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Journal articles on the topic 'Poetic morphology'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Скоробогатова, Олена Олександрівна. "ПОЕТИКА ВІРШОВОГО ТЕКСТУ В ГРАМАТИЧНОМУ ВИМІРІ". Збірник наукових праць ХНПУ імені Г.С. Сковороди "Лінгвістичні дослідження", № 42 (5 квітня 2016): 78–84. https://doi.org/10.5281/zenodo.48996.

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The article deals with the current state of grammatical poetics of poetic speech. The reasons for the disbalance in the study of lexical and grammatical levels of the language of poetry were analysed. The grammaticalization of poetic language in the XX – XXI centuries was pointed out. The vectors of research directions in the field of interaction of grammar and poetics are offered: poetic morphology as a subarea of the functional grammar and morphological poetics as a general philological discipline that studies grammemes and grammatical categories in the poetic use, providing the eviden

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Hasanova, S. "POETICAL MORPHOLOGY OF THE AZERBAIJAN LANGUAGE." Sciences of Europe, no. 158 (February 10, 2025): 54–58. https://doi.org/10.5281/zenodo.14846834.

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The article discusses the poetic morphology of the Azerbaijani language. All areas of the language play a certain role in poetry. In this sense, morphology has great potential. The article analyzes the topic of poetic morphology in detail, refers to the work of various poets, reveals linguistic facts relevant to the topic, and involves scientific and theoretical analysis. Poetic morphology, as a field that studies the poetic forms of the language, examines both the morphological structure of the language and the aesthetic and poetic functions of parts of speech in the literary language. The ar

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Е.А., Скоробогатова. "ПОЭТИЧЕСКАЯ МОРФОЛОГИЯ КАК НАПРАВЛЕНИЕ ЛИНГВОПОЭТИКИ И ЛИНГВОКРЕАТИВНАЯ ПРАКТИКА ФИЛОЛОГИЧЕСКОГО ЭКСПЕРИМЕНТА". Русская филология: Вестник Харьковского национального педагогического университета имени Г.С. Сковороды 4, № 66 (2018): 3–10. https://doi.org/10.5281/zenodo.1494848.

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<em>The article considers the history of the formation of poetic morphology as a section of linguistic poetics, the tasks that this direction faces today. Research axioms have been formulated, which became the basis for solving the problem of creating a systematic poetic morphology of the Russian language: the axiom of expressiveness, the axiom of expressiveness of breaking the morphological norm, the axiom of integrity and compositionality, the axiom of the transition of the individual to the stable, and the stable to the general poetical. It is assumed that these axioms can be used in the de

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Mohamad, Abdulqadir Hamaameen, and Sarhad Hussain Mustafa. "Deviation of simile in Qubadi Jalilzadas poetry." JOURNAL OF LANGUAGE STUDIES 6, no. 2 (2023): 299–318. http://dx.doi.org/10.25130/jls.6.2.25.

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Poets in all literary schools utilize the poetic and rhetorical technique of simile in their works. QubadiJalilzada is on of the contemporary poets with a distinctive style. So because poet innovates with poetic imagination and style rather than adhering to a predetermined poetic form, the researcher in this study emphasizes the presence of many simile forms and techniques in his poems. Thus, the present study pinpoints poetic simile, according to its types, forms, morphology and place.

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Rafi’ Ghazi Al-Sulami, Rafi’ Ghazi Al-Sulami. "The Silk: The Poetic system of The Morphology Prose of lbn Asfur (by an Unknown Scholar from the Eighth Century AH) Studied and edited by." journal of king abdulaziz university arts and humanities 25, no. 1 (2017): 95–122. http://dx.doi.org/10.4197/art.25-1.4.

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This book is written in poetic structure. It adopts the poetry as a style to write down the subjects of morphology. The author of the book is an unknown scholar (he belongs to the eighth century AH). The most important results of this research include the following: 1) The silk book has a scientific value among grammarians. 2) The author of this manuscript has a specific opinions in the topics of morphology. 3) The same author was acquainted with the knowledge of Arabic. 4) The science of grammar stayed active in Arabic Islamic culture through out ages. 5) Writing grammar and morphology in a p

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Menninghaus, Winfried. "„Wo er vorbei dir glänzt“." Poetica 53, no. 3-4 (2022): 253–89. http://dx.doi.org/10.30965/25890530-05301011.

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Abstract This study focuses – by way of a close reading – on (1) the multiple subtleties in the poetic diction and word morphology of Hölderlin‘s ode „Heidelberg“, (2) its metonymic macro-structure, (3) the oscillations between an aesthetics of the lovely („lieblich“) and the sublime, (4) the instances of blissful self-mirroring that depart from Narcissus‘ unhappy fate, and (5) the explicit poetics of the „image“ („Bild“) in this ode. A special emphasis is placed on Hölderlin’s creation of a series of novel German words that combine two words into new compounds.

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Obruchnykova, Olena. "METAPHONY AS ANTIPODE OF THE EQUIPHONIC SOUND REPETITION (based on the Spanish language)." PROBLEMS OF SEMANTICS, PRAGMATICS AND COGNITIVE LINGUISTICS 32 (2017): 99–108. http://dx.doi.org/10.17721/2663-6530.2017.32.10.

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The article considers the points of view of modern researchers of the poetic text on the phenomenon of metaphony, reflecting a new perspective of studying the phonetics of the verse. The metaphony as a sound association of separate invertible heterorhythmic sound groups, united around a single syllabic apex – vowel, is considered on the example of the Spanish poetic and folklore text. Metaphonical sound correspondences in repetition create the prospect of using syllable sound groups and complexes to form an alternative, poetic morphology of the word. A prospective research of metaphonical soun

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8

Скоробогатова, Олена Олександрівна. "ОСОБЕННОСТИ МОРФОЛОГИЧЕСКОГО СОПОЛОЖЕНИЯ В СТИХОТВОРЕНИИ ВАРЛАМА ШАЛАМОВА «ШАГАЙ, ВЕСЕЛЫЙ НИЩИЙ…» В СВЕТЕ ПУШКИНСКОЙ ГРАММАТИЧЕСКОЙ ТРАДИЦИИ". ЗБІРНИК НАУКОВИХ ПРАЦЬ ХНПУ ІМЕНІ Г.С. СКОВОРОДИ "ЛІНГВІСТИЧНІ ДОСЛІДЖЕННЯ", № 40 (28 жовтня 2015): 42–46. https://doi.org/10.5281/zenodo.32820.

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<em>In some cases the grammar of a poem is closely coupled with its imagery and those poetical senses which form its artistic space. Grammatical juxtaposition serves as an active means of creation of poetical senses. The paper deals with intracategorial juxtapositions of word forms of a single word in different cases. The examples of morphological juxtaposition realization of case word forms of a lexeme in A. Pushkin’s and V. Shalamov’s poems are considered. The artistic senses formed by the juxtaposition under study are analyzed. We claim that the use of word forms of a single wor

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Shakhov, Pavel S. "On the morphology of oral song culture in the context of inter-discourse and interlanguage interaction (based on the Siberian-Mordovian material)." Sibirskiy filologicheskiy zhurnal, no. 1 (2025): 41–60. https://doi.org/10.17223/18137083/90/3.

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The paper analyzes musical and poetic texts adopted by folk singers based on Erzya-Mordovian material recorded in the villages of Altai Krai and Kemerovo Oblast from 2007 to 2017. The texts have been systematized in terms of three levels of their attribution: text form (oral, printed, media), text type (folklore, authors’), and text language (own, other). A consistent description is provided of the identified adaptation forms of oral, printed, and media texts to the oral song practice. The examination of the unique musical and poetic adaptations of borrowed texts by performers illuminates the

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Menezes, Flo. "For a morphology of interaction." Organised Sound 7, no. 3 (2002): 305–11. http://dx.doi.org/10.1017/s1355771802003102.

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In mixed electroacoustic music it is common to find the erroneous conception according to which interaction should base itself exclusively on the fusion between instrumental writing and electronic devices, whereas the contrast between these sound spheres is as significant as the fusional states. Although fusion may be seen as the most important ingredient for an efficacious compositional strategy concerning interaction, it is actually through contrast that the identities of spectral transfers in mixed composition can be evaluated by the listener. This text intends to introduce a discussion abo

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Conkan, Marius. "Transgressive Spaces in Contemporary Romanian Poetry: A Geocritical Approach." Caietele Echinox 38 (June 30, 2020): 138–48. http://dx.doi.org/10.24193/cechinox.2020.38.11.

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Transgressivity is a major geocritical principle that is fundamental for the morphology of global spaces. Following this theoretical frame, my paper will map out the images and states of transgressivity that arise in contemporary Romanian poetry. How does poetry create transgressive spaces in the context of a post-communist society? Which are the poetic cartographies involved in the process of cognitive, affective and heterotopic mapping of Romanian postCommunism? Finally, how does poetry become a territory of freedom that subverts a given socio-political geography? These are the starting poin

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Colella, Massimo. "«Con righe a puntini… quasi per suggerire ‘continua’».Aposiopesi e retorica del silenzio nella poesia montaliana." Rhetorica 35, no. 4 (2017): 425–44. http://dx.doi.org/10.1525/rh.2017.35.4.425.

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The paper deals with the analysis of the rhetorical morphology and of the semantic functions of various emersions of ‘aposiopesis’ (or ‘reticence’) in The Occasions (1939) by Eugenio Montale, poetic collection characterized by an important ‘silence strategy’ (“to omit the occasion-spur”). The theory and the praxis of the non-said and the non-finite efficaciously outline, between inventio and dispositio, an original and coherent definition and explanation of some recurring stylistic patterns of Montale's poetry. Moreover, the critical recognition allows to clarify the essential role of the rhet

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D’Avella, Victor B. "Recreating Daṇḍin’s Styles in Tamil". Cracow Indological Studies 22, № 2 (2020): 17–41. http://dx.doi.org/10.12797/cis.22.2020.02.02.

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In Sanskrit poetics, the defining characteristics of poetry, its very life breath, are the guṇas, ‘qualities’. They make up the phonetic and syntactic fabric of poetic language without which there would be nothing to further to ornament. Many of these intimate features are by necessity specific to the Sanskrit language and defined in terms of its peculiar grammar including phonology and morphology. In the present article, I will describe what happens to four of these guṇas when they are transferred to the Tamil language in the Taṇṭiyalaṅkāram, a close adaptation of Daṇḍin’s Kāvyādarśa. I wish

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14

Brzykcy, Jolanta. "Świat jako tranzyt. Poetyka przestrzeni w poezji Gizelli Lachman." Studia Rossica Posnaniensia 46, no. 2 (2021): 11–25. http://dx.doi.org/10.14746/strp.2021.46.2.2.

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The article is an analysis of the poetry of Gisella Lachman (1895–1969), poet of the “first wave” of Russian emigration, from the perspective of the poetics of space. The poet expressed her emigration experience (multiple changes of residence: Russia, Germany, Switzerland, USA) in her poems in spatial relations. They appear on different levels of the works’ morphology: in the construction of the lyrical “I”, in the organisation of the presented world, in the repertoire of motifs and the selection of poetic lexis and genre forms. Space plays a literal role in Lachman’s poetry; it is a represent

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Salem, Hafsa Al-Tahir Al-Mabrouk. "The Morphological and Syntactic Use of Poetic Evidencein the Exegesis (Al-Jami’ li Ahkam al-Qur’an) by Al-Qurtubi: An Applied Study on Surah An-Nur." Sharwes Scientific Journal 6, no. 1 (2025): 273–94. https://doi.org/10.26629/ssj.2025.15.

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This paper looks at how Al-Qurtubi used poetic evidence to explain grammatical and morphological points in his Qur’anic commentary Al-Jami’ li Ahkam al-Qur’an, focusing on examples from Surah An-Nur. The study uses a descriptive approach to gather and categorize the poetic lines based on their grammatical and morphological functions, and then applies an analytical method to understand how they contribute to the interpretation of the text. The goal is to shed light on the role poetry played in supporting Al-Qurtubi’s explanations and how he used it to clarify linguistic aspects of the Qur’an .T

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Mastuti, Nia, and Destyani Anggia Winarno Putri. "STUDI PERUBAHAN FONEM PADA MORFEM DENGAN TUNTUTAN LITERER DALAM LAGU “LESTARI” OLEH WAHYU F. GIRI." Sabdasastra : Jurnal Pendidikan Bahasa Jawa 9, no. 1 (2025): 117. https://doi.org/10.20961/sabpbj.v9i1.96576.

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<div><p><em>Morphology, as a branch of linguistics, studies the structure of words and changes in meaning, where morphemes and allomorphs play a crucial role. Traditional Javanese songs, which have undergone transformations through reinterpretation by young artists, capture the attention of a new generation and demonstrate the cultural relevance of Javanese heritage in the digital era. This study employs a qualitative method with a discourse analysis approach to identify phonemic changes in the lyrics of the song "Lestari." Data were collected through documentation of the son

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Mozetič, Uroš. "E. E. Cummings: From Parenthesis to Personality (Part I)." ELOPE: English Language Overseas Perspectives and Enquiries 3, no. 1-2 (2006): 201–12. http://dx.doi.org/10.4312/elope.3.1-2.201-212.

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The paper presents the unique oeuvre of E.E. Cummings, who claims an outstanding position in the heritage of American poetry, as a case of Bildungsdichtung. This status is largely due to his highly innovative and iconoclastic approach to poetic composition, starting from his early rebellious endeavours drawing on an astounding variety of non-standard and downright shocking potentialities of the English language (including such peculiar linguistic and stylistic idiosyncracies as drastic changes of the syntactic English word order, shifts at the morphology and word-formation level, unorthodox us

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Mozetič, Uroš. "E. E. Cummings: From Parenthesis to Personality (Part II)." ELOPE: English Language Overseas Perspectives and Enquiries 4, no. 1-2 (2007): 121–34. http://dx.doi.org/10.4312/elope.4.1-2.121-134.

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The paper presents the unique oeuvre of E.E. Cummings; who claims an outstanding position in the heritage of American poetry; as a case of Bildungsdichtung. This status is largely due to his highly innovative and iconoclastic approach to poetic composition; starting from his early rebellious endeavours drawing on an astounding variety of non-standard and downright shocking potentialities of the English language (including such peculiar linguistic and stylistic idiosyncracies as drastic changes of the syntactic English word order; shifts at the morphology and word-formation level; unorthodox us

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Perdawd Hasan, Abdulstar, and Sardar Ahmad Hasan Gardi. "The Semiology of Title Poeticness in Jabar Jamal Gharib's "The flying Birds that are Dross" novel." Journal of University of Raparin 11, no. 3 (2024): 74–99. http://dx.doi.org/10.26750/vol(11).no(3).paper4.

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This study is entitled (The Semiology of Title Poeticness in Jabar Jamal Gharib's "The flying Birds that are Dross" novel). The study attempts to shed light on an essential and influential subject which is the semiology of title poeticness. It introduces the term and concept of semiology of title poeticness and its value as a semiological icon within a broad genre like novel. There has not been much research in Kurdish literary works aimed at presenting the role and position of semiology of title poeticness in the genre of novel. Hence، the current study highlights the hidden aspects of semiol

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Muscianisi, Domenico Giuseppe. "Singin’ in the Night." Amsterdamer Beiträge zur älteren Germanistik 83, no. 1 (2023): 26–44. http://dx.doi.org/10.1163/18756719-12340283.

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Abstract Starting from present-day German Nachtigall ‘nightingale’, which shows an uncommon and unexpected i-linker, this article provides a morphological analysis of the word and its cognates. Through the frame of historical linguistics, and in particular the historical phonology and morphology of Proto-Germanic, it can be shown that Nachtigall and its Germanic cognates witness a relic word-formation that can be traced back to a delocatival compound in Proto-Indo-European. Comparative evidence allows for just such an etymology within poetic phraseology as well.

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Veselovsky, A. N., Jennifer Flaherty, and Boris Maslov. "Envisioning World Literature in 1863: From the Reports on a Mission Abroad." PMLA/Publications of the Modern Language Association of America 128, no. 2 (2013): 439–51. http://dx.doi.org/10.1632/pmla.2013.128.2.439.

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Veselovsky has assigned a task to scholarship which can hardly ever be solved. The Russian formalists, however, have taken up his challenge.—René Wellek (279)The task, which many feel is beyond their abilities, lies within the power of scholarship.—A. N. VeselovskyALEXANDER NIKOLAEVICH VESELOVSKY (1838-1906) IS WIDELY REGARDED AS RUSSIA'S MOST DISTINGUISHED AND INFLUENTIAL Literary theorist before the formation of Opoyaz (“Society for the Study of Poetic Language”), whose members—Viktor Shklovsky, Boris Eikhenbaum, Yury Tynianov, Roman Jakobson, and others—developed the approach generally know

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Скоробогатова, Елена Александровна. "УНИВЕРСАЛЬНЫЕ СПОСОБЫ АКТУАЛИЗАЦИИ МОРФОЛОГИЧЕСКИХ ФОРМ И ЗНАЧЕНИЙ В ЯЗЫКЕ РУССКОЙ ПОЭЗИИ". Русская филология: Вестник Харьковского национального педагогического университета имени Г.С. Сковороды, № 56 (4 квітня 2016): 17–23. https://doi.org/10.5281/zenodo.48879.

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<em>Grammatical ideas of Kharkiv Linguopoetic School are being developed in the article. Means of verse actualisation of morphological level units’ meanings and forms  have been singled out and described. It is asserted that notional poetic potential of the unit depends on its grammatical nature (part-of-speech and categorical meaning, capability to transformations and interaction), while actualisation in verse structure is under the laws of poetic functioning. Basic means of actualisation (that are used for singling out all the parts of speech) are characterized as universal ones.

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PENA, Liubov. "The epithet in the poetic speech of Volodymyr Barchuk." Culture of the Word, no. 96 (2022): 187–97. http://dx.doi.org/10.37919/0201-419x-2022.96.14.

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Volodymyr Barchuk, doctor of philological sciences, professor of the Ukrainian language department of Vasyl Stefanyk Precarpathian National University, known in the scientific world as a linguist – a researcher of the grammatical level of the language: morphology and syntax, grammatical categoryology, as well as the history of language, the field of communicative and cognitive linguistics, recently debuted with a poetic collection "Heavenly Tower", signed under the pseudonym Volodymyr Otyn. The article characterizes the peculiarities of the functioning of epithets as one of the artistic and pi

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Абдоков, Ю. Б. "Sextet for Harp and Wind Instruments by Boris Chaykovsky: an Essay on Style and Timbre Poetics." Научный вестник Московской консерватории, no. 3(42) (October 2, 2020): 126–47. http://dx.doi.org/10.26176/mosconsv.2020.42.3.006.

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В статье впервые анализируется темброво-поэтическая морфология итоговой камерно-инструментальной партитуры одного из крупнейших отечественных композиторов ХХ столетия— Бориса Александровича Чайковского (1925–1996). Секстет для арфы и духовых инструментов, воплощающий свойства сверхкамерной, оркестровой палитры, рассматривается в контексте композиторской феноменологии, стилевой атрибуции и адекватной интерпретации сочинения. Основными принципами тембровопоэтического анализа являются стилеобразующие для Б. Чайковского элементы инструментальноансамблевого и — шире— оркестрового письма, значительн

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Asaad, Qahtan Najm Nadia Hamzah Kareem. "Stylistics Analysis Of The Theory Of Foregroundingin E. E. Cumming's Poem My Father Moved Through Dooms Of Love." Multicultural Education 7, no. 3 (2021): 212. https://doi.org/10.5281/zenodo.4622221.

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<em>This study explores the nature of the foregrounding and investigates the different levels of foregrounding, morphology, graphology, lexical, syntactic, semantic and parallelism deviation in E.E Cumming’s poem ‘ my father moved through dooms of love’.However, the poet tried to explain the relation between the deviated forms that have been aesthetically used in the poem and the meaning behind these forms. Accordingly, the poet’s style  gathered between the linguistics and literary criticism and aesthetic features as well. He used the foregrounding or deviation as

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Pinault, Georges-Jean. "Exploring the language layer of the dānastuti genre." Lingua Posnaniensis 61, no. 2 (2019): 83–105. http://dx.doi.org/10.2478/linpo-2019-0016.

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Abstract The linguistic variedness of the ancient Vedic texts is a well-known fact. This can be observed within the Ṛgveda itself, the most ancient collection of hymns, and if one compares the language of the Ṛgveda with that of the Atharvaveda. Glimpses of Vedic dialects can be detected in several passages and words, although the poetic language displays a high degree of convention and normalisation. Among the hymns of the Rigveda few specific features can be attributed to the different families of bards, even though one can surmise that they belonged to different regions of the Vedic world.

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Н., І. Самсоненко. "ЧИСЛОВИЙ РИТМ ТА МОТИВ РОЗДІЛЕНОСТІ В РОСІЙСЬКОМОВНОМУ ПОЕТИЧНОМУ ТЕКСТІ (на прикладі поетичних творів Генадія Айгі, Юрія Ряшенцева та Юлії Олефір)". Лінгвістичні дослідження, № 48 (7 травня 2018): 211–15. https://doi.org/10.5281/zenodo.1242915.

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The article considers the numeric rhythm as one of the subtypes of the morphological rhythm – a phenomenon that represents a wavy periodic alternation of certain morphological forms in the structure of a poem or its fragment. The actuality of the research is determined by insufficient study of the phenomenon of the numeric rhythm and its connection with the composition-thematic structure of the poetic work in modern linguistics. The purpose of the article is to analyse the texts with the numeric rhythm. The main tasks of the article are the identification of features and regularities of

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Bartosh, Julija V. "Specific language of Russian Internet poetry." Russian Language Studies 17, no. 2 (2019): 229–42. http://dx.doi.org/10.22363/2618-8163-2019-17-2-229-242.

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The article analyses the linguistic means of modern Internet poetry having millions of readers and actively developing on the Internet. Being a kind of mass literature, the Internet poetry “complicates linguistic reality”, influencing the literary language “by virtue of its mass character” (Solganik, 2010). Therefore, the study of such “alternative” art seems relevant: it can later become the material for a new poetic theory becoming urgent nowadays. The author took as the material for the study poetic websites (“Stihi.ru”, “Izba-Chitalnya”, etc.) and thematic groups in social networks (“Rifma

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Travis, Charles. "The Morphology of Prometheus, Literary Geography and the Geoethical Project." Geosciences 11, no. 8 (2021): 340. http://dx.doi.org/10.3390/geosciences11080340.

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This paper explores mappings, musings and ‘thought experiments’ in literary geography to consider how they may contribute to geoethical pedagogy and research. Representations of Prometheus from the fourteenth century onwards have traveled along three broad symbological roads: first, as the creator, and bringer of fire; second as a bound figure in chains, and thirdly, unbound. However, it was the harnessing of fire by our species a millennium prior that gave rise to the myth of Prometheus and set into motion the geophysical process of combustion which “facilitated the transformation of much of

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Chepiga, Valentina P. "Silver age of Russian poetry into French: towards the problem of poetic translation." Tyumen State University Herald. Humanities Research. Humanitates 8, no. 2 (2022): 79–93. http://dx.doi.org/10.21684/2411-197x-2022-8-2-79-93.

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This article studies the problems of translating Silver Age Russian poetry into French, namely Vladimir Mayakovsky, Anna Akhmatova, Marina Tsvetaeva, and Nikolai Gumilev. The author examines the main anthologies of Russian poetry published in France in the 20th century: the anthologies of 1947, 1965 and 1985, all three published by Paris publishers. This article focuses on the peculiarities of the translations, when analyzing the translation transformations and examining the strategies of translation practice in France. The linguistic form, consisting of the four macro-levels: morphology, word

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Sovtić, Nemanja. "Chamber music of Szilárd Mezei and differentiated congruence in its composing layers (II)." New Sound, no. 59-1 (2022): 105–26. http://dx.doi.org/10.5937/newso22059105s.

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A look at the morphology of the musical language of the Vojvodina composer Szilárd Mezei reveals different relations among its composing layers. On a selection of fifteen of Mezei's chamber compositions, the basis of their compositional structure was abstracted and typologically classified into four fundamental ways of coexistence of textural layers. These modalities are defined as differentiated congruence. The chosen syntagm does not refer to the mathematico-logical meaning of congruence , but to the resemantization of that notion in the context of the fact-object reality of musical space-ti

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Zikriati, Zikriati, Samsuar Arani, and Ahmad Omar Chapakia. "Effective Strategies of Arabic Language Teachers in Salafi Islamic Boarding Schools to Enhance Students' Nahwu and Sharaf Proficiency." PROCEEDINGS: Meulaboh International Conference on Islamic Studies 1 (November 14, 2024): 1–9. https://doi.org/10.47498/miconis.v1i.3667.

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This study aims to explore effective strategies in the teaching of Nahwu (Arabic syntax) and Sharaf (Arabic morphology) at Salafi Islamic boarding schools in West Aceh Regency. The research focuses on the methods and techniques used by teachers to enhance students' Arabic language proficiency. This study identifies the challenges faced in teaching Nahwu and Sharaf and evaluates various strategies employed, including the use of Nadham (poetic form), instructional media, and curriculum design. Using a qualitative case study approach, data were collected through interviews, observations, and docu

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Solehudin, Muhamad, and Nur Hanifansyah. "Pedagogical Insights from Al-Mawahib Al-Rabbaniyah: Enhancing Arabic Grammar Learning through the Nazm of Al-Ajrumiyyah." لســـانـنــا (LISANUNA): Jurnal Ilmu Bahasa Arab dan Pembelajarannya 14, no. 2 (2024): 165. https://doi.org/10.22373/ls.v14i2.26656.

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This study explores the pedagogical effectiveness of Nazm Al-Ajrumiyyah and its commentary Al-Mawahib Al-Rabbaniyah in enhancing the learning of Arabic grammar, particularly in the areas of nahwu (syntax) and sharaf (morphology). Utilizing a mixed-method approach, the research involves 200 students from Pon Pes Darullughah Wadda'wah and 100 students from the Arabic Language Education (PBA) department. Quantitative results indicate significant improvement in students' memorization and understanding of grammatical rules after incorporating nazm into their curriculum, with 75% of learners showing

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Opina, Eda, Mary Joy Dillera-Prejoles, Rowena Jaber, et al. "Deconstructing Meaning: A Morphological Analysis of Content Words in Edith Tiempo's Poems." Pedagogy Review: An International Journal of Educational Theories, Approaches and Strategies 4, no. 1 (2024): 87–97. https://doi.org/10.62718/vmca.pr-ijetas.4.1.sc-1124-005.

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This study explores how Edith Tiempo constructs meaning in her poetry through morphological linearity. This refers to the arrangement of morphemes, the building blocks of words. Analyzing six poems, it reveals Tiempo's skillful manipulation of free and bound morphemes within content words (nouns, verbs, adjectives, and adverbs). Each poem exemplifies how the poet uses affixation to achieve specific effects and create richness. Employing qualitative research design, with specific utilization of linguistic analytical description focusing on the meticulous examination of the morphological structu

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Salima, A. Rustamiy. "Key Terms and Definitions in Balāǧat." International Journal of Social Science and Human Research 07, no. 06 (2024): 3755–58. https://doi.org/10.5281/zenodo.11526065.

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The science of balāǧat, an Eastern classical subject within philology, was fully systematized in the 12th century by Khorezmian scholar Abu Yāqub Yūsuf as-Sakkākī (1160-1229). This article analyzes the content of balāǧat, demonstrating that it is a discipline focused on the rules and methods for expressing meaning through properly structured phonetics, morphology, lexicon, semantics, and syntax, in a manner appropriate to the context. It identifies the core components of the balāǧat system as lafẓ (word), kalām (speech), meaning, phrase, condition (situation), speaker (mutakallim), and address

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Е., А. Скоробогатова. "МОРФОЛОГИЧЕСКОЕ УСТРОЙСТВО СТИХОТВОРЕНИЯ АННЫ АХМАТОВОЙ «ВСЕМ ОБЕЩАНЬЯМ ВОПРЕКИ…»: МЕЖТЕКСТОВЫЕ СВЯЗИ". Російська філологія. Вісник Харківського національного педагогічного університету імені Г.С. Сковороди, № 3(59) (8 листопада 2016): 3–7. https://doi.org/10.5281/zenodo.165451.

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The individual author's use of the traditional for Russian poetry device of variation of morphological characteristics in describing of the irreal was analyzed in the article. The shift in the categories of grammatical gender (gender asymmetry) and the grammatical person during the nomination of the irreal object in the poem by Anna Akhmatova «Vsem obeshhan'jam vopreki…» was considered. The implicit reference to Nikolai Gumilyov's translation of the poem "Ghost" by Charles Baudelaire was characterized. It is alleged that the poetic potential of the device of precedence of morphological model a

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Poole, Russell. "“Orð eftir orð,” “orð eftir orði”: the Progress of the Dictionary of Old Norse Prose." Scandinavian-Canadian Studies 15 (December 1, 2005): 92–118. http://dx.doi.org/10.29173/scancan5.

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ABSTRACT: Volumes 1 to 3 of the Ordbog over det norrøne prosasprog/Dictionary of Old Nordic Prose ( ONP ), along with a “User Guide,” have appeared in the last ten years, the twelfth volume, containing the Indexes, having appeared first in 1989. The project has therefore reached a point where it is possible to evaluate editorial policy. No previous dictionary rivals the ONP , each volume of which contains countless new words, definitions, and senses. The volumes offer succinct information on morphology, translations into both Danish and English, clear indications as to manuscript witnesses and

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AlSajri, Abdulazeez. "Challenges in Translating Arabic Literary Texts Using Artificial Intelligence Techniques." EDRAAK 2023 (February 7, 2023): 5–10. https://doi.org/10.70470/edraak/2023/002.

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This paper explores the complexities and challenges in translating Arabic literary texts using artificial intelligence (AI) techniques. Arabic, with its rich history and intricate linguistic structure, presents unique challenges in translation due to its syntax, morphology, and cultural depth. Traditional translation methods often struggle with Arabic's semantic nuances, idiomatic expressions, and poetic constructs, which are crucial in literary works. AI techniques, specifically natural language processing and machine learning, offer promising advancements but face limitations in capturing th

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Patroeva, Natalia V. "A book review: Dictionary of Russian Poetry Language of the Twentieth Century. Vol-ume IX. Book 2: Uzh – Tsesar. Compiled by L. L. Shestakova (Ed. in Ch.), A. S. Kuleva (Ed.), A. V. Gik. Moscow, LRC Publishing House, 2022, 536 p. (Studia philologica)." Sibirskiy filologicheskiy zhurnal, no. 2 (2024): 254–57. http://dx.doi.org/10.17223/18137083/87/20.

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Consideration is given to the main features of the lexicographic project developed at the Vinogradov Institute of the Russian Language of the Russian Academy of Sciences. It is the second book of the ninth volume of the Dictionary of the language of Russian poetry (20th century). The 2290 entries present the poetic lines from the sources of the Dictionary, the works of ten outstanding poets of the Silver Age: I. Annensky, A. Akhmatova, A. Blok, S. Yesenin, M. Kuzmin, O. Mandelstam, V. Mayakovsky, B. Pasternak, V. Khlebnikov, and M. Tsvetaeva. The review briefly describes the purpose, structure

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Rashwan, Hany. "Ancient Egyptian Image-Writing: Between the Unspoken and Visual Poetics." Journal of the American Research Center in Egypt 55 (November 22, 2019): 137–60. http://dx.doi.org/10.5913/jarce.55.2019.a009.

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This article highlights the significance of considering the visual mediums of the ancient Egyptian (henceforth AE) writing system, in reading and translating AE literary texts. Despite their importance for understanding the internal mechanism of AE literary expressions, modern scholarship has not assimilated these visual mediums into its exploration. A possible theoretical framework for AE morphology structure may identify two input systems,, one visual for visually presented materials that are more related to visual comprehension, and the other phonological for material presented using the au

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Khrenov, Nikolai A. "The Fate of Humanism in the 20^th Century and the Poetry of Osip Mandelstam: The Poem Lamarck and the Idea of Regression in Its Application to Culture." Russian Journal of Philosophical Sciences 64, no. 2 (2021): 37–61. http://dx.doi.org/10.30727/0235-1188-2021-64-2-37-61.

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The article focuses not so much the poetic and stylistic features of Osip Mandelstam’s work, which are of interest to philologists (these have largely been researched), as its cultural aspects. To fill this gap, it is important to compare Mandelstam’s lyric with his prose, theory, criticism, and journalism. We believe that the poet’s statements in these genres provide many answers to the question of his attitude to culture. In general, a cultural analysis of Mandelstam’s poetry has not yet been undertaken. Meanwhile, a lot of whimsical and rather obscure associations in his lyric can be unders

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María Gómez-Jiménez, Eva. "‘oride lesgo eckshun’: Spelling foregrounding in the experimental poetry of E. E. Cummings." Language and Literature: International Journal of Stylistics 24, no. 4 (2015): 307–21. http://dx.doi.org/10.1177/0963947015586117.

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Unconventional linguistic features in E. E. Cummings’ poetic style have long been a focus of study. Linguists have researched this aspect of this poet’s technique mainly in connection to grammar, lexis and morphology; however, few approaches have looked at graphology in depth and even fewer at spelling. The present paper addresses this by analysing the use of lettering in E. E. Cummings’ experimental poetry. More concretely, two research questions are posed here: Which foregrounding devices are involved in E. E. Cummings’ unconventional use of spelling? And also, which effects are achieved by

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Viti, Carlotta. "Exuberant Compounds in Old Indic." Lalies 43 (2025): 129–59. https://doi.org/10.4000/14fgs.

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Classical Sanskrit compounds present extremely long and complex constructions, which deviate from compounds of both Vedic and Indo-European, and constitute an exception cross-linguistically. Classical Sanskrit compounds are usually not explained in the literature, under the assumption that they represent a merely artificial product of poetic language. We attempt instead to explain these compounds from a historical perspective. On the one hand, we show that the seeds of the Classical Sanskrit innovation already emerge in Vedic in both morphology and syntax. On the other, we analyse these compou

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Mboka, Idris. "PENGGUNAAN DOA BATUNA'U DALAM TRADISI ETNIK LIO DI DESA NGALUKOJA KECAMATAN MAUROLE KABUPATEN ENDE: SEBUAH KAJIAN LINGUISTIK KEBUDAYAAN." Paradigma, Jurnal Kajian Budaya 6, no. 2 (2017): 156. http://dx.doi.org/10.17510/paradigma.v6i2.95.

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<p>This study aims to identify and describes the verbal symbols and cultural imagery of Lio Ethnic (LE) community which are contained in Batuna’u Prayer (BP). The theory used as analytical scalpel is the Cultural Linguistics Theory (CLT). This study shows 5 forms of BP used in LE community, which are the traditional house construction BP (THC), going to sow BP (GS), delivering dowry BP (DD), going to school BP (GSC), and deceased person BP (DP). From these five forms of BP, there are verbal symbols of a language grammatical discourse (phonology, morphology, and syntax), and the metaphor

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Gómez-Jiménez, Eva María. "Unconventional patterns in the experimental poetry of E. E. Cummings: A stylistic approach to punctuation marks." Language and Literature: International Journal of Stylistics 26, no. 3 (2017): 191–212. http://dx.doi.org/10.1177/0963947016686606.

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For some time scholars have examined unconventional linguistic patterns in E. E. Cummings’ poetic style. Of all the aspects under consideration, it is grammar, lexis and morphology that have been most widely researched, while only a small number of studies have looked at graphology or, least of all, punctuation. This article is a contribution to the latter research field, and is aimed at developing a systematic approach to the use of punctuation marks in E. E. Cummings’ experimental poetry. I deal with two fundamental research questions: What foregrounding patterns are present in E. E. Cumming

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OLIVEIRA, HUGO GONÇALO, RAQUEL HERVÁS, ALBERTO DÍAZ, and PABLO GERVÁS. "Multilingual extension and evaluation of a poetry generator." Natural Language Engineering 23, no. 6 (2017): 929–67. http://dx.doi.org/10.1017/s1351324917000171.

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AbstractPoetry generation is a specific kind of natural language generation where several sources of knowledge are typically exploited to handle features on different levels, such as syntax, semantics, form or aesthetics. But although this task has been addressed by several researchers, and targeted different languages, all known systems have focused on a limited purpose and a single language. This article describes the effort of adapting the same architecture to generate poetry in three different languages – Portuguese, Spanish and English. An existing architecture is first described and comp

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Kovtun, Oksana. "ASPECTS OF NUMERAL RESEARCH IN UKRAINIAN LINGUISTICS AT THE BEGINNING OF THE 21ST CENTURY." Theory and Practice of Teaching Ukrainian as a Foreign Language, no. 18 (May 30, 2024): 192–200. http://dx.doi.org/10.30970/ufl.2024.18.4406.

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The article is dedicated to interpreting the modern understanding of numerals as a part of speech through the prism of both traditional and contemporary grammatical frameworks and new scientific paradigms. It is demonstrated that despite the peripheral nature of this linguistic component, research aspects related to the study of numerals are far from being exhausted today. In the 20th century, numerals were predominantly examined within a focus on traditional grammar and functional grammar, establishing both broad and narrow understandings. In the 21st century, numerals have started to be stud

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Говенько, Т. В. "An experiment in the reconstruction of epics in the works of A. N. Veselovsky." Эпосоведение, no. 1(17) (March 28, 2020): 90–99. http://dx.doi.org/10.25587/svfu.2020.17.58369.

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В отечественной науке имя А. Н. Веселовского не раз становилось объектом серьезной критики: незаслуженно его обвиняли в схематизме, позитивизме, эволюционизме, что, впрочем, не мешало многим ученым сверять по нему собственные теории и гипотезы. Такое положение не способствовало объективному прочтению трудов А. Н. Веселовского, мешало изучению и популяризации научного наследия академика в целом. В настоящей статье анализируются теоретические и методологические предпосылки к экспериментам А. Н. Веселовского с целью реконструкции утраченных элементов былин за счет поэтических средств аналогичных

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Vasilyeva, Galina M. "Goethe’s voice in the novel of Andrei Nikolev “Beyond Tula”." Sibirskiy filologicheskiy zhurnal, no. 2 (2023): 49–62. http://dx.doi.org/10.17223/18137083/83/4.

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The paper examines the polygenetic nature of images and motives in the novel by Andrei Nikolev (Egunov), with particular attention on the “Faustian code”, which allows one to comprehend the European literary tradition. The writer is known to have been exceptionally passionate about Goethe’s works. He was close to the morphology of Goethe’s culture that drew the organizing world principle from the development of biological forms. Goethe’s ideas about the relationship between the cellular tissue of organisms and the expressive tissue of culture were a text-forming force in Egunov’s creativity. G

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AL-DULAIMI, Maysoon Omar Hassan. "THE DOOR TO OPEN NOUN AL-MUTHANNA IN: FATH AL-MAWLA IN EXPLAINING THE EVIDENCE OF SHARIF BIN YALA ABD AL-KARIM IBN MUHAMMAD AL-FAKUN (D. 1073 AH)‎ STUDY AND INVESTIGATION ‎." RIMAK International Journal of Humanities and Social Sciences 04, no. 02 (2022): 471–93. http://dx.doi.org/10.47832/2717-8293.16.31.

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The research talks about an unverified grammatical manuscript from the Tunisian National Book House, which is a huge manuscript book entitled: Fath al-Mawla in explaining the evidence of Sharif bin Yala, replete with several aspects of Arabic, I found in it hadith, grammar, even morphology, literature, and language. Date. Al-Ajrūmiyyah is considered one of the most important texts of Arabic grammar (d. 724 AH), in which its author presented the types of speech and its syntax briefly without making it at the expense of clarification. After that, it was given the first explanation of its text by

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