Log in

Relevant bibliographies by topics / Poetic language / Journal articles

To see the other types of publications on this topic, follow the link: Poetic language.

Journal articles on the topic 'Poetic language'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Poetic language.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Benveniste, Émile, Andrew Eastman, and Chloé Laplantine. "Poetic Language." Graduate Faculty Philosophy Journal 31, no. 1 (2010): 137–44. http://dx.doi.org/10.5840/gfpj201031110.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Chobanova, Aygul. "Richness of Rhyme, Rhythm and Intonation in Zalimkhan Yagub’s poem." Uzbekistan: language and culture 3, no. 3 (2024): 55–67. https://doi.org/10.52773/tsuull.uzlc.2024.3/txzo8760.

Full text

Abstract:

In the article, language and style issues in the poetics of Zalimkhan Yagub; the richness of rhyme, rhythm and intonation is analyzed. It is shown that each work in poetry acts as a manifestation of the artistic thinking of the people it belongs to or the author. If we take into account that one of the most important features and regularities of Z. Yagub's poetry is the constant transformation of content into form, we can see how important the artistic language is in the description. Zalimkhan Yagub was a master of words; he could combine and adapt the tradition and creative thinking from folk

APA, Harvard, Vancouver, ISO, and other styles

3

Raheem SHamsadin, Omed, and Mohammed Majid Abdullah. "Aesthetics of Poetic Language in the Dewan of "Nawhi"." Journal of University of Raparin 10, no. 4 (2023): 567–92. http://dx.doi.org/10.26750/vol(10).no(4).paper26.

Full text

Abstract:

This research, entitled "Aesthetics of Poetic Language in the Dewan of Nawhi", is an attempt to highlight the aesthetics of poetic language in general and the aesthetics of poetic language in particular in the poems of a little-known poet of Kurdish literature It is grammatically defined in the structure of Noah's poetic language, which includes both lexical and syntactic levels. Through examples of his poetic texts, the aesthetic aspects and levels of the poet's poetic language, ability and poetic experience have been identified and presented. To conduct this research, the method (analytical

APA, Harvard, Vancouver, ISO, and other styles

4

Feshchenko, Vladimir V. "Lyn Hejinian’s Writing. Poetic Language as Language of Inquiry." Literature of the Americas, no. 16 (2024): 347–89. http://dx.doi.org/10.22455/2541-7894-2024-16-347-389.

Full text

Abstract:

The article is devoted to the poetics of contemporary American writer Lyn Hejinian (1941–2024), considered one of the most consistent successors of Gertrude Stein's experimentalism in Anglophone literary writing. The study encompasses all stages of Hejinian’s poetic creativity: from early experiences of “language writing” in the 1960–70s, autobiographical texts and collective works of the 1980–90s, to theoretical and poetic quests in the first decades of the 21st century. The writer's main interest is the persistence and impermanence of memory and the subject, as well as the role of writing in

APA, Harvard, Vancouver, ISO, and other styles

5

Chaudhary, Divakar. "Nagarjuna's poetic language." GYANVIVIDHA 01, no. 03 (2024): 22–27. https://doi.org/10.71037/gyanvividha.v1i3.01.

Full text

Abstract:

भाषा अभिव्यक्ति का सबसे सशक्त माध्यम है। इसलिए जिसकी भाषा जितनी समर्थ और सशक्त होगी उसकी अभिव्यक्ति उतनी ही प्रभावी होगी। साहित्य ही नहीं जीवन के किसी भी क्षेत्र में इसके महत्व का निदर्शन किया जा सकता है। भाषा अभ्यास और प्रयोग से सिद्ध होती है। हिन्दी साहित्य के इतिहास में कुछ साहित्यकार अपने भाषागत वैविध्य के कारण विशेष स्थान रखते हैं। हिंदी के उन्हीं लब्ध प्रतिष्ठित साहित्यकारों में से एक नाम है- वैद्यनाथ मिश्र, जिन्होंने मैथिली में ‘यात्री’ और हिंदी में ‘नागार्जुन’ नाम से कालजयी रचनाएँ की हैं। यों तो इन्हें मुख्यतः प्रगतिवादी और मार्क्सवाद का समर्थक माना जाता है लेकिन, इनके रचनागत वैविध्य क

APA, Harvard, Vancouver, ISO, and other styles

6

Скоробогатова, Олена Олександрівна. "ПОЕТИКА ВІРШОВОГО ТЕКСТУ В ГРАМАТИЧНОМУ ВИМІРІ". Збірник наукових праць ХНПУ імені Г.С. Сковороди "Лінгвістичні дослідження", № 42 (5 квітня 2016): 78–84. https://doi.org/10.5281/zenodo.48996.

Full text

Abstract:

The article deals with the current state of grammatical poetics of poetic speech. The reasons for the disbalance in the study of lexical and grammatical levels of the language of poetry were analysed. The grammaticalization of poetic language in the XX – XXI centuries was pointed out. The vectors of research directions in the field of interaction of grammar and poetics are offered: poetic morphology as a subarea of the functional grammar and morphological poetics as a general philological discipline that studies grammemes and grammatical categories in the poetic use, providing the eviden

APA, Harvard, Vancouver, ISO, and other styles

7

GRIGORIU, Iulian. "Orice filosofie este o poetică (I) Asemănări de familie. Filosofie şi poezie." Annals of “Dunarea de Jos” University of Galati. Fascicle XVIII: Philosophy, no. 14 (May 22, 2025): 13–30. https://doi.org/10.35219/philosophy.2024.02.

Full text

Abstract:

This article is part of a broader study examining the relationship between philosophy and poetry, focusing on the fact that both disciplines create language and employ natural language in a creative manner. The relationship between poetry and philosophy—specifically, between language and knowledge—is explored within a discussion of poetic ontology and gnoseology. Poetry is deconstructed here along two dimensions, ontological and gnoseological, into the Poetic and Poetics, and is regarded as a source of philosophy, science, art, and the sacred. The article advances the following key ideas:-The

APA, Harvard, Vancouver, ISO, and other styles

8

Nastopka, Kęstutis. "Literary Intertextuality of Tomas Venclova‘s Poetry." Colloquia 42 (June 1, 2019): 29–47. http://dx.doi.org/10.51554/col.2019.28653.

Full text

Abstract:

Borrowing from poetry which belongs to another literary epoch or is written in another language is a constituent part of poetic action. According to Thomas Stearns Eliot, “Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different.” In semiotic terms, this can be described as transformation of another poetic language. Algirdas Julius Greimas said: “Meaning is nothing else but transposing one level of language into another level, or one language into another, a different one.” This paper aims to desc

APA, Harvard, Vancouver, ISO, and other styles

9

Karim, Nigar A. "Jalal Mirza Karim's Poetic Language Style, From the Collection of Poems of (Regadurakany Chawman)." Koya University Journal of Humanities and Social Sciences 8, no. 1 (2025): 211–20. https://doi.org/10.14500/kujhss.v8n1y2025.pp211-220.

Full text

Abstract:

This research, from a methodological perspective, explores the poetic language of Jalal Mirza Karim, aiming to clarify the relationship between language, literature, and poetic expression. Language serves as a flexible system for communication, and poets utilize its elements to convey nuanced meanings. In the case of Jalal Mirza Karim, the distinctive use of vocabulary, expressions, and stylistic deviations—both semantic and grammatical—forms the core of his poetic identity. These deviations reflect a unique poetic treatment that transforms ordinary language into a literary and artistic medium

APA, Harvard, Vancouver, ISO, and other styles

10

Vinokurova, Antonina Afanas'evna, and Anna Igorevna Oshchepkova. "The metaphorical nature of V. Lebedev 's lyrics." Филология: научные исследования, no. 12 (December 2023): 96–105. http://dx.doi.org/10.7256/2454-0749.2023.12.69111.

Full text

Abstract:

The authors examine the poetics of metaphor in the lyrics of V. Lebedev, one of the founders of the Even literary tradition. Vasily Dmitrievich Lebedev is a collector of Even folklore, a linguist who creatively reworked and adapted the spiritual heritage of his people in modern poetic forms, thereby breathing new life into the epic and song oral creativity of the Evens. The peculiarity of the poetic style of V. Lebedev, as a representative of young-written literature, is the orientation to folklore poetics. It is metaphoricity that is a characteristic feature of the poet's individual manner. M

APA, Harvard, Vancouver, ISO, and other styles

11

Stougaard-Nielsen, Jakob. "Tidens rytmik." K&K - Kultur og Klasse 34, no. 102 (2006): 108–28. http://dx.doi.org/10.7146/kok.v34i102.22319.

Full text

Abstract:

Dante Alighieri, William Carlos Williams’ prosodi og Michel Serres Rhythm of TimeThe article discusses William Carlos Williams’s poetics and his particular conception of a modern prosody as expressed in the essay »Speech Rhythm« (1913) and as materialized in his experiments with a poetic form he himself termed »the variable foot« in »the triadic verse«. The article suggests that Williams’s poetics should be conceived as both an attempt to reinvigorate a typographically governed poetic language, his reaction to free verse, and as a larger figure for a poetic project which attempts to offer a po

APA, Harvard, Vancouver, ISO, and other styles

12

МҰРАТБЕК Б.Қ. "ҒАЛЫМ РӘБИҒА СЫЗДЫҚОВА ЗЕРТТЕУЛЕРІНДЕГІ ЛИНГВОПОЭТИКА МӘСЕЛЕСІ". Научный журнал "Вестник Актюбинского регионального университета имени К. Жубанова" 80, № 2 (2025): 251–56. https://doi.org/10.70239/arsu.2025.t80.n2.30.

Full text

Abstract:

This article examines the contributions of Rafiga Syzdykova, a prominent figure in Kazakh linguistics, to the establishment of poetic linguistics as an independent discipline. The scholar systematized the nature of poetic language, its developmental stages, terminology, and methodology, laying a foundation for its study within the history of the Kazakh literary language. Her works, such as "The Language of Yasawi’s Hikmets" and "Abay’s Verbal Artistry," are pivotal in identifying the genetic foundations of the common literary language of Turkic peoples and the written Kazakh literary language.

APA, Harvard, Vancouver, ISO, and other styles

13

Hodgkins, Hope Howell. "Rhetoric versus Poetic: High Modernist Literature and the Cult of Belief." Rhetorica 16, no. 2 (1998): 201–25. http://dx.doi.org/10.1525/rh.1998.16.2.201.

Full text

Abstract:

Abstract: High-modernist writers professed a disdain for rhetoric and yet found it hard to escape. They scorned the artifice of traditional, overt rhetoric and they did not wish to acknowledge that all communication is rhetorical, whether frankly or covertly. They especially distrusted “persuasion by proof” just as they distrusted traditional religion, aversions which had significant consequences for modernist literature. Modernists such as Pound favored poetry over the more frankly rhetorical genre of fiction. They valued the poet's privilege, first articulated by Aristotle and later by Sidne

APA, Harvard, Vancouver, ISO, and other styles

14

Bochettaz, Olivier. "A New Language for a New Perception: A Study of the Influence of Chinese Poetry on the Composition of Spring and All." William Carlos Williams Review 40, no. 2 (2023): 243–61. http://dx.doi.org/10.5325/willcarlwillrevi.40.2.0243.

Full text

Abstract:

Abstract This essay highlights the numerous evidences of Chinese influences on Williams’s poetry, and particularly on the composition of Spring and All. What was it in Chinese poetry that could help Williams accomplish his poetic modernization which Pound was urging him to perform? In which ways and to which extent did Williams use Chinese poetic forms and concepts to compose his modernist masterpiece? As a continuation of the research of Wai-Lim Yip and Zhaoming Qian, two of the very few scholars who have focused their attention on this topic, this essay asks how much of what is seen by Weste

APA, Harvard, Vancouver, ISO, and other styles

15

Antonova, Elizaveta. "Poetic Language of Philosophy." Philosophical anthropology 4, no. 1 (2018): 102–18. http://dx.doi.org/10.21146/2414-3715-2018-4-1-102-118.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Tilghman, Benjamin R. "Wittgenstein and Poetic Language." Philosophy and Literature 27, no. 1 (2003): 188–95. http://dx.doi.org/10.1353/phl.2003.0031.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Wheeler, Lesley. "Illness and Poetic Language." Literature and Medicine 29, no. 1 (2011): 197–212. http://dx.doi.org/10.1353/lm.2011.0318.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Trzaskowski, Zbigniew. "Phenomenology of Poetic Language." Annales Universitatis Mariae Curie-Skłodowska, sectio FF – Philologiae 42, no. 2 (2024): 97–109. https://doi.org/10.17951/ff.2024.42.2.97-109.

Full text

Abstract:

The author focuses on the levels of language function and characterizes the nature of poetic texts in five dimensions: self-expression (in speech and writing); grammatical units; meaning (semantics); the relationship between the poet, text, reader, and situation (pragmatics). In the final part, he considers how poetic texts transcend the ontology of reality, possibility, and necessity transporting readers into fictional, absurd, and fantastic worlds.

APA, Harvard, Vancouver, ISO, and other styles

19

Duerbeck, Gabriele, and Yixu Lu. "New German-language Nature Writing and the Language of Resonance and Reflection." Plant Perspectives 1, no. 2 (2024): 390–411. http://dx.doi.org/10.3197/whppp.63845494909740.

Full text

Abstract:

Nature writing is traditionally a genre of non-fictional, essayistic writing which combines vivid natural descriptions, profound introspection and ethical musings. Since 2000, the New Nature Writing (NNW) has emerged in Europe rejecting the escapist, heroic and sometimes nationalist conventions of the original American genre. This article analyses three examples from German New Nature Writing (NNW) from the early 2000s: Laubwerk. Zur Poetik des Stadtbaums (‘The Poetics of the Urban Tree’) by Marion Poschmann (2018), Hafen von Greifswald (‘Port of Greifswald’) by Judith Schalansky (2018), and W

APA, Harvard, Vancouver, ISO, and other styles

20

Е.А., Скоробогатова. "ПОЭТИЧЕСКАЯ МОРФОЛОГИЯ КАК НАПРАВЛЕНИЕ ЛИНГВОПОЭТИКИ И ЛИНГВОКРЕАТИВНАЯ ПРАКТИКА ФИЛОЛОГИЧЕСКОГО ЭКСПЕРИМЕНТА". Русская филология: Вестник Харьковского национального педагогического университета имени Г.С. Сковороды 4, № 66 (2018): 3–10. https://doi.org/10.5281/zenodo.1494848.

Full text

Abstract:

<em>The article considers the history of the formation of poetic morphology as a section of linguistic poetics, the tasks that this direction faces today. Research axioms have been formulated, which became the basis for solving the problem of creating a systematic poetic morphology of the Russian language: the axiom of expressiveness, the axiom of expressiveness of breaking the morphological norm, the axiom of integrity and compositionality, the axiom of the transition of the individual to the stable, and the stable to the general poetical. It is assumed that these axioms can be used in the de

APA, Harvard, Vancouver, ISO, and other styles

21

Hasanova, S. "POETICAL MORPHOLOGY OF THE AZERBAIJAN LANGUAGE." Sciences of Europe, no. 158 (February 10, 2025): 54–58. https://doi.org/10.5281/zenodo.14846834.

Full text

Abstract:

The article discusses the poetic morphology of the Azerbaijani language. All areas of the language play a certain role in poetry. In this sense, morphology has great potential. The article analyzes the topic of poetic morphology in detail, refers to the work of various poets, reveals linguistic facts relevant to the topic, and involves scientific and theoretical analysis. Poetic morphology, as a field that studies the poetic forms of the language, examines both the morphological structure of the language and the aesthetic and poetic functions of parts of speech in the literary language. The ar

APA, Harvard, Vancouver, ISO, and other styles

22

Mills, Philip. "Nietzsche's Poethics: Poetry as a Way of Life in 'The Gay Science'." Labyrinth 26, no. 1 (2024): 221–39. https://doi.org/10.25180/lj.v26i1.362.

Full text

Abstract:

The notion of poethics has been used to approach the way in which forms of language and forms of life are interdependent and to reveal the ethical dimension of poetics. However, the interaction must go both ways; there must not only be an ethical dimension to poetics, but also a poetic dimension to ethics. To what extent is ethics dependent on poetics? In this essay, I argue that Nietzsche’s life-affirming ethics can be understood only in this poethical framework. The specificity of Nietzsche’s ethics, and why it is so difficult to locate on the spectrum of ethical theories, lies in the fact t

APA, Harvard, Vancouver, ISO, and other styles

23

Görner, Rüdiger. "Nietzsche und die Poesie." Nietzsche-Studien 48, no. 1 (2019): 291–95. http://dx.doi.org/10.1515/nietzstu-2019-0016.

Full text

Abstract:

Abstract Two new volumes fundamentally revise our understanding of Nietzsche’s poetry in the broader context of his philosophical thought. Marked by a dialogic structure, and with an emphasis on what might be described as a poetics of selfhood, Nietzsche’s poetic texts raise the question what it means to write lyric poetry philosophically. Employing syntactical rules in order to reflect on the philosophical dimension of poetic language, Nietzsche’s poetic practice also informs the practices of his philosophical writing.

APA, Harvard, Vancouver, ISO, and other styles

24

Goren-Arzony, Sivan. "Feels Like Our Language: Vernacular Poetics in Premodern Kerala." Journal of South Asian Intellectual History 4, no. 2 (2022): 117–45. http://dx.doi.org/10.1163/25425552-12340032.

Full text

Abstract:

Abstract This paper deals with the Līlātilakam, a premodern work from Kerala that analyzes the grammar and poetics of “Rubies and Coral” (Maṇipravāḷam), Kerala’s main premodern literary form, which combines Sanskrit and the local language. By examining the poetic sections of the Līlātilakam, I show some of the ways in which they are used to demonstrate that Rubies and Coral is not only a fitting tool for writing poetry in the Sanskrit style but also an autonomous literature with an internal structure of its own. In my analysis I illustrate this through the use of three case studies focusing on

APA, Harvard, Vancouver, ISO, and other styles

25

Burov, A. A., and G. P. Burova. "Heuristic resource of nomination in the Russian language (based on poetic text)." Гуманитарные и юридические исследования 12, no. 1 (2025): 148–54. https://doi.org/10.37493/2409-1030.2025.1.19.

Full text

Abstract:

Introduction. The question of the methods of nomination in the Russian language remains relevant primarily in terms of determining the list of units involved in solving the problems of the author's designation of denotates that form a poetic picture of the world. This study is based on the analysis of texts of Russian poetry of the XIX – XX centuries. Materials and Methods. In the analysis of the poetic material, both traditional methods were used, such as structural-functional, and the provisions of the author’s methodology developed in the theory of nomination-syntactic semiosis of figurativ

APA, Harvard, Vancouver, ISO, and other styles

26

MARINA I., SVESHNIKOVA. "PRESERVING THE FEATURES OF THE POETIC LANGUAGE IN TRANSLATION." HUMANITARIAN RESEARCHES 79, no. 3 (2021): 83–89. http://dx.doi.org/10.21672/1818-4936-2021-79-3-083-089.

Full text

Abstract:

The poetic language of any author is unique and original. The translation of the poetic works of many Russian (and not only Russian) poets causes certain difficulties. The poetic language of I. A. Bunin has its own peculiarities. It is necessary to consider the features of his lyrics to translate the poetic works of I. A. Bunin, and the translator faces these difficulties when translating the text into another language. In particular, it is necessary to take into account the significant difference in the phonetic, lexical and grammatical design of the text due to differences in the systems of

APA, Harvard, Vancouver, ISO, and other styles

27

Ahmadova Arzulla, Aytan. "POETIC FEATURES OF PARCELLATIVE SENTENCES." Baltic Journal of Legal and Social Sciences, no. 1 (April 1, 2025): 154–57. https://doi.org/10.30525/2592-8813-2025-1-17.

Full text

Abstract:

Abstract. Parcellative sentences are an important component of the syntactic system of a language. Parcellative sentences are used at the level of a stylistic figure as one of the syntactic tools that serve to create an expressive-emotional shade of meaning in the language. The information intensity that occurs in such sentences is of particular importance from the point of view of creating poeticism. Therefore, parcellative sentences can also be considered as a product of artistic information due to their nature. The emotionality, expressiveness, and artistic depiction conveyed in parcellativ

APA, Harvard, Vancouver, ISO, and other styles

28

Lupașcu-Doboș, Emanuel. "Despre Funcţionalitatea Poetico-Stilistică A Structurii Adversative În Câteva Poeme Ale Lui Lucian Blaga." Lucian Blaga Yearbook 22, no. 1-2 (2021): 42–52. http://dx.doi.org/10.2478/clb-2021-0005.

Full text

Abstract:

Abstract This paper starts from the theoretical support of some central figures in the field of study of Lucian Blaga’s works: Mircea Borcilă and Mircea Scarlat. The first outlook that this essay will focus on the linguist and poetician from Cluj, Mircea Borcilă, with his esteemed article from 1987 (Contribuţii la elaborarea unei tipologii a textelor poetice). The other perspective is that of Mircea Scarlat, from The History of Romanian Poetry (vol. III). In the articulation of Blaga’s poetics, the exegete finds important the adversative structure as strategies of establishing the poetic tensi

APA, Harvard, Vancouver, ISO, and other styles

29

Seitbekova, A., and N. Yelesbai. "HISTORICAL POETIC SUBCORPUS: DATABASE OF OLD KAZAKH POETIC TEXTS." Tiltanym, no. 3 (October 13, 2024): 140–50. http://dx.doi.org/10.55491/2411-6076-2024-3-140-150.

Full text

Abstract:

The relevance of the research is due to the need to develop a «Historical poetic subcorpus» of the National Corpus of the Kazakh Language (hereinafter – the NCKL) as an information and innovation base of the state language, a scientific research and educational Internet resource. The text base of the "Historical Poetic subcorpus" should cover the texts of written monuments of the VI – XIX centuries. However, at the initial stage of the development of the «Historical Poetic subcorpus», Old Kazakh poetic texts of the XV-XIX centuries will be included in the database. The written legacies of this

APA, Harvard, Vancouver, ISO, and other styles

30

Ambion, Larry. "Poetic Expression of Gay Lexicon Conveyed through Imagery in Lines of Poems." Bedan Research Journal 9, no. 1 (2024): 221–45. http://dx.doi.org/10.58870/berj.v9i1.71.

Full text

Abstract:

The focus of this study revolves around gay literature, specifically the poetics related to homosexuality. Gay literature includes literary works authored by individuals who identify as gay, as well as literary works by heterosexual writers that explore or discuss homosexual themes, and literary works that incorporate gay terminology. While there have been recent studies on gay literature and works, there has been a lack of attention given to gayspeak, which can be referred to more formally as a lavender lexicon, being incorporated into texts or selections that are thought to have literary sig

APA, Harvard, Vancouver, ISO, and other styles

31

Gintsburg, Sarali. "It’s got some meaning but I am not sure…" Pragmatics and Cognition 24, no. 3 (2017): 474–95. http://dx.doi.org/10.1075/pc.18017.gin.

Full text

Abstract:

Abstract In this research I aim to contribute to a better understanding of transitionality in poetic language by applying for the first time the hypotheses recently developed by pioneers in the emerging field of cognitive poetics to a living tradition. The benefits of working with a living tradition are tremendous: it is easy to establish the literacy level of the authors and the mode of recording of poetic text is also easy to elicit or, when necessary, to control. I chose a living poetic tradition originating from the Jbala (Morocco). Although it is not epic and local poets create only relat

APA, Harvard, Vancouver, ISO, and other styles

32

Aji, Hélène. "Modernist Hangover? William Carlos Williams as Bob Perelman’s Poetic Cure." William Carlos Williams Review 41, no. 1 (2024): 71–85. http://dx.doi.org/10.5325/willcarlwillrevi.41.1.0071.

Full text

Abstract:

Abstract This article works through an examination of Bob Perelman’s poems in relation to major Williamsian defining features of the poet, poetic language, and poetics, and asks: Is there a way to recover from a modernist past that has become enshrined and canonized? How to relate to the bewildering inventiveness, as it sometimes walks hand in hand with a stupefying dogmatism? Developing a form of poetic activism over a span of more than fifty years, Perelman has shown growing interest in Williams’s work, the poems and the essays, as possible matrixes for a poetic practice that encompasses the

APA, Harvard, Vancouver, ISO, and other styles

33

Wright, Kathleen, and John McCumber. "Poetic Interaction: Language, Freedom, Reason." Philosophical Review 101, no. 3 (1992): 714. http://dx.doi.org/10.2307/2186090.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Hanley, Keith. "Wordsworth's Revolution in Poetic Language." Romanticism on the Net, no. 9 (1998): 0. http://dx.doi.org/10.7202/005790ar.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Tarasova, I. A. "Conceptualization in the Poetic Language." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 18, no. 1 (2018): 4–8. http://dx.doi.org/10.18500/1817-7115-2018-18-1-4-8.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Al-Ahmedi, Mustafa Wshyar A. "Poetic Language: Presenting Factual Information." International Journal of Literature and Arts 2, no. 5 (2014): 150. http://dx.doi.org/10.11648/j.ijla.20140205.13.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Chare, Nicholas. "Revolution in Poetic Sign Language." Sign Language Studies 6, no. 3 (2006): 347–54. http://dx.doi.org/10.1353/sls.2006.0016.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Saussy, Haun. "Exile, Horizons, and Poetic Language." Social Research: An International Quarterly 91, no. 2 (2024): 663–86. http://dx.doi.org/10.1353/sor.2024.a930761.

Full text

Abstract:

ABSTRACT: Exile or banishment has long been a professional liability of intellectuals in many cultures. For practical consequences, it matters whether an offender is exiled to another polity, becoming subject to its laws, or banished to a marginal area of a single world empire. Within the Roman and Chinese Empires, banished poets narrate their predicament in ways that reflect not only their personal histories but also the resources of poetic language whereby disgraced and demoted writers can revise the judgments applied to them.

APA, Harvard, Vancouver, ISO, and other styles

39

Kwiatkowska, Alina. "Some remarks concerning 'poetic language'." Acta Universitatis Lodziensis. Folia Linguistica 31 (January 1, 1994): 27–38. http://dx.doi.org/10.18778/0208-6077.31.04.

Full text

APA, Harvard, Vancouver, ISO, and other styles

40

Palumbo-Liu, David. "Simplicity, Otherness, and Poetic Language." CHINOPERL 20, no. 1 (1997): 297–311. http://dx.doi.org/10.1179/chi.1997.20.1.297.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

Law-Viljoen, Bronwyn, Phillippa Yaa de Villiers, and Fiona Zerbst. "How Poetic Language Enacts Agency." Image & Text, no. 37 (October 11, 2023): 1–17. http://dx.doi.org/10.17159/2617-3255/2023/n37a8.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Kim, Nan-Hee. "Jiha Kim’s Life Poetics and Poetic Language Seen through Spinoza’s Conatus." Semiotic Inquiry 74 (August 30, 2023): 41–70. http://dx.doi.org/10.24825/si.74.2.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

Jablonka, Frank. "Contact de langues et fonction poétique du changement linguistique." Travaux neuchâtelois de linguistique, no. 34-35 (October 1, 2001): 131–39. http://dx.doi.org/10.26034/tranel.2001.2552.

Full text

Abstract:

Following Roman Jakobson, this article tries to outline the affinity between linguistic change induced by language contact and conflict, and the poetic function of language. We can observe this phenomenon by studying the discourses of trilingual speakers in the Aosta Valley (Northern Italy). The problematic position of French is reflected and articulated by means of poetic procedures in the interviews, but they allow the creation of a typical regional variety of Italian as well. On the other hand, poetic functions in the discourses of young subjects in French suburbs are an important factor in

APA, Harvard, Vancouver, ISO, and other styles

44

Zherebina, Elena A. "UTOPIA OF A PERFECT LANGUAGE: LINGUOPHILOSOPHY OF HUGO BALL." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 8, no. 1 (2023): 133–46. http://dx.doi.org/10.18522/2415-8852-2023-1-133-146.

Full text

Abstract:

Philosophical and poetic reflection on the role of language in the era of modernism are characterized by an intense search for a new perfect language. The result of this search is a discussion about the expressive possibilities of poetic language and attempts to create new forms of poetry. The subject of the research is Hugo Ball’s theoretical views on the problem of language. One of the founders of the Dada movement, Ball creates sound poems, which should be analyzed as a reflection of the avant-garde concept of abandoning the outdated rules of ordinary language. They represent an absolute de

APA, Harvard, Vancouver, ISO, and other styles

45

Wang, Siqi. "Language of Poetry and Poetic Discourse (on the Problem of the Relationship of Concepts)." Uchenye Zapiski Kazanskogo Universiteta. Seriya Gumanitarnye Nauki 163, no. 4–5 (2021): 119–28. http://dx.doi.org/10.26907/2541-7738.2021.4-5.119-128.

Full text

Abstract:

The article examines the essential and logical-hierarchical relationships of such concepts as poetic discourse, poetic language, and the language of poetry. The relevance of the research is determined by fact that the understanding and interpretation of poetic discourse within the framework of the scientific theory is in a state of development, the methodology of literary criticism and linguistics is evolving, and many concepts are still confused. Opinions expressed by the researchers who have studied the essence of poetic language and language of poetry, as well as support the concept of poet

APA, Harvard, Vancouver, ISO, and other styles

46

Krupa, Viktor. "Poetic Language and Ordinary Language. A Linguist's View." Human Affairs 4, no. 1 (1994): 55–63. http://dx.doi.org/10.1515/humaff-1994-040106.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

ROTIROTI, Giovanni. "IL CORPO VIVO DELLA LINGUA: ALCUNE CONSIDERAZIONI PRATICO-TEORICHE SULLE LINGUE «SPARGĂ» E «LEOPARDĂ» DI NINA CASSIAN E VIRGIL TEODORESCU." Analele Universității București. Limba și literatură română 73, no. 1/2024 (2024): 135–50. http://dx.doi.org/10.62229/aubllrlxxiii/24/8.

Full text

Abstract:

This contribution, starting from the studies of Giorgio Agamben, aims to highlight the peculiarity of two poetic languages invented by Nina Cassian and Virgil Teodorescu: the “spargă” language and the “leopardă” languages. The “spargă” and “leopardă” languages, developed during the surrealist period in Bucharest, embody the intrinsic dynamism of language. On the one hand, they reflect the multiplicity and original complexity of poetic language, where meanings are manifold and semantic closure is not definitive. On the other hand, these two fantastic languages highlight the pulsional heterogene

APA, Harvard, Vancouver, ISO, and other styles

48

Porter, D. A. "Navigating Sacred Languages: Paraphrasing the Psalms in Renaissance Scotland." Renaissance and Reformation 45, no. 2 (2022): 83–104. http://dx.doi.org/10.33137/rr.v45i2.39759.

Full text

Abstract:

Translations and paraphrases of the Biblical psalms were popular throughout early modern Europe. The Latin poetic paraphrase of Psalm 51 by George Buchanan is examined alongside the Scots-language translation of Psalm 2 by Alexander Montgomerie to illustrate some of the complexities of the Renaissance interplay between Latin and vernacular translation, poetics, confession, and politics. Both poets engage with contemporary debates over the meaning of the Biblical texts, and both display a high degree of poetic and rhetorical sophistication in transforming the psalms according to their own inter

APA, Harvard, Vancouver, ISO, and other styles

49

Merilai, Arne. "Poetics is in the Genes. A Manifesto." Interlitteraria 27, no. 2 (2022): 318–29. http://dx.doi.org/10.12697/il.2022.27.2.15.

Full text

Abstract:

The manifesto “Poetics is in the Genes” reveals the commonality between poetics and genetics for the first time. Outside of cellular biology attempts have been made in both (text)linguistics and semiotics to describe the genome and its interactions as similar to language. However, the approach of this interpretation relies particularly on the poetic function of language and its underlying self-referentiality as the starting point. Poetic relevance reveals itself explicitly in its relationship to the cutting-edge concept of CRISPR (Clustered Regularly Interspaced Short Palindromic Repeats), whi

APA, Harvard, Vancouver, ISO, and other styles

50

Tverdokhleb, Olga G. "Concept “Pity” in the Poetic Language of Joseph Brodsky." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 71 (2024): 169–78. http://dx.doi.org/10.37816/2073-9567-2024-71-169-178.

Full text

Abstract:

The paper is to analyze the reflection of the concept ‘pity’ in a poetic heritage of Joseph Brodsky. The study reveals that the poet, when depicting one of the most valuable for him moral concepts of “pity”, uses related verbal lexemes “to regret”, “to regret” as representative predicates, as well as the noun pity, derived from them, as the name of the concept in different years of his work. It is shown that the nominal lexeme “pity” is included in poetic lines colored with a positive connotation (in connection with phenomena that are not subject to man: death, star, glory) and a negative one

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!