Relevant bibliographies by topics / Poetical silence

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Poetical silence'

Author: Grafiati
Published: 28 May 2022
Last updated: 30 July 2025

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Journal articles on the topic "Poetical silence"

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Vaudrin-Charette, Julie. "Reading Silenced Narratives: A Curricular Journey into Innu Poetry and Reconciliation." in education 21, no. 2 (2015): 150–70. http://dx.doi.org/10.37119/ojs2015.v21i2.223.

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Using a life writing research methodology in this article, I seek to understand the complexities implicated in reading silenced narratives as a way towards reconciling internations relationships. To do so, I weave in the poetical territories of Josephine Bacon, Innu poet from Pessiamit, Quebec. I analyse how a poetic text has created spaces for reinterpreting silence[s], that journey into and beyond my whispered narratives as an emerging, settler scholar and curriculum theorist. As I tune into several layers of silences, I examine the pedagogical implications lying within public and intimate t
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Kulish, Vladyslava, Maryna Chernyk, Olena Ovsianko, and Olha Zhulavska. "Pragmatic Metaphorisation of Nature Silence Effect in Poetic Discourse." Studies in Media and Communication 10, no. 1 (2022): 43. http://dx.doi.org/10.11114/smc.v10i1.5479.

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associated with verbal and non-verbal communication. The purpose of the article is to study the discursive and communicative-pragmatic nature of poetical images of silence in the English-language literary discourse. The universal and cultural functions of this notion were analysed and the main approaches to the poetical silence study were determined. It became clear that the phenomenon of Nature Silence can be actualised with the help of Nature and other landscape images in the field of English literary discourse. Such images must belong to the paradigm of English landscape images represented
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Wilkie, Brian, and Mark L. Greenberg. "Speak Silence: Rhetoric and Culture in Blake's 'Poetical Sketches'." Modern Language Review 94, no. 2 (1999): 503. http://dx.doi.org/10.2307/3737139.

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Abdokova, M. B. "POETRY ON THE VERGE OF SILENCE: POETICAL ASCETICISM OF ANATOLII SHTEIGER - METAPHYSICAL CONTEXT." RUDN Journal of Studies in Literature and Journalism 23, no. 3 (2018): 277–83. http://dx.doi.org/10.22363/2312-9220-2018-23-3-277-283.

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Perrot, Jean. "Keep the thread up! From humour to poetry. Silence as a spur to read and speak." Ondina - Ondine, no. 6 (September 7, 2021): 23–35. http://dx.doi.org/10.26754/ojs_ondina/ond.202164513.

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The purpose of this article is to proceed with a semiotic examination of several wordless picturebooks focussed on the use of a thread, Considering that it is the visual image which first and foremost prompts the meaning in iconotexts, we shall deal with it more particularly through the examination of two French picturebooks: the first one by Robert Scouvart, Histoire d’un fil (The Story of a Thread, Magnard 1990) shows how a single thread can magically delineate different characters introduced in an alluring play on words. The book will offer a distanced staging of the reading process through
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Akun, Akun. "When the Unspoken Speaks: As Seen in Andriani Marshanda’s You Used Me and Letter to God." Lingua Cultura 12, no. 2 (2018): 135. http://dx.doi.org/10.21512/lc.v12i2.3710.

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Repressed unresolved psychological conflicts for some people can be safely channeled into a poetical literary work as—despite its short and audio-visually framed and limited form— it could speak of bigger ideas with more freedom, and English as a medium had its own capacity to truthfully communicate the ideas. The goal of this study was to reveal the spoken and the unspoken truths behind Andriani Marshanda’s poetic expressions and their visualization in The Unspoken 1: You Used Me and The Unspoken 2: Letter to God. This research focused on how English played an important role in safely channel
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Kykot, Valeriy M. "LINGUISTIC MEANS OF REPRODUCING IMPLIED SENSE IN THE TRANSLATION OF R. FROST’S POETRY." Alfred Nobel University Journal of Philology 1, no. 29 (2025): 374–87. https://doi.org/10.32342/3041-217x-2025-1-29-22.

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This article aims to identify poetic implied sense markers in the original poetry of American poet Rob- ert Frost and means of their reproduction in translation, in particular, translation transformations. Among the methods applied in this study is the newly devised method of poetic work analysis em- ploying its macro-image scheme, which involves comparison of the original and translated texts at the level of autosemantic, synsemantic and subsemantic (implied sense) images and, in particular, original text anal- ysis to identify linguistic implied sense markers for its decoding and reproductio
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Keen, Catherine. "Lutto, silenzi e omissioni: la 'Vita nova' fra vissuto e poetato." Quaderni di Gargnano, no. 5 (December 7, 2022): 1–18. http://dx.doi.org/10.54103/quadernidigargnano-05-03.

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This essay reflects on Dante's exploration of the theme of mourning in the Vita nova. It draws on critical approaches proposed by Giorgio Agamben, on the challenges of concluding poetic works, and by Nicola Gardini, on the eloquence of the unsaid, to review how Dante's organization of a unified narrative text still leaves space for inarticulacy, silences and omissions that together underline the difficulty of voicing sorrow in poetic form. As the ending of the Vita nova projects Dante's "book of memory" forward towards future as well as past experiences, biographical and poetic, his poetics of
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Balashova, Elena A. "“Encyclopedia of life in the siege” in poems by Gleb Semyonov." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 59 (2021): 227–36. http://dx.doi.org/10.37816/2073-9567-2021-59-227-236.

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The purpose of the paper is to show how Gleb Semyonov managed to update the issues of war poetry: he moves away from the chronicle, yet at the same time his texts allow us to recreate the life of Leningrad residents day by day. The author analyzes the body of war poems by Gleb Semyonov written from 1941 to 1960. The main content of the study constitutes the analysis of the cycle “Memories of the Siege”. The poet dwells on milestones of the life of the city and the life of an unfortunate person, whose moods change quickly from fear and numbness (“Silence”) to emerging animal feelings of a hunge
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Ebliylu, Nyanchi Marcel. "Negotiating Afro-Oriental Religious Eco-Political Space and the Modernist Backlash in God Was African by Nkemngong Nkengasong and Chronicles of a Corpse Bearer by Cyrus Mistry." East-West Cultural Passage 23, no. 1 (2023): 108–38. http://dx.doi.org/10.2478/ewcp-2023-0009.

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Abstract This article examines the representation of the connection between religious beliefs and the natural environment around sacred places in God Was African by Nkemngong Nkengasong and Chronicles of a Corpse Bearer by Cyrus Mistry. Comparing the eco-cycle around Zoroastrian Fire Temples, the Towers of Silence in Bombay and the shrines of Fuondem and other gods in Lewoh traditional religion, this article argues that the inter-connectivity between these Parsi-Bangwa religions reveals that gods reside in our immediate environment and only our eco-politics can preserve this supernatural conne
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Dissertations / Theses on the topic "Poetical silence"

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Кобякова, Ірина Карпівна, Ирина Карповна Кобякова, Iryna Karpivna Kobiakova, Владислава Сергіївна Куліш, Владислава Сергеевна Кулиш та Vladyslava Serhiivna Kulish. "Модус поэтического молчания". Thesis, London: IASHE, 2016. http://essuir.sumdu.edu.ua/handle/123456789/45774.

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http://files.gisap.eu/sites/files/digest/125-126.indd_site.pdf<br>У статті розглядається мовчання як силенціальний компонент комунікації, який позначається в художньому дискурсі вербальними та невербальними маркерами. Персонажі у своїй мовленнєвій поведінці використовують силенціальні компоненти у першофункціїї. Мовчання позначається як homo silence. Мовчання природи моє персоніфікований та метафоричний характер, образне уподібнення. Мовчання називається nature silence. Комунікативне мовчання (homo silence) є первинним по відношенню до nature silence, яке позначено в англомовному художньому ди
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Evans, Meagan. "Sounding Silence: American Women's Experimental Poetics." Thesis, University of Oregon, 2013. http://hdl.handle.net/1794/12946.

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Traditional feminist readings have valued women's writing that voices silenced experiences. In contrast, other twentieth-century theoretical formulations regard absences, refusals, and silences as constitutive of aesthetic practice rather than as imposed upon it. This dissertation attends carefully to how U.S. women writers approach the nonlinguistic, accounting for how they have been silenced as well as for the kinds of silencing that women poets themselves perform. It argues that U.S. women's experimental poetry is driven by contradictory relationships to language and silence: in one strain,
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Heller, Alberto Andrés. "John Cage e a poética do silêncio." Florianópolis, SC, 2008. http://repositorio.ufsc.br/xmlui/handle/123456789/91918.

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Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-graduação em Literatura<br>Made available in DSpace on 2012-10-24T03:53:02Z (GMT). No. of bitstreams: 1 257998.pdf: 6692523 bytes, checksum: a10ab55284a867b4c5b89753d7b78170 (MD5)<br>Esta tese se propõe a analisar o silêncio a partir da obra de John Cage (especialmente a literária e a musical). Esse silêncio, inicialmente compreendido por Cage como um empírico (a pausa em música), revela-se gradualmente um transcendente: não mais uma substância nem a simples ausência de som, mas um mod
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Pick, Peter Richard. "Interjections of silence : the poetics and politics of radical protestant writing 1642-1660." Thesis, University of Birmingham, 2000. http://etheses.bham.ac.uk//id/eprint/244/.

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In this thesis I have undertaken a close reading of texts by William Walwyn, Abiezer Coppe and James Nayler. In reading Nayler, I have also engaged with texts by Richard Farnsworth and Richard Baxter. My approach has been to consider these writings in their own terms and right, rather than merely as contextual sidelights on literary or social matters. I believe that all writing expresses aesthetic concerns and social attitudes. I hope my study will contribute to a necessary and continuing project of recovering such voices, so often marginalised and considered either as symptoms of mental disor
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Arsova, Jasmina. "Writing herself out of silence and solitude the poetic self-portraits of Gloria Fuertes /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1666368691&sid=4&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Dickson, Lesley. ""A silence that had to be overcome" : 50 poems and a personal statement on poetics." Thesis, University of Aberdeen, 2012. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=192181.

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‘Scottish’, ‘woman’, ‘lesbian’; these words are markers of identity and a starting point in my attempt to place myself within a poetic tradition. This study towards a statement of poetics considers ideas of identity and tradition as they relate to the public and private spheres. The first chapter considers how traditions are built and the external factors which impact upon them by looking at both physical and more ideological notions of place and space as they relate to nationhood and a sense of belonging. The focus then narrows to consider the situation of female poets as marginal. There is a
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Obone, Ondo Pauline. "La poétique du silence dans "Syngué sabour Pierre de patience" (Atiq Rahimi), "La Femme aux pieds nus " et "Inyenzi ou les cafards" (Scholastique Mukasonga)." Thesis, Limoges, 2019. http://www.theses.fr/2019LIMO0068.

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Cette thèse porte sur l’écriture de Scholastique Mukasonga et Atiq Rahimi. Elle interroge principalement leurs écritures respectives à travers Notre-Dame du Nil, Inyenzi ou les cafards et Syngué sabour. Pierre de patience. Bien qu’amas de mots, ces trois œuvres participent d’une écriture du silence du point de vue esthétique et historique. Elle veut démontrer que face à l’horreur et au trauma, l’écriture du silence devient à la fois nécessaire et inévitable car le langage peine désormais à traduire la douleur d’un passé qui ne passe pas. Compte tenu de la difficulté du langage à traduire la so
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Khakshour, Faroudji Morteza. "Poétique du silence dans l’œuvre de Maurice Blanchot." Thesis, Sorbonne université, 2022. https://accesdistant.sorbonne-universite.fr/login?url=https://theses-intra.sorbonne-universite.fr/2022SORUL016.pdf.

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L’œuvre de Maurice Blanchot est mystérieuse et inquiétante. Son lecteur devrait être d’ores et déjà prêt à se perdre dans un labyrinthe et à accepter le risque d’être à jamais enfermé dans cet espace où chercher à trouver la sortie est comme une faute grave. L’essentiel de la critique blanchotienne s’attache à la quête désespérée de l’infini et de l’impossible dans la littérature ; dans ses récits, Maurice Blanchot tente de pratiquer les principes et les éléments de cette conception spécifique de la littérature à travers une poétique du silence. Cette thèse porte, dans un premier temps, sur la
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Miksic, Vanda. "Des silences linguistiques à la poétique des silences: l'oeuvre de Stéphane Mallarmé." Doctoral thesis, Universite Libre de Bruxelles, 2005. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210994.

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Le silence — ou plutôt la grande variété de ce que l’on appelle “silences” — est un phénomène complexe qui prend une part directe dans la dynamique du langage et la création du sens linguistique, mais aussi dans la production du sens symbolique et des effets poétiques. Le travail est organisé en deux parties: la première traite la question de l'acte de silence dans l'expérience linguistique du monde, tandis que la deuxième analyse l'expérience poétique des silences en appliquant les résultats précédemment obtenus au Coup de dés de Stéphane Mallarmé. Plus précisément, dans la partie linguistiqu
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Cho, Soon Y. "The Interaction Between Poetic and Musical Caesurae in Six Settings of Elizabeth Barrett Browning's Sonnet XLIII." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1299168299.

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Books on the topic "Poetical silence"

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1948-, Greenberg Mark L., ed. Speak silence: Rhetoric and culture in Blake's Poetical sketches. Wayne State University Press, 1996.

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Art, Daniel Maman Fine, ed. Miguel Caride: Poetica del silencio. Maman, 2005.

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Milburn, Michael. Such silence. University of Alabama Press, 1989.

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Hazo, Samuel John. Silence spoken here. Marlboro Press, 1988.

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Parks, Gordon. Arias in silence. Little, Brown, 1994.

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Ali, Kazim. Orange alert: Essays on poetry, art, and the architecture of silence. University of Michigan Press, 2010.

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Jacobsen, Rolf. The silence afterwards. Princeton University Press, 1985.

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Cheymol, Pierre. Le silence de Babel. Librairie José Corti, 1990.

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Golos, Veronica. Vocabulary of silence: Poems. Red Hen Press, 2011.

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Sarton, May. Halfway to silence: Poems. Women's Press, 1993.

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Book chapters on the topic "Poetical silence"

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Marin-Lacarta, Maialen. "Silenced Interstitiality." In Transcultural Poetics. Routledge, 2022. http://dx.doi.org/10.4324/9781003368168-9.

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Pajević, Marko. "Immanent transcendence, silence and presence." In Poetic Thinking. Now. Routledge, 2023. http://dx.doi.org/10.4324/9781003367703-8.

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Buchan-Watts, Sam. "‘Silence of a Certain Shape’: Self-Consciousness, Space and Silence." In Modern and Contemporary Poetry and Poetics. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-73198-3_2.

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Singh, Anjali. "The Aesthetics of Narrative: Poetics of Indenture." In Voices and Silences. Routledge, 2022. http://dx.doi.org/10.4324/9781003341499-4.

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Gould, Thomas. "The Hatred of Speech and the Poetics of Silence." In Silence and its Derivatives. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-06523-1_10.

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Roberts, Merrilees. "Shame, Silence and Historicism in The Cenci." In Shelley’s Poetics of Reticence. Routledge, 2020. http://dx.doi.org/10.4324/9780429288791-4.

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Street, Seán. "Silent Sound: Imagination and Identification." In Sound Poetics. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58676-2_2.

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Armitage, Andrew, and Diane Ramsay. "A Poetic Approach to Researching Silence in Organisations." In Using Arts-based Research Methods. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-33069-9_8.

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Chen, Yi-Chiao. "The Silence of Anxiety and Trauma in the English Translation of Selected Stories of Xi Ni Er." In Transcultural Poetics. Routledge, 2022. http://dx.doi.org/10.4324/9781003368168-8.

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Asals, Heather. "The Voices of Silence and Underwater Experience." In Poetics of the Elements in the Human Condition: The Sea. Springer Netherlands, 1985. http://dx.doi.org/10.1007/978-94-015-3960-9_21.

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Conference papers on the topic "Poetical silence"

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Gritti, Fabiano. "The silence of God in the poetry of Father David Maria Turoldo." In The Figurativeness of the Language of Mystical Experience. Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9997-2021-6.

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The article concerns the last phase of poetic production of father David Maria Turoldo, notably the last collection published when he was still alive – the Final Chants. In his very long work or religious poet, liturgist, and essayist, he treated a number of topics, incl. social themes and current affairs. In his last phase of his poetic, he doesn’t speak to the society, to the poor, and to marginalised people like in the past, but he addresses God directly – by forming an intense dialogue with the Absolute. In this poetical and mystical dialogue, he interrogates God about the most impenetrabl
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Rybárová, Silvia. "Silence as a modality of mystical experience in the work of Sylvie Germain." In The Figurativeness of the Language of Mystical Experience. Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9997-2021-8.

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The article deals with the issue of silence in the thinking and work of the contemporary French author Sylvie Germain. The starting point for deliberation is the author’s essay Acte de silence (2011), in which silence is conceived both as a manifestation of God’s discreet appearance and as an act of humility and patience of man. The presence of silence seems to be a necessary condition for mystical experience. Silence understood in this way is the subject of the analysis in a selected passage from Germain’s novel L’Enfant Méduse (1991), which suggests some specific features of the author’s poe
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Ribeiro Rabello, Rafaelle. "Between absence and presence: Augmented Reality as a self-fiction poetic." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.105.

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This text comprises an excerpt of the Doctoral research completed in 2021, developed in the Line of Poetics and Processes of Performance in Arts (PPGARTES-UFPA), which will present a conceptual reflection about the creative process that unfolded poetically from the appropriation of an old family photo album. The album in question began to be observed as a place of overlapping time and space, triggering an internal movement of belonging by presenting itself as a place of poetic power due to the physical evidence that emerged from it. Through Augmented Reality, the empty spaces left by the time
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Saveljeva, Olga. "Reflection of image of Silence in the Russian literary of XVIIIth c.: Lomonossov and Pindar." In Tenth Rome Cyril-Methodian Readings. Indrik, 2020. http://dx.doi.org/10.31168/91674-576-4.30.

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The purpose of the report is to consider the image and content of «tranquility» in the Russian literature of the XVIII. The image «Beloved Tranquility» and the common styleof the celebrated Lomonossov’s Ode-1747 could be connected with Greek early ode poetics Pindari Pyth.8.
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Campana, Silvia. "Enthralled by mystery. Eckhart, Heidegger and the poet Mujica in an interdisciplinary dialogue." In The Figurativeness of the Language of Mystical Experience. Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9997-2021-5.

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Mysticism and poetry make up an inseparable pairing and, in these times of absence, they reveal the deep desire of man to go beyond the immediate, the existential, the superficial. The Argentine poet Hugo Mujica opens, from his poetic saying, a door towards the abyss and the desert, towards the limit of language and silence. We can glimpse in his poetry Heidegger’s legacy and, together with the philosopher, the Master Eckhart is also dragged from his going to God without god. From the interdisciplinary dialogue between philosophy, theology and poetry, we will approach to decipher this influenc
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Tomić, Minja. "POETIČKI „CREDO“ IVANA V. LALIĆA NA PRIMERU PESME „SLOVO O SLOVU”." In XVI načni skup mladih filologa Srbije. University of Kragujevac, Faculty of Philology and Art, Serbia, 2025. https://doi.org/10.46793/mfxvi-2.097t.

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The research represents an interpretation of the poem “Word about the Word” by Ivan V. Lalić, pub- lished in the poetry collection „Pismo” (1992). The focus of the interpretation will be on the meaning of the verses, aiming to understand the unique phenomenology of the poetic world. The starting point will be the establishment of the semantic function of form and style, thereby opening the field for observing the poet's interaction with literary tradition. It will point out the complex symbolism of the concept of purgatory, thus establishing an intertextual link with Dante Alighieri’s epic. Th
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Dos Reis, Jorge. "Computer mimetics in visible performance: the late work of the Portuguese experimental poet Ernesto Melo e Castro." In AHFE 2023 Hawaii Edition. AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1004219.

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Ernesto Melo e Castro, Covilhã 1932–202, is a textile engineer and Portuguese artist, trained in Bradford. He dedicated is life to textile design and to the technical direction of textile engineering companies. At the same time, he developed research in the field of Brazilian concrete poetry and Portuguese experimental poetry; being a fundamental and very innovative author that used the computer in the last phase of its journey as an artist.His work is based on an ideographic structure where the visual composition, which uses exclusively typography, is based on the principle of the ideogram, w
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