Relevant bibliographies by topics / Poetic Lyricism

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Poetic Lyricism'

Author: Grafiati
Published: 4 June 2021
Last updated: 16 February 2022

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Journal articles on the topic "Poetic Lyricism"

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Sultangalyeva, Zh. "MODERN KAZAKH POETRY AND LYRICS F.UNGARSYNOVA." BULLETIN Series of Philological Sciences 74, no. 4 (2020): 330–35. http://dx.doi.org/10.51889/2020-4.1728-7804.67.

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The article presents a detailed analysis of the multifaceted poetic work of the famous poetess F. Ungarsynova. This is the indissoluble unity of the lyrical hero and author, and the poet's finest poetic speech, and the variety of the genre of her works, and the complex world of the image of the lyrical hero. The article attempts to describe the aesthetic worldview and work of F. Ungarsynova in a comparative manner. Particular attention is paid to the artistic world and the linguistic means of F. Ungarsynova, who have her own poetic style. Also considered is the enormous influence of the poet's
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Zholdasova, Ulzhan. "Lyrism In Kazakh Prose." SCIENTIFIC WORK 61, no. 12 (2020): 68–73. http://dx.doi.org/10.36719/2663-4619/61/68-73.

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The article tells about the work of Zh. Aimautov, who is considered the pinnacle of Kazakh prose. In each of his works it is clear that the prose of Zh. Aimautov, apart from the usual prose, has a strong poetic power. The writer presented melodic, melodic works that give the reader a deep emotional, expressive effect. Through the works of Zh. Aimautov, a new form of lyricism was introduced into Kazakh prose. The works that are central to the article are aimed at explaining the lyricism in prose. Key words: Kazakh prose, lyricism in prose, artistic metaphor, artistic image, psychology of charac
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Gonçalves Lima, Maria De Fátima. "Contemporary Lyricism of Delermando Vieira." Guará 7, no. 2 (2017): 25. http://dx.doi.org/10.18224/gua.v7i2.6222.

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The talk of the Delermando lyric, the enigmatic and obscure way your, expresses the perspectives of contemporary lyric cannot be placed in doubt as to your meaning. According to Hugo Friedrich, in your modern lyrical structure (1978), the obscurity of fascinates the reader lyric as disconcerting. The magic of the word and your sense of mystery act deeply, making themselves understandable. This theory supports the idea of poetry as a self-contained creation, plurissignificativa, "consisting of an entanglement of absolute forces voltages, which act in pré-racionais strata, suggestively but also
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Moroz, L. V. Moroz. "ROLE-HERO IN TARAS SHEVCHENKO’S POETRY." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 3(55) (April 12, 2019): 22–28. http://dx.doi.org/10.31471/2304-7402-2019-3(55)-22-28.

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The article deals with the artistic phenomenon of role lyrics as a poetic text constructed in the form of a holistic speech statement and organized from a person who is distanced from the author and can not be identified taking into consideration biographical, socio-historical or gender status of the speech subject as well as the range of moral, ethical, ideological, aesthetic, existential values and representations submitted by him.
 A separate type of role lyrics includes poetic texts that are generally constructed in the form of the expression of one or more characters while the author
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Beaver, Aaron. "Lyricism and Philosophy in Brodsky's Elegiac Verse." Slavic Review 67, no. 3 (2008): 591–609. http://dx.doi.org/10.2307/27652941.

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In this article Aaron Beaver analyzes two elegies written by Joseph Brodsky—one for his father (“Pamiati ottsa: Avstraliia“) and one for his mother (“Mysl’ o tebe udaliaetsia …“). The point of departure is Brodsky's appropriation of the genre from his Silver Age predecessors (Anna Akhmatova, Osip Mandel'shtam, Marina Tsvetaeva), as made evident in a number of Brodsky's well-known essays. Beaver's central thesis is that Brodsky reshapes the elegy by centering it not on the death of the loved one but on time. Brodsky is inspired in this endeavor by his Silver Age forebears, but he extends their
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Corona, Guillermo Laín. "El humo dormido, de Gabriel Miró." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 48, no. 1 (2013): 79–99. http://dx.doi.org/10.1075/rro.48.1.04lai.

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From the beginning of his literary career, Gabriel Miró (Alicante, 1879 — Madrid, 1930) has been considered a poet in prose, a lyricist or even a stylist. Of course, one cannot ignore that Miró’s work is highly poetic, as for the beauty of his language and landscapes or for some themes easily associated with Romantic lyrical commonplaces. But this is just a superficial screen behind which other narrative qualities are hidden. Indeed, Miró seems to use lyricism to deliberately conceal the narration, somewhat as a form of subliming it. This can be best seen when analysing El humo dormido (1919),
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Zharylgapov, Zh, and D. Omirbekova. "The lyrical prose in the Kazakh literature." Bulletin of the Karaganda University. Philology series 98, no. 2 (2020): 64–69. http://dx.doi.org/10.31489/2020ph2/64-69.

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The article analyzes the experiments of theoretical research of lyrical prose. Scientific views on lyrical prose in the theory of world and national literature are systematized. Various aspects of the study of lyrical prose in Kazakh literary studies are considered. The authors turn to the analysis of the ratio of epic and lyrical components in prose, the relationship between lyricism and psychology, the relationship between the author's worldview and the character. The place of lyrical prose in the art of modern Kazakh writers is determined. The methods and techniques of using lyrical prose i
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HAVRYLIV, Tymofii. "THE CITY IN THE MODERNIST POETRY. URBAN POEMS BY BOHDAN IHOR ANTONYCH AND GEORG HEYM." Ukraine: Cultural Heritage, National Identity, Statehood 33 (2020): 480–93. http://dx.doi.org/10.33402/ukr.2020-33-480-493.

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For the first time in literary studies, a comparative analysis of the urbanistic poetry of Bohdan Ihor Antonych and Georg Heym is realized. The common and divergent in semantic codes and characteristic practices from which the poetics of both authors grows are investigated. The city is the defining topos of modernist writing and the central category of the modernist worldview. In no other epoch did the city enjoy the attention of writers as at the end of the 19th century and in the first third of the 20th century. The modern city acquires its outlines only in the middle of the 18th century, an
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Obi-Keller, Janet. "REMEMBERING A MUSICAL ERA: HENRI DUTILLEUX IN CONVERSATION." Tempo 69, no. 273 (2015): 12–19. http://dx.doi.org/10.1017/s0040298215000091.

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Henri Dutilleux was a unique musical figure of the twentieth and twenty-first centuries. His music is defined by his great sense of lyricism and meticulous control, which, over his life as a composer, had undergone much thought and a gradual sense of change. He inevitably acquired a wide mix of contemporary influences, which added to his poetic vision. Dutilleux's music appears to be a sophisticated understatement, yet at the same time there is an expressive depth and mystery that sets his music apart from any one musical movement or group of his time.
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Wall-Romana, Christophe. "Mallarmé's Cinepoetics: The Poem Uncoiled by the Cinématographe, 1893–98." PMLA/Publications of the Modern Language Association of America 120, no. 1 (2005): 128–47. http://dx.doi.org/10.1632/003081205x36903.

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Between 1893 and his death in 1898, Stéphane Mallarmé experimented with a poetics permeated by the emerging technology of cinema. Close to technicians and journalists of early film, Mallarmé developed what might be called a cinepoetics, especially in Un coup de dés (1897)—the ur-modernist visual poem whose preface recoups the single declaration he made on cinema—and in the unrealized project known as Le Livre (1893–98), a poetic performance involving electrical lighting and image projection. Close readings make explicit Mallarmé's cinepoetic aesthetics. Its epistemology of déroulement ‘unfoldi
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Dissertations / Theses on the topic "Poetic Lyricism"

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Souza, Silva Patricia. "A Casa d’Heleno Godoy : présentation, critique et traduction." Thesis, Pau, 2018. http://www.theses.fr/2018PAUU1050/document.

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La maison est un lieu privilégié de l’intime, ayant des tonalités distinctes pour chacun. A Casa est un recueil de poèmes du poète contemporain brésilien Heleno Godoy, réunissant les aspects matériels de la maison par un langage objectif. En privilégiant la concréticité de cet espace, l’auteur propose au lecteur de bâtir son propre lieu intime. C’est une expérience poétique singulière, car en partant des images concrètes, le lecteur peut s’abstraire de la dureté du quotidien pour finalement l’envisager sous sa poéticité. C’est justement l’affrontement de la maison réelle par la poésie, qui per
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Andrade, Rosevan Marcolino de. "Lirismo e homoerotismo n As Canções de António Botto." Universidade Estadual da Paraíba, 2012. http://tede.bc.uepb.edu.br/tede/jspui/handle/tede/1752.

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Made available in DSpace on 2015-09-25T12:19:20Z (GMT). No. of bitstreams: 1 Rosevan Marcolino de Andrade.pdf: 1324304 bytes, checksum: 8f4e33a898cf6afeb086a57074c6a03d (MD5) Previous issue date: 2012-05-07<br>The focus of this research was to discuss the materialization of the homoerotic desire and lyricism in As canções de António Botto. Firstly, we researched about the theory of lyric according to the studies of Adorno (2003), Pound (2006), Staiger (1975), Lima (1975), and others; other sources about the homoerotism from Barcellos (2006) and Silva (2007, 2008) were made. Thus, we intend t
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Robles, Jaime Carla. "'Dark lyrics' : studying the subterranean impulses of contemporary poetry." Thesis, University of Exeter, 2013. http://hdl.handle.net/10871/14222.

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This thesis is composed of two parts: Hoard, a collection of poems, and Dark Lyrics: Studying the Subterranean Impulses of Contemporary Poetry, an inquiry into the metaphor of darkness in late twentieth- and early twenty-first-century Anglophone poetry. Hoard includes four series of poems – ‘Red Boat’, ‘Hoxne’, ‘Quatrefoils’ and ‘White Swan’ – which use the Hoxne hoard as a metaphor for lost love. The second series is titled ‘Foundlings’, and is based on archival tokens from children who were abandoned to London’s Foundling Hospital in the mid-eighteenth century. The third series includes ‘Ele
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Piantanida, Cecilia. "Classical lyricism in Italian and North American 20th-century poetry." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:4422c01a-ba88-4fe0-a21f-4804e4c610ce.

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This thesis defines ‘classical lyricism’ as any mode of appropriation of Greek and Latin monodic lyric whereby a poet may develop a wider discourse on poetry. Assuming classical lyricism as an internal category of enquiry, my thesis investigates the presence of Sappho and Catullus as lyric archetypes in Italian and North American poetry of the 20th century. The analysis concentrates on translations and appropriations of Sappho and Catullus in four case studies: Giovanni Pascoli (1855-1912) and Salvatore Quasimodo (1901-1968) in Italy; Ezra Pound (1885-1972) and Anne Carson (b. 1950) in North A
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Mota, Maria Nilda de Carvalho. "Lirismo de libertação: uma leitura de poemas africanos e afrobrasileiros." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-15042011-110616/.

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A dissertação apresenta uma leitura comparativa de poemas da moçambicana Noémia de Souza, do angolano Agostinho Neto, do brasileiro Landê Onawale e do grupo de rap maranhense Clã Nordestino. Partindo do pressuposto de que os poemas estudados relacionam-se a contextos de guerra, o trabalho propõe o conceito de lirismo de libertação, pautado na articulação das dimensões ética e estética dos textos.<br>The dissertation presents a comparative reading of poems of Mozambican Noémia de Souza, the Angolan Agostinho Neto, the Brazilian Landê Onawale and rap group Clã Nordestino of Maranhão. Assuming th
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Alencar, Rosana Nunes [UNESP]. "Lirismo, tradição e autorreflexividade crítica na poesia de Paulo Henriques Britto." Universidade Estadual Paulista (UNESP), 2016. http://hdl.handle.net/11449/138226.

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Submitted by ROSANA NUNES ALENCAR null (rosananunesalencar@yahoo.com.br) on 2016-05-02T15:42:34Z No. of bitstreams: 1 ALENCAR, Rosana N. TESE RESPOSITÓRIO UNESP.pdf: 1539664 bytes, checksum: 4a5ee6a7e490c463710444ae8278fbb9 (MD5)<br>Approved for entry into archive by Felipe Augusto Arakaki (arakaki@reitoria.unesp.br) on 2016-05-04T17:57:10Z (GMT) No. of bitstreams: 1 alencar_rn_dr_sjrp.pdf: 1539664 bytes, checksum: 4a5ee6a7e490c463710444ae8278fbb9 (MD5)<br>Made available in DSpace on 2016-05-04T17:57:10Z (GMT). No. of bitstreams: 1 alencar_rn_dr_sjrp.pdf: 1539664 bytes, checksum: 4a5ee6a7e
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Oade, Stephanie. "Catullus : lyric poet, lyricist." Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:469ce045-65e7-4df3-8a1e-c16e4195b9f7.

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There exists between lyric poetry and music a bond that is at once tangible and grounded in practice, and yet that is indeterminate, a matter of perception as much as theory. From Graeco-Roman antiquity to the modern day, lyrical forms have brought together music and text in equal partnership: in archaic Greece, music and lyric poetry were inextricably (now irrecoverably) coupled; when lyric poetry flowered in the eighteenth century, composers harnessed text to music in order to create the new and fully integrated genre of Lieder; and in our contemporary age, the connection between word and mu
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Bourgogne, Cleuza Vilas Boas. "Modulações do erotismo em Manuel Bandeira." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-29102012-113555/.

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O foco deste estudo é a investigação dos traços constitutivos do erotismo e suas modulações em Manuel Bandeira pelo viés temático-estilístico. Para isso, foram analisados poemas em que a nudez está alçada ao patamar contemplativo; em que a finitude da matéria e a transcendência espiritual confluem; em que sujeito e objeto se entregam sem moderação às atrações e ímpetos sexuais; em que se instaura a sublime compaixão e, por fim, poemas em que sagrado e libidinoso se complementam. O percurso das análises não privilegiou um livro do poeta em específico; para o estudo das variantes dos discursos e
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Ngg, Genice Yan-Yee. "The inconstant "I" and the poetics of seventeenth-century libertine lyrics /." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=42109.

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The dissertation argues that libertine first-person lyrics of seventeenth-century England reveal a coherent literary strategy in formal, thematic, and ideological terms. My focus is the libertine poems of Donne, Suckling, Carew, Lovelace, and Rochester. I situate the lyrics in a period of historical change, an age of epistemological and ontological questioning. Libertine lyrics concern inconstancy on various levels, from the sexual to the ontological, and they explore the problems of freedom, human nature, identity, and individualism. I argue that the libertine's inconstant selfhood is a creat
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Ngg, Genice Yan-Yee. "The inconstant I and the poetics of seventeenth-century libertine lyrics." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ30351.pdf.

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Books on the topic "Poetic Lyricism"

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Romanticism, lyricism, and history. State University of New York Press, 1999.

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The lyrics. Graywolf Press, 2007.

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The poetics of American song lyrics. University Press of Mississippi, 2012.

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Quantum lyrics: Poems. W.W. Norton & Co., 2007.

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Lyrics and poems: 1997-2012. Arbeiter Ring Pub., 2012.

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Elmslie, Kenward. Routine disruptions: Selected poems & lyrics 1960-1998. Coffee House Press, 1998.

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The early lyrics, 1941-1960: Poems. DapGae Books, 1996.

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L, Warner Jayne, and Fındıkoğlu Zeki 1946-, eds. Popular Turkish love lyrics & folk legends. Syracuse University Press, 2009.

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Ron, Hubbard L. L. Ron Hubbard, the poet/lyricist. L. Ron Hubbard Library, 1995.

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Khan, Inayat. Hindustani lyrics. The Sufi publishing society, ltd., 1991.

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Book chapters on the topic "Poetic Lyricism"

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Sepsi, Enikő. "The new lyricism." In Poetic Images, Presence, and the Theater of Kenotic Rituals. Routledge, 2021. http://dx.doi.org/10.4324/9781003163930-3.

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Green, Brian. "Hardy’s Poetic Manifesto." In Hardy's Lyrics. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1057/9780230376779_4.

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Gu, Ming Dong. "Lyricism and Mimeticism in Aesthetic Thought." In Fusion of Critical Horizons in Chinese and Western Language, Poetics, Aesthetics. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-73730-6_9.

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Vincent, John. "Reports of Looting and Insane Buggery behind Altars: John Ashbery’s Queer Poetics." In Queer Lyrics. Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-06565-0_3.

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Fuller, David. "Lyrics, Sacred and Secular." In A Companion to Medieval Poetry. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444319095.ch14.

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Stauffer, Andrew. "Byron’s lyrics and the politics of publication." In Byron: The Poetry of Politics and the Politics of Poetry. Routledge, 2016. http://dx.doi.org/10.4324/9781315570686-3.

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Gray, Martin. "Lyrics of the First World War: Some Comments." In British Poetry, 1900–50. Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-24000-5_4.

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Irsigler, Ingo. "»Fly me to the Moon«. Mond- und Weltraumreisen in Lyrik und lyrics seit 1969." In Ambulante Poesie. J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05116-5_17.

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Bryant, Marsha. "Killer Lyrics: Ai, Carol Ann Duffy, and the Media Monologue." In Women’s Poetry and Popular Culture. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230339637_6.

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Ridgely, Steven C. "Poetic Kleptomania and Pseudo-Lyricism." In Japanese Counterculture. University of Minnesota Press, 2011. http://dx.doi.org/10.5749/minnesota/9780816667529.003.0001.

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Conference papers on the topic "Poetic Lyricism"

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ALIEVA, Dildora. "PHILOSOPHICAL LYRICS AND REFLECTIONS OF THE LYRICAL HERO CHO JI HUN." In UZBEKISTAN-KOREA: CURRENT STATE AND PROSPECTS OF COOPERATION. OrientalConferences LTD, 2021. http://dx.doi.org/10.37547/ocl-01-29.

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This article discussed the emergence and further development of the poetic group “Blue Deer”. The creativity of poets in this group received development of tradition in Korean landscape lyrics and its poetics. An apple to the origins and motives of classical poetry became evidence of their reverent attitude to historical and cultural, including the literal memory of the Korean people. Cho Ji Hong is an outstanding representative of this poetic group. Cho Ji Hoon's work bears the stamp of traditions, national customs, traditions, legends
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Царева, Нина Александровна. "FUNCTIONS OF METATEXT AT THE LEVEL OF THE POETIC CYCLES IN THE LYRICS OF B.L. PASTERNAK." In Сборник избранных статей по материалам научных конференций ГНИИ «Нацразвитие» (Санкт-Петербург, Июнь 2021). Crossref, 2021. http://dx.doi.org/10.37539/jun317.2021.67.74.006.

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В статье анализируются особенности употребления самостоятельного лирического текста как метатекстового «оператора» в пространстве поэтического цикла зрелой лирики Б. Пастернака. Метатекст рассматривается как средство авторской самооценки на пути глобального познания мира через страдание, гибель и возрождение лирического героя последних поэтических опусов великого русского поэта. The article analyzes the features of the use of an independent lyric text as a metatext "operator" in the space of the poetic cycle of B. Pasternak's mature lyrics. The metatext is viewed as a means of the author's sel
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Sonntag, Inna. "Любовная лирика как предмет коммуникативного анализа". У Пражская Русистика 2020 – Prague Russian Studies 2020. Charles University, Faculty of Education, 2020. http://dx.doi.org/10.14712/9788076032088.19.

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The article considers the specifics of love lyrics from the point of view of rhetorical positions: the features of appropriate speech analysis of love poetry, as well as the genre repertoire (external and internal) of love poems are characterized.
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Dang Thi Dieu, Trang. "Modern Folk poetry (Ca Dao): A Form of Folklore Linguistic Composition on the Internet." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.4-2.

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The context of globalization along with the development of electronic media has opened a new era for folklore in general as well as forms of linguistic composition of folk literature in particular. In addition to the form of composing and keeping media documents in the traditional way, the Internet explosion has dominated the main spaces of communal life and has gradually changed the mode of human interaction. Cyber space is considered as a tool to convey traditional values, to create many new cultural activities, and to be a place to circulate folk cultural works in contemporary society, in w
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Bazoeva, Nina Igorevna. "Reference to Persian Poets in Russian Lyrics of the 19th-20th Centuries." In All-Russian Scientific Conference with International Participation, chair Oksana Sergeevna Kravchuk. Publishing house Sreda, 2021. http://dx.doi.org/10.31483/r-97820.

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"Indian culture in the Lyrics of Subrahmanya Bharathi - The NATIONAL POET OF INDIA." In International Conference on Humanities, Literature and Management. International Centre of Economics, Humanities and Management, 2015. http://dx.doi.org/10.15242/icehm.ed0115008.

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GOGOLADZE, Tamar, and Ketevan BARBAKADZE. "Tradition – Innovation in the Lyrics of Besik Gabashvili, a Georgian Poet of the Renaissance Period." In 12th LUMEN International Scientific Conference Rethinking Social Action. Core Values in Practice RSACVP 2019, 15-17 May 2019, Iasi, Romania. LUMEN Publishing house, 2019. http://dx.doi.org/10.18662/lumproc.159.

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Reports on the topic "Poetic Lyricism"

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Kerimova, R. A. DEVELOPMENT OF THE "WOMEN" LYRICS IN KARACHAYEVO- BALKARIAN POETRY OF THE XXI CENTURY. Известия КБНЦ РАН, 2018. http://dx.doi.org/10.18411/2018812112119.

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