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Relevant bibliographies by topics / Poetic text

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Journal articles

Academic literature on the topic 'Poetic text'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 June 2025

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Journal articles on the topic "Poetic text"

1

Koliadko, Svetlana V. "Emotive analysis of poetic text." Verhnevolzhski Philological Bulletin 1, no. 24 (2021): 45–51. http://dx.doi.org/10.20323/2499-9679-2021-1-24-45-51.

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The purpose of the article is to examine the functioning of emotion in a poetic work and to describe this process by means of emotive analysis. The aim is to describe this action through revealing the author's subjectivity and depicting his inner world, as well as through the subjective organisation of the poetic text. Emotive analysis of a poetic work is based on establishing the influence of emotion on the organisation of the text at all levels of its structuring. Identifying the emotivity of textual components in content and form is carried out by the method of emotive analysis. We propose a multilevel emotive analysis, concerning different structures and levels of poetic text: phonetic (sound writing), lexical, descriptive and expressive (tropes, figures of speech, images), syntactic (poetic syntax), genre (genre forms and varieties), plot and composition (emothemes and changes in poetic experience), etc. The author of the article concludes that emotivity is characteristic not only of stylistic means, but also of the emotheme, emotive image, lyrical plot, emotive type of creative personality, etc. Emotivity coordinates all levels of the poetic text structure and influences the revealing of the poet's message and the reader's perception of it. And the poetic emotion also becomes an activator of certain lyrical situations / lyrical events, a regulator of emotional changes in 'events of the soul', an emotive marker of certain moods, states, experiences.

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2

Takacs, Axel Marc Oaks. "Transposing Metaphors and Poetics from Text to World." Journal of Sufi Studies 9, no. 1 (2021): 106–44. http://dx.doi.org/10.1163/22105956-bja10008.

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Abstract This article examines the use of Sufi lexicons (iṣṭilāḥāt) through the relatively unknown Mystical Commentary of the Love Lyrics of Ḥāƒiẓ by Abū al-Ḥasan Khatamī Lāhūrī. It resituates the iṣṭilāḥāt within the context of the philosophical-Sufi tradition, engaging theories of metaphor, imagination, poetry, and imaginaries from Ricœur, Castoriadis, Lakoff and Johnson, and Caputo. Rather than employing the iṣṭilāḥāt to produce a static correspondence between poetic terms and metaphysical realities, Lāhūrī’s theo-poetics transposes the metaphors and poetics of the poems into metaphors and poetics of this phenomenal world. This reading challenges previous criticisms of Sufi commentaries, particularly on the dīvān-i Ḥāfiẓ. The critique that the application of iṣṭilāḥāt disembodies or allegorizes the poetic images is challenged when they are interpreted within the philosophical-Sufi tradition. Contrary to literary criticisms of iṣṭilāḥāt, the poem is not merely a formal suitcase for mystical meaning; rather, poetics, the poem’s content, and theology create a nexus of interpretation for Lāhūrī.

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3

LEMPERT, MICHAEL. "The poetics of stance: Text-metricality, epistemicity, interaction." Language in Society 37, no. 4 (2008): 569–92. http://dx.doi.org/10.1017/s0047404508080779.

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ABSTRACTThis article examines the text-metrical (“poetic”) organization of epistemic stance-taking in discourse, focusing on epistemic stance in a form of argumentation, Tibetan Buddhist ‘debate’ (rtsod pa) at Sera Monastery in India. Emergent text-metrical structures in discourse are shown to reflexively map utterance-level propositional stance into larger-scale, fractionally congruent models of interactional stance. In charting the movement from epistemic stance to interactional stance by way of poetic structure, the article argues for and clarifies the place of poetics in the study of stance.

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4

Davies, Diane, and Timothy R. Austin. "Poetic Voices: Discourse Linguistics and the Poetic Text." Modern Language Review 92, no. 1 (1997): 145. http://dx.doi.org/10.2307/3734694.

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5

Schmit, John, and Timothy R. Austin. "Poetic Voices: Discourse Linguistics and the Poetic Text." South Atlantic Review 60, no. 3 (1995): 148. http://dx.doi.org/10.2307/3201153.

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6

Ma, Ming-Qian. "Asserting the Ineffable: Rhetorical Appropriation of ‘Poetic’ and the Contemporary Poetry Text." CounterText 3, no. 2 (2017): 144–61. http://dx.doi.org/10.3366/count.2017.0085.

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An elusive, trace-like entity, ‘poetic’ presents itself in the form of an intangible and yet indispensable relation, or relatedness, in the overall dynamics of information transformation. Paradoxical in nature and function, its ineffability forms the very condition of expressivity in poetry and poetics. ‘Poetic’, as such, also gains popularity and practicality in popular culture at large where and when it becomes articulated, tailored pragmatically to the specificities of any given activity. As an epochal phenomenon, this pragmatic rendition of ‘poetic’ takes the more pronounced form of rhetoric, which appropriates ‘poetic’, and which is resorted to by the contending smaller narratives in the postmodern world as their means for their respective identity formations and legitimations. In the context of the contemporary poetry scene, this rhetorical appropriation of ‘poetic’ manifests itself eloquently in the three areas of rhetorical situation, constitutive rhetoric, and rhetorical styles, which reveal the mechanisms of a soft interpellation that grants the contemporary poets their identity and legitimacy through their own performative confirmation.

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7

Sakr, Mohammed Gamal. "Prosodic text analysis theory." Journal of Arts and Social Sciences [JASS] 6, no. 2 (2016): 283. http://dx.doi.org/10.24200/jass.vol7iss1pp283-295.

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Within the field of poetic text linguistics, the theories of both text linguistics and prosodic linguistics have failed to reveal the nature of the creation of the poetic text and the way it is received by people. This necessitates adopting a new theoretical framework that combines the two approaches by focusing on nine norms: domain rules, length and separation rules, paragraph and sentence rules, phrases and words rules, and syllable and sound rules. These rules should be used by anyone who compares between different poetic texts on the one hand, and between poetic and non-poetic texts on the other.

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8

Moskvichova, Oksana. "Poetical Text as the Specific Way of the Reflection of Reality." Studia Linguistica, no. 13 (2018): 215–27. http://dx.doi.org/10.17721/studling2018.13.215-227.

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The article is dedicated to the embodiment of reality in the poetic model of the world of the British poetry by means of the linguistic and poetic analysis of tropes as the way to actualize cognitive processes in the formation of the world model. By means of linguistic, poetic and cognitive analysis the cognitive aspect of the poetry of the British romantic, modern and post-modern periods is investigated. From the position of cognitive linguistics and cognitive poetics poetry is analyzed as the embodiment in the poetical works the result of cognition of a poet and his interpretation of reality on the background of his physical, social and cultural experience. Reconstruction of the poetical model of the world on the base of British poetical texts is accentuated on the notion of poetry and poetic texts, on the reflection of reality in poetry, on esthetic aspect of poetry and on linguistic and communicative peculiarities of poetry. The article is actual as the generalization of linguistic, poetic and cognitive paradigms aimed to the construction of the model of the world of different cultural and historic periods. The aim and the results of investigation are determined by the specification of the poetical viewpoint embodied in the British poetry of romantic, modern and post-modern periods.

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9

Kharkhurin, Anatoliy V. "Cognitive Poetry: Theoretical Framework for the Application of Cognitive Psychology Techniques to Poetic Text." Creativity. Theories – Research - Applications 3, no. 1 (2016): 59–83. http://dx.doi.org/10.1515/ctra-2016-0005.

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AbstractThis article presents a theoretical framework for the author’s experimental work in contemporary poetry, which has received the term cognitive poetry. In contrast to cognitive poetics, which applies the principles of cognitive psychology to interpret poetic texts, cognitive poetry applies these principles to produce poetic texts. The theoretical considerations of cognitive poetry are based on the assumption that one of the major purposes of creative work is to elicit an aesthetical reaction in the beholder. The aesthetical reaction to poetic texts could be achieved via their satiation with multiple meanings presented through multiple sensory modalities. Cognitive poetry employs techniques developed in cognitive psychology to explicitly address cognitive processes underlying the construction of multiple conceptual planes. The following techniques are discussed: priming, the Stroop effect, multimodal and multilingual presentations. The applications of these techniques are illustrated with examples of poetic texts produced by the author.

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10

Shukurov, Ahat Akhmatovich. "LINGUISTIC INTERPRETATION OF POETIC TEXT." Theoretical & Applied Science 84, no. 04 (2020): 533–36. http://dx.doi.org/10.15863/tas.2020.04.84.90.

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