Relevant bibliographies by topics / Poetic theory

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Poetic theory'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 July 2025

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Journal articles on the topic "Poetic theory"

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Daalder, Joost. "Herbert's "Poetic Theory"." George Herbert Journal 9, no. 2 (1986): 17–34. http://dx.doi.org/10.1353/ghj.1986.0013.

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Liu, Dan. "The Impersonal Theory of Poetry in “Tradition and the Individual Talent” by TS Eliot." Journal of Contemporary Educational Research 8, no. 6 (2024): 104–9. http://dx.doi.org/10.26689/jcer.v8i6.7350.

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Eliot, an important poet, playwright, and literary critic of the nineteenth century in the United States, was the founder of Western modernism. He pioneered the modern poetic criticism. His practice of modernist poetry is the transition from traditionalist poetics to modernist poetics in the 20th century. His famous poetics theory declaration “Tradition and the Individual Talent” is an immortal classic in the field of poetics theory, in which he proposed the concept of “Traditional,” the theory of “Impersonal” poetry, “Objective Correlative,” and so on. All had a profound influence on the 20th
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Trueba Atienza, Carmen. "El error poético en Aristóteles." Theoría. Revista del Colegio de Filosofía, no. 10 (June 1, 2001): 11–21. http://dx.doi.org/10.22201/ffyl.16656415p.2000.10.245.

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The question of the poetic error is treated by Aristotle in the context of his analysis of mimesis or poetic imitation, and constitutes a key element for the adequate comprehension of his mimetic theory of art. In this article, the author demonstrates that the Aristotelian notion of poetic error acquires an artistic or poetic sense, based on relevant passages of his Poetics. The author maintains that the notion of poetic error indicates that Aristotle recognizes some degree of autonomy to art concerning politics, ethics, and science.
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Mills, Philip. "Nietzsche's Poethics: Poetry as a Way of Life in 'The Gay Science'." Labyrinth 26, no. 1 (2024): 221–39. https://doi.org/10.25180/lj.v26i1.362.

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The notion of poethics has been used to approach the way in which forms of language and forms of life are interdependent and to reveal the ethical dimension of poetics. However, the interaction must go both ways; there must not only be an ethical dimension to poetics, but also a poetic dimension to ethics. To what extent is ethics dependent on poetics? In this essay, I argue that Nietzsche’s life-affirming ethics can be understood only in this poethical framework. The specificity of Nietzsche’s ethics, and why it is so difficult to locate on the spectrum of ethical theories, lies in the fact t
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Dooley, David, and Seamus Heaney. "Poetic Theory and Practice." Hudson Review 49, no. 3 (1996): 521. http://dx.doi.org/10.2307/3852530.

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Sakr, Mohammed Gamal. "Prosodic text analysis theory." Journal of Arts and Social Sciences [JASS] 6, no. 2 (2016): 283. http://dx.doi.org/10.24200/jass.vol7iss1pp283-295.

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Within the field of poetic text linguistics, the theories of both text linguistics and prosodic linguistics have failed to reveal the nature of the creation of the poetic text and the way it is received by people. This necessitates adopting a new theoretical framework that combines the two approaches by focusing on nine norms: domain rules, length and separation rules, paragraph and sentence rules, phrases and words rules, and syllable and sound rules. These rules should be used by anyone who compares between different poetic texts on the one hand, and between poetic and non-poetic texts on th
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Sakr, Mohammed Gamal. "Prosodic text analysis theory." Journal of Arts and Social Sciences [JASS] 7, no. 1 (2016): 283–95. http://dx.doi.org/10.53542/jass.v7i1.1118.

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Within the field of poetic text linguistics, the theories of both text linguistics and prosodic linguistics have failed to reveal the nature of the creation of the poetic text and the way it is received by people. This necessitates adopting a new theoretical framework that combines the two approaches by focusing on nine norms: domain rules, length and separation rules, paragraph and sentence rules, phrases and words rules, and syllable and sound rules. These rules should be used by anyone who compares between different poetic texts on the one hand, and between poetic and non-poetic texts on th
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Prus, Robert. "Poetic Expression and Human Enacted Realities: Plato and Aristotle Engage Pragmatist Motifs in Greek Fictional Representations." Qualitative Sociology Review 5, no. 1 (2009): 3–27. http://dx.doi.org/10.18778/1733-8077.5.1.01.

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Poetic expressions may seem somewhat removed from a pragmatist social science, but the history of the development of Western civilization is such that the (knowingly) fictionalized renderings of human life-worlds that were developed in the classical Greek era (c700-300BCE) appear to have contributed consequentially to a scholarly emphasis on the ways in which people engage the world. Clearly, poetic writings constitute but one aspect of early Greek thought and are best appreciated within the context of other developments in that era, most notably those taking shape in the realms of philosophy,
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Rohrbach, Emily. "Keats’s Vanishing Books." Romanticism 28, no. 2 (2022): 165–74. http://dx.doi.org/10.3366/rom.2022.0552.

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Keats’s poems written in the years leading up to his annus mirabilis, 1819, frequently feature books, but those references and images vanish from his poetic production in 1819 and the subsequent publication of that verse in his 1820 volume. This essay attempts to account for that shift in his poetics by exploring Keats’s relation to his friend and mentor Leigh Hunt, proposing that this poetic shift attends Keats’s political departure from Hunt’s privatised, metropolitan imagination in favour of a more public and egalitarian poetics of dispossession.
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Ogle. "Poetic “being-with”: A Case for Relational Poetics." Interdisciplinary Literary Studies 23, no. 1 (2021): 69. http://dx.doi.org/10.5325/intelitestud.23.1.0069.

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Dissertations / Theses on the topic "Poetic theory"

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Thoms, Gary Stewart. "Poetic language : a minimalist theory." Thesis, University of Strathclyde, 2010. http://oleg.lib.strath.ac.uk:80/R/?func=dbin-jump-full&object_id=14360.

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Greenberg, Nathan A. "The poetic theory of Philodemus." New York : Garland Pub, 1990. http://books.google.com/books?id=mY1fAAAAMAAJ.

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Ionascu, Adriana. "Poetic design : a theory of everyday practice." Thesis, Loughborough University, 2010. https://dspace.lboro.ac.uk/2134/6965.

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This study aims to define design poetics as a category of design practice set apart from commercial, industrial or market-led design that generates a collection of experimental artefacts which investigate the everyday life of contemporary culture. It is argued that in creating an active interplay between users (human agents) and objects, poetic design involves a different kind of production (which is not about improving the functionality of a product) and alternative forms of "consumption" (which is not about a 'using up' of objects), by developing new practices of living with things. As such
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Du, Liang. "The poetic theory and practice of Huang Tingjian." Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/30542.

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Huang Tingjian [Chinese characters omitted] (1045-1105) is one of the most important poets of the Song Dynasty. He is often associated with his contemporary Su Shi [Chinese characters omitted], just as the Tang Dynasty's most important poets Du Fu [Chinese characters omitted] and Li Bai [Chinese characters omitted] are linked. Huang founded the Jiangxi School [Chinese characters omitted] which exerted 150 years of influence upon the creative theory and practice of succeeding generations of poets. Huang is also one of the most controversial poets in Chinese history. His position in poetic his
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Pein, Annette. "Schiller and Zhukovsky : aesthetic theory in poetic translation /." Mainz : Liber Verl, 1991. http://catalogue.bnf.fr/ark:/12148/cb389501904.

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Pilkington, Adrian. "Poetic thoughts and poetic effects : a relevance theory account of the literary use of rhetorical tropes and schemes." Thesis, University College London (University of London), 1994. http://discovery.ucl.ac.uk/1317955/.

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This thesis proposes an account of the effects achieved by the poetic use of rhetorical tropes and schemes in the light of recent developments in pragmatic theory. More specifically it discusses and attempts to develop the relevance theory account of poetic effects. Much recent debate in literary studies has centred on the question as to whether literary communication is best explained in terms of text-internal linguistic properties or socio-cultural phenomena. This thesis considers such views in the light of the theories of language and communication they assume. It then proposes an alternati
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Robinson, James George. "Secularism and sacralism in the poetic theory of Friedrich Schlegel." Thesis, University of Edinburgh, 1987. http://hdl.handle.net/1842/24277.

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Carnegie, F. L. "Language theory and urban design." Thesis, University of Westminster, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.323128.

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Doherty, Justin Francis. "Culture and the word : aspects of Acmeist poetic theory and practice." Thesis, University of Oxford, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.305691.

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Vinestock, Elizabeth Mary. "Poetic theory and practice in the #Poemes' of Jean-Antoine de Baif." Thesis, Lancaster University, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.389943.

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Books on the topic "Poetic theory"

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Regier, Alexander, and Stefan H. Uhlig, eds. Wordsworth’s Poetic Theory. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1007/978-0-230-29697-8.

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Langston, Richard, Leslie A. Adelson, N. D. Jones, and Leonie Wilms, eds. The Poetic Power of Theory. V&R unipress, 2019. http://dx.doi.org/10.14220/9783737010399.

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Patron, Sylvie, ed. Toward a Poetic Theory of Narration. DE GRUYTER, 2014. http://dx.doi.org/10.1515/9783110334869.

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Regier, Alexander, and Stefan H. Uhlig. Wordsworth's poetic theory: Knowledge, language, experience. Palgrave Macmillan, 2009.

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Jarvis, Robin. Wordsworth, Milton and the Theory of Poetic Relations. Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21264-4.

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Jarvis, Robin. Wordsworth, Milton, and the theory of poetic relations. St. Martin's Press, 1991.

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Pein, Annette. Schiller and Zhukovsky: Aesthetic theory in poetic translation. Liber Verlag, 1991.

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editor, Farmer Gareth, ed. Poetic Artifice: A Theory of Twentieth-Century Poetry. Shearsman Books, 2016.

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Connolly, Thomas Edmund. A neo-aristotelian and joycean theory of poetic forms. E. Mellen Press, 1995.

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J, Collins Thomas, and Rundle Vivienne, eds. The Broadview anthology of Victorian poetry and poetic theory. Broadview Press, 1999.

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Book chapters on the topic "Poetic theory"

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Hart, Jonathan. "Poetics and Poetic Worlds." In Literature, Theory, History. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230339583_7.

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Bennett, Andrew. "Wordsworth’s Poetic Ignorance." In Wordsworth’s Poetic Theory. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1007/978-0-230-29697-8_2.

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Uhlig, Stefan H. "Poetic Objecthood in 1798." In Wordsworth’s Poetic Theory. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1007/978-0-230-29697-8_3.

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Jarvis, Robin. "Poetic Relations." In Wordsworth, Milton and the Theory of Poetic Relations. Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21264-4_1.

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Regier, Alexander, and Stefan H. Uhlig. "Introduction." In Wordsworth’s Poetic Theory. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1007/978-0-230-29697-8_1.

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Jarvis, Simon. "Wordsworth’s Late Melodics." In Wordsworth’s Poetic Theory. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1007/978-0-230-29697-8_10.

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Jacobus, Mary. "Composing Sound: The Deaf Dalesman, ‘The Brothers’, and Epitaphic Signs." In Wordsworth’s Poetic Theory. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1007/978-0-230-29697-8_11.

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Hartman, Geoffrey. "Wordsworth and Metapsychology." In Wordsworth’s Poetic Theory. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1007/978-0-230-29697-8_12.

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de Bolla, Peter. "What Is a Lyrical Ballad? Wordsworth’s Experimental Epistemologies." In Wordsworth’s Poetic Theory. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1007/978-0-230-29697-8_4.

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Regier, Alexander. "Words Worth Repeating: Language and Repetition in Wordsworth’s Poetic Theory." In Wordsworth’s Poetic Theory. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1007/978-0-230-29697-8_5.

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Conference papers on the topic "Poetic theory"

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Pospíšil, Ivo. "Jiří Wolker na pozadí jubilejního roku." In Současná česká a srbská slavistická bádání. Masaryk University Press, 2025. https://doi.org/10.5817/cz.muni.p280-0684-2024-13.

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The present contribution discusses the changing position of the personality and work of Jiří Wolker (1900–1924) in his time and in the course of hundred years since his death, also in the context of other prominent Czech poets of the 20th century. It is not a big discovery that his personality and his poetic and other works have always been the object of envy, hatred and ostracism, passionate disputes that are still surprising today with their sharpness and even brutality on the one hand, but also one-sided adoration on the other. These controversies – as is almost always the case – testify mo
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Qiu, Jianwei. "QCD Theory @ EIC." In POETIC 7, Temple University, Philadelphia, PA, November 14, 2016. US DOE, 2016. http://dx.doi.org/10.2172/1987289.

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Žikić, Vuk V. "THE FIGURE OF THE POET IN THE POETRY OF STANISLAV VINAVER AND VELIMIR KHLEBNIKOV: A CASE STUDY OF THE POEMS 'THE LONELY ACTOR' AND 'THE LANDSCAPE GATHERER." In XVI načni skup mladih filologa Srbije. University of Kragujevac, Faculty of Philology and Art, Serbia, 2025. https://doi.org/10.46793/mfxvi-2.089z.

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In the very titles of these autopoetic poems (The Lonely Actor and The Harvester of Landscapes), the immanent poetics of the poetry of these two authors is reflected. For Khlebnikov, the poet is a sower of eyes, for Vinaver, a harvester of landscapes. Such views on the poet correspond to the explicit poetics of poetry expressed in the essays of the two authors. The understanding of the poet is closely connected with the understanding of language, as the main character for the poet is the language, just as the main character for the language is the poet. The paper analyzes the relationship betw
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Radhia, Dr LARKEM. "THE POETICS OF DIALOGUE IN THE VISION OF ABU FIRAS AL-HAMDANI." In I. International Century Congress for Social Sciences. Rimar Academy, 2024. http://dx.doi.org/10.47832/soci.con1-19.

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In ancient Arabic poetry, dialogue is an artistic technique that adds a narrative feature to its poetic texts. Its methods and formulas have varied in these poetic texts, given that dialogue raises the curtain on the positions, feelings, and secrets of the interlocutors, their ideas, and their experiences, whatever their type. Poets have used dialogue in their poems for various poetic purposes and topics since the pre-Islamic era, and this continued until the Abbasid era and beyond. Its methods and characteristics developed, and it became a means for the poet to express his feelings that he re
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MEHMETALI, Bekir. "THE RULE OF POETIC NECESSITY IN CONTEMPORARY POETRY." In III. International Research Congress ofContemporary Studiesin Social Sciences. Rimar Academy, 2021. http://dx.doi.org/10.47832/rimarcongress3-10.

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Poetry flowed from the tongue of the Arab poets in a natural flow in the early days of his era, and it preceded its cradle in the pre-Islamic era, and accordingly the saliqa and innate nature took place. Classical Arabic in which he produced his poetry, in rules and linguistic laws, and by analogy with them, his poetry will be studied in meaning and structure, and that he will be mistaken in saying this, and the linguist will seek to find linguistic ways to penetrate the poet into the Arab rule that was made by the grammatical extrapolation. Hence the term poetic necessity, which is to find a
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Balavadze, Nunu. "The Free Verse and the Freedom of Expression in Soviet and Post-Soviet Georgian Poetry." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.4.9048.

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The paper will discuss the role of the free verse in diversifying the poetic process in Georgian literature of Soviet/Cold War period and after. The intensification of this role in Georgian poetry of the period of the Thaw is related with works by Lia Sturua and Besik Kharanauli. These poets stat to oppose the mainstream of Georgian poetry which was based on realist aestheticism and conventional poetic principles; thus, their poetic choice can be seen as an alternative to dominant literary tendencies. We can assess the appearance of the free verse in Georgian poetry of the period of the Thaw a
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ALIEVA, Dildora. "PHILOSOPHICAL LYRICS AND REFLECTIONS OF THE LYRICAL HERO CHO JI HUN." In UZBEKISTAN-KOREA: CURRENT STATE AND PROSPECTS OF COOPERATION. OrientalConferences LTD, 2021. http://dx.doi.org/10.37547/ocl-01-29.

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This article discussed the emergence and further development of the poetic group “Blue Deer”. The creativity of poets in this group received development of tradition in Korean landscape lyrics and its poetics. An apple to the origins and motives of classical poetry became evidence of their reverent attitude to historical and cultural, including the literal memory of the Korean people. Cho Ji Hong is an outstanding representative of this poetic group. Cho Ji Hoon's work bears the stamp of traditions, national customs, traditions, legends
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Gogichaishvili, Liliana. "T.S Eliot’s Early Poetry and John Donne’s “Metaphysical” Poetics." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.3.8931.

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The works of the “metaphysical” poet John Donne can be freely considered as one of the biggest influences of twentieth century English poetry. It was because of the modernist writers that Donne came to be popular again in the modern world. Modernist poets saw their own ideas and aspirations in Donne’s raging, controversial, highly intellectual poetry, a possibility of which they gained from the poetics of “metaphysical” verse itself. In terms of “getting back” to the “metaphysics”, 20th century literature greatly owes to T.S Eliot. In his critical theories and poetic practice Eliot notonly ana
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Lu, Yiyun. "Criticizing by Creating: Friedrich Schlegel’s Early Romantic Idea of “Criticism”." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. http://dx.doi.org/10.62119/icla.1.8184.

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Friedrich Schlegel is the main representative of early German Romanticism. His romantic poetics are not only important for the development of German poetry, but also for the change from Classic to Modern in European intellectual life. And at the center of his theory is the term “criticism” (Kritik). There is already a lot of re-search on this term, including Walter Benjamin’s doctoral thesis The Concept of Art Criticism in German Romanticism. Most of them put this term in the Cartesian and Kantian tradition and see it as an artistic expression of philosophical “reflection”. This is indeed one
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MEHMETALI, bekir. "VIII. International Congress of Humanities and Educational Research." In VIII. International Congress of Humanities and Educational Research. Rimar Academy, 2023. http://dx.doi.org/10.47832/ijhercongress8-8.

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Arabic poetry, ancient and modern, remains a feature distinguished by the Arabs, and a distinguishing mark for which they were known, as it flows on the tongues of their poets the flow of water in the river, and flows from their mouths the flow of fresh water from the spring, as it is twittering on their tongues, and hymns that delight the speaker, the listener, the narrator, the reader, and the student Alike, he is the flame that ignited in their world hundreds of years ago, and is still glowing in every country of theirs, and in every age. The Arabic poetry that we are talking about is nothi
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Reports on the topic "Poetic theory"

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Timmons, Jeffrey. Theory and Poetry: John Ashbery's "Self-portrait in a Convex Mirror". Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.6774.

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AKHADOVA, R. A., and M. L. SHTUKKERT. ‘THE DREAM OF A RIDICULOUS MAN’ F.M. DOSTOEVSKY AND A. PETROV: POETICS OF THE FEAR. Science and Innovation Center Publishing House, 2021. http://dx.doi.org/10.12731/978-0-615-67323-3-8-21.

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The purpose of the study is to determine the features of the structure and functioning of the fear motive in F.M. Dostoevsky’s “fantastic story” “The Dream of a Ridiculous Man” and in A. Petrov’s cartoon of the same name. The report first examines the images, details, etc., with which the fear motive is created in the story, and then analyzes the ways of embodying this motive and transmitting a certain frightening atmosphere in the cinema. There is revealed and determined the ontological significance and the main character of fear in the “The Dream of a Ridiculous Man”, which, in our opinion,
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Cox, Jeremy. The unheard voice and the unseen shadow. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.621671.

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The French composer Francis Poulenc had a profound admiration and empathy for the writings of the Spanish poet Federico García Lorca. That empathy was rooted in shared aspects of the artistic temperament of the two figures but was also undoubtedly reinforced by Poulenc’s fellow-feeling on a human level. As someone who wrestled with his own homosexuality and who kept his orientation and his relationships apart from his public persona, Poulenc would have felt an instinctive affinity for a figure who endured similar internal conflicts but who, especially in his later life and poetry, was more ope
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Гамалі, Ольга Ігорівна, та Ольга Борисівна Каневська. Художественные концепты родина и чужбина в концептосфере Ивана Бунина. Ланьчжоуский политехнический университет, 2016. http://dx.doi.org/10.31812/0564/1387.

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The article deals with the peculiarity of literary-artistic concepts NATIVE LAND and OUTLAND in poetry by I. A. Bunin, identifies and describes the textual means for presenting the concepts, substantiates their relation to moral categories and key role for the author‘s conceptual sphere.
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Hotsur, Oksana, та Anastasiia Bila. Епістолярна спадщина Олени Теліги як виразник творчої особистості. Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11723.

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The scientific research considers and analyzes the epistolary heritage of Olena Teliha. Excerpts from her correspondence are presented, which testify to the formation of a brilliant woman, a creative personality who played an extremely important role in the struggle for the formation of Ukrainian statehood. It is from the letters that we learn that for her letters are almost an ideal way of communication. The epistolary heritage of Olena Teliha allows us to reveal the vision of the main processes in her personal life against the background of the general historical discourse. In addition, the
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Los, Josyp. Панорама сенсів: аргументи авторитетів світоглядної публіцистики. Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11731.

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The article deals with the problem of the meaningfulness (essence) of the worldview journalism in the context of the argumentative resources of the work of influentive authors, for which the missionary role of the word is decisive. The search for meaning has been debated for centuries by orators, philosophers, psychologists, writers, sociologists, historians, journalists, and so on. In addition to other factors, a combination of the principles of worldview journalism and conceptual humanitarianism gives effective results. The author explores the acute problem of the effectiveness of a journali
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Dairianathan, Eugene, Larry Francis Hilarian, Peter Stead, Chee Hoo Lum, and Hoon Hong Ng. Learning through popular music, lessons for the general music programme syllabus in Singapore. National Institute of Education, Nanyang Technological University, Singapore, 2024. https://doi.org/10.32658/10497/27422.

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This project sought to investigate the identity, role and function of popular music within classroom-based education in Singapore. Popular music is characterised by: (i) lnterdisclplinarity (music, dance, poetry, theatre, etc); (ii) It suffuses the lives of school-going youth in their out-of-school curriculum. (iii) Skill acquisition is frequently gained through more informal learning than is usual in institutional settings (Green, 2002). (iv) Participation in popular music by various communities seems to cut across ethnic, religious and age boundaries, which makes popular music participation
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8

Karlstrom, Karl, Laura Crossey, Allyson Matthis, and Carl Bowman. Telling time at Grand Canyon National Park: 2020 update. National Park Service, 2021. http://dx.doi.org/10.36967/nrr-2285173.

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Abstract:
Grand Canyon National Park is all about time and timescales. Time is the currency of our daily life, of history, and of biological evolution. Grand Canyon’s beauty has inspired explorers, artists, and poets. Behind it all, Grand Canyon’s geology and sense of timelessness are among its most prominent and important resources. Grand Canyon has an exceptionally complete and well-exposed rock record of Earth’s history. It is an ideal place to gain a sense of geologic (or deep) time. A visit to the South or North rims, a hike into the canyon of any length, or a trip through the 277-mile (446-km) len
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