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Journal articles on the topic 'Poetic architecture'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Raičević, Andrea, and Vladimir Stevanović. "Gaston Bachelard's poetics of space: Inverse dreambook for interpretation of thinking by means of building." Arhitektura i urbanizam, no. 51 (2020): 20–32. http://dx.doi.org/10.5937/a-u0-28495.

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This paper aims to examine the philosophical work of the French epistemologist and phenomenologist - Gaston Bachelard, by transferring its interpretation from the general into a specific field of architecture. The Poetics of Space (La Poétique de l'Espace), as a Bachelard's work that enjoys even today the most comprehensive reception among the architects and theorists of architecture, shall be taken as a starting point of our analysis. Intending not to limit itself to the considerations which encompass only texts that are strictly thematically or problematically dealing with architecture, this

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2

Sha, Xin Wei. "Minor architecture: poetic and speculative architectures in public space." AI & SOCIETY 26, no. 2 (2010): 113–22. http://dx.doi.org/10.1007/s00146-010-0290-6.

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3

Walker, Gerald. "Architecture, Method and the Poetic Image." Journal of Architectural Education 40, no. 2 (1987): 85–86. http://dx.doi.org/10.1080/10464883.1987.10758447.

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Walker, Gerald. "Architecture, Method and the Poetic Image." Journal of Architectural Education (1984-) 40, no. 2 (1987): 85. http://dx.doi.org/10.2307/1424953.

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5

Pérez-Gómez, Alberto. "Questions of representation: the poetic origin of architecture." arq: Architectural Research Quarterly 9, no. 3-4 (2005): 217. http://dx.doi.org/10.1017/s1359135505000278.

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6

Stratford, Helen, Doina Petrescu, and Constantin Petcou. "Form-Trans-Inform: the ‘poetic’ resistance in architecture." Architectural Research Quarterly 12, no. 2 (2008): 149–58. http://dx.doi.org/10.1017/s1359135508001036.

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In Nicolae Ceausescu's ‘Systematisation’ programme, implemented across Romania throughout the 1980s, power was played out in acts of building. The city of Bucharest provided a visible symbol of the centralisation of authority, manifest in the construction of the Boulevard of the Victory of Socialism and the House of the People. Beginning from this historical context, this paper revisits the work of one group of student architects in Romania, Form-Trans-Inform, who used spatial practices to question orthodoxies in architecture around them as protests against repressions under the monolithic Cea

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Tuomey, John. "Bringing heaven down to earth: reading the plan of Ronchamp." Architectural Research Quarterly 23, no. 1 (2019): 8–19. http://dx.doi.org/10.1017/s1359135519000113.

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Valery’s cry for clarity stiffens my resolve to write from the position of a working life in architectural practice. Sometimes we need to raise our heads above the heat of daily battle with budgets and restrictive regulations, to remind ourselves of what it was that made architecture such a compelling field of study in the first place. Personal experience of works of architecture persuades us that architectural design provides useful evidence of human intelligence. And there is a case to be made for connecting the widely accepted value of historic architecture to the less well-established posi

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8

Drobnjak, Boško. "Architecture as a textual phenomenon: Alexander Brodsky's architectural practices of appropriation." SAJ - Serbian Architectural Journal 11, no. 3 (2019): 531–42. http://dx.doi.org/10.5937/saj1903531d.

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This paper analyses architecture created through appropriating existing materials while focusing on strategies of intertextuality. It argues that the meaning of an architectural object does not derive from itself, or its poetic concepts, but rather from its relationship with other architectural objects, other art works as texts, cultural texts, and everyday practices. My aim is to show various theoretical problems of the theory of architecture and art, which as a network of overlapping texts of culture, surround the architectural production of Alexander Brodsky. Here I use different and varied

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Nichols, John G. "Ezra Pound's Poetic Anthologies and the Architecture of Reading." PMLA/Publications of the Modern Language Association of America 121, no. 1 (2006): 170–85. http://dx.doi.org/10.1632/003081206x96177.

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Between 1914 and 1933, Ezra Pound edited four anthologies of poetry: Des Imagistes, Catholic Anthology, Profile, and Active Anthology. These compilations arose out of crucial stages of Pound's career in the teens, when he reacted against Victorian poetry, and in the 1930s, when he acted as a spokesperson for the modernist movement. Using the anthology as a vehicle for the presentation of innovative poetry as well as a guidebook on how to read it, Pound experimented with anthology formats to propel readers into the project of modernism through devices such as elliptical prefaces and fragmentary

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10

Hill, Glen. "Poetic measures of architecture: Martin Heidegger’s ‘…Poetically Man Dwells…’." Architectural Research Quarterly 18, no. 2 (2014): 145–54. http://dx.doi.org/10.1017/s1359135514000451.

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Martin Heidegger begins his lecture ‘… Poetically Man Dwells …’ by denying poetry is a marginal practice whose imaginings are ‘mere fancies and illusions’. ‘[T]he poetic’, he states, is not ‘merely an ornament and bonus added on to dwelling’. On the contrary, Heidegger boldly claims that poetry is the source of all human dwelling on earth: ‘[…] poetry first causes dwelling to be dwelling. Poetry is what really lets us dwell.’The connective tissue of Heidegger's argument in ‘… Poetically Man Dwells …’ is the concept of ‘measure’. In the English translation of the lecture, permutations of the te

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11

Meagher, Mark. "Designing for change: The poetic potential of responsive architecture." Frontiers of Architectural Research 4, no. 2 (2015): 159–65. http://dx.doi.org/10.1016/j.foar.2015.03.002.

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12

Stein, Richard L. "Milk, Mud, and Mountain Cottages: Ruskin's Poetry of Architecture." PMLA/Publications of the Modern Language Association of America 100, no. 3 (1985): 328–41. http://dx.doi.org/10.2307/462086.

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The Poetry of Architecture, Ruskin's first collection of essays, is even more “deformed by assumption” than his autobiography admits. Architecture is defined as poetic for genteel tourists, who forget that the buildings whose beauty they admire required human labor and embody distinctions of class. Indeed, architectural poetry expresses a myth of class harmony: buildings blending into the landscape, landowners welcomed by loving tenants. Yet this vision, though apparently sanctified by nature, is threatened—by industrial landscapes, cities, and less appealing aspects of nature itself. Without

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Hurol, Yonca, and Ashraf M. Salama. "Editorial: Urban Transformations in Rapidly Growing Contexts." Open House International 44, no. 4 (2019): 4. http://dx.doi.org/10.1108/ohi-04-2019-b0001.

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Cities have always been sources of inspiration for poetry. However, the modern western cities, which are the origins of secularity, have inspired poets in different ways. Charles Baudelaire captured the poetic dimensions of modernity in Paris in the 19th century. He wrote about the night life of Paris which became possible after street lighting. He wrote about corruption. Baudelaire also wrote about the changing character of commercial places in cities and tried to grasp the feelings of people as a ‘flaneur': an individual stroller at city streets. The philosopher Walter Benjamin got inspired

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14

Tostões, Ana. "LC′s Poetic Endurance Time and Space — Light and Matter." LC - 50 Years After, no. 53 (2015): 2–3. http://dx.doi.org/10.52200/53.a.lrj6ts0i.

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Le Corbusier (LC) prolific personality as theorist, painter, sculptor, architect, urban planner, researcher, disseminator, thinker, and provocative activist, helped to make him a universal author. His dual and inseparable theoretical and practical activities represented a source for LC’s balanced inspirational and systematic method. Envisaging “la planète comme chantier”, LC drove his obsessive constructive impulse around the whole world, to nations such as Japan, Russia, Argentina and India. Thinking deeply about the human condition in the contemporary age, he looked for solutions to solve so

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15

Wang, Junyang. "The everyday: a degree zero agenda for contemporary Chinese architecture." Architectural Research Quarterly 21, no. 3 (2017): 234–46. http://dx.doi.org/10.1017/s1359135517000276.

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This paper highlights the theoretical and critical implications of the everyday for contemporary Chinese architecture on two levels. On the one hand, against the background that – ever since the formation of the profession of architecture in the early twentieth century – there has been a recurrent preference for high definitions of Chinese architecture either in terms of its outer form or style, or its essential and metaphysical meanings. This paper thus aims to identify a quiet yet compelling awareness of the significance of the everyday to architecture in China over the past 15 years. Beginn

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Kong, Ya Wei, Yun Xia, and Li Na Wang. "Poetic Perception in Built Environment - Anchoring Local Context within Contemporary Architecture." Applied Mechanics and Materials 99-100 (September 2011): 38–41. http://dx.doi.org/10.4028/www.scientific.net/amm.99-100.38.

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Based on the relationship of local context and contemporary architecture, perception of body is the key issue to experience in built environment. Through architect Steven Holl’s phenomenological concept and typical work Sifang Contemporary Art Museum, which introduces the perceptual experience of traditional Chinese Garden into international form, this paper explores to anchoring local context within contemporary architecture.

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17

Kong, Ya Wei, Chang An Liu, Ji Long Zhao, Bin Zhao, and Xiao Dong Li. "How Green Technic and Poetic Issues in Eco-Architectural Practice." Advanced Materials Research 250-253 (May 2011): 3292–98. http://dx.doi.org/10.4028/www.scientific.net/amr.250-253.3292.

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The reconstruction in the area of Wenchuan Earthquake strives to be eco-friendly and recalls the question of how green. Built environment, which is reconstructed according to the green of eco-architecture, must contribute more positively to the planet and the pleasure of place as well as answering the sustainable demands of comfort. To address both technic and poetic issues in eco-architectural practice, in the design proposal for a Rural Sunshine Primary School located at Barkam County of Sichuan Province, low technologically, sensory experience of sustainable strategies is widely introduced

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18

Evans, R., R. Gaizauskas, L. J. Cahill, J. Walker, J. Richardson, and A. Dixon. "POETIC: A system for gathering and disseminating traffic information." Natural Language Engineering 1, no. 4 (1995): 363–88. http://dx.doi.org/10.1017/s1351324900000267.

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AbstractThe Portable Extendable Traffic Information Collator (POETIC) is an information extraction system that extracts traffic information from free text occurring in police incident logs and initiates (simulated) broadcasts of traffic bulletins to motorists when appropriate. POETIC is a second stage prototype system; the initial prototype (TIC, see Evans and Hartley 1990) was limited to the practices and requirements of a single police force. In POETIC, the architecture and data representations have been generalised to make the system tailorable to many different police force ‘domains’. In t

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19

NoorMohammadi, Susan. "The Role of Poetic Image in Gaston Bachelard’s Contribution to Architecture." Environmental Philosophy 12, no. 1 (2015): 67–85. http://dx.doi.org/10.5840/envirophil201551421.

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20

du Toit, Calvyn Clarence, and Hendrik Auret. "Welcoming the Stranger with Intention and Architectural Edifice: Beyond the Geopolitical Hollowness of Crimmigration." International Journal of Public Theology 10, no. 4 (2016): 443–60. http://dx.doi.org/10.1163/15697320-12341460.

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Encounters between strangers and established dwellers harbour poetic possibilities. However, contemporary cities often fail to capitalise on these meetings. Events of crimmigration divulge a geopolitical hollowness, which the city might reframe. This article offers such a reframing by discoursing Public Theology and Architecture. First, we describe the geopolitical hollowness of crimmigration. Next, we connect Spiritual Architecture and Public Theology through Stiegler’s description of the pharmacological atmosphere technics engender. Then, we interpret a biblical spirituality curated by the S

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21

Fisher, Peter. "Viipuri Library and Como Kindergarten: a climatic reading." Architectural Research Quarterly 3, no. 3 (1999): 271–82. http://dx.doi.org/10.1017/s1359135500002098.

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Aalto's Viipuri library and Terragni's Como kindergarten were built at about the same time in two very different climates. Architectural theory rarely considers environmental moderation as part of the task of architecture and yet the spatial and poetic stances and attitudes to natural light in these two buildings are, in part, informed by their response to very differing climates. Today, when so much environmental moderation is self-conscious and explicit, these buildings show how it can become an enriched part of a wider spatial and compositional whole.

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22

Mako, Vladimir. "An Islamic numerical interpretation of Hagia Sophia at Constantinople." SAJ - Serbian Architectural Journal 11, no. 2 (2019): 247–62. http://dx.doi.org/10.5937/saj1902247m.

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Ideas regarding aesthetical thinking on architecture developed through history a number of interpretations addressing its cultural and social importance. These interpretations appear as formations of possible worlds of meanings, structured through human power of imagination and reaching impressive levels of creative comprehension what architectural structure can reflect by its meaningful essence. The paper explores one of such possible world of meanings, given in a form of numerical interpretation of the architectural structure of Hagia Sophia in Constantinople. Beside its complex and hermeneu

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23

Ghelichkhani, Milad. "Investigating the tectonic effects of openings as ‘built-things’: case of Çavuşoğlu house." Open House International 45, no. 1/2 (2020): 103–20. http://dx.doi.org/10.1108/ohi-04-2020-0014.

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Purpose This paper aims to trace the tectonic effects of openings as Heideggerian “built-things”. Design/methodology/approach This study has been organized in two phases. The first phase attempts to set up the theoretical framework through exploring the links between Heidegger’s notion of “built-thing” and contemporary tectonic discourses on dialectics between the values of matheme (construction, technology) and poetics (representation, meaning) to identify the key indicators in tectonic effects of openings. Accordingly, as the term “tectonic effects” is concerned with feelings and emotions th

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24

Guitart, Miguel. "Limit Geometries of Architectural Filters: Precise Rationality and Poetic Emotion." ZARCH, no. 15 (January 27, 2021): 222–33. http://dx.doi.org/10.26754/ojs_zarch/zarch.2020154648.

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An architectural filter is a porous material construction that regulates transverse visual relationships, and establishes degrees of connection through the intervention of light and gaze. Filtering boundaries display variable proportions of mass and air, which are instrumental to the production of the spatial experience behind the mediation of matter and geometry. A filter's structural system synthesizes geometric relations with the capacity to cause architectural atmospheres, as a result of the active border that is technically precise and sensorially ambiguous at the same time. The text sust

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25

Mercado, Álvaro, and Geoffrey Grulois. "On-Drawing South American Extent: Geo-Poetic Mapping Palimpsest in the Travesías de Amereida." Urban Planning 5, no. 2 (2020): 205–17. http://dx.doi.org/10.17645/up.v5i2.2780.

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<p>Contemporary urbanization, as a process extended beyond the cities, requires original design practices to contribute to the critical understanding and visualization of the multiple spatial and temporal layers that shape the territories. In this account, this article examines the geo-poetic mapping developed by the Valparaiso School of Architecture, as a radical means of exploring the territories and elaborating their palimpsestic representations. This contribution unfolds the geopoetic vision of the South American continent created in the sixties by the School of Valparaiso, in Chile,

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26

Liliana, Floria (Danciu). "Between Cantation and Incantation. The Architecture of the Magical Poetics." Incursions into the Imaginary 7, no. 1 (2016): 115–36. http://dx.doi.org/10.29302/inimag.2016.7.6.

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27

Park, Young-Ho. "A Study on the Methods of the Poetic Association in Steven Holl's Architecture." Korean Institute of Interior Design Journal 25, no. 6 (2016): 149–57. http://dx.doi.org/10.14774/jkiid.2016.25.6.149.

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28

Xiao, Jian, Mo Fei Lin, and Jing Yuan Ai. "Discussion about the Landscape Planning in Contemporary Campuses from the Traditional Chinese Landscape Architecture." Applied Mechanics and Materials 507 (January 2014): 654–57. http://dx.doi.org/10.4028/www.scientific.net/amm.507.654.

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The change and development of the idea and culture of higher education in our country put forward new requirements for the campus planning and construction in institutions of higher learning. In this paper, the author discusses about the campus landscape planning through studying the traditional Chinese landscape architecture, so as to build campuses that are beautiful, comfortable, harmonious and poetic.

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29

Ladha, Hassanaly. "Allegories of Ruin: Architecture and Knowledge in Early Arabic Poetry." Journal of Arabic Literature 50, no. 2 (2019): 89–122. http://dx.doi.org/10.1163/1570064x-12341381.

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AbstractThis study examines the architectural lexicon (ṭalal, dār, rasm, bayt) of early Arabic poetry, interrogating the relation between built and linguistic form in the nasīb. I argue that the interpenetration of the aṭlāl and khayāl motifs and of other structural elements of the qaṣīdah allegorizes the fleeting and phantasmatic nature of all linguistic and material structures. In the early Arabic episteme, poetic forms materialize history, delineating realities even as they fall endlessly into ruin. The implied theories of language and knowledge may inflect our understanding of the entire t

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30

Graham, Colin. "‘strange architecture’: Ciaran Carson's Until Before After." Irish University Review 43, no. 2 (2013): 381–97. http://dx.doi.org/10.3366/iur.2013.0086.

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Ciaran Carson's Until Before After (2010), like many of Carson's recent books of poetry and prose, has an elaborate structure which does not obviously relate to the meaning and nature of the poetry in the volume. This essay suggests that it may be possible to ‘unlock’ meanings from the ‘strange architecture’ of Until Before After. Quentin Meillassoux's Le Nombre et La Sirène (2011) offers an example of a type of critical reading which pays attention to the intricacies (and numbers) of poetic form, in Meillassoux's case in a reading of Mallarmé’s Coup de Dés. Carson's Until Before After, in its

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31

Ayiter, Elif. "Spatial poetics, place, non-place and storyworlds: Intimate spaces for metaverse avatars." Technoetic Arts 17, no. 1 (2019): 155–69. http://dx.doi.org/10.1386/tear_00013_1.

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Abstract This article will ask questions that connect the conceptions of Marc Augé's 'place/non-place' and Gaston Bachelard's 'poetic space' to the avatar of real-time, perpetual, online, three-dimensional virtual builder's worlds, also known as the metaverse. Are metaverses 'places' or 'non-places'? Do we actually live in the metaverse or do we just traverse these worlds very much in the sense that Marc Augé defines them as transitional loci that are assigned only to circumscribed and specific positions? The question following from this is whether there are nevertheless three-dimensionally em

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32

Peroń, Małgorzata. "„Poetyckie Dyptyki” w poezji ks. Janusza St. Pasierba." Colloquia Litteraria 16, no. 1 (2014): 7. http://dx.doi.org/10.21697/cl.2014.1.01.

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‘Poetic diptychs’ in Fr. Janusz St. Pasierb’s poetry ‘Poetic diptychs’ distinguish themselves from a group o Fr. Janusz St. Pasierb’s poems inspired by the art of painting. These dual poems refer to the same branches of art (painting, sculpture, architecture) as a general rule. The dual sequences are put in the volumes next to each other. Apart from the subject matter they are linked by similar characteristics and nearly identical formulation of their titles. References to art are a pretext to ponder upon in a theological, existential and metapoetic manner. Dual nature of the voice points to m

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33

Sparke, Penny. "The Poetic Home: Designing the 19th-Century Domestic Interior." Journal of Architecture 15, no. 5 (2010): 708–10. http://dx.doi.org/10.1080/13602365.2010.519964.

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34

Kazan, Helene. "The Architecture of Slow, Structural, and Spectacular Violence and the Poetic Testimony of War." Australian Feminist Law Journal 44, no. 1 (2018): 119–36. http://dx.doi.org/10.1080/13200968.2018.1465334.

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35

Van der Aa, Jef. "Sharing Time and the Poetic Patterning of Caribbean Independence: The Narrative Architecture of Voice." Anthropology & Education Quarterly 44, no. 2 (2013): 177–88. http://dx.doi.org/10.1111/aeq.12014.

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36

Butcher, Matthew. "Bang Bang House and Measure House: poetic and performative architectures of softness." Architectural Research Quarterly 23, no. 4 (2019): 310–30. http://dx.doi.org/10.1017/s1359135519000459.

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37

Magyar, Peter. "Cosmic Spaceprints or Towards the Poetic Ontology of Space." Journal of Architectural Education (1984-) 38, no. 4 (1985): 2. http://dx.doi.org/10.2307/1424856.

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38

Maggi, Angelo. "Poetic Stones: Roslin Chapel in Gandy's Sketchbook and Daguerre's Diorama." Architectural History 42 (1999): 263. http://dx.doi.org/10.2307/1568713.

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Proctor, Robert. "Churches for a Changing Liturgy: Gillespie, Kidd & Coia and the Second Vatican Council." Architectural History 48 (2005): 291–322. http://dx.doi.org/10.1017/s0066622x00003816.

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The relationship of Modernism in architecture with the symbolic needs of church- building was fraught with the dangers of betrayal: whether the architect indulged in personal spiritual expression, or used traditional forms, he could be accused of stylistic excess; if he applied a reductive functionalism, the result could be faulted as failing the brief. After the Second World War, expression and tradition were gradually admitted into Modernism to expand and enrich its vocabulary, and the limits of functionalism were reassessed. Churches were a field in which architects of the Modern Movement c

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40

Saunders, William S. "Rem Koolhaas's Writing on Cities: Poetic Perception and Gnomic Fantasy." Journal of Architectural Education (1984-) 51, no. 1 (1997): 61. http://dx.doi.org/10.2307/1425523.

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Vignjevic, Ana. "Gaston Bachelard`s phenomenology of imagination as exemplified by dematerialization of contemporary architectural form." Theoria, Beograd 59, no. 1 (2016): 66–82. http://dx.doi.org/10.2298/theo1601060v.

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This paper investigates the potential of Gaston Bachelard? phenomenology of imagination in the context of contemporary changes in the relationship between architectural form and architectural materials. Considering that contemporary architectural discourse is based on negation of any determined form of appearance, former modernist approach to architectural form nowadays gives way to architectural materials by which the `disappearing` form is at the same time integrated and disintegrated. Observing dematerialization of architectural form as a symbolic, sensitive and meta-poetic category, this p

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42

Gunaratne, Anjuli I. "The Tracées of René Ménil." CLR James Journal 26, no. 1 (2020): 87–118. http://dx.doi.org/10.5840/clrjames20212376.

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The figure of the tracée is significant for Ménil’s understanding of spatio-temporality, an understanding upon which rest, so this essay argues, his concepts of critique, poetic knowledge, and literary form. The argument takes as its starting point the work Ménil did to conceptualize history as the poesis of recuperation. In doing so, the essay argues for a renewed understanding of Ménil’s contribution to Caribbean philosophy as a whole. One of the most important components of this contribution, the essay claims, is the manner in which Ménil shifts the focus from how linguistic and cultural id

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43

Lee, SeungHee, and Hahn Joh. "A Study on Architecture Exhibition as a Poetic Space and Spatial Experience - In the Case of British Pavillion of 2018 Venice Architecture Biennale -." Journal of the Korean Institute of Interior Design 29, no. 2 (2020): 95–104. http://dx.doi.org/10.14774/jkiid.2020.29.2.095.

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Britton, Karla. "The Poetic Economy of the Frame: The Critical Stance of Auguste Perret." Journal of Architectural Education 54, no. 3 (2001): 176–84. http://dx.doi.org/10.1162/10464880152632497.

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McVicar, Mhairi. "Specifying intent at the Museum of Childhood." Architectural Research Quarterly 16, no. 3 (2012): 218–28. http://dx.doi.org/10.1017/s1359135513000067.

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In a 2009 interview, architect Peter St John of Caruso St John Architects defined a good architect as one who makes few compromises, highlighting precise instructions as imperative in achieving this. An architectural project, St John stated, 'is far more likely to work well if you put an enormous effort into defining what you want, to achieve quality’. At Caruso St John Architects' 2006 entrance addition to the Victoria and Albert Museum of Childhood in Bethnal Green, London [1], the precise specification of mortar and mastic joints throughout a cut-stone facade was employed to define expectat

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Tayyebi, Seyed Farhad, and Yuksel Demir. "Musical Preferences Correlate Architectural Tastes: An Initial Investigation of the Correlations Between the Preferred Attributes." Advanced Journal of Social Science 7, no. 1 (2020): 96–108. http://dx.doi.org/10.21467/ajss.7.1.96-108.

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Despite a large number of discussions on the analogical and technical interrelations between architecture and music, very few studies have looked at the interrelations between the appreciations of the attributes among them. This study investigates the correlations between the preferences of architectural and musical attributes to reflect how they generally interrelate with each other. The considered visual qualities related to architectural forms are symmetricity, complexity, rhythm, pattern, and stress; and the considered musical attributes are related to the main four categories of Genres, p

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He, Li Bo, and Xing Yao Xiong. "The Landscape Restoration Conception of Yuelu Academy Scenic Zone." Applied Mechanics and Materials 209-211 (October 2012): 405–11. http://dx.doi.org/10.4028/www.scientific.net/amm.209-211.405.

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Yuelu Academy is one of the four most prestigious academies in the history, its architecture part had been reconstructed in 1980’s, but the garden landscape lacked unified design. Nowadays, the garden landscape of academy is losing its poetic imagery gradually. Under the principle of respecting history and spreading garden tradition, the conception of improving landscape axis for the academy and restoring Eight Scenes of Yuelu Academy is proposed for the overall restoration of the academy landscape. It is meaningful for setting a good example for the Chinese classical academy’s garden and repl

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48

Tarlinskaja, Marina. "Evolution of Verse Form, Plots and Characters in English Plays (mid-16th to mid-19th centuries)." Studia Metrica et Poetica 6, no. 1 (2019): 7–19. http://dx.doi.org/10.12697/smp.2019.6.1.01.

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The aim of this essay is to demonstrate how the rhythmical evolution of English dramatic iambic pentameter parallelled the changes of aesthetic tastes and social values of English society from the mid-sixteenth to mid-nineteenth century. During 250 years the evolution of such features as the abundance or absence of enjambments, the use of constrained or loose iambs, and some others corresponds to the changes in the architecture of the theaters, the social structure of the audience, the manners of declamation, the complexity of poetic language, and the types of characters and plots the playwrig

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Tromans, Nicholas. "The Poetic Home. Designing the 19th-Century Domestic Interior, by Stefan Muthesius." Interiors 2, no. 2 (2011): 268–69. http://dx.doi.org/10.2752/204191211x13070211134222.

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Aynsley, Jeremy. "Review: The Poetic Home: Designing the 19th-century Domestic Interior by Stefan Muthesius." Journal of the Society of Architectural Historians 71, no. 3 (2012): 418–20. http://dx.doi.org/10.1525/jsah.2012.71.3.418.

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