Log in

Relevant bibliographies by topics / Poetic Lyricism / Journal articles

To see the other types of publications on this topic, follow the link: Poetic Lyricism.

Journal articles on the topic 'Poetic Lyricism'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Poetic Lyricism.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Sultangalyeva, Zh. "MODERN KAZAKH POETRY AND LYRICS F.UNGARSYNOVA." BULLETIN Series of Philological Sciences 74, no. 4 (2020): 330–35. http://dx.doi.org/10.51889/2020-4.1728-7804.67.

Full text

Abstract:

The article presents a detailed analysis of the multifaceted poetic work of the famous poetess F. Ungarsynova. This is the indissoluble unity of the lyrical hero and author, and the poet's finest poetic speech, and the variety of the genre of her works, and the complex world of the image of the lyrical hero. The article attempts to describe the aesthetic worldview and work of F. Ungarsynova in a comparative manner. Particular attention is paid to the artistic world and the linguistic means of F. Ungarsynova, who have her own poetic style. Also considered is the enormous influence of the poet's

APA, Harvard, Vancouver, ISO, and other styles

2

Zholdasova, Ulzhan. "Lyrism In Kazakh Prose." SCIENTIFIC WORK 61, no. 12 (2020): 68–73. http://dx.doi.org/10.36719/2663-4619/61/68-73.

Full text

Abstract:

The article tells about the work of Zh. Aimautov, who is considered the pinnacle of Kazakh prose. In each of his works it is clear that the prose of Zh. Aimautov, apart from the usual prose, has a strong poetic power. The writer presented melodic, melodic works that give the reader a deep emotional, expressive effect. Through the works of Zh. Aimautov, a new form of lyricism was introduced into Kazakh prose. The works that are central to the article are aimed at explaining the lyricism in prose. Key words: Kazakh prose, lyricism in prose, artistic metaphor, artistic image, psychology of charac

APA, Harvard, Vancouver, ISO, and other styles

3

Gonçalves Lima, Maria De Fátima. "Contemporary Lyricism of Delermando Vieira." Guará 7, no. 2 (2017): 25. http://dx.doi.org/10.18224/gua.v7i2.6222.

Full text

Abstract:

The talk of the Delermando lyric, the enigmatic and obscure way your, expresses the perspectives of contemporary lyric cannot be placed in doubt as to your meaning. According to Hugo Friedrich, in your modern lyrical structure (1978), the obscurity of fascinates the reader lyric as disconcerting. The magic of the word and your sense of mystery act deeply, making themselves understandable. This theory supports the idea of poetry as a self-contained creation, plurissignificativa, "consisting of an entanglement of absolute forces voltages, which act in pré-racionais strata, suggestively but also

APA, Harvard, Vancouver, ISO, and other styles

4

Moroz, L. V. Moroz. "ROLE-HERO IN TARAS SHEVCHENKO’S POETRY." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 3(55) (April 12, 2019): 22–28. http://dx.doi.org/10.31471/2304-7402-2019-3(55)-22-28.

Full text

Abstract:

The article deals with the artistic phenomenon of role lyrics as a poetic text constructed in the form of a holistic speech statement and organized from a person who is distanced from the author and can not be identified taking into consideration biographical, socio-historical or gender status of the speech subject as well as the range of moral, ethical, ideological, aesthetic, existential values and representations submitted by him. A separate type of role lyrics includes poetic texts that are generally constructed in the form of the expression of one or more characters while the author

APA, Harvard, Vancouver, ISO, and other styles

5

Beaver, Aaron. "Lyricism and Philosophy in Brodsky's Elegiac Verse." Slavic Review 67, no. 3 (2008): 591–609. http://dx.doi.org/10.2307/27652941.

Full text

Abstract:

In this article Aaron Beaver analyzes two elegies written by Joseph Brodsky—one for his father (“Pamiati ottsa: Avstraliia“) and one for his mother (“Mysl’ o tebe udaliaetsia …“). The point of departure is Brodsky's appropriation of the genre from his Silver Age predecessors (Anna Akhmatova, Osip Mandel'shtam, Marina Tsvetaeva), as made evident in a number of Brodsky's well-known essays. Beaver's central thesis is that Brodsky reshapes the elegy by centering it not on the death of the loved one but on time. Brodsky is inspired in this endeavor by his Silver Age forebears, but he extends their

APA, Harvard, Vancouver, ISO, and other styles

6

Corona, Guillermo Laín. "El humo dormido, de Gabriel Miró." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 48, no. 1 (2013): 79–99. http://dx.doi.org/10.1075/rro.48.1.04lai.

Full text

Abstract:

From the beginning of his literary career, Gabriel Miró (Alicante, 1879 — Madrid, 1930) has been considered a poet in prose, a lyricist or even a stylist. Of course, one cannot ignore that Miró’s work is highly poetic, as for the beauty of his language and landscapes or for some themes easily associated with Romantic lyrical commonplaces. But this is just a superficial screen behind which other narrative qualities are hidden. Indeed, Miró seems to use lyricism to deliberately conceal the narration, somewhat as a form of subliming it. This can be best seen when analysing El humo dormido (1919),

APA, Harvard, Vancouver, ISO, and other styles

7

Zharylgapov, Zh, and D. Omirbekova. "The lyrical prose in the Kazakh literature." Bulletin of the Karaganda University. Philology series 98, no. 2 (2020): 64–69. http://dx.doi.org/10.31489/2020ph2/64-69.

Full text

Abstract:

The article analyzes the experiments of theoretical research of lyrical prose. Scientific views on lyrical prose in the theory of world and national literature are systematized. Various aspects of the study of lyrical prose in Kazakh literary studies are considered. The authors turn to the analysis of the ratio of epic and lyrical components in prose, the relationship between lyricism and psychology, the relationship between the author's worldview and the character. The place of lyrical prose in the art of modern Kazakh writers is determined. The methods and techniques of using lyrical prose i

APA, Harvard, Vancouver, ISO, and other styles

8

HAVRYLIV, Tymofii. "THE CITY IN THE MODERNIST POETRY. URBAN POEMS BY BOHDAN IHOR ANTONYCH AND GEORG HEYM." Ukraine: Cultural Heritage, National Identity, Statehood 33 (2020): 480–93. http://dx.doi.org/10.33402/ukr.2020-33-480-493.

Full text

Abstract:

For the first time in literary studies, a comparative analysis of the urbanistic poetry of Bohdan Ihor Antonych and Georg Heym is realized. The common and divergent in semantic codes and characteristic practices from which the poetics of both authors grows are investigated. The city is the defining topos of modernist writing and the central category of the modernist worldview. In no other epoch did the city enjoy the attention of writers as at the end of the 19th century and in the first third of the 20th century. The modern city acquires its outlines only in the middle of the 18th century, an

APA, Harvard, Vancouver, ISO, and other styles

9

Obi-Keller, Janet. "REMEMBERING A MUSICAL ERA: HENRI DUTILLEUX IN CONVERSATION." Tempo 69, no. 273 (2015): 12–19. http://dx.doi.org/10.1017/s0040298215000091.

Full text

Abstract:

Henri Dutilleux was a unique musical figure of the twentieth and twenty-first centuries. His music is defined by his great sense of lyricism and meticulous control, which, over his life as a composer, had undergone much thought and a gradual sense of change. He inevitably acquired a wide mix of contemporary influences, which added to his poetic vision. Dutilleux's music appears to be a sophisticated understatement, yet at the same time there is an expressive depth and mystery that sets his music apart from any one musical movement or group of his time.

APA, Harvard, Vancouver, ISO, and other styles

10

Wall-Romana, Christophe. "Mallarmé's Cinepoetics: The Poem Uncoiled by the Cinématographe, 1893–98." PMLA/Publications of the Modern Language Association of America 120, no. 1 (2005): 128–47. http://dx.doi.org/10.1632/003081205x36903.

Full text

Abstract:

Between 1893 and his death in 1898, Stéphane Mallarmé experimented with a poetics permeated by the emerging technology of cinema. Close to technicians and journalists of early film, Mallarmé developed what might be called a cinepoetics, especially in Un coup de dés (1897)—the ur-modernist visual poem whose preface recoups the single declaration he made on cinema—and in the unrealized project known as Le Livre (1893–98), a poetic performance involving electrical lighting and image projection. Close readings make explicit Mallarmé's cinepoetic aesthetics. Its epistemology of déroulement ‘unfoldi

APA, Harvard, Vancouver, ISO, and other styles

11

Trzcionka, Joanna. "„Monologami są rozmowy” . Liryczność w Pierścieniu Wielkiej Damy Cypriana Norwida." Colloquia Litteraria 7, no. 2 (2016): 7. http://dx.doi.org/10.21697/cl.2009.2.01.

Full text

Abstract:

“Dialogues are Monologues”. Lyricism in Cyprian Norwid’s The Ring of a Great Lady The article attempts to show how lyricism as an essential component of Cyprian Norwid’s The Ring of a Great Lady affects the artistic shape of the work. This issue is shown by the observation of selected structural elements of the drama, such as time, space and the construction of the main character. In the work the space of the drama and time of the action have been used as metaphors and moved into the sphere of the protagonists’ spiritual experiences. Both time and space planes undergo subjectivism which is the

APA, Harvard, Vancouver, ISO, and other styles

12

Tymoshenko, A. V. "Comprehension of specifics of lyricism in Ukrainian and French songs as a component of work with the students-vocalists of Popular Music and Jazz specialization." Aspects of Historical Musicology 14, no. 14 (2018): 74–91. http://dx.doi.org/10.34064/khnum2-14.06.

Full text

Abstract:

Background. In recent years, there has been an increasing interest in the phenomenon of lyricism in Ukrainian musicology. This growth is more so conspicuous given that in the Soviet Musical Encyclopedia this term was omitted, and now it is the pivot of various researches, up to Ph. D. dissertations [7]. There is also a tendency to use this term regarding not only to vocal, but to instrumental music as well, including works lacking noticeable traits of lyrical mood. Works devoted to literature contain valuable information on lyricism, including remarks on the apprehension of this phenomenon in

APA, Harvard, Vancouver, ISO, and other styles

13

Waugh, Michael. "‘Every time I dress myself, it go motherfuckin’ viral’: Post-verbal flows and memetic hype in Young Thug's mumble rap." Popular Music 39, no. 2 (2020): 208–32. http://dx.doi.org/10.1017/s026114302000015x.

Full text

Abstract:

AbstractHip-hop studies have historically centred on issues of the ‘street’ or virtuosic lyricism and flow, foregrounded as evidence of the ‘seriousness’ of the genre. While these have undoubtedly been valuable theoretical approaches, the prominence of social networking in the 2010s (with its vast implications for communication and identity politics) has sculpted a generation of rappers whose vocal style and self-representation disintegrate prior assumptions about hip-hop identity. These artists, who have flourished in tandem with the rise of streaming services, have been disparagingly dubbed

APA, Harvard, Vancouver, ISO, and other styles

14

Code, David J. "Hearing Debussy Reading Mallarmé: Music après Wagner in the Prélude à l'après-midi d'un faune." Journal of the American Musicological Society 54, no. 3 (2001): 493–554. http://dx.doi.org/10.1525/jams.2001.54.3.493.

Full text

Abstract:

Abstract Debussy's Prélude à Vaprès-midi d'un faune has so far been thought to relate only obliquely to Mallarmé's poem L'Après-midi d'un faune. The actual sophistication of Debussy's reading of Mallarmé becomes apparent through a newly precise formal analysis of the poem, and a new analytical emphasis on the orchestration of the prelude. In adapting the conventions of classical pastoral, notably the quasi-dramatic textual presentation of both Virgil's Eclogues and Theocritus's Idylls, Mallarmé focuses his text on an irresolvable moment of conflict between sensuous speech and literary writing.

APA, Harvard, Vancouver, ISO, and other styles

15

Humeniuk, Olha N. "Figurative-Compositional Ornamentality of Sudak Song in the Émigré Folklore of Crimean Tatars." Studia Litterarum 6, no. 2 (2021): 342–57. http://dx.doi.org/10.22455/10.22455/2500-4247-2021-6-2-342-357.

Full text

Abstract:

Laconic songs, describing with the picturesque expressiveness and aphorismic clearness the sadness of parting with the motherland, became really wide-spread in the émigré folklore of Crimean Tatars. Compositional sophistication, emotional expressiveness are characteristic for these songs. They are notable for the touching lyricism, connected with the fact that exactly these songs are mainly about the parting with the loved ones: parents, friends, beloved girl. Fixed in several variants, Sudak tyurkyusi (Sudak Song) belongs to such folklore compositions. This song deals with the complicated dra

APA, Harvard, Vancouver, ISO, and other styles

16

Humeniuk, Olha N. "Figurative-Compositional Ornamentality of Sudak Song in the Émigré Folklore of Crimean Tatars." Studia Litterarum 6, no. 2 (2021): 342–57. http://dx.doi.org/10.22455/2500-4247-2021-6-2-342-357.

Full text

Abstract:

Laconic songs, describing with the picturesque expressiveness and aphorismic clearness the sadness of parting with the motherland, became really wide-spread in the émigré folklore of Crimean Tatars. Compositional sophistication, emotional expressiveness are characteristic for these songs. They are notable for the touching lyricism, connected with the fact that exactly these songs are mainly about the parting with the loved ones: parents, friends, beloved girl. Fixed in several variants, Sudak tyurkyusi (Sudak Song) belongs to such folklore compositions. This song deals with the complicated dra

APA, Harvard, Vancouver, ISO, and other styles

17

Alieva, Fatima Abdulovna, Fatyma Khamzaevna Mukhamedova, and Aigul' Muratovna Bekeeva. "Song genres of traditional folklore of the Dargin people: ideological-aesthetic and artistic uniqueness." Litera, no. 10 (October 2020): 94–103. http://dx.doi.org/10.25136/2409-8698.2020.10.34105.

Full text

Abstract:

The subject of this research is the key genres of song folklore of the Dargin people &ndash; one of the ethnoses of Dagestan, which includes such Akushin, Kaitag, Kubachin, Mekegin, Tsudakhar, and others. An attempt is made to examine genre diversity of the Dargin people traditional poetic folklore, describe the forms of existence of specific genres, determine their ideological-aesthetic and artistic content, trace their evolution and transformation, as well as characterize the poetics. The goal of this work consists in demonstration of genre diversity of the song folklore of the Dargin pe

APA, Harvard, Vancouver, ISO, and other styles

18

Qələndər qızı İsmayılova, Xalidə. "Mammad Araz peak of our poetry." SCIENTIFIC WORK 69, no. 08 (2021): 38–43. http://dx.doi.org/10.36719/2663-4619/69/38-43.

Full text

Abstract:

The main directions of the poem by Mammad Araz draw attention; the essence is solved on the basis of the material of actual life, moves on the basis of documents. The events are comprehensive in his poetic work, the figurative beings are polished more honestly and hotly in the author's own objects. Readers can see clearly how Mammad Araz poetry stands in the fortune, how the fortune exists in the poems and how the process branches out in two directions in this mood. In the result, a reader takes a lesson and makes a conclusion for himself. Let’s say so, he tries to understand what troubles a m

APA, Harvard, Vancouver, ISO, and other styles

19

Freitas, Marcus Vinicius. "O escritor e seu ofício: em busca da Teoria da Literatura." Aletria: Revista de Estudos de Literatura 20, no. 2 (2010): 183–98. http://dx.doi.org/10.17851/2317-2096.20.2.183-198.

Full text

Abstract:

Resumo: O presente artigo constitui a formulação das hipóteses e das linhas de análise de uma pesquisa sobre os elementos de teoria da literatura constantes das reflexões de diversos escritores da literatura brasileira sobre o ofício de escritor. O corpus da pesquisa inclui tanto poetas quanto prosadores de ficção, num arco temporal que vai do século XIX à contemporaneidade, com vista ao levantamento de reflexões e posições autorais sobre temas que se agrupam em dois campos, correspondentes à poesia e à prosa de ficção, respectivamente: a) inspiração poética, uso de formas fixas e ritmos, vers

APA, Harvard, Vancouver, ISO, and other styles

20

Jeonghee Ko. "Issues and Perspectives on the Lyricism of Hyang-Ga-Focusing on the Poetic Form of 10-line Hyang-Ga." Korean Classical Poetry Studies 45, no. ll (2018): 175–208. http://dx.doi.org/10.32428/poetry.45..201812.175.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Costa, Elvira Livonete. "The complexity of the word in the work of Guimarães Rosa unveiled by Michel Foucault’s epistemology." Fragmentos de Cultura 27, no. 3 (2017): 393. http://dx.doi.org/10.18224/frag.v27i3.5122.

Full text

Abstract:

This paper aims to explore the complex system percussed by the being pure and intransitive of literary language appointed by Michel Foucault, which commands the Guimarães Rosa´s poetic flows in “Ave, Palavra”, by means of the analysis of certain procedures creation of linguistic and stylistic elaboration presents in all of your composition; also is intended to investigate the lyricism that the essential verb, in which bend over himself, hiding the various faces of the original word and the unusual intention of Rosa’s written of the reverence to the poetic art, since that “Ave, Palavra” bears a

APA, Harvard, Vancouver, ISO, and other styles

22

Bigun, O. "The Psalms in French and Ukrainian Literatures: Versions by Clément Marot and Taras Shevchenko." Journal of Vasyl Stefanyk Precarpathian National University 3, no. 4 (2016): 76–83. http://dx.doi.org/10.15330/jpnu.3.4.76-83.

Full text

Abstract:

The article deals with the first exemplars of the psalms translations into French and Ukrainian. Sociohistorical factors leading to a departure from canonical languages are analyzed. Similarities and differences in the process of psalms translation into national languages are identified. Translations of psalms are spread in those countries where the national language and literature are at the stage of search and formation. At that, both in Protestant and Catholic poetry one can easily trace the tendency for the departure from the original, the manifestation of individual author’s origin due to

APA, Harvard, Vancouver, ISO, and other styles

23

Leybel, L. A. "Evaluation of the melodic-intonation structure of I.A. Brodsky’s poem “Almost an Elegy” in the 11th grade." Literature at School, no. 4, 2020 (2020): 106–18. http://dx.doi.org/10.31862/0130-3414-2020-4-106-118.

Full text

Abstract:

The article aims to describe a lesson that represents one of the stages of studying the melodic-intonation structure of poems by I.A. Brodsky in high school. The creation of this method is due to the need to develop an integral concept of school study of poetry, the individual features of which are largely determined by the special sound of the lyricism of the poet’s philosophy-centered creativity. The concept is based on the structural and interdisciplinary approaches to the poetry evaluation, as well as on the works of scholars and teachers who have systematized the experience of studying ly

APA, Harvard, Vancouver, ISO, and other styles

24

Джанумов, Сейран Акопович. "Traditions of Russian Folklore in P. A. Vyazemsky’s Poems “Another Troika” and “In Memory of the Painter Orlovsky”." ТРАДИЦИОННАЯ КУЛЬТУРА, no. 3 (November 2, 2020): 56–65. http://dx.doi.org/10.26158/tk.2020.21.3.004.

Full text

Abstract:

Статья посвящена проблеме взаимоотношений литературы и фольклора на материале двух стихотворений русского поэта, литературного критика XIX в. П. А. Вяземского (1792-1878) « Еще тройка» (1834) и «Памяти живописца Орловского» (между 1832 и 1837), в которых слиты воедино народно-песенная образность, традиционные фольклорные мотивы и проникновенный лиризм. Отмечается, что обращение Вяземского к фольклору глубоко органично и вполне закономерно для него, неразрывно соединено с его пониманием народности литературы, поэзии природной, самобытной, а не заимствованной. Делается вывод, что связь рассмотре

APA, Harvard, Vancouver, ISO, and other styles

25

Subashi, Esmeralda. "Tennessee Williams's Dramatic World." European Journal of Language and Literature 3, no. 1 (2015): 77. http://dx.doi.org/10.26417/ejls.v3i1.p77-82.

Full text

Abstract:

Tennessee Williams has been regarded as the greatest Southern dramatist and one of the most distinguished playwrights in the history of American drama. He is undoubtedly the most renowned American dramatist of the second half of the 20th Century. This paper addresses and explores some of the main features of his dramatic works. His drama was a lyric or poetic one, and that is why the critic and scholar Frank Durham referred to him as “Tennessee Williams, theater poet in prose”. When David Mamet describes William’s plays as “the greatest dramatic poetry in the American language”, he shares the

APA, Harvard, Vancouver, ISO, and other styles

26

MAK, SU YIN. "Schubert's Sonata Forms and the Poetics of the Lyric." Journal of Musicology 23, no. 2 (2006): 263–306. http://dx.doi.org/10.1525/jm.2006.23.2.263.

Full text

Abstract:

ABSTRACT Although recent scholarship has witnessed a welcome disavowal of the view that Schubert's formal and tonal designs in sonata form compositions bespeak the song composer's inability to master large-scale instrumental genres, it remains a commonplace to characterize Schubert's unorthodox practice as ““lyrical.”” Yet the historical, theoretical, and aesthetic bases of this lyricism have received little critical attention. A systematic and historically grounded approach to the notion of lyrical form in Schubert may be established by appealing to the rhetorical distinction between hypotaxi

APA, Harvard, Vancouver, ISO, and other styles

27

Kryzhanovska, O. O. "Artistic works of the literary group „Lanka”-MARS at the reception of the criticism of the Ukrainian diaspora." Bulletin of Luhansk Taras Shevchenko National University, no. 3 (341) (2021): 106–13. http://dx.doi.org/10.12958/2227-2844-2021-3(341)-106-113.

Full text

Abstract:

The article notes that critics of the Ukrainian diaspora emphasized the significance of the works of the „Lanka”-MARS authors, considered the main strategies of their work, and determined the connection of the works with the world literary tradition. Lavrinenko's anthology „The Executed Renaissance” allows us to understand the specifics of the history of Ukrainian literature of the 1920s and 1930s. Yu. Lavrinenko represented articles about the works of B. Antonenko-Davydovych, G. Kosynka, T. Osmachka, E. Pluzhnyk, V. Pidmohylny, and D. Falkivsky, which testify to the specifics of Yu. Lavrinenk

APA, Harvard, Vancouver, ISO, and other styles

28

Lee, Monika. "Dream Shapes as Quest or Question in Shelley's Prometheus Unbound." Romantik: Journal for the Study of Romanticisms 5, no. 1 (2016): 111. http://dx.doi.org/10.7146/rom.v5i1.26421.

Full text

Abstract:

In Percy Bysshe Shelley’s Prometheus Unbound, the Oceanides – Asia, Panthea, and Ione – direct the evolution of poetic consciousness through their lyricism which expresses human intuition and what Shelley calls in his ‘Defence of Poetry’ (1820) ‘the before unapprehended relations of things’. Their presence in Shelley’s lyrical drama leads from both abstract transcendental and literalist perspectives on reality in Act I to a more flexible and creative inner perspective in Act 2. The internal spaces evoked by the language of the Oceanides, spaces of reverie and dream, are the locus of metaphor –

APA, Harvard, Vancouver, ISO, and other styles

29

van Orden, Kate. "Sexual Discourse in the Parisian Chanson: A Libidinous Aviary." Journal of the American Musicological Society 48, no. 1 (1995): 1–41. http://dx.doi.org/10.2307/3128849.

Full text

Abstract:

Chanson texts featuring birds form a unique nexus of voices in the sexual discourse pervading the Parisian repertory of the late sixteenth century. The eroticism of these chansons is often expressed according to the older poetic conventions of unrequited courtly love and its carnivalesque abasement focusing on the lower body, or by a synthesis of the two characterized by the poetry of Pierre de Ronsard. Ronsard's sensual lyricism tended to employ avian imagery in support of a naturalized philosophy of love encouraging sexuality. Birds, considered to have a libido surpassing that of humans, bec

APA, Harvard, Vancouver, ISO, and other styles

30

Hermintoyo, Muhamad. "Kalimat Metaforis Sebagai Sarana Estetika dalam Lirik Lagu nDangdut." Nusa: Jurnal Ilmu Bahasa dan Sastra 13, no. 3 (2018): 380. http://dx.doi.org/10.14710/nusa.13.3.380-389.

Full text

Abstract:

Abstract In providing an aesthetic element, the lyricist will express it through poetic diction. In the hands of creative lyric writers, a figurative language will emerge. Metaphorical lyrics understanding does not have to have the same meaning that is written. Poetic language / poetic lyrics, the words can mean the meaning depends on the listener's understanding. Even so in the song nDangdut. In general, the song Dangdut tends to have a theme of love compared to other themes. This article discusses metaphorical diction as an aesthetic means. Meaning of metaphorical diction using hermeneutical

APA, Harvard, Vancouver, ISO, and other styles

31

Mazouer, Charles. "Marguerite de Navarre et le mystère médiéval." Renaissance and Reformation 38, no. 4 (2002): 51–64. http://dx.doi.org/10.33137/rr.v38i4.8838.

Full text

Abstract:

This article examines the relationship between Marguerite de Navarre’s biblical plays and the genre of the fifteenth- and sixteenth-century medieval mystery play by focusing on three dramatic elements: staging, characters, and language. While, with respect to staging, Marguerite recaptures the structure of the mystery play, she takes less interest in the representation of the movements of the characters and in the realistic scenes, which were central to this medieval genre; as she reduces the dramatic events and their dynamics, she concedes little to the performance, privileging hearing over s

APA, Harvard, Vancouver, ISO, and other styles

32

BYBYK, Svitlana. "“CHRONICLERS WILL NOT HARM FOR US EPITETS WITH A TINT OF RED” (epithetics “Poems from the war” by Borys Humeniuk)." Culture of the Word, no. 92 (2020): 22–35. http://dx.doi.org/10.37919/0201-419x-2020.92.2.

Full text

Abstract:

The article offers an analysis of one of the expressive markers of the language of social works of B. Humeniuk “Poems from the war”. Stylistic functions, structural and semantic properties of epithets are outlined. The connection between lyrical and epic epithets and the form of poems – verlibr – is noted. The functional load of epithets in correlation with linguistic-stylistic categories actualization, intimation, subjectivization, publicism, epicness, lyricism is traced. The role of epithets as actualizers of emotional assessments, concrete-sensory associations (color, size, smell of realiti

APA, Harvard, Vancouver, ISO, and other styles

33

Chouhan, Sandhya. "The Theme of Love in Sarojini Naidu’s Poetry." International Journal of Advanced Research in Peace, Harmony and Education 04, no. 01 (2019): 10–12. http://dx.doi.org/10.24321/2455.9326.201903.

Full text

Abstract:

Love is the dominant theme of Sarojini Naidu’s poetry. There are a large number of love-lyrics in the store of her poetry. As a love-lyricist, Sarojini Naodu is superb. Her lyrics deal with human love to metaphysical love. Thus, her love-lyrics have an aesthetic approbation of contemplation and sensation.

APA, Harvard, Vancouver, ISO, and other styles

34

Turdybaev, K. "Karakalpak poetry and the artistic character of dedication poetry in the works of I. Yusupov." Turkology 6, no. 104 (2020): 64–77. http://dx.doi.org/10.47526/2020/2664-3162.019.

Full text

Abstract:

The article examines the place of I. Yusupov's poetry in the history of Karakalpak literature and genre features of dedicated poems in the poet's work. Artistic approaches in the poetry of I. Yusupov renew the artistic form of poetry. The poet's additions to the types of initiations in literature increased the significance of the genre. Therefore, we believe that a special study of this genre in the poet's work will serve to reveal the peculiarities of the poet's lyrics. In this article, we will focus on the nature of the development of the genre of initiation in the poet's work. The works of

APA, Harvard, Vancouver, ISO, and other styles

35

Turdybaev, K. "Karakalpak poetry and the artistic character of dedication poetry in the works of I. Yusupov." Turkology 6, no. 104 (2020): 64–77. http://dx.doi.org/10.47526/2020/2664-3162.019.

Full text

Abstract:

The article examines the place of I. Yusupov's poetry in the history of Karakalpak literature and genre features of dedicated poems in the poet's work. Artistic approaches in the poetry of I. Yusupov renew the artistic form of poetry. The poet's additions to the types of initiations in literature increased the significance of the genre. Therefore, we believe that a special study of this genre in the poet's work will serve to reveal the peculiarities of the poet's lyrics. In this article, we will focus on the nature of the development of the genre of initiation in the poet's work. The works of

APA, Harvard, Vancouver, ISO, and other styles

36

Takacs, Axel Marc Oaks. "Transposing Metaphors and Poetics from Text to World." Journal of Sufi Studies 9, no. 1 (2021): 106–44. http://dx.doi.org/10.1163/22105956-bja10008.

Full text

Abstract:

Abstract This article examines the use of Sufi lexicons (iṣṭilāḥāt) through the relatively unknown Mystical Commentary of the Love Lyrics of Ḥāƒiẓ by Abū al-Ḥasan Khatamī Lāhūrī. It resituates the iṣṭilāḥāt within the context of the philosophical-Sufi tradition, engaging theories of metaphor, imagination, poetry, and imaginaries from Ricœur, Castoriadis, Lakoff and Johnson, and Caputo. Rather than employing the iṣṭilāḥāt to produce a static correspondence between poetic terms and metaphysical realities, Lāhūrī’s theo-poetics transposes the metaphors and poetics of the poems into metaphors and

APA, Harvard, Vancouver, ISO, and other styles

37

Teixeira, Francisco Diniz. "The Lyricism and the Poetics." Classica - Revista Brasileira de Estudos Clássicos 21, no. 1 (2008): 126–34. http://dx.doi.org/10.14195/2176-6436_21-1_9.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Intili, Ana María. "Lo impalpable en Blanca Varela." La Manzana de la Discordia 6, no. 1 (2016): 81. http://dx.doi.org/10.25100/lamanzanadeladiscordia.v6i1.1512.

Full text

Abstract:

Resumen: En este ensayo se indaga sobre de dóndesurge el genio creador de la poeta peruana Blanca Varela,y se apela a las propias palabras de la autora y a los datosde otras investigadoras para encontrar las raíces de sulírica en sus juegos de palabras desde niña y en la genealogía:en su familia, encontramos una larga línea de mujeresescritoras, si bien no siempre conocidas. En el análisis desu obra, se propone lo visual/lo rítmico/lo impalpable,como tres ejes en la lírica de Blanca Varela. Se constatala tendencia a lo onírico, y la influencia del surrealismo,relacionando estas propensiones co

APA, Harvard, Vancouver, ISO, and other styles

39

Balashova, E. A. "“COHERENCE OF THE WORLD”: NATURE IN GLEB SEMYONOV’s POEMS." Bulletin of Udmurt University. Series History and Philology 29, no. 6 (2019): 1037–43. http://dx.doi.org/10.35634/2412-9534-2019-29-6-1037-1043.

Full text

Abstract:

Intertextual connections, interiorization (internalization), “naturalization” of man, change of visual “plans”, impressionistic vision of nature - these and many other methods define the poetics of the Leningrad poet Gleb Semyonov (1918 - 1982), as well as make his lyrics an exemplary model, demonstrating the “mechanisms” of the poetic landscape perception. This determines the purpose of the study and its practical significance.

APA, Harvard, Vancouver, ISO, and other styles

40

Semaan, Gaby. "The Hunt In Arabic Poetry: From Heroic to Lyric to Metapoetic." American Journal of Islamic Social Sciences 35, no. 3 (2018): 76–79. http://dx.doi.org/10.35632/ajiss.v35i3.483.

Full text

Abstract:

In his book, The Hunt in Arabic Poetry: from Heroic to Lyric to Metapoet- ic, Jaroslav Stetkevych traces the evolution of Arabic hunt poetry from its origins as an integral part of the heroic ode (qaṣῑda) to becoming a genre by itself (ṭardiyya) during the Islamic era, and then evolving into a meta- poetic self-conscious expression of poets in our modern time. The book is a collection of a revised book chapter and a number of revised articles that Stetkevych published between 1996 and 2013 discussing Arabic hunt poet- ry at different periods spanning from the pre-Islamic age, known in Arabic a

APA, Harvard, Vancouver, ISO, and other styles

41

Norova, Nasiba Bakhtiyorovna. "CREATIVE ABILITIES OF THE ARTIST IN THE APPLICATION OF THE ART (ON THE EXAMPLE OF THE LYRICS OF OSMAN KOCHKAR)." Scientific Reports of Bukhara State University 4, no. 5 (2020): 214–21. http://dx.doi.org/10.52297/2181-1466/2020/4/5/9.

Full text

Abstract:

Background. The article examines the uniqueness of the lyrics of one of the great representatives of Uzbek poetry Usmon Kochkor and his mastery of the use of art, the poet's skill is illustrated on the basis of examples. In the seventies and years of independence of the last century, new voices, new spirit, new views appeared in Uzbek poetry. Among these young artists was Osman Kochkor, who in his poems searched examples from history, described world events in a unique way, and lived with the thoughts of his contemporaries. He was born in 1953 in Shafirkan district of Bukhara region. He studie

APA, Harvard, Vancouver, ISO, and other styles

42

Krylova, Natalia. "On Self and the Era: Literary Exploits of Russian Émigrées in Africa." Uchenie zapiski Instituta Afriki RAN, no. 2 (June 30, 2021): 90–103. http://dx.doi.org/10.31132/2412-5717-2021-55-2-90-103.

Full text

Abstract:

Within the general array of the studies on the issues of immigration during the era of intensive migration processes induced by the Russian revolution of 1917, the approach of researching into cultural self-preservation and cultural identity of the immigrants is used to a considerably lesser extent. At the same time, such an approach, especially if supplied with evidence in the form of fictional and journalistic works, is extremely important for understanding the socio-cultural adaptation of an individual to the new environment and determining the specifics of cultural integration associated w

APA, Harvard, Vancouver, ISO, and other styles

43

Tatarkhanovich, Akamov Abusup'yan, Mukhamedova Fatyma Khamzaevna, Alkhlavova Inna Khumkerkhanovna, and Bekeeva Aygul Muratovna. "Artistic Originality of Children's Poetry of Dzhaminat Kerimova." International Linguistics Research 2, no. 1 (2019): p31. http://dx.doi.org/10.30560/ilr.v2n1p31.

Full text

Abstract:

In this article, the poems of the famous modern Kumyk poet Dzhaminat Kerimova for children of preschool and school age are analyzed. The artistic originality of poetic texts is considered, their comparative analysis is given. There are a thematic range, figurative system and poetics of the works in the focus of attention. In the course of the study, we have found that the works of children's lyrics of Dzh. Kerimova are various in the themes and intonation. The deep penetration into the wonderful world of the childhood and transfer in poetic texts of a live children's view of surrounding realit

APA, Harvard, Vancouver, ISO, and other styles

44

Mukhamedova, Fatyma Khamzaevna, and Fatima Abdulovna Alieva. "Family and household songs in the Dargin folklore." Litera, no. 7 (July 2021): 99–106. http://dx.doi.org/10.25136/2409-8698.2021.7.36058.

Full text

Abstract:

The subject of this research is the family and household songs as one of the genre varieties of non-ritual lyrics in the Dargin folklore. They are thematically related with family life, household, customs and traditions of the Dargins. Their content reflects the typical aspects of patriarchal family of the prerevolutionary Dagestan, when due to the rigid local customary laws, women were deprived of the right to decide their fate; therefore, multiple songs resemble sadness, sorrow, suffering, and distress of the heroes. This article explores the thematic diversity of family and household songs

APA, Harvard, Vancouver, ISO, and other styles

45

Bruns, Gerald. "Metastatic lyricism: John Wilkinson’s poetry and poetics." Textual Practice 30, no. 4 (2016): 669–87. http://dx.doi.org/10.1080/0950236x.2016.1199132.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

Obruchnykova, Olena. "ON ANTECEDENTS OF PARONYMY IN ANTONIO MACHADO’S LYRICS." PROBLEMS OF SEMANTICS, PRAGMATICS AND COGNITIVE LINGUISTICS 31 (2017): 65–80. http://dx.doi.org/10.17721/2663-6530.2017.31.06.

Full text

Abstract:

The article investigates the peculiarities of the poetic language of the Spanish poet Antonio Machado considering the phenomenon of paronymy (paronymic attraction) – a special kind of phonetic repetition, in which the sound resemblance of two or more unrelated word forms induce a semantic link between them. Poetry of A. Machado is characterized by a variety of both lexical and phonetic repetitions. Although pairs of word forms, which by their phonetic structure, could be defined as the examples of paronymic attraction, are common for the poet’s lyric, the system is rather potential than fully

APA, Harvard, Vancouver, ISO, and other styles

47

Al-Sheikh, Samir, and Ahmed Hasan Mousa. "The Evolution of the Aesthetic Vision in Kabbani’s Poetic Discourse." Advances in Language and Literary Studies 9, no. 4 (2018): 180. http://dx.doi.org/10.7575/aiac.alls.v.9n.4p.180.

Full text

Abstract:

If poetry is the verbal art of beauty, and beauty is truth, then, poetry has its own truth which is universal by nature since the poetic patterns embody a particular vision of the universe. This universal truth is encoded in poetic image. The poet who creatively used the poetic image to express his aesthetic vision is Nizar Kabbani (1923- 1998). The study aims at exploring the development of the notion of beauty as structured in the modern Arab poetic works. It aims at investigating Kabbani’s poetic imagery in its amorous-erotic aspects. The study proceeds with the hypothesis that the modern l

APA, Harvard, Vancouver, ISO, and other styles

48

Alavarce Campos, Camila Da Silva. "A representação da representação: lirismo e ironia romântica em Vícios e virtudes, de Helder Macedo." Caligrama: Revista de Estudos Românicos 19, no. 1 (2014): 5. http://dx.doi.org/10.17851/2238-3824.19.1.5-22.

Full text

Abstract:

<p><strong>Resumo</strong>: O texto refere-se a um estudo dos processos de construção do romance Vícios e virtudes, de Helder Macedo, objetivando a retomada e a discussão do conceito de ironia romântica. Essa ironia, em especial, desmistifica os jogos da representação artística clássica, que entende o texto literário como imitação do real. Ao contrário disso, favorece a expressão do fazer literário com todas as suas limitações, elaborações e reelaborações de linguagem, legitimando o caráter de arte, de natureza fictícia e, pois, de exercício de experimentação presentes na lit

APA, Harvard, Vancouver, ISO, and other styles

49

Shirane, Haruo. "Lyricism and Intertextuality: An Approach to Shunzei's Poetics." Harvard Journal of Asiatic Studies 50, no. 1 (1990): 71. http://dx.doi.org/10.2307/2719223.

Full text

APA, Harvard, Vancouver, ISO, and other styles

50

BITTIROVA, T. Sh. "THE ANXIETIES OF TIME IN THE SOCIAL LYRICS OF KYAZIM MECHIEV." Kavkazologiya, no. 1 (2021): 181–93. http://dx.doi.org/10.31143/2542-212x-2021-1-181-193.

Full text

Abstract:

This article aims to determine the place of the topic of social justice in the work of the classic of Karachai-Balkarian literature Kyazim Mechiev and the forms of its artistic embodiment. The scientific novelty lies in the fact that for the first time the poet's social lyrics are viewed in a broad historical context, in relation to the chronotope. The results obtained showed the scale of the poet's thinking, his sensitivity to historical and political transformations in the life of highland society. The work establishes how the events of the early twentieth century are refracted through the a

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!