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Books on the topic 'Poetic oeuvre'

Author: Grafiati
Published: 7 June 2025
Last updated: 16 July 2025

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1

Hébert, Anne. Oeuvre poétique,1950-1990. Boréal, 1992.

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2

Joachim, Du Bellay. Oeuvres poétiques. Bordas, 1993.

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3

Gregory. Oeuvres poétiques. Belles Lettres, 2004.

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4

Éluard, Paul. Oeuvres complètes. Gallimard, 1996.

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5

1945-, Rossi Luciano, ed. Oeuvre poétique. Champion, 2009.

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6

Claudianus, Claudius. Oeuvres. Belles lettres, 1991.

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7

Sekarama. Sekarama: Personne et oeuvre. [publisher not identified], 2004.

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8

Destrées. Oeuvres poétiques. Éditions Ceres, 1989.

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9

Rimbaud, Arthur. Oeuvres completes. Gallimard, 1996.

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10

Apollinaire, Guillaume. Oeuvres poetiques. Gallimard, 1994.

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11

Neveu, Des Roches Madeleine. Les oeuvres. Droz, 1993.

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12

editor, Mongo-Mboussa Boniface, ed. Oeuvres complètes. Gallimard, 2013.

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13

Éluard, Paul. Oeuvre poétique de Paul Éluard. Club de l'Honnête Homme, 1986.

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14

Charles, Christophe. Etzer Vilaire: Sa vie, son oeuvre. Choucoune, 2003.

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15

editor, Gheeraert Tony, ed. Oeuvres chrétiennes (1644). Classiques Garnier, 2020.

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16

Nelligan, Emile. Émile Nelligan et son oeuvre. Librairie Beauchemin, 1996.

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17

Mansouri, Abdelaziz. À peine un souffle: Oeuvre poétique complète. Virgule Editions, 2016.

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18

Ondaatje, Michael. Les oeuvres complètes de Billy the Kid. Actes Sud, 1996.

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19

Ondaatje, Michael. Billy the Kid, oeuvres complètes: Poèmes du gaucher. Éditions de l'Olivier, 1998.

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20

Linarès, Serge. Jean Cocteau: Le grave et l'aigu. Champ Vallon, 1999.

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21

1889-1963, Cocteau Jean, ed. Jean Cocteau. Éditions de l'Herne, 2016.

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22

Linarès, Serge. Jean Cocteau: Le grave et l'aigu. Champ Vallon, 1999.

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23

Michel, Butor. Oeuvres croisées, 1975-1985 =: Opere incrociate. Casa Usher, 1986.

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24

Magnus, Ausonius Decimus, Ausonius Decimus Magnus, and Combeaud Bernard, eds. D.M. Ausonii Burdigalensis opuscula omnia = Oeuvres complètes. [Mollat], 2010.

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25

Briolet, Daniel. La poéesie et le poème: [thèmes, formes, oeuvres, histoire]. Nathan, 2002.

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26

Delahaye, Guy. Guy Delahaye: Oeuvres parues et inédites. Hurtubise HMH, 1988.

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27

Lacerte, A. B. Gaëtane de Montreuil et ses oeuvres: Conférence donnée à Trois-Rivières, le 18 juillet 1916. s.n.], 1995.

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28

Cameron, Keith. Concordance des oeuvres poetiques de Philippe Desportes / preparee par Keith Cameron ; soutien technique Katherine Fenton. Droz, 2000.

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29

Derek, Walcott. Collected poems, 1948-1984. The Noonday Press, 1986.

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30

Dessaint, Micheline. La femme médiatrice dans de grandes oeuvres romanesques du XIIe siècle. Champion, 2001.

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31

Rimbaud, Arthur. A season in hell and other works =: Une saison en enfer et oeuvres diverses. Dover Publications, 2003.

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32

Rémi. Le R.P. L.-J.-M. Beaupré, o.m.i., à la cure de St-Sauveur. 1916-1919: I.-sa mission, II.-son oeuvre. [s.n.], 1997.

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33

Moisan, André. Répertoire des noms propres de personnes et de lieux cités dans les chansons de geste françaises et les oeuvres étrangères dérivées. Droz, 1986.

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34

Guidot, Bernard. Recherches sur la chanson de geste au XIIIe siècle, d'après certaines oeuvres du cycle de Guillaume d'Orange. Publications Université de Provence, 1986.

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35

Baudelaire, Charles. Fleurs du Mal: Oeuvre Remarquable. Independently Published, 2020.

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36

Callaghan, Madeleine. Introduction: ‘A poem is the very image of life’. Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781786940247.003.0100.

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A clear distinction between the poet and the man, the art and the life, is misrepresentative in the case of Shelley. Though the boundary between life and art is often a fraught question for poets and their critics, Shelley’s oeuvre is fascinated by and explorative of the ways in which the man’s life can form, to varying degrees in each work, the raw material for the poet’s art. Shelley’s poetic daring lies in troubling the distinction between poetry as aesthetic work hermetically sealed against private feeling and poetry as a record of the emotional life of the poet. The repeated slippage betw
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37

Hazzard, Oli. John Ashbery and Anglo-American Exchange. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198822011.001.0001.

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This book shows how the work of a major post-war American poet has been centrally concerned with questions of national identity and intercultural poetic exchange, by reading crucial episodes in John Ashbery’s oeuvre in the context of an ‘other tradition’ of twentieth-century English poets he himself has defined. This line runs from the editor of Ashbery’s recent Collected Poems, Mark Ford, through Lee Harwood in the late 1960s, F. T. Prince in the 1950s, to ‘chronologically the first and therefore most important influence’ on his own work, W. H. Auden. Through detailed close readings of the po
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38

Kristal, Efraín. Yves Bonnefoy and Shakespeare as a French Poet. Edited by Jonathan Post. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199607747.013.0038.

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Yves Bonnefoy is a key figure in the French literary reception of Shakespeare. This essay explores his interpretations and translations of Shakespeare’s plays and poems, informed by his own poetic vision, anchored in a literary tradition whose high points include Baudelaire and Rimbaud. Bonnefoy argues that Shakespeare finds his poetic voice after experimenting with the sonnet—a genre Bonnefoy considers staid and prone to cliché when Shakespeare took it up. For Bonnefoy Shakespeare begins to come alive as a great poet in As you Like It and Romeo and Juliet; and his supreme achievement is The W
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39

Baudelaire, Charles. Fleurs du Mal - Charles Baudelaire : Oeuvre Annotée d'un Biographie de l'auteur - Edition Complète et Intégrale - Dimensions: 12,7cm / 20,32 Cm. Independently Published, 2021.

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40

Zak, William F. Robert Frost’s Visionary Gift. The Rowman & Littlefield Publishing Group, 2022. https://doi.org/10.5040/9781978727182.

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In Robert Frost’s Visionary Gift: Mining and Minding the Wonder of Unexpected Supply, William F. Zak provides groundbreaking analysis of well over one hundred of Frost’s lyrics, considering each poem as an interrelated portion of the poet’s overarching “constellation of intention.” Beyond biography, this book offers extended, close readings of Frost’s oeuvre, building its case incrementally from deftly examined particulars. Zak discusses how the pastoral mode Frost adopts is no depleted, homespun idiom retreating from modernism’s complexities, but a self-conscious determination to assume the p
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41

Rudyard, Kipling. Kipling : Oeuvres, tome 2. Gallimard, 1992.

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42

Leo, Russ, Katrin Röder, and Freya Sierhuis, eds. Fulke Greville and the Culture of the English Renaissance. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198823445.001.0001.

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This book intends to provide a comprehensive reappraisal of the work of the Renaissance poet and politician Sir Fulke Greville, whose political career stretched from the heyday of the Elizabethan age into the Stuart period. While Greville’s literary achievements have traditionally been overshadowed by those of his more famous friend Sir Philip Sidney, his oeuvre comprises a highly diverse range of works of striking force and originality, comprising a sonnet sequence, a biography of Sir Philip Sidney, a series of philosophical treatises, and two closet dramas set in the Ottoman Empire. The essa
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43

Ferriss-Hill, Jennifer. Horace's Ars Poetica. Princeton University Press, 2019. http://dx.doi.org/10.23943/princeton/9780691195025.001.0001.

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For two millennia, the Ars Poetica (Art of Poetry), the 476-line literary treatise in verse with which Horace closed his career, has served as a paradigmatic manual for writers. Rarely has it been considered as a poem in its own right, or else it has been disparaged as a great poet's baffling outlier. Here, this book fully reintegrates the Ars Poetica into Horace's oeuvre, reading the poem as a coherent, complete, and exceptional literary artifact intimately linked with the larger themes pervading his work. Arguing that the poem can be interpreted as a manual on how to live masquerading as a h
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44

d'Hubert, Thibaut. In the Shade of the Golden Palace. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190860332.001.0001.

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In the Shade of the Golden Palace explores the oeuvre of the prolific Bengali poet and translator Alaol (fl. 1651–1671), who rendered five narrative poems and one versified treatise from medieval Hindi and Persian into Bengali. The book maps the genres, structures, and themes of Alaol’s works, paying special attention to the poet’s own discourse on poetics and his literary genealogy, which included Sanskrit, Avadhi, Maithili, Persian, and Bengali authors. The monograph shows how a variety of literary experiments fostered by multilingual literacy took place in a seemingly remote corner of the B
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45

Hazzard, Oli. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198822011.003.0001.

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This is an account of John Ashbery’s career in which, as he puts it in ‘Grand Galop’, the ‘minor eras / Take on an importance all out of proportion to the story’.1 The ‘minority’ of any part of any story is, of course, a relational status always open to dispute, but in the available narratives of Ashbery’s life and work his personal and textual engagements with contemporaneous English poets have, up to this point, occupied a certifiably marginal position. This is unsurprising. When compared with the most ambitious, compelling narratives of Ashbery’s place within literary history—portraying him
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46

Guyaux, André, Arthur Rimbaud, and Suzanne Bernard. Rimbaud : Oeuvres. Classiques Garnier Multimédias, 2000.

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47

Connolly, Thomas C. Paul Celan's Unfinished Poetics: Readings in the Sous-Oeuvre. Taylor & Francis Group, 2019.

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48

Paul Celan's Unfinished Poetics: Readings in the Sous-Oeuvre. Legenda, 2018.

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49

Oeuvre poétique. Editions de la Différence, 2006.

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50

Ruprecht Fadem, Maureen E. Silence and Articulacy in the Poetry of Medbh McGuckian. Lexington Books, 2019. https://doi.org/10.5040/9781978728332.

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Silence and Articulacy in the Poetry of Medbh McGuckian is an innovative contribution to the scholarship on Belfast poet, Medbh McGuckian. This book considers the entire oeuvre of this globally respected Irish woman writer, a member of the contemporary avant-garde with now fifteen (U.S. published) volumes and numerous individual publications. The author positions McGuckian’s oeuvre as political and historical poetry and offers a provocative new assessment of its crafted silences. This work argues that it is the muted character of McGuckian’s poems—a consequence of a defamiliarized language, th
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