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Relevant bibliographies by topics / Poetic invention

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Academic literature on the topic 'Poetic invention'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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Journal articles on the topic "Poetic invention"

1

Bromwich, David. "Poetic Invention and the Self-Unseeing." Grand Street 7, no. 1 (1987): 115. http://dx.doi.org/10.2307/25007047.

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Maddux, Carolyn, and Mark Strand. "The Weather of Words: Poetic Invention." Antioch Review 59, no. 1 (2001): 120. http://dx.doi.org/10.2307/4614126.

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Edwards, Robert R. "Poetic Invention and the Medieval Causae." Mediaeval Studies 55 (January 1993): 183–217. http://dx.doi.org/10.1484/j.ms.2.306409.

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Sharp, Zachary Daniel. "“Fitter to Please the Court Than the School”: Courtly and Paideutic Rhetoric in Elizabethan Poetics." Rhetorica 38, no. 1 (2020): 57–83. http://dx.doi.org/10.1525/rh.2020.38.1.57.

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This paper argues that Elizabethan handbooks on poetics enact two coevolving traditions in the history of rhetoric and poetics: one sees poetry as a rhetorical art of stylistic invention, while the other sees it as an object of study, analysis, and ethical training. To show this, I examine George Puttenham's Art of English Poesy and contrast it with William Scott's recently discovered Model of Poesy. Puttenham demonstrates how poetic style works as a tool of rhetorical invention; Scott, on the other hand, treats poetics as a method of literary critical analysis. Scott's poetics, I argue, is de

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Grazia, Margreta De, and Joel Fineman. "Shakespeare's Perjured Eye: The Invention of Poetic Subjectivity in the Sonnets." Shakespeare Quarterly 37, no. 4 (1986): 529. http://dx.doi.org/10.2307/2870693.

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KINNEY, A. F. "Shakespeare's Perjured Eye: The Invention of Poetic Subjectivity in the Sonnets." Modern Language Quarterly 47, no. 2 (1986): 194–97. http://dx.doi.org/10.1215/00267929-47-2-194.

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Berdichevsky, Dina. "The Long Endless Railroads, the Blowing of Winds, and the Invention of the Hebrew Mood." Comparative Literature 73, no. 1 (2021): 23–40. http://dx.doi.org/10.1215/00104124-8738862.

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AbstractThis article explores the moment of “invention” of the Hebrew mood. Around the year 1900 a new expression for mood appeared in Hebrew: matsav ruah. The articulation of a new linguistic expression was paralleled by the rise of an original atmospheric prose, mood prose, in Hebrew. By analyzing these parallel events, the article suggests that the matsav ruah of the early 1900s was a new form of self-experience and that this new form stimulated original poetic language created by a cohort of Hebrew, East European writers, including Yosef Hayim Brenner, Uri Nissan Gnessin, and others. The a

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Cintrão, Heloísa Pezza. "Translating “Under the Sign of Invention”: Gilberto Gil’s Song Lyric Translation." Meta 54, no. 4 (2010): 813–32. http://dx.doi.org/10.7202/038905ar.

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Abstract The translation of song lyrics shares in the difficulties of constrained translation, as well as in the impossibilities of poetic translation. In Gilberto Gil’s adaptation of the song “I just called to say I love you” by Stevie Wonder, two translation procedures stand out: (1) to take broad semantic fields as translation units, and (2) to opt for cultural adaptation in terms of the translation’s poles of domesticating/foreignizing. The way Gil faces up to the challenges of the translation of the song is consistent with Haroldo de Campos ideas on transcreation.

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CHOI, Seoyoon. "LIBERTY AS THE IMPOSSIBLE, THE LANGUAGE OF SILENCE: IN REREADING KIM SUYǑNG’S WORKS IN 1960s." International Journal of Korean Humanities and Social Sciences 3 (July 8, 2017): 63–71. http://dx.doi.org/10.14746/kr.2017.03.03.

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This article examines several works written by Kim Suyǒng in the 1960s with a focus on negation as the poetic method in accordance with revolution. He lived through a late colonial period, the Korean War, the April Revolution, and Park Chung Hee’s regime and he was keenly aware Koreans had not spoken of liberty as the invention of modernity in our mother tongue throughout our history. He dedicated all his poems to demonstrating why liberty was impossible to be spoken in Korean. In the course of his writing, his authentic poetic language developed into silence as a martyr, the language of deat

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Twitchell-Waas, Jeffrey. "Ghostly Effects: Orientalist Translation in Pound and the Yasusada Text." Asian Journal of Social Science 29, no. 2 (2001): 234–48. http://dx.doi.org/10.1163/156853101x00055.

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AbstractT.S. Eliot famously remarked that Ezra Pound was "the inventor of Chinese poetry for our time." The nature of this invention is examined within the context of Pound's larger modernist project: his transformation of classical Chinese poetry into Imagist free verse and his projection of a vision of China as a utopian counter-image to the failure of the contemporary West. Although Pound clearly enough was consciously appropriating Chinese poetry according to his own poetic concerns, his particular solutions have had a pervasive impact in determining the look and sound of classical Orienta

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Dissertations / Theses on the topic "Poetic invention"

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Nelson, Erika Martina. "Reading and re-presenting Rilke : Orphic identity and poetic invention /." Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3008405.

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Escute, João Paulo Vieira [UNESP]. "De Rilke Shake a Um útero é do tamanho de um punho: transformações na poesia de Angélica Freitas." Universidade Estadual Paulista (UNESP), 2016. http://hdl.handle.net/11449/136340.

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Submitted by JOÃO PAULO VIEIRA ESCUTE null (jotape.lettere@gmail.com) on 2016-03-18T22:44:46Z No. of bitstreams: 1 Um útero é do tamanho de um punho e as transformações na poesia de Angélica Freitas.pdf: 1234110 bytes, checksum: 7b760b0770723f939af64e6e17a1ff69 (MD5)<br>Approved for entry into archive by Ana Paula Grisoto (grisotoana@reitoria.unesp.br) on 2016-03-22T13:10:21Z (GMT) No. of bitstreams: 1 escute_jp_me_sjrp.pdf: 1234110 bytes, checksum: 7b760b0770723f939af64e6e17a1ff69 (MD5)<br>Made available in DSpace on 2016-03-22T13:10:21Z (GMT). No. of bitstreams: 1 escute_jp_me_sjrp.pdf:

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Carbogim, Luís Felipe de Souza. "Aprendizagem obscura: fragmentos arranjados por proposições artísticas." Universidade Federal de Juiz de Fora (UFJF), 2011. https://repositorio.ufjf.br/jspui/handle/ufjf/2664.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2016-09-13T13:49:15Z No. of bitstreams: 1 luisfelipedesouzacarbogim.pdf: 9495819 bytes, checksum: 85829886fcdfc548dcfcb1576d86d495 (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-10-04T13:06:37Z (GMT) No. of bitstreams: 1 luisfelipedesouzacarbogim.pdf: 9495819 bytes, checksum: 85829886fcdfc548dcfcb1576d86d495 (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-10-04T13:06:49Z (GMT) No. of bitstreams: 1 luisfelipedesouzacarbogim.pdf: 949581

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Wirtz, Jason. "Poets on inventing revisioning invention theory, practice and pedagogy within rhetoric, composition, English education and creative writing /." Diss., Connect to online resource - MSU authorized users, 2008.

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LeNeave, Douglas M. "CHILD OF INVENTION." UKnowledge, 2018. https://uknowledge.uky.edu/english_etds/68.

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This collection of poetry explores the intersection of elegy and ekphrasis. The poems contemplate and take inspiration from a range of painters and artists, often as a way of thinking about themes of invention, technology, and both father/son and teacher/student relationships.

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Zare-Behtash, Esmail, and ezb21@cam ac uk. "FitzGerald's Rubáiyát: A Victorian Invention." The Australian National University. Department of English, 1997. http://thesis.anu.edu.au./public/adt-ANU20010824.152643.

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This study was written in the belief that FitzGerald did not so much translate a poem as invent a persona based on the Persian astronomer and mathematician (but not poet) Omar Khayyám. This 'invention' opened two different lines of interpretation and scholarship, each forming its own idea of a 'real' Omar based on FitzGerald's invention. One line sees Omar as a hedonist and nihilist; the other as a mystic or Sufi. My argument first is that the historical Omar was neither the former nor the latter; second, FitzGerald's Rubáiyát is a 'Victorian' product even if the raw material of the poem belon

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Schmitz, Silvia. "Die Poetik der Adaptation : literarische inventio im "Eneas" Heinrichs von Veldeke /." Tübingen : M. Niemeyer, 2007. http://catalogue.bnf.fr/ark:/12148/cb41172952f.

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Landon, Sydney Ann. ""Sundry pithie and learned inventions" : the Paradise of Dainty Devices and sixteenth century poetic traditions /." Thesis, Connect to this title online; UW restricted, 1986. http://hdl.handle.net/1773/15485.

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Guarnieri, John. ""Religion--'a fine invention' : an exploration of faith and doubt in Emily Dickinson's letters and poems" /." Connect to resource online, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1220024010.

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Silva, Ricardo Emanuel Lago e. "Eu que me invento outro: um estudo do livro escritura da palavra & do som ??? de Paulo Garcez de Sena." Universidade Estadual de Feira de Santana, 2014. http://tede2.uefs.br:8080/handle/tede/3.

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Submitted by Maria Carmo (carmo@uefs.br) on 2015-05-09T05:29:40Z No. of bitstreams: 1 Eu que me invento outro um estudo do livro escritura da palavra e do som...Ricardo Emanuel Lago e Silva.pdf: 525163 bytes, checksum: fd5c79c03a6556338690d157e776c7e8 (MD5)<br>Made available in DSpace on 2015-05-09T05:29:40Z (GMT). No. of bitstreams: 1 Eu que me invento outro um estudo do livro escritura da palavra e do som...Ricardo Emanuel Lago e Silva.pdf: 525163 bytes, checksum: fd5c79c03a6556338690d157e776c7e8 (MD5) Previous issue date: 2014-05-27<br>Coordena??o de Aperfei?oamento de Pessoal de N?ve

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Books on the topic "Poetic invention"

1

Strand, Mark. The weather of words: Poetic invention. Knopf, 2000.

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2

Farrell, Michael. Writing Australian unsettlement: Modes of Poetic Invention, 1796-1945. Palgrave Macmillan, 2015.

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3

The subtle shapes of invention: Poetic imagination in medieval French literature. Peeters, 2011.

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Shakespeare's perjured eye: The invention of poetic subjectivity in the sonnets. University of California Press, 1986.

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Shakespeare's perjured eye: The invention of poetic subjectivity in the sonnets. University of California Press, 1988.

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Frame, glass, verse: The technology of poetic invention in the English Renaissance. Cornell University Press, 2007.

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The invention of Dr. Cake. Faber and Faber, 2003.

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Emmer, Denise. O inventor de enigmas: Poesia. J. Olympio Editora, 1989.

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Julia, Sarcone-Roach, ed. Incredible inventions. Greenwillow Books, 2009.

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10

Eliot, T. S. Inventions of the March hare: Poems, 1909-1917. Faber and Faber, 1996.

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Book chapters on the topic "Poetic invention"

1

Gentes, Annie. "The Poetics of Invention." In Design Research Foundations. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-65984-8_4.

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Colette, Marie-Noël. "A Witness to Poetic and Musical Invention in the Twelfth Century: The Troper-Proser of Nevers (BnF n.a.lat. 3126)." In Sapientia et eloquentia. Brepols Publishers, 2009. http://dx.doi.org/10.1484/m.disput-eb.3.465.

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Sheetrit, Ariel M. "Personal Myth and Self-Invention." In A Poetics of Arabic Autobiography. Routledge, 2020. http://dx.doi.org/10.4324/9780429289958-7.

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Gentes, Annie, and Ted Selker. "Beyond Rhetoric to Poetics in IT Invention." In Human-Computer Interaction – INTERACT 2013. Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-40477-1_17.

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Stamatakis, Chris. "‘The Restful Place’." In The Places of Early Modern Criticism. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198834687.003.0002.

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Addressing the apparent absence of vernacular literary criticism in early Tudor culture, this chapter argues that a nascent poetics lies within the period’s lyric poetry itself. The critical lexicon that laces this lyric poetry shows poets beginning to theorize literature in spatial, geometric, or formal terms. Recalling the place logic of Henrician pedagogy and the blurring of boundaries between poetic invention and critical judgement, the poetry of Wyatt, Surrey, and their early Tudor acolytes ventures a rudimentary theory of poetic composition as the constraining of memory into form. Responding to the Italian commentary tradition that locates Petrarch’s poems in allusive relation to other poems, early Tudor lyric gestures to an intertextual model of how to read texts in a network of remembered literary ‘places’. As imitation fuses into commentary, external places of criticism are constrained internally within Henrician poetry itself.

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"Chapter 3: Towards an Art of Poetic Invention." In Teaching Poetry Writing. Multilingual Matters, 2007. http://dx.doi.org/10.21832/9781853599767-004.

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Long, Megan Kaes. "Humanism and the Invention of Homophony." In Hearing Homophony. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190851903.003.0007.

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This chapter takes a broad view of sixteenth-century homophonic genres to argue that homophony is a potent solution for several aesthetic problems motivated by the demands of humanism. The frottola reflects the transformation of an improvised tradition into a literate one: composers designed flexible musical frameworks that accommodated varied courtly poems but that sacrificed musical trajectories for poetic ones. Midcentury musique mesurée arose from a philosophical movement rather than a musical one; its rhythmic experimentation interacts in elegant ways with its harmonic trajectories. The Lutheran cantional brings homophony to the sacred realm; the demands of rote learning and the character of borrowed melodies overrode the development of a metrically motivated text-setting schemes. Though these repertoires set texts in three languages and span one hundred years, they share an interest in vernacular poetry and text comprehensibility. And they encourage the same kinds of listening strategies manifested in the balletto repertoire.

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"Religion and the Historical Imagination: Esoteric Tradition as Poetic Invention." In Dynamics of Religion. De Gruyter, 2016. http://dx.doi.org/10.1515/9783110450934-008.

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Roberts, Wendy Raphael. "The Ethiop’s Verse." In Awakening Verse. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197510278.003.0005.

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This chapter argues that Phillis Wheatley engaged and contested the tradition and history of revival poetics that the first three chapters trace. Wheatley’s poetics entail subtle yet poignant critiques of both the limitations of the personae of white women poet-ministers built upon affective espousal devotion and of the political impotence of an anthropology based in evangelical harmony and appeals to the plainest capacity. Wheatley invented a new woman poet-minister persona, the Ethiop, which introduced the tensions of political freedom and chattel slavery into the Calvinist couplet and lived theology. Through her classicalism she practiced a politics of respectability at the same time that her Ethiop persona engaged in a politics of refusal that exposed white feminine sentimentalism and the domestic at the center of revival poetics, which helped structure the capacities of liberal rights-bearing subjects. Recognizing the ways that Wheatley critiqued revival poetry brings into view how enslaved femininity became a site of dynamic exchange between religious and secular aesthetics and epistemologies. A history of revival poetry, then, not only reveals the full import of Wheatley’s poetic choices in relation to slavery, but also how revivalism was integral to the often secularized story of the invention of race science.

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Gaudern, Mia. "Introduction." In The Etymological Poetry of W. H. Auden, J. H. Prynne, and Paul Muldoon. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198850458.003.0001.

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Etymology has been linked to poetry in various ways since the start of the twentieth century. Beginning with theory—from formalist understandings of etymology’s role in ambiguity through the contested place of philology in modern literary criticism to poststructuralist interpretations of etymology as a purely rhetorical category—this chapter surveys the use of etymology in critical practice. It also introduces the ‘etymological poetry’ of Auden, Prynne, and Muldoon through examples of their ‘self-inwoven etymologies’. Finally, a version of Paula Blank’s theory of the ‘quasi-disciplinarity of etymological desire’ is proposed: for poets who suspend its force between critical discovery and poetic invention, etymology can address profound tensions that lie at the heart of the use of language as an artistic medium.

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Conference papers on the topic "Poetic invention"

1

Kumar, M. Ashok, V. Radhesyam, and B. SrinivasaRao. "Front-End IoT Application for the Bitcoin based on Proof of Elapsed Time (PoET)." In 2019 Third International Conference on Inventive Systems and Control (ICISC). IEEE, 2019. http://dx.doi.org/10.1109/icisc44355.2019.9036391.

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