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Academic literature on the topic 'Poetic function'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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Journal articles on the topic "Poetic function"

Esbosinovna, Kosımbetova Aygul. "Poetic Function of Allusion." International Journal Of Literature And Languages 5, no. 3 (2025): 21–23. https://doi.org/10.37547/ijll/volume05issue03-06.

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In this article, the poetic function of allusion was analyzed based on the works of the poet Saginbay Ibragimov. The fact that allusion is a key element of a literary work and can function as context within a whole text has been demonstrated through examples.In particular, it has been established that in the poet’s individual style, allusion is presented in various ways, and often the plot and composition of the poem are realized through allusion.

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Kharitonov, O. S. "The Function of Irony in the Poetic Duality of P. N. Mamonov in “Sounds of Mu” Period." Russian Studies in Philology, no. 2 (May 3, 2025): 137–45. https://doi.org/10.18384/2949-5008-2025-2-137-145.

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Aim. To form a scientific concept explaining the meaning of irony in the poetics of the two worlds by Pyotr Nikolaevich Mamonov.Methodology. With the help of structural, semiotic and cultural-historical methods, the poetic lyrics of the songs of the musical group “Sounds of Mu”, authored by P. N. Mamonov, are analyzed. In particular, the specifics of the subjective organization of these poetic texts, the image of the lyrical hero, the system of motives associated with irony as a mode of perception of reality are studied.Results. It is proved that irony is one of the most important forms of psy

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Kadek Adyatna Wedananta and I. Gusti Ayu Indah Triana Juliari. "Language Function As A Support To Teachers’ Professionalism." Widya Accarya 13, no. 2 (2022): 224–32. http://dx.doi.org/10.46650/wa.13.2.1328.224-232.

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ABSTRACT: This study seeks to determine the functions of language for the professionalism of teachers who must communicate and convey information or material to students. This study employed a qualitative methodology. This research was conducted in schools located in Denpasar, Bali, with teachers as its subjects. The language functions utilized by the teacher can be mapped as follows: 44 phatic functions (23%), 34 metalingual functions (18%), 34 referential functions (18%), 34 conative functions (18%), 25 emotive functions (13%), and 19 poetic functions (10%). From the results of the study, it

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Rasheed, Muhammed Fattah. "Poetics of Defamiliarisation in Craig Raine’s Selected Poems." JOURNAL OF LANGUAGE STUDIES 6, no. 4, 1 (2023): 211–24. http://dx.doi.org/10.25130/jls.6.4.1.13.

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Defamiliarisation is one of the techniques that has been studied by literary criticism; especially the Russian formalist one. It is the technique of alienating or making estrangement. This study attempts at investigating the three devices of defamiliarisation (deviation, foregrounding, and antithesis) in Craig Raine’s selected poems: “A Martian Sends a Postcard Home” “An Attempt at Jealousy” and “Heaven on Earth”. The selected poems represent Raine’s best poems and the prominent example exemplifying the use of defamiliarisation in his poetry. The study aims at uncovering the poetic and aesthet

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Tsur, Reuven. "The poetic function and aesthetic qualities: cognitive poetics and the Jakobsonian model." Acta Linguistica Hafniensia 42, sup1 (2010): 2–19. http://dx.doi.org/10.1080/03740463.2010.482311.

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Ma, Ming-Qian. "Asserting the Ineffable: Rhetorical Appropriation of ‘Poetic’ and the Contemporary Poetry Text." CounterText 3, no. 2 (2017): 144–61. http://dx.doi.org/10.3366/count.2017.0085.

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An elusive, trace-like entity, ‘poetic’ presents itself in the form of an intangible and yet indispensable relation, or relatedness, in the overall dynamics of information transformation. Paradoxical in nature and function, its ineffability forms the very condition of expressivity in poetry and poetics. ‘Poetic’, as such, also gains popularity and practicality in popular culture at large where and when it becomes articulated, tailored pragmatically to the specificities of any given activity. As an epochal phenomenon, this pragmatic rendition of ‘poetic’ takes the more pronounced form of rhetor

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Patke, Rajeev S. "Poetic Knowledge." Theory, Culture & Society 23, no. 2-3 (2006): 199–205. http://dx.doi.org/10.1177/0263276406062574.

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Whether poetry gives knowledge or not is a question that has been debated from a variety of perspectives, depending on how a society or a culture defines knowledge, and on the function it ascribes to poetry in relation to that definition. The civilizations of Asia and the Middle East have generally taken the line that poetry deals primarily with affects, emotions and feelings. The West has had a more complicated history of responses. One way of making sense of this history is to map rival claims as split over the idea of scientific knowledge, where it affects notions of the poetic function. Th

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Šarenac, Slobodanka Č. "OVERCOMING POSTMODERNIST POETICS AND THE POETIC FUNCTION OF THE SHORT STORY COLLECTION DIFFERENCES BY GORAN PETROVIĆ." Peščanik 22, no. 25 (2024): 149–59. https://doi.org/10.46793/pescanik25.149s.

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In the short storiy collection Differences by the Serbian writer Goran Petrović it is possible to observe overcoming of the patterns of postmodernist poetics, a focus on autobiographical details, giving importance to autopoetic comments as poetic instructions in the structure of narrative units, defining the poetic principle of establishing difference as a code of reading, a new approach to the processing of historical themes, a different conception the theme of art and its role in constituting the reality of the work of art, the introduction of a new theme with a religious subtext of meaning,

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Schweppenhäuser, Jakob. "Poetikkens kunstformer: Om forholdet mellem poesi og poetik i Niels Lyngsøs MORFEUS." K&K - Kultur og Klasse 37, no. 108 (2009): 160–87. http://dx.doi.org/10.7146/kok.v37i108.22002.

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Art Forms in Poetics: On the Relationship between Poetry and Poetics in Niels Lyngsø’s MORFEUS:In Denmark, the genre of poetics has to a high degree developed into poets’ own reflections on their literary work and working process. This turn has resulted in a textual hybridity, restlessly oscillating between essayistic-theoretical orientation and poetic discourse. It has been pointed out that scholars have generally failed to pay attention to the artistic elements of such poetological writings. This is where this article takes its point of departure, probing Danish poet Niels Lyngsø’s abundant,

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Judy, R. A. "The Poetics of Protest, from Africa to Minneapolis." Comparative Literature 74, no. 3 (2022): 293–305. http://dx.doi.org/10.1215/00104124-9722350.

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Abstract Offering an itinerary of the thinking that led to Sentient Flesh: Thinking in Disorder, Poiēsis in Black, R. A. Judy explains the concept of “poetic socialities” mentioned in it. This explanation begins with an account of the Muslim peripatetic philosophers’ reception of Aristotle’s Poetics, focusing on ibn Sīnā’s conception of the role poetic expression’s cognitive as well as affective force plays in the instantiation of what he calls الأمة الشعرية (al-umma al-sh’irīya), “the poetic or aesthetic community.” Elaborating how and why the phrase poetic socialities is the paraphrastic tra

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Dissertations / Theses on the topic "Poetic function"

Lee, Yeseung. "The ambiguity of seamlessness : the poetic function of making." Thesis, Royal College of Art, 2012. http://researchonline.rca.ac.uk/1366/.

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This practice-led research examines the paradox of seamlessness in fashion, drawing on the similarities found between the process of making garments, the process of their embodiment and process of research. Integrating practical and theoretical methods, it suggests that the process of making and using garments can be a transitional experience, as well as a device that creates ambiguity of subjectivity, which in turn promotes the subject’s reflexive re-adjustment. This analysis informed and was informed by making a series of seamless woven garments which reveal their own construction, showing t

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White, Michael James. "The theme and poetic function of space in Theodor Fontane's works." Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/969.

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This thesis proposes a new view of space in Theodor Fontane’s writing as both a mode of literary expression and an object of literary inquiry: space serves a poetic function and is a thematic concern. The research draws on theories of literary space which focus on spatial structures and topographies, as well as those which provide critical tools for analysing individual passages of description, especially focalisation, which elucidates the influence of the viewing figure in the text. Significantly, the subjective experience of a perceptive observer is central to Fontane’s conception of aesthet

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Schroder, Simone. "Turning nature into essays : the epistemological and poetic function of the nature essay." Thesis, University of Bath, 2017. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.760937.

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The topic of this doctoral thesis is the nature essay: a literary form that became widely used in European literature around 1800 and continues to flourish in times of ecological crisis. Blending natural history discourse, essayistic thought patterns, personal anecdotes, and lyrical descriptions, nature essays are hybrid literary texts. Their authors have often been writers with a background in science. As interdis-cursive agents they move swiftly between different knowledge formations. This equips them with a unique potential in the context of ecology. Essayistic narrators can grasp the inter

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Reynolds, D. A. "Imagination and the aesthetic function of signification in the works of Rimbaud, Mallarme, Kandinsky and Mondrian." Thesis, University of East Anglia, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.376063.

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Coghill, Mary Anne. "A theory and praxis of a city poetic : Jakobson, poetic function and city space : women, deixis and the narrator : a city poem : shades of light : a triumph of city." Thesis, London Metropolitan University, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.549554.

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This thesis re-examines Jakobson's theory of poetic function and develops the axial model of his metaphoric and metonymic poles in order to construct a suggested iconic and poetic space, with special reference to a city poetic. The suggested model is used to develop a possible genre of a city poetic. The role of the narrator in poetry is explored with specific reference to shifters and deictics, with a view to a gendered analysis of self and place within a city poetic. The construction of space within the Jakobsonian axial model is developed with the assistance of iconicity, parallels, and mov

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Ayars, Matthew Ian. "The structure of the poetic text : structural cohesion and foregrounding as the dual rhetorical discourse function of linguistic parallelism in Biblical Hebrew poetry." Thesis, University of Chester, 2016. http://hdl.handle.net/10034/620335.

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The present project, by employing Roman Jakobson's conceptualisation of parallelism and literary linguistic analysis, argues that linguistic parallelism occurring at all levels of language (from phoneme to syntagmeme) in biblical Hebrew poetry has a dual rhetorical discourse function of foregrounding and structural cohesion. It is proposed that patterned grammatical-syntactic continuity and deviation at a colometric level creates poetic unity that harmonises the poem’s internal diversity and poetic variation across macrostructural levels that fosters foreground semantic components of the text.

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Domingues, Mario Henrique. "O trovão, o relâmpago: tradução do Canto VI do poema de Lucrécio e análise de função poética de fragmentos." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-29042013-130042/.

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Esta pesquisa consiste na tradução do Canto VI do poema didático-filosófico De rerum natura, do poeta latino Lucrécio (séc. I a.C.) e na análise de três fragmentos do canto, segundo o conceito de função poética de Roman Jakobson, o mais importante linguista do Formalismo Russo. Esta epopeia romana trata da natureza, composta toda de átomos e de vazio, segundo a doutrina do filósofo grego Epicuro (séc. III a. C.). A filosofia epicurista da natureza, sua física, tinha uma particularidade especial, o atomismo, conceito materialista que tem no De rerum natura a sua maior e melhor fonte. Assim, foi

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Absalyamova, Elina. "Paul Verlaine critique littéraire : aspects biographique, esthétique et discursif." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040152.

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À travers l’expérience de Verlaine, cette thèse s’interroge sur la critique littéraire d’un écrivain. Les raisons d’être et les particularités formelles d’une production quotidienne d’un poète accédant graduellement à la notoriété sont étudiées en partant d’un panorama des définitions du phénomène (introduction). La triple analyse biographique, esthétique et discursive expose le lien étroit entre le contexte de production de la critique, les constructions théoriques qu’elle véhicule et les formes discursives qu’elle prend. La position marginale de Verlaine dans le champ littéraire prédétermine

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Gergel, Tania Louise. "Style and its function : the poetics of argument of Plato's Phaedo." Thesis, King's College London (University of London), 2001. https://kclpure.kcl.ac.uk/portal/en/theses/style-and-its-function--the-poetics-of-argument-of-platos-phaedo(00c584bb-5315-46eb-9016-a841b63d2421).html.

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Dennison, John. "Seamus Heaney and the adequacy of poetry : a study of his prose poetics." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/3026.

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Seamus Heaney's prose poetics return repeatedly to the adequacy of poetry, its ameliorative, restorative response to the inimical reality of life in the public domain. Drawing on manuscript as well as print sources, this thesis charts the development of this central theme, demonstrating the extent to which it threads throughout the whole of Heaney's thought, from his earliest conceptual formation to his late cultural poetics. Heaney's preoccupation with this idea largely originates in his undergraduate studies where he encounters Leavis and Arnold's accounts of poetry's adequacy: its ameliorat

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Books on the topic "Poetic function"

White, Michael James. Space in Theodor Fontane's works: Theme and poetic function. Modern Humanities Research Association, 2012.

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Kaproń-Charzyńska, Iwona. Pragmatyczne aspekty słowotwórstwa: Funkcja ekspresywna i poetycka = Pragmatic aspects of word formation : the expressive and the poetic function. Wydawnictwo Naukowe Uniwersytetu Mikołaja Kopernika, 2014.

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Stocks, Simon P. The form and function of the tricolon in the Psalms of Ascents: Introducing a new paradigm for Hebrew poetic line-form. Pickwick Publications, 2012.

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Salila, Sureśa, ed. Sādho śabda sādhanā kījai. Prauṛha Śikshā Nideśālaya, Mānava Saṃsādhana Vikāsa Mantrālaya, 1995.

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Cogswell, Fred. The vision of Fred: Friend of poets = ami des poètes : conversations with Fred Cogswell on the nature and function of poetry. Borealis Press, 2004.

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Dīkṣita, Appayya. The Vṛttivārttika or commentary on the functions of words of Appaya Dīkṣita. American Oriental Society, 2001.

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Michael, Branch, Hawkesworth Celia 1942-, and University of London. School of Slavonic and East European Studies., eds. The uses of tradition: A comparative enquiry into the nature, uses and functions of oral poetry in the Balkans, the Baltic, and Africa. School of Slavonic and East European Studies, University of London, 1994.

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International Conference on Library Classification and Its Functions (1989 Edmonton, Alta.). International Conference on Library Classification and Its Functions, June 20 and 21, 1989, Edmonton, Alberta. Edited by Nitecki André and Fell Tony. Faculty of Extension, University of Alberta, 1990.

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Hage, A. L. H. Sonder favele, sonder lieghen: Onderzoek naar vorm en functie van de Middelnederlandse rijmkroniek als historiografisch genre. Wolters-Noordhoff, 1989.

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Oosterman, Johan. De gratie van het gebed: Overlevering en functie van Middelnederlandse berijmde gebeden. Prometheus, 1995.

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Book chapters on the topic "Poetic function"

McMahon, Peter. "Prague Structuralism and the Poetic Function." In Structuralism and Form in Literature and Biology. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-47739-3_6.

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Sharon-Zisser, Shirley. "The Poetic Function from Jakobson to Lacan: A Lacanian Theory of Poetics." In The Prague School and Theories of Structure. V&R unipress, 2009. http://dx.doi.org/10.14220/9783862347049.281.

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Finnegan, Ruth. "8. Poetry and society." In World Oral Literature Series. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0428.08.

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The chapter ‘Poetry and Society’ delves into the complex relationship between poetic activity and the social institutions in which it is embedded. It begins by exploring how poetry reflects and is shaped by the social structures of a given society, whether through specialist poets who function within the division of labour or through poetry as a tool for cultural transmission across generations. The chapter also highlights poetry's role in unifying culturally diverse regions, such as the traveling poets of West Africa or early Ireland, emphasizing that poetry’s societal functions are often unc

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Meisterernst, Barbara. "The function of poetic language and rhymes in pre-modern Chinese literature." In The Routledge Handbook of Chinese Applied Linguistics. Routledge, 2019. http://dx.doi.org/10.4324/9781315625157-9.

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Khalaf, Omar. "Baretti polemista e traduttore in A Dissertation upon the Italian Poetry." In Biblioteca di storia. Firenze University Press, 2024. http://dx.doi.org/10.36253/979-12-215-0448-4.11.

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This brief essay attempts to shed light on some hitherto unnoticed aspects of Baretti’s approach to translation. A close analysis of his Dissertation upon the Italian Poetry, in fact, reveals that behind the Italian philosopher’s fierce reaction against Voltaire’s Essay on the Epic Poetry of All the European Nations from Homer down to Milton lies a profound analysis of the language and its evocative function. Baretti’s English translations of Italian masters such as Dante, as poor as they seem, become the most obvious demonstration of the unsurpassed beauty and force of the Italian poetic lang

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Robar, Elizabeth. "Why Do Psalms, Proverbs, and Job Use Different Accents?" In Interconnected Traditions: Semitic Languages, Literatures, Cultures—A Festschrift for Geoffrey Khan. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0463.07.

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The article investigates why Psalms, Proverbs, and Job in the Masoretic tradition use a distinct system of accents compared to the other books of the Hebrew Bible. It traces the historical development of these poetic accents, showing their evolution from an earlier scribal practice that relied on spacing to mark sense units. The study highlights how these accents shifted from aids for reading to aids for chanting, leading to a divergence in their function and prominence. By examining examples from the text, the study explores how transformations in accentuation obscure linguistic and thematic

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Stirpe, Luca. "Saltellando fra le rime. L’immaginario del grillo nella poesia di Du Fu (712-770)." In Connessioni. Studies in Transcultural History. Firenze University Press, 2024. http://dx.doi.org/10.36253/979-12-215-0422-4.11.

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Over two million years ago, when beings identifiable as belonging to the human species left their first traces on the planet, insects had already been present for approximately four hundred million years. Whether airborne, terrestrial, aquatic, or concealed within the earth, they have served as carriers of life, disease, suffering, death, pleasure, annoyance and fear. In every corner of the planet (and perhaps even beyond), they have invariably accompanied the existence of various creatures, including humans. Hence, it comes as no surprise that insects have been extensively depicted in various

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Lethbridge, Stefanie. "More Than a Canon: Lists of Contents in British Poetry Anthologies." In Forms of List-Making: Epistemic, Literary, and Visual Enumeration. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-76970-3_7.

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AbstractCriticism frequently questions the aesthetic or narrative qualities of lists and assigns them a primarily pragmatic function. The list (or table) of contents is typically identified as a reference tool and of little literary value in itself, merely pointing forward to what is to come in the book it is attached to. This chapter will argue in favor of the narrative, even literary, potential of the lists of contents for British poetry anthologies that goes beyond a straightforward reinforcement of the canon. Contextualized in a print product that claims to offer culturally relevant poetic

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Molina, Feliz Lucia. "A Playful Reading of the Double Quotation in The Descent of Alette by Alice Notley." In continent. Year 1. punctum books, 2012. https://doi.org/10.21983/p3.0016.1.09.

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“The Descent of Alette” “is an allegorical poem” “in four books” “first pub-lished” “in 1992” “by Alice Notley.” “In The Descent of Alette,” “the double quotation mark” “is wrapped around” “words, phrases, sometimes whole sentences, and utilized as bones for structure and tonality.” “The winged” “dbl quotation” “like angels or devils” “descending from elsewhere” “function as” “poetic feet.” “Distance” “in the text through the use of dbl quotes,” “according to Notley,” “was a way to distance” “her self” “from the narrative.”

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Notarius, Tania. "“Every glance of their eyes—like a flame, two flames”." In Interconnected Traditions: Semitic Languages, Literatures, Cultures—A Festschrift for Geoffrey Khan. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0463.19.

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The study re-evaluates the Ugaritic Gt-stem of the root ʾmr, traditionally interpreted as anticausative or patientive, suggesting instead an agentive and autobenefactive/intensifying function in poetic contexts. The debated passage in KTU 1.2 I 32 portrays Yamm’s envoys with fiery glances and sharp tongues, metaphors that convey aggression and the potency of their speech act. These fiery attributes are interpreted as symbolic weapons, consistent with broader ancient Near Eastern traditions where divine or monstrous figures exhibit flaming eyes or mouths for intimidation and harm. The analysis

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Conference papers on the topic "Poetic function"

Malanici, Elena. "Language and rhetoric in poetic discourse according to scholarly interpretations." In Conferința științifică națională cu participare internațională "Integrare prin cercetare și inovare" dedicată Zilei Internaționale a Științei pentru Pace și Dezvoltare. Moldova State University, 2025. https://doi.org/10.59295/spd2024u.26.

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The article discusses themes related to poetic discourse, focusing centrally on language and its rhetoric. Definitions by Paul Valery and I.A. Richards emphasize that poetry uses words to create emotional effects and attitudes, thus highlighting its specificity within language. C. Dascălu adds that literary language involves not only words but also their organization and means of expression, including the evoked imagery. Eugeniu Coșeriu argues that poetic language is not simply an additional function of language but a comprehensive exploration thereof. Thus, poetic discourse is seen as a form

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Bobelo, Noxolo. "Consonance in Isixhosa Poetry on Nelson Rholihlahla Mandela." In 6th World Conference on Arts, Humanities, Social Sciences and Education. Eurasia Conferences, 2024. https://doi.org/10.62422/978-81-970328-4-4-016.

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This composition examines the use of consonance in some isiXhosa poetry written as tribute to Nelson Rholihlahla Mandela. The aim is to show how stylistic language is used to measure the ability of the researcher to respond to poetic language in the poetry under study. While consonance is not the only form of repetition found in the poetry under study, this discussion concentrates only on this form of repetitive technique. Other techniques like assonance, linking, parallelism, refrain and others, are also instrumental and very crucial in the development and expansion of isiXhosa poetry. Like c

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Tomić, Minja. "POETIČKI „CREDO“ IVANA V. LALIĆA NA PRIMERU PESME „SLOVO O SLOVU”." In XVI načni skup mladih filologa Srbije. University of Kragujevac, Faculty of Philology and Art, Serbia, 2025. https://doi.org/10.46793/mfxvi-2.097t.

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The research represents an interpretation of the poem “Word about the Word” by Ivan V. Lalić, pub- lished in the poetry collection „Pismo” (1992). The focus of the interpretation will be on the meaning of the verses, aiming to understand the unique phenomenology of the poetic world. The starting point will be the establishment of the semantic function of form and style, thereby opening the field for observing the poet's interaction with literary tradition. It will point out the complex symbolism of the concept of purgatory, thus establishing an intertextual link with Dante Alighieri’s epic. Th

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Radhia, Dr LARKEM. "THE POETICS OF DIALOGUE IN THE VISION OF ABU FIRAS AL-HAMDANI." In I. International Century Congress for Social Sciences. Rimar Academy, 2024. http://dx.doi.org/10.47832/soci.con1-19.

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In ancient Arabic poetry, dialogue is an artistic technique that adds a narrative feature to its poetic texts. Its methods and formulas have varied in these poetic texts, given that dialogue raises the curtain on the positions, feelings, and secrets of the interlocutors, their ideas, and their experiences, whatever their type. Poets have used dialogue in their poems for various poetic purposes and topics since the pre-Islamic era, and this continued until the Abbasid era and beyond. Its methods and characteristics developed, and it became a means for the poet to express his feelings that he re

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Romanyshyn, Nataliia. "Corpus Based Analysis of Color Names Function in Poetic Discourse." In 2022 IEEE 17th International Conference on Computer Sciences and Information Technologies (CSIT). IEEE, 2022. http://dx.doi.org/10.1109/csit56902.2022.10000465.

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Dicusar, Cristina. "Strategies for decolonizing the poetic discourse Romanian-Bassarabian metamodernism." In Conferință științifică internațională "FILOLOGIA MODERNĂ: REALIZĂRI ŞI PERSPECTIVE ÎN CONTEXT EUROPEAN" cu genericul G. Călinescu. 125 ani de la naştere, Ediţia a 18-a. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2024. http://dx.doi.org/10.52505/filomod.2024.18.08.

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As a result of the fall of the USSR, Bessarabian literature written in Romanian language was put in a position to change its discourse, and to recover theories, approaches and poetics. The decolonization of the Bessarabian poetic discourse occurred (and is occurring) in several stages. The sources of this decolonization are, on the one hand, internal, as a desire to transform the stagnant state of poetic language, and, on the other hand, external, a natural desire to connect with poetic approaches from the West. The stage that particularly interests us is that of 2000s and post-2000s poetry, b

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Kazachuk, Irina Georgievna. "Text-Forming Function Of Verb Forms In Poetic Prayers Of Z. Gippius." In International Scientific Congress «KNOWLEDGE, MAN AND CIVILIZATION». European Publisher, 2021. http://dx.doi.org/10.15405/epsbs.2021.05.148.

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Koryčánková, Simona. "POETIC TEXTS IN TEACHING OF RUSSIAN ON B1 LEVEL (ON THE EXAMPLE OF WORKING WITH VOCABULARY DENOTING PERCEPTION IN THE POEMS OF O. BŘEZINA AND V. S. SOLOVYOV)." In Aktuální problémy výuky ruského jazyka XIV. Masaryk University Press, 2020. http://dx.doi.org/10.5817/cz.muni.p210-9781-2020-5.

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The author of the article aims to introduce Russian poetic texts into the teaching of Czech students on B1 level. The chosen teaching methodology is based on motivating the students with the use of Czech symbolist poetry by O. Březina and a subsequent analysis of a poem by V. S. Solovyov. Work with the poetry of both authors focuses on perceptual lexicon, which plays key role in uncovering the meaning of a symbolist text. Students can thus gain knowledge of polysemous words and their different author’s connotations in an enticing and creative way. This enhances not only their knowledge of the

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Pavel, Ecaterina. "A Linguistic and Cultural History of the Spleen in the Romanophone Europe." In GLOCAL Conference on Mediterranean and European Linguistic Anthropology Linguistic Anthropology 2022. The GLOCAL Unit, SOAS University of London, 2023. http://dx.doi.org/10.47298/comela22.4-1.

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The history of the words inherited from Latin and Greek shows how various semantic fields and classes of lexemes have ensured the unity of the Romance languages. Among them are the anatomical terms referring to body parts, organs, and functions. However, a â€œmysteriousâ€ organ (Haque, A. 2006) has had separate and sinuous evolutions and a surprising transformation: the spleen. From the theory of humours to Baudelaireâ€™s poetic spleen, the term has known multiple transfigurations both in the linguistic and the cultural fields and has developed additional meanings over time. The present study

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Liu, Chongxi. "“POETRY CARVED IN STONE”: DOCUMENTARY, LITERARY AND CULTURAL CONNOTATION IN BAI JUYI’S POETRY INSCRIPTION." In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.04.

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The poetry inscription, with Bai Juyi in the Middle Tang Era as its representative, began to express purely personal emotions in terms of content, which reflects the poet’s creative individuality. Bai takes stone as his friend, loves it, chants it, and inscribes poems on it, endowing it natural and personal qualities. Bai was the first poet to consciously combine “poetry” and “stone” with nearly 20 kinds of poetry inscriptions. Compared with book documents, Bai’s poetry inscriptions not only have the philological value of text criticism, but also have multiple functions, i. e., reproducing the

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Reports on the topic "Poetic function"

Makhachashvili, Rusudan K., Svetlana I. Kovpik, Anna O. Bakhtina, and Ekaterina O. Shmeltser. Technology of presentation of literature on the Emoji Maker platform: pedagogical function of graphic mimesis. [б. в.], 2020. http://dx.doi.org/10.31812/123456789/3864.

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The article deals with the technology of visualizing fictional text (poetry) with the help of emoji symbols in the Emoji Maker platform that not only activates students’ thinking, but also develops creative attention, makes it possible to reproduce the meaning of poetry in a succinct way. The application of this technology has yielded the significance of introducing a computer being emoji in the study and mastering of literature is absolutely logical: an emoji, phenomenologically, logically and eidologically installed in the digital continuum, is separated from the natural language provided by

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AKHADOVA, R. A., and M. L. SHTUKKERT. ‘THE DREAM OF A RIDICULOUS MAN’ F.M. DOSTOEVSKY AND A. PETROV: POETICS OF THE FEAR. Science and Innovation Center Publishing House, 2021. http://dx.doi.org/10.12731/978-0-615-67323-3-8-21.

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The purpose of the study is to determine the features of the structure and functioning of the fear motive in F.M. Dostoevsky’s “fantastic story” “The Dream of a Ridiculous Man” and in A. Petrov’s cartoon of the same name. The report first examines the images, details, etc., with which the fear motive is created in the story, and then analyzes the ways of embodying this motive and transmitting a certain frightening atmosphere in the cinema. There is revealed and determined the ontological significance and the main character of fear in the “The Dream of a Ridiculous Man”, which, in our opinion,

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Dairianathan, Eugene, Larry Francis Hilarian, Peter Stead, Chee Hoo Lum, and Hoon Hong Ng. Learning through popular music, lessons for the general music programme syllabus in Singapore. National Institute of Education, Nanyang Technological University, Singapore, 2024. https://doi.org/10.32658/10497/27422.

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This project sought to investigate the identity, role and function of popular music within classroom-based education in Singapore. Popular music is characterised by: (i) lnterdisclplinarity (music, dance, poetry, theatre, etc); (ii) It suffuses the lives of school-going youth in their out-of-school curriculum. (iii) Skill acquisition is frequently gained through more informal learning than is usual in institutional settings (Green, 2002). (iv) Participation in popular music by various communities seems to cut across ethnic, religious and age boundaries, which makes popular music participation

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