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Journal articles on the topic 'Poetic function'

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1

Esbosinovna, Kosımbetova Aygul. "Poetic Function of Allusion." International Journal Of Literature And Languages 5, no. 3 (2025): 21–23. https://doi.org/10.37547/ijll/volume05issue03-06.

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In this article, the poetic function of allusion was analyzed based on the works of the poet Saginbay Ibragimov. The fact that allusion is a key element of a literary work and can function as context within a whole text has been demonstrated through examples.In particular, it has been established that in the poet’s individual style, allusion is presented in various ways, and often the plot and composition of the poem are realized through allusion.
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Kharitonov, O. S. "The Function of Irony in the Poetic Duality of P. N. Mamonov in “Sounds of Mu” Period." Russian Studies in Philology, no. 2 (May 3, 2025): 137–45. https://doi.org/10.18384/2949-5008-2025-2-137-145.

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Aim. To form a scientific concept explaining the meaning of irony in the poetics of the two worlds by Pyotr Nikolaevich Mamonov.Methodology. With the help of structural, semiotic and cultural-historical methods, the poetic lyrics of the songs of the musical group “Sounds of Mu”, authored by P. N. Mamonov, are analyzed. In particular, the specifics of the subjective organization of these poetic texts, the image of the lyrical hero, the system of motives associated with irony as a mode of perception of reality are studied.Results. It is proved that irony is one of the most important forms of psy
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Kadek Adyatna Wedananta and I. Gusti Ayu Indah Triana Juliari. "Language Function As A Support To Teachers’ Professionalism." Widya Accarya 13, no. 2 (2022): 224–32. http://dx.doi.org/10.46650/wa.13.2.1328.224-232.

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ABSTRACT: This study seeks to determine the functions of language for the professionalism of teachers who must communicate and convey information or material to students. This study employed a qualitative methodology. This research was conducted in schools located in Denpasar, Bali, with teachers as its subjects. The language functions utilized by the teacher can be mapped as follows: 44 phatic functions (23%), 34 metalingual functions (18%), 34 referential functions (18%), 34 conative functions (18%), 25 emotive functions (13%), and 19 poetic functions (10%). From the results of the study, it
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Rasheed, Muhammed Fattah. "Poetics of Defamiliarisation in Craig Raine’s Selected Poems." JOURNAL OF LANGUAGE STUDIES 6, no. 4, 1 (2023): 211–24. http://dx.doi.org/10.25130/jls.6.4.1.13.

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Defamiliarisation is one of the techniques that has been studied by literary criticism; especially the Russian formalist one. It is the technique of alienating or making estrangement. This study attempts at investigating the three devices of defamiliarisation (deviation, foregrounding, and antithesis) in Craig Raine’s selected poems: “A Martian Sends a Postcard Home” “An Attempt at Jealousy” and “Heaven on Earth”. The selected poems represent Raine’s best poems and the prominent example exemplifying the use of defamiliarisation in his poetry. The study aims at uncovering the poetic and aesthet
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Tsur, Reuven. "The poetic function and aesthetic qualities: cognitive poetics and the Jakobsonian model." Acta Linguistica Hafniensia 42, sup1 (2010): 2–19. http://dx.doi.org/10.1080/03740463.2010.482311.

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Ma, Ming-Qian. "Asserting the Ineffable: Rhetorical Appropriation of ‘Poetic’ and the Contemporary Poetry Text." CounterText 3, no. 2 (2017): 144–61. http://dx.doi.org/10.3366/count.2017.0085.

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An elusive, trace-like entity, ‘poetic’ presents itself in the form of an intangible and yet indispensable relation, or relatedness, in the overall dynamics of information transformation. Paradoxical in nature and function, its ineffability forms the very condition of expressivity in poetry and poetics. ‘Poetic’, as such, also gains popularity and practicality in popular culture at large where and when it becomes articulated, tailored pragmatically to the specificities of any given activity. As an epochal phenomenon, this pragmatic rendition of ‘poetic’ takes the more pronounced form of rhetor
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Patke, Rajeev S. "Poetic Knowledge." Theory, Culture & Society 23, no. 2-3 (2006): 199–205. http://dx.doi.org/10.1177/0263276406062574.

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Whether poetry gives knowledge or not is a question that has been debated from a variety of perspectives, depending on how a society or a culture defines knowledge, and on the function it ascribes to poetry in relation to that definition. The civilizations of Asia and the Middle East have generally taken the line that poetry deals primarily with affects, emotions and feelings. The West has had a more complicated history of responses. One way of making sense of this history is to map rival claims as split over the idea of scientific knowledge, where it affects notions of the poetic function. Th
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Šarenac, Slobodanka Č. "OVERCOMING POSTMODERNIST POETICS AND THE POETIC FUNCTION OF THE SHORT STORY COLLECTION DIFFERENCES BY GORAN PETROVIĆ." Peščanik 22, no. 25 (2024): 149–59. https://doi.org/10.46793/pescanik25.149s.

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In the short storiy collection Differences by the Serbian writer Goran Petrović it is possible to observe overcoming of the patterns of postmodernist poetics, a focus on autobiographical details, giving importance to autopoetic comments as poetic instructions in the structure of narrative units, defining the poetic principle of establishing difference as a code of reading, a new approach to the processing of historical themes, a different conception the theme of art and its role in constituting the reality of the work of art, the introduction of a new theme with a religious subtext of meaning,
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Schweppenhäuser, Jakob. "Poetikkens kunstformer: Om forholdet mellem poesi og poetik i Niels Lyngsøs MORFEUS." K&K - Kultur og Klasse 37, no. 108 (2009): 160–87. http://dx.doi.org/10.7146/kok.v37i108.22002.

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Art Forms in Poetics: On the Relationship between Poetry and Poetics in Niels Lyngsø’s MORFEUS:In Denmark, the genre of poetics has to a high degree developed into poets’ own reflections on their literary work and working process. This turn has resulted in a textual hybridity, restlessly oscillating between essayistic-theoretical orientation and poetic discourse. It has been pointed out that scholars have generally failed to pay attention to the artistic elements of such poetological writings. This is where this article takes its point of departure, probing Danish poet Niels Lyngsø’s abundant,
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10

Judy, R. A. "The Poetics of Protest, from Africa to Minneapolis." Comparative Literature 74, no. 3 (2022): 293–305. http://dx.doi.org/10.1215/00104124-9722350.

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Abstract Offering an itinerary of the thinking that led to Sentient Flesh: Thinking in Disorder, Poiēsis in Black, R. A. Judy explains the concept of “poetic socialities” mentioned in it. This explanation begins with an account of the Muslim peripatetic philosophers’ reception of Aristotle’s Poetics, focusing on ibn Sīnā’s conception of the role poetic expression’s cognitive as well as affective force plays in the instantiation of what he calls الأمة الشعرية (al-umma al-sh’irīya), “the poetic or aesthetic community.” Elaborating how and why the phrase poetic socialities is the paraphrastic tra
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11

Wooffitt, Robin. "Poetic confluence." Journal of Anomalous Experience and Cognition 2, no. 1 (2022): 80–110. http://dx.doi.org/10.31156/jaex.23818.

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This paper is an exploratory sociological analysis of poetic confluence, a spontaneous telepathic phenomenon that occurs in everyday social interaction. In poetic confluence, one person’s talk exhibits an enigmatic relationship to another’s unstated thoughts or imagery at that moment. The analyses draw from an empirical approach called Conversation Analysis, a formal qualitative method for the analysis of naturally occurring interaction in everyday life. In Conversation Analysis, talk-in-interaction is analyzed as coordinated and sequentially organized action. The focus on the action orientati
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Harb, Lara. "Mimesis and Mythos in Aristotelian Arabic Poetics." Comparative Literature 76, no. 1 (2024): 1–19. http://dx.doi.org/10.1215/00104124-10897081.

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Abstract The Aristotelian sense of mimesis (i.e., fictional representation of an evoked world through plot and characters) continues to shape modern views of literature. The medieval Arabic reception of the concept of mimesis and its closely related concept of mythos (fable, story, or plot) through Aristotle’s Poetics reveals a different conception of literature—one that this article argues is not representational but analogical. While Aristotle sees mythos/plot as forming the main vehicle through which mimesis manifests itself in poetry, mythos (khurāfa) according to the philosophers of the I
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Wang, Xiaojing. "Die dialogische Natur des Duizhang." Poetica 53, no. 3-4 (2022): 323–40. http://dx.doi.org/10.30965/25890530-05301013.

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Abstract The Chinese poetic parallelism (Duizhang) as a central aesthetic instrument of classical Chinese poetry is extraordinarily difficult to translate. The meaning and association triggered by its structure must be lost in translation. The aim of the present work is to show, with the helpaw of Mikhail Bakhtin’s dialogic theory, what is actually lost by translating a Duizhang couplet. That depends on how the mechanism of the Duizhang fulfills its aesthetic function. The answer to this question could advance the discussion how to understand Chinese poetics, how to promote poetic translation,
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Ibragimova, Iroda Artikmashrabovna. "LANGUAGE FUNCTIONS AND THEIR APPLICATION IN POETIC TEXT." American Journal of Philological Sciences 4, no. 6 (2024): 17–22. http://dx.doi.org/10.37547/ajps/volume04issue06-04.

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15

JURAYEVA, Nazokat. "OBSERVATION OF THE POETIC UNITY OF THE VERSE IN THE POETRY OF MUHAMMAD RIZA OGAKHI." Art and Design: Social Science 02, no. 01 (2022): 9–12. http://dx.doi.org/10.37547/ssa-v2-i1-4.

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This article presents scientific and analytical ideas on the definition of types in Uzbek literature in terms of the structure of the byte and its function in the structure of the poetic work. Also, in our literature on the relationship of bytes and genres, historical sources have been studied and the correct theoretical foundations have been formed. The level of application, types, and functions of genres such as chiston, the problem is analyzed. This article examines in detail the use of the poetic unity of the byte in the poetry of Muhammad Rizo Ogakhi, a unique representative of Uzbek clas
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Kolker, Yakov M., and Elena S. Ustinova. "On the less obvious manifestations of the poetic function: a translator’s view." Slovo.ru: Baltic accent 12, no. 3 (2021): 34–53. http://dx.doi.org/10.5922/2225-5346-2021-3-3.

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The paper examines the interaction of the poetic function with the emotive and expressive functions in belles-lettres texts. The authors attempt to prove that the poetic function should not be equated with the aesthetic one. The former overlaps all the above-mentioned func­tions, but alone bears the responsibility for the form-content fusion. The paper focuses on the less evident mechanisms of the poetic function, beyond the obvious effect of tropes and figures of speech. Not unlike meiosis, its allegedly weaker ‘voice’ is capable of producing a much strong­er effect, which can be discerned in
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Vera, Layun, Abdul Rohman, and Widi Syahtia Pane. "Speech Funtion Analysis in “ Alice In Wonderland” Movie Script." Inquest Journal 1, no. 02 (2023): 78–84. https://doi.org/10.53622/ij.v1i02.171.

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AbstractBackground:A language is a tool for communication in this world used by humans to communicate with each other, without language, people get a problem when they want to communicate and a desire to socialize with people. The social functions of communication are explained by the speech function Apparently, speaking has a variety of functions. Many kinds of different speech functions, including phatic, poetic, metalinguistic, expressive, directive, and referential. Speech that people make serves a variety of purposes. This study aims to analyze the kinds of speech functions that are used
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Kanaza, Fauzi Usrya. "A LANGUAGE FUNCTION: THE ANALYSIS OF CONATIVE FUNCTION IN MEGHAN MARKLE’S SPEECH." ETNOLINGUAL 4, no. 1 (2020): 43. http://dx.doi.org/10.20473/etno.v4i1.20347.

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This paper examines the types of language functions used in the utterances and the one which is dominantly used in Meghan Markle’s speech. By applying qualitative method, the researcher analyze the utterance produced by Meghan Markle as the speaker, was delivering her speech. The researcher uses the five function of language proposed by Jakobson, they are referential function, conative function, emotive function, poetic function, and phatic function. The results show that there are five types of language functions used in Meghan Markle’s speech. The first most dominant function used is conativ
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19

A, Satbaev. "IN THE POETRY OF S. IBRAGIMOV LYRIC HEROES AND POETIC IMAGES." Current Research Journal of Philological Sciences 5, no. 11 (2024): 55–58. https://doi.org/10.37547/philological-crjps-05-11-10.

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The article analyzes the artistic function of the lyrical hero and poetic images in the expression of lyrical experience, the artist's style and skill in creating a psychological image, and the harmony of content and form in free poems, using the example of the work of the modern Karakalpak poetS. Ibragimov. In the work of the poet, the specific aspects of the mental state of the lyrical hero are revealed.
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Merilai, Arne. "Poetics is in the Genes. A Manifesto." Interlitteraria 27, no. 2 (2022): 318–29. http://dx.doi.org/10.12697/il.2022.27.2.15.

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The manifesto “Poetics is in the Genes” reveals the commonality between poetics and genetics for the first time. Outside of cellular biology attempts have been made in both (text)linguistics and semiotics to describe the genome and its interactions as similar to language. However, the approach of this interpretation relies particularly on the poetic function of language and its underlying self-referentiality as the starting point. Poetic relevance reveals itself explicitly in its relationship to the cutting-edge concept of CRISPR (Clustered Regularly Interspaced Short Palindromic Repeats), whi
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Stepanova, Varvara Egorovna. "Artistic peculiarities of the philosophical works of S. S. Vasilyev-Borogonsky." Litera, no. 12 (December 2021): 15–24. http://dx.doi.org/10.25136/2409-8698.2021.12.37099.

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The goal of this research lies in the description of artistic uniqueness of the philosophical lyrics of S. S. Vasilyev. The author reviews the problem of the poetic language of Vasilyev’s philosophical poems from the perspective of determination of the role and function of poetic images, as well as the techniques of rhetorical patterns, stylistics and syntax as method of expressing the original philosophical views. Examination of the philosophical lyrics of S. S. Vasilyev required an overview of the context of philosophical poetry of the Yakut classics – A. E. Kulakovsky, A
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Nathalie Wourm. "Anticapitalism and the Poetic Function of Language." L'Esprit Créateur 49, no. 2 (2009): 119–31. http://dx.doi.org/10.1353/esp.0.0167.

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23

Wijana, I. Dewa Putu. "Poetic Function of Truck Container Signs in Indonesia." Ranah: Jurnal Kajian Bahasa 9, no. 2 (2020): 202. http://dx.doi.org/10.26499/rnh.v9i2.2951.

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In the pursuit of life comfort, human beings will never stop to do various ways with everything close to their surrounding, and language as the primary means of communication is one of tools used to realize this purpose. For the sake of fulfilling, their aesthetic need, human beings often exploit their linguistic ability to produce aesthetic discourses. This paper will try to analyse the poetic functions truck container signs passed over roads in Indonesia. In order to create aesthetic signs, the creators massively exploit various types of rhyming formulas, metaphors, similes, contradictions,
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Колкер, Я. М. "The Poetic Function of Language as a Guarantee Ensuring the Authenticity of Translation." Иностранные языки в высшей школе, no. 1(56) (April 13, 2021): 71–80. http://dx.doi.org/10.37724/rsu.2021.56.1.008.

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О поэтической функции языка пишут немного и редко. И только недавно С. Т. Золян счел нужным напомнить лингвистической общественности, что в 2021 году исполняется 100 лет идее Р. О. Якобсона о поэтической функции языка и о ее плодотворном влиянии на развитие лингвистической науки. В нашей статье, посвященной приему как одному из компонентов поэтической функции языка, художественный прием рассматривается, с одной стороны, как выразительное средство языка оригинала поэтического текста, а с другой стороны — как способ достижения функциональной эквивалентности поэтического перевода. Материал исслед
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Jablonka, Frank. "Contact de langues et fonction poétique du changement linguistique." Travaux neuchâtelois de linguistique, no. 34-35 (October 1, 2001): 131–39. http://dx.doi.org/10.26034/tranel.2001.2552.

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Following Roman Jakobson, this article tries to outline the affinity between linguistic change induced by language contact and conflict, and the poetic function of language. We can observe this phenomenon by studying the discourses of trilingual speakers in the Aosta Valley (Northern Italy). The problematic position of French is reflected and articulated by means of poetic procedures in the interviews, but they allow the creation of a typical regional variety of Italian as well. On the other hand, poetic functions in the discourses of young subjects in French suburbs are an important factor in
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Lian, Xinda. "Secret Laid Bare: Close Reading of Chinese Poetry." Journal of Chinese Literature and Culture 9, no. 1 (2022): 47–78. http://dx.doi.org/10.1215/23290048-9681150.

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Abstract In the most exciting results of linguistic criticism of poetic function in classical Chinese poetry, one sees an ideal integration of microattention to texts and macroinvestigation of grammars of Chinese poetics. The greatest contribution of this close reading of the sinologist brand is the laying bare—in plain analytical language—of the mechanism of Chinese poetics, long grudgingly guarded as some ineffable (zhike yihui buke yanchuan 只可意會不可言傳) secret.
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épouse Coulibaly, Cissoko Saran, and Aboubakar Goynougo. "Syntaxe et signifiance de la parole conative dans la poésie Africaine Francophone." Traduction et Langues 22, no. 2 (2023): 186–205. http://dx.doi.org/10.52919/translang.v22i2.957.

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Syntax and Meaning of Conative Speech in Francophone African Poetry
 For those with an interest in African poetry, particularly Francophone poetry, several distinctive features underlie its originality and authenticity. These encompass rhythm, symbolism, and poetic imagery, serving as fundamental markers of the dominant poetic function within poetic discourse. These elements are inevitable considerations in any analysis, be it poetic or stylistic, of literary texts. Poetry in Africa, and conceivably beyond, undoubtedly serves a pragmatic, or more precisely, pragma-enunciative function, of
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Skarbek-Kazanecki, J. "NOSTALGIA, EXPULSION AND THE POETIC I: THE POETICS OF DIASPORA IN THE CORPUS THEOGNIDEUM." Akroterion 66 (2021): 17–39. http://dx.doi.org/10.7445/66--1017.

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In the anthology of archaic elegiac poetry called the Corpus Theognideum, the poetic I often eludes traditional approaches to the ‘poetic authority’. Instead of presenting itself as a citizen of a particular ‘city-state’ or at least a prominent member of an elitist circle who came to have a position of authority, the persona loquens situates himself as removed from the community: as impoverished, expelled from his polis, despised, embittered and thirsting for revenge. The purpose of my paper is to consider how the tension between the alienation of the poetic I and the unity of the audience mig
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Busareva, Sabina G. "Brian Bilston’s multimodal poetic practices: interactions between the digital and the analogue." Slovo.ru: Baltic accent 15, no. 3 (2024): 129–47. http://dx.doi.org/10.5922/2225-5346-2024-3-8.

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This article examines texts by the modern British poet Brian Bilston from the perspective of their semantic and syntactic organisation and the lines of the author's investigation into paralinguistic, i. e. visual, elements. To this end, it draws on contemporary research into complex communication objects — multimodal texts. The study provides an overview of the principles of new media: modularity, numerical representation, automation and variability. Formulated by Lev Manovich, these precepts find reflection in Bilston's poetic practices. It is shown that traditional paralinguistic means, such
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Trzaskowski, Zbigniew. "Phenomenology of Poetic Language." Annales Universitatis Mariae Curie-Skłodowska, sectio FF – Philologiae 42, no. 2 (2024): 97–109. https://doi.org/10.17951/ff.2024.42.2.97-109.

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The author focuses on the levels of language function and characterizes the nature of poetic texts in five dimensions: self-expression (in speech and writing); grammatical units; meaning (semantics); the relationship between the poet, text, reader, and situation (pragmatics). In the final part, he considers how poetic texts transcend the ontology of reality, possibility, and necessity transporting readers into fictional, absurd, and fantastic worlds.
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Shcherbak, A. S., and Juanjuan Guo. "Prototypical function of poetonym: idiostyle of G.R. Derzhavin." Neophilology 10, no. 4 (2024): 851–60. https://doi.org/10.20310/2587-6953-2024-10-4-851-860.

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INTRODUCTION. The relevance of the study of the works of the great Russian poet G.R. Derzhavin, whose state activity is associated with the “Tambov period” in his poetic work, consists in the development of literary Tambov onomastics. The onomastic space of the poet's works reflects the cultural context of the Russian language, culturally marked proper names that perform the communicative function of the language, without which adequate communication between representatives of contacting linguacultures is impossible. The purpose of the study is to reveal the prototypical uniqueness of a proper
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Greenstein, Edward L. "The Language of Job and Its Poetic Function." Journal of Biblical Literature 122, no. 4 (2003): 651. http://dx.doi.org/10.2307/3268070.

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S. S. Aubakir, А. Ye. Bizhkenova, and A. K. Kitibaeva. "AMBIGUITY IN POETIC TEXTS: DEFINITION, TYPES, AND FUNCTION." Bulletin of Toraighyrov University. Philology series, no. 4.2022 (December 30, 2022): 31–39. http://dx.doi.org/10.48081/nror7959.

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"Ambivalence refers to the simultaneous combination of two opposite attitudes, ideas, etc., towards a person, a thing, etc. this study attempts to trove not only that ambiguity is a semantic-pragmatic device, but also that it is a result of certain stylistic deviations from the norm of the Linguistic levels of Language. The study also hypothesizes that ambiguity in poetic texts highly affects meaning, semantic deviation is the most frequent type which creates different types of ambivalence. Furthermore, the article focuses on the pivotal place of ambiguity that modernist critical theory ascrib
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Chau, Kevin. "METAPHOR’S FORGOTTEN BROTHER: A SURVEY OF METONYMY IN BIBLICAL HEBREW POETRY." Journal for Semitics 23, no. 2 (2017): 633–52. http://dx.doi.org/10.25159/1013-8471/3510.

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Metaphor has long been a subject of interest for biblical scholarship; however metonymy, which is closely related to metaphor, has received far less attention. Metaphor and metonymy are distinct in their conceptual processes, metaphor juxtaposes two conceptually distinct domains and metonymy creates relationships within one conceptual domain, but they share many similarities and often function in concert in poetry. Although metaphor has received the lion’s share of our attention, further study of metonymy will enrich our knowledge of metaphor and the poetics behind biblical poetry (i.e., the
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Le Thi Thuy, Vinh. "Phonetic factors in the construction of aesthetic signals of poetic language." Journal of Science Social Science 65, no. 8 (2020): 109–18. http://dx.doi.org/10.18173/2354-1067.2020-0055.

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Phonetic factors in literary language in general and poetic language in particular have an important role in expressing the symbolic or emotional content of linguistic signals. This expression is not expressed directly but evoked and perceived while the phonetic element functions in a specific discourse. The article presents phonetic elements in the construction of aesthetic signals in poems in the current high school textbook. These are the phonetic elements of a syllable: first consonant, rhymes and tones. These factors have a typical role in contributing to express the content value of the
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Dwiningtyas, Ni Made Rima Agustina, Ni Luh Putu Krisnawati, and Ni Luh Nyoman Seri Malini. "SPEECH FUNCTIONS ANALYSIS USED BY THE MAIN CHARACTER IN “OVER THE MOON” MOVIE (2020)." KLAUSA (Kajian Linguistik, Pembelajaran Bahasa, dan Sastra) 7, no. 1 (2023): 68–80. http://dx.doi.org/10.33479/klausa.v7i1.713.

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Speech functions is a study of a variety of utterances used and their function in speech. Utterances are produced during conversations in daily life, including the function of speech. This study aims to analyze whether the speech function occurs in the movie entitled “Over the Moon”, which talks about the adventure of a girl named Fei Fei. The data was taken from the movie and its script. The data were analyzed by using the qualitative descriptive method, through observation and note-taking as methods and techniques to collect the data. The theory used in this study is proposed by Holmes (2013
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Nabila, Succia Putri, Azwandi Azwandi, and Iis Sujarwati. "Figurative Language Expressions in English Language Selected Videos Posted in TikTok Application." Journal of English Education and Teaching 8, no. 3 (2024): 569–85. https://doi.org/10.33369/jeet.8.3.569-585.

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The purpose of this study is to describes the types of figurative language found in English selected videos from TikTok application. And also, tried to find out the functions of figurative language in these selected videos. A descriptive qualitative was undertaken to investigate the research question in this study. The result of the study showed that there are eleven types of figurative language found in these videos. Including simile, personification, apostrophe, synecdoche, metonymy, symbol, allegory, paradox, hyperbole, understatement and irony. Simile, synecdoche, symbol, allegory, and par
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Bär, Christian. "Diskurspoetik." Online-only Publikationen des Leibniz-Instituts für Deutsche Sprache 8 (September 30, 2024): 86–95. http://dx.doi.org/10.21248/idsopen.8.2024.31.

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This discourse linguistic short paper focuses on the heuristic concept of discourse poetics within a discourse linguistic framework. The goal is to integrate poetological considerations related to the concept of poeticity into the context of linguistic discourse analysis. From this standpoint, it explores the concept of poetics of knowledge, emphasizing the correlation between the specifics of linguistic expression and the epistemic objects they may refer to. Building upon this, discourse poetics that functions as a discourse linguistic epistemology is characterized by its focus on the poetic
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Aituganova, S., and K. Sarekenova. "ARTISTIC FUNCTION OF THE FIGURES IN YASAWI'S HIKMETS." Bulletin of the Eurasian Humanities Institute, Philology Series, no. 1 (March 15, 2024): 92–103. http://dx.doi.org/10.55808/1999-4214.2024-1.07.

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In the article, the collection of Yasawi's hikmets is taken as the object of analysis from an artistic and figurative point of view. The significance of hikmets as a genre of poetry will be examined and its patterns of figures will be identified. The important function of poetic repetition, as a rhetorical device for introducing concepts such as moral properties, human duty, morality, and spiritual purity, will be explored. Khoja Ahmed Yasawi, the great representative of Sufi teaching, skillfully harmonized ancient Turkic poetry with Eastern Arabic and Persian poetry and created the best poeti
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Velichkova, L. V., and I. V. Voropaeva. "Expressive Function of the Segmental Units of the Poetic Text: Universal and Nationally Specific Features." Язык и текст 10, no. 2 (2023): 100–114. http://dx.doi.org/10.17759/langt.2023100209.

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<p>The article focuses on the system of expressive means of poetic text. There are two ways how to research the poetic text: the first is based on the linguistic approach while the second is based on the perception of the emotional mood of the poetic text. The aim of the research is to identify the correlation between the formal features of the poetic text in the phonological aspect and the way its emotional mood is conveyed and perceived in the text. The object of the research is sound poetic texts. The subject is the elements of the segmental level in their expressive function. The nov
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R. Milekić Kovačić, Valentina. "The Poetical Function of Toast in Petar Kočić’s Literature." Филолог – часопис за језик књижевност и културу 15, no. 30 (2024): 342–62. https://doi.org/10.21618/fil2430342m.

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A toast is one of the oral-poetic forms that, in Petar Kočić’s literature, carries strong evocativeness and artistic expressiveness, particularly in the cycle of stories about Simeun Đak. Through intertextuality in Kočić's work, complex processes of simultaneously continuing and modifying connective structures of collective memory are reflected, finding their poetic sublimation in oral-poetic forms. We have shown that Kočić's appeal of toasts, for the purpose of literary elaboration of the themes of his time, primarily serves to create complex autoimages and hetero-images, i.e., to depict the
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Green, Keith. "Deixis and the poetic persona." Language and Literature: International Journal of Stylistics 1, no. 2 (1992): 121–34. http://dx.doi.org/10.1177/096394709200100203.

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This article examines the function of deixis in a specific literary genre, the lyric poem. In the opening sections, an attempt to define deixis is made and a methodology for analysis for texts in general is proposed. Deixis is seen as a fundamental element of human discourse, and a particular discoursal site is isolated where it can be seen operating in a particular way. Theoretical considerations, such as the relation of deixis to semantics and pragmatics, and the various types of deictic meaning, are discussed, and a cline of deictic activity, a point on which any text must function, is desc
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Л., М. Близнюк. "РОЛЬ СЕМАНТИЧНОГО СУБ'ЄКТА В СИНТАКСИЧНІЙ ОРГАНІЗАЦІЇ ПОЕТИЧНИХ ТВОРІВ". Лінгвістичні дослідження, № 48 (7 травня 2018): 62–67. https://doi.org/10.5281/zenodo.1242807.

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The purpose of the article is to investigate the semantic subject meaning in the poetic texts. Research of syntax of the fiction language examines the problem of subject both from the linguistic and literature studies perspective. The importance of research correlates to the poetic text that submits to all the rules of the used language, in particular, semantic-syntactic ones. The actuality is that the fiction (poetic) texts is examined as totality of inner semantic-stylistic regularity and as the matter for linguistic and semantic-stylistic analysis. It is showed that fiction has specific str
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Losse, Deborah N. "Sampling the book: Beginning metaphors and their poetic function." Neophilologus 74, no. 2 (1990): 192–201. http://dx.doi.org/10.1007/bf00310532.

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Yang, Xu. "A Cognitive Poetic Approach to the Function of Metaphor." Advances in Literary Study 03, no. 03 (2015): 84–88. http://dx.doi.org/10.4236/als.2015.33013.

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О., С. Крячко. "СЕМАНТИКО-СИНТАКСИЧНІ ОСОБЛИВОСТІ ОРГАНІЗАЦІЇ ПОРІВНЯНЬ З ОРУДНИМ ВІДМІНКОМ У ТВОРАХ В. СТУСА". Лінгвістичні дослідження, № 48 (7 травня 2018): 108–13. https://doi.org/10.5281/zenodo.1242823.

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The article is devoted to the trial of comparatives with instrumental case, outlined main distinctive indications of comparative modality category within predicative items, defined semantic and grammatical distinctness with instrumental comparative case in V. Stus lyrics. Urgency of the research is caused by the absence of detailed analysis such comparatives in the author’s creations. The aim of article is to catch out semantic-grammatical peculiarities of functioning comparative structures with instrumental case and its role in creation of V. Stus poetics. There is characterized the poe
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Sulthon, Athian, Ubaid Ridlo, and Alek. "A Peircean Semiotic Analysis of Elegiac Symbolism in Rithā’ al-Andalus by Abū al-Baqā’al-Rundī." Journal of Literature Review 1, no. 2 (2025): 316–24. https://doi.org/10.63822/mwbpwj16.

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ABSTRACT This study investigates Rithā’ al-Andalus by Abū al-Baqā’ al-Rundī through the semiotic lens of Charles Sanders Peirce to examine how poetic language communicates historical grief, spiritual identity, and collective memory. Composed in 1267 CE, the elegy laments the fall of Muslim Andalusia following the Christian reconquest. Beyond a personal outcry, the poem serves as a layered cultural document, encoding ideological resistance and loss through complex sign systems rooted in Islamic tradition and Andalusian history. The primary objective of this research is to analyze how Rithā’ al-
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Odendaal, B. J. "Sien (en hoor!) is glo: ’n voorlopige verkenning van ikonisiteit as retoriese strategie aan die hand van twee kort gedigte." Literator 12, no. 3 (1991): 13–24. http://dx.doi.org/10.4102/lit.v12i3.772.

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Rhetorical text description is aimed at exposing the persuasive strategies employed in a text. It entails a description of the selection of topic, but in particular a stylistic analysis. In this article the researcher explores the necessity of interpreting iconic signification in poetry as a rhetorical strategy, mainly on the grounds of the ‘poetic faith’ aroused in the reader by the code-orientated or demonstrative nature of poetry. The icon, the most ‘seductive’ of sign types on account of its resemblant relation to the denotated object, is seen to function as a ‘hidden persuader’ in poetic
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O.S.Yusupova, M.Kurbanova. "INDIVIDUAL POETIC FUNCTION OF SYNTACTIC REPETITION IN A POETIC TEXT (AS AN EXAMPLE OF KHURSHID DAVRON'S POETRY)." INTERNATIONAL BULLETIN OF APPLIED SCIENCE AND TECHNOLOGY 3, no. 6 (2023): 70–72. https://doi.org/10.5281/zenodo.8005331.

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In the work of poem, the creator uses various similes and language elements to reveal his individual views. Studying the work of the poet Khurshid Davron, we can witness that together with the folk spirit, historicity occupies a leading place. The poet used many language elements to express his historical, social and national views. That is why its lexicon is rich and varied. The relationship between language and literature is also analyzed through his works. This article explains the elements of language, syntactic figures in Uzbek linguistics and their importance in literature. At the same t
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Lindskog, Annika J. "“The Blood Jet Is Poetry”: Sylvia Plath’s Practical Poetics." Lund Journal of English Studies 2 (March 15, 2021): 1–20. http://dx.doi.org/10.48148/ljes.v2i.22786.

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This essay discusses the nature and function of poetry and poetic inspiration as central themes in the poetry of Sylvia Plath, an aspect of her poetry that has elicited surprisingly little critical attention over the years. Here, I trace the poetological strand in Plath’s poetry through four poems: the early ‘Black Rook in Rainy Weather’ (1956), ‘The Moon and the Yew Tree’ (1961), and, finally, ‘Ariel’ and ‘Lady Lazarus’ (both October, 1962). These poems all engage with and raise issues that relate to poetics in different ways. Read together, these four poems demonstrate the centrality of poet
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