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Calvert, Ian. "Desired Futures: Sidney Godolphin and Edmund Waller." In Virgil's English Translators. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474475648.003.0001.

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Chapter 1 outlines two key strands of Virgil’s mid-seventeenth century English reception: his reputation as a vates (poet-prophet) and the belief that his poetry contained ethical and political counsel that was directed to Augustus. It argues that his translators were drawn to Virgil’s use of prophecy and counsel as a means of imagining the alternate near-futures that the fragility of his own historical moment had made possible in light of the political uncertainties prompted by Rome’s civil war and its transition from Republic to Principate. Virgil’s poetry consequently provided a site for his translators to evaluate their own experience of civil war and express their hopes for the future, both personal and political. The translation of Aeneid 4 by Sidney Godolphin and Edmund Waller is used to identify the book’s overall concerns, especially with regard to the sometimes mobile nature of the translators’ loyalties across the period, and the signalling of their political affinities through paratextual materials as well as direct interventions in their translations and imitations of Virgil’s texts.
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Schmitz-Emans, Monika. "9. Entwürfe und Revisionen der Dichterinstanz – poeta vates, poeta imitator, poeta creator." In Handbuch Sprache in der Literatur, edited by Anne Betten, Ulla Fix, and Berbeli Wanning. De Gruyter, 2017. http://dx.doi.org/10.1515/9783110297898-009.

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Batihan, Güntuğ, and Kenan Can Ceylan. "The Role of Minimally Invasive Surgery in the Treatment of Lung Cancer." In Lung Cancer - Modern Multidisciplinary Management. IntechOpen, 2021. http://dx.doi.org/10.5772/intechopen.97348.

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Lobectomy plus regional lymph node dissection remains the gold standard treatment method in early-stage lung cancer. However, with the demonstration of the safety and efficacy of minimally invasive approaches, the expression of surgery in this statement, replaced by thoracoscopic anatomical lung resection. Clinical studies have demonstrated the superiority of VATS in terms of postoperative pain, drainage time, length of hospital stay, and complications, moreover, long-term oncologic results are similar or better than thoracotomy. Therefore, VATS lobectomy is the preferred surgical method in early-stage lung cancer. Different surgical techniques are available in VATS and can be modified according to the surgeon’s personal experience. Uniport can be applied as well as two or three port incisions. In this book section, I plan to focus on VATS lobectomy, technique-related tricks, complication management, and long-term oncologic results in early and locally advanced lung cancer.
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"20. Scenes from Attic Tragedy on Vases found in Sicily and Lipari." In Painter and Poet in Ancient Greece. B. G. Teubner, 1997. http://dx.doi.org/10.1515/9783110953060.361.

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Conference papers on the topic "Poet vates"

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Koryllos, A., N. Kosse, and E. Stoelben. "single-PORT-non stapled VATS Lobektomie und Segmentektomie." In 26. Jahrestagung der Deutschen Gesellschaft für Thoraxchirurgie. Georg Thieme Verlag KG, 2017. http://dx.doi.org/10.1055/s-0037-1605414.

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BERRIER, BOBBY, and MARY MASON. "Static investigation of post-exit vanes for multiaxis thrust vectoring." In 23rd Joint Propulsion Conference. American Institute of Aeronautics and Astronautics, 1987. http://dx.doi.org/10.2514/6.1987-1834.

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Nicholson, Thomas, Ben Probyn, Samantha Scott, Cyrus Daneshvar, and Adrian Marchbank. "The risk of surgical emphysema post VATS pleural biopsy and IPC." In ERS International Congress 2019 abstracts. European Respiratory Society, 2019. http://dx.doi.org/10.1183/13993003.congress-2019.pa1079.

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Huang, Yuan Mao, and Chien Liang Li. "Analysis of Forces Acting on Compressor Sliding Vanes." In ASME 2002 Internal Combustion Engine Division Spring Technical Conference. ASMEDC, 2002. http://dx.doi.org/10.1115/ices2002-476.

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This study utilizes Newton’s law to analyze: 1) the force required to act on a vane bottom in order to create zero contact force between the vane and the stator, and 2) the contact forces between the vane and the rotor in a sliding vane compressor. The effects of the number, length, thickness and material of vanes, the locations of the outlet ports, and the rotor rotational speed of the compressor on these forces are analyzed. The results show that the effect of the vane thickness on these forces is not significant. Nevertheless, these forces increase when the number of vanes and the angular s
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Koryllos, A., N. Kosse, AP Lopez, and E. Stoelben. "(Uniportal) Single-PORT VATS Sleeve Resektionen bei NSCLC. Eine monozentrische 3-jährige Analyse." In 27. Jahrestagung der Deutschen Gesellschaft für Thoraxchirurgie. Georg Thieme Verlag KG, 2018. http://dx.doi.org/10.1055/s-0038-1668346.

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Deveaux, H. K., and S. Krow. "Post-Operative Outcomes of ARDS after VATS: The Seismic Shift in ARDS Clinical Practice Guidelines." In American Thoracic Society 2024 International Conference, May 17-22, 2024 - San Diego, CA. American Thoracic Society, 2024. http://dx.doi.org/10.1164/ajrccm-conference.2024.209.1_meetingabstracts.a3649.

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Redwan, B., C. Biancosino, G. Wöbker, F. Giebel, R. Zanner, and S. Bölükbas. "Perioperativer Einsatz der single-site veno-venösen extrakorporalen CO2-Eliminierung (ECCO2R) während single-port VATS Riesenbullaresektion." In 26. Jahrestagung der Deutschen Gesellschaft für Thoraxchirurgie. Georg Thieme Verlag KG, 2017. http://dx.doi.org/10.1055/s-0037-1605428.

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Zhu, Honggeng, Rentian Zhang, Bin Xi, and Dapeng Hu. "Internal Flow Mechanism of Axial-Flow Pump With Adjustable Guide Vanes." In ASME 2013 Fluids Engineering Division Summer Meeting. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/fedsm2013-16613.

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Axial-flow pumps are widely used in many fields where low pumping head and large flow rate are required such as irrigation and drainage, flood control, bio-environmental protection and inter-basin water diversion. Conventional axial-flow pump diffuser is designed with post fixed guide vanes to eliminate circulation, diffuse water and decrease flow velocity while converting dynamic energy to pressure energy. Under designed flow rate the inlet setting angle of the fixed guide vanes is designed to be equal to the outlet flow angle of the impeller blades which is regarded to be the best operating
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Caldwell, Alexa, Christopher Durkin, Travis Schisler, and Anna McGuire. "EP181 Quality of post-operative analgesia of paravertebral blocks vs thoracic epidurals in patients undergoing vats lobectomies." In ESRA Abstracts, 41st Annual ESRA Congress, 4–7th September 2024. BMJ Publishing Group Ltd, 2024. http://dx.doi.org/10.1136/rapm-2024-esra.254.

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Hayden, Andrew P., John Gillespie, Cole Hefner, Todd Lowe, and Alexandrina Untaroiu. "Wake Dynamics of Complex Turning Vanes Using Time-Resolved Particle Image Velocimetry Measurements." In ASME 2023 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2023. http://dx.doi.org/10.1115/imece2023-113379.

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Abstract The use of turning vanes spans multiple engineering disciplines such as aerospace, ocean, and biomedical to effectively turn an otherwise uniform flowfield and achieve desired downstream flow angles. The presented work investigates the wake dynamics generated by sets of complex turning vanes which contained nonaxisymmetric geometries, spanwise variations in turning angle, and multiple vane junctions. Time-resolved particle image velocimetry (TR-PIV) measurements were performed to collect three-component velocity data downstream of the vane pack geometries. As the vanes contained blunt
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Reports on the topic "Poet vates"

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Todd, B. J. Benthic habitat of the Gulf of Maine: The legacy of Mesozoic to Cenozoic geological history. Natural Resources Canada/CMSS/Information Management, 2024. http://dx.doi.org/10.4095/ppqrvcdqus.

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Une série de vignettes illustre et décrit une série d'habitats benthiques dans le golfe du Maine. Les habitats benthiques actuels sont l'héritage de l'histoire géologique de la région de l'ère mésozoïque (il y a 252 à 66 millions d'années) à l'ère cénozoïque (il y a 66 millions d'années à aujourd'hui). La plate-forme de marge continentale peu profonde abritant le golfe du Maine s'est formée lors de l'ouverture de l'océan Atlantique Nord par le rifting des plaques nord-américaine et africaine au niveau d'un centre d'expansion au cours de l'ère mésozoïque. Des roches sédimentaires non marines et
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