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Dissertations / Theses on the topic 'Poetical silence'

Author: Grafiati

Published: 28 May 2022

Last updated: 30 July 2025

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1

Кобякова, Ірина Карпівна, Ирина Карповна Кобякова, Iryna Karpivna Kobiakova, Владислава Сергіївна Куліш, Владислава Сергеевна Кулиш та Vladyslava Serhiivna Kulish. "Модус поэтического молчания". Thesis, London: IASHE, 2016. http://essuir.sumdu.edu.ua/handle/123456789/45774.

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http://files.gisap.eu/sites/files/digest/125-126.indd_site.pdf<br>У статті розглядається мовчання як силенціальний компонент комунікації, який позначається в художньому дискурсі вербальними та невербальними маркерами. Персонажі у своїй мовленнєвій поведінці використовують силенціальні компоненти у першофункціїї. Мовчання позначається як homo silence. Мовчання природи моє персоніфікований та метафоричний характер, образне уподібнення. Мовчання називається nature silence. Комунікативне мовчання (homo silence) є первинним по відношенню до nature silence, яке позначено в англомовному художньому ди

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2

Evans, Meagan. "Sounding Silence: American Women's Experimental Poetics." Thesis, University of Oregon, 2013. http://hdl.handle.net/1794/12946.

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Traditional feminist readings have valued women's writing that voices silenced experiences. In contrast, other twentieth-century theoretical formulations regard absences, refusals, and silences as constitutive of aesthetic practice rather than as imposed upon it. This dissertation attends carefully to how U.S. women writers approach the nonlinguistic, accounting for how they have been silenced as well as for the kinds of silencing that women poets themselves perform. It argues that U.S. women's experimental poetry is driven by contradictory relationships to language and silence: in one strain,

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3

Heller, Alberto Andrés. "John Cage e a poética do silêncio." Florianópolis, SC, 2008. http://repositorio.ufsc.br/xmlui/handle/123456789/91918.

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Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-graduação em Literatura<br>Made available in DSpace on 2012-10-24T03:53:02Z (GMT). No. of bitstreams: 1 257998.pdf: 6692523 bytes, checksum: a10ab55284a867b4c5b89753d7b78170 (MD5)<br>Esta tese se propõe a analisar o silêncio a partir da obra de John Cage (especialmente a literária e a musical). Esse silêncio, inicialmente compreendido por Cage como um empírico (a pausa em música), revela-se gradualmente um transcendente: não mais uma substância nem a simples ausência de som, mas um mod

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4

Pick, Peter Richard. "Interjections of silence : the poetics and politics of radical protestant writing 1642-1660." Thesis, University of Birmingham, 2000. http://etheses.bham.ac.uk//id/eprint/244/.

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In this thesis I have undertaken a close reading of texts by William Walwyn, Abiezer Coppe and James Nayler. In reading Nayler, I have also engaged with texts by Richard Farnsworth and Richard Baxter. My approach has been to consider these writings in their own terms and right, rather than merely as contextual sidelights on literary or social matters. I believe that all writing expresses aesthetic concerns and social attitudes. I hope my study will contribute to a necessary and continuing project of recovering such voices, so often marginalised and considered either as symptoms of mental disor

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5

Arsova, Jasmina. "Writing herself out of silence and solitude the poetic self-portraits of Gloria Fuertes /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1666368691&sid=4&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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6

Dickson, Lesley. ""A silence that had to be overcome" : 50 poems and a personal statement on poetics." Thesis, University of Aberdeen, 2012. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=192181.

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‘Scottish’, ‘woman’, ‘lesbian’; these words are markers of identity and a starting point in my attempt to place myself within a poetic tradition. This study towards a statement of poetics considers ideas of identity and tradition as they relate to the public and private spheres. The first chapter considers how traditions are built and the external factors which impact upon them by looking at both physical and more ideological notions of place and space as they relate to nationhood and a sense of belonging. The focus then narrows to consider the situation of female poets as marginal. There is a

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7

Obone, Ondo Pauline. "La poétique du silence dans "Syngué sabour Pierre de patience" (Atiq Rahimi), "La Femme aux pieds nus " et "Inyenzi ou les cafards" (Scholastique Mukasonga)." Thesis, Limoges, 2019. http://www.theses.fr/2019LIMO0068.

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Cette thèse porte sur l’écriture de Scholastique Mukasonga et Atiq Rahimi. Elle interroge principalement leurs écritures respectives à travers Notre-Dame du Nil, Inyenzi ou les cafards et Syngué sabour. Pierre de patience. Bien qu’amas de mots, ces trois œuvres participent d’une écriture du silence du point de vue esthétique et historique. Elle veut démontrer que face à l’horreur et au trauma, l’écriture du silence devient à la fois nécessaire et inévitable car le langage peine désormais à traduire la douleur d’un passé qui ne passe pas. Compte tenu de la difficulté du langage à traduire la so

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8

Khakshour, Faroudji Morteza. "Poétique du silence dans l’œuvre de Maurice Blanchot." Thesis, Sorbonne université, 2022. https://accesdistant.sorbonne-universite.fr/login?url=https://theses-intra.sorbonne-universite.fr/2022SORUL016.pdf.

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L’œuvre de Maurice Blanchot est mystérieuse et inquiétante. Son lecteur devrait être d’ores et déjà prêt à se perdre dans un labyrinthe et à accepter le risque d’être à jamais enfermé dans cet espace où chercher à trouver la sortie est comme une faute grave. L’essentiel de la critique blanchotienne s’attache à la quête désespérée de l’infini et de l’impossible dans la littérature ; dans ses récits, Maurice Blanchot tente de pratiquer les principes et les éléments de cette conception spécifique de la littérature à travers une poétique du silence. Cette thèse porte, dans un premier temps, sur la

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9

Miksic, Vanda. "Des silences linguistiques à la poétique des silences: l'oeuvre de Stéphane Mallarmé." Doctoral thesis, Universite Libre de Bruxelles, 2005. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210994.

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Le silence — ou plutôt la grande variété de ce que l’on appelle “silences” — est un phénomène complexe qui prend une part directe dans la dynamique du langage et la création du sens linguistique, mais aussi dans la production du sens symbolique et des effets poétiques. Le travail est organisé en deux parties: la première traite la question de l'acte de silence dans l'expérience linguistique du monde, tandis que la deuxième analyse l'expérience poétique des silences en appliquant les résultats précédemment obtenus au Coup de dés de Stéphane Mallarmé. Plus précisément, dans la partie linguistiqu

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10

Cho, Soon Y. "The Interaction Between Poetic and Musical Caesurae in Six Settings of Elizabeth Barrett Browning's Sonnet XLIII." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1299168299.

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11

Cain, Christina. "Between the Waves: Truth-Telling, Feminism, and Silence in the Modernist Era Poetics of Laura Riding Jackson and Muriel Rukeyser." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5419/.

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This paper presents the lives and early feminist works of two modernist era poets, Laura Riding Jackson and Muriel Rukeyser. Despite differences of style, the two poets shared a common theme of essentialist feminism before its popularization by 1950s and 60s second wave feminists. The two poets also endured periods of poetic silence or self censorship which can be attributed to modernism, McCarthyism, and rising conservatism. Analysis of their poems helps to remedy their exclusion from the common canon.

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12

Whiting, George H. ""Je ne m'occupe plus de ça" [I am not concerned with that anymore] : the poetic silence of Arthur Rimbaud /." Bowling Green, Ohio : Bowling Green State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1177308010.

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13

Whiting, George H. Jr. "“JE NE M’OCCUPE PLUS DE ÇA” [I AM NOT CONCERNED WITH THAT ANYMORE]: THE POETIC SILENCE OF ARTHUR RIMBAUD." Bowling Green State University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1177308010.

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14

Leypoldt, Günter. "Casual silences : the poetics of minimal realism from Raymond Carver and the New Yorker School to Bret Easton Ellis /." Trier : Wissenschaftlicher Verlag Trier, 2001. http://catalogue.bnf.fr/ark:/12148/cb388753788.

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15

Куліш, Владислава Сергіївна, Владислава Сергеевна Кулиш та Vladyslava Serhiivna Kulish. "Екстеорізація поетичних образів тиші в англомовній поезії: контрастивні аспекти". Thesis, Сумський державний університет, 2015. http://essuir.sumdu.edu.ua/handle/123456789/39957.

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Образ як форма мислення та засіб пізнання складається задовго до появи художнього образу, становлення якого пов‘язане з розвитком художньої свідомості (Г. Д. Гачев, С. Н. Бройтман, О. С. Киченко, А. А. Пелипенко, І. Г. Яковенко). Образне мислення, зумовлено здатністю людини співвідносити предмети та явища навколишньої дійсності, являти один предмет крізь призму іншого (Дж. А. Миллер, Н. Д. Арутюнова, В. Н. Вовк, М. Л. Гаспаров, Lakoff, Johnson), розвивається у тісній взаємодії з еволюцією художньої свідомості і поетичного мислення.

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16

Lessinger, Enora. "The Translation of Silence in K. Ishiguro’s Novels ˸ testing the Explicitation Hypothesis on Unreliable Narratives." Thesis, Paris 3, 2019. http://bibnum.univ-paris3.fr/webclient/DeliveryManager?pid=323335.

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Cette thèse explore la traduction de quatre romans de Kazuo Ishiguro en cinq langues : le français, l'espagnol, l'hébreu, le portugais et le turc. La centralité de l'implicite et du non-dit dans le pacte narratif appelle à une participation active du lecteur implicite, ce qui a naturellement des conséquences sur le procédé de traduction : d'une part, le traducteur est en premier lieu un lecteur, et de l'autre la traduction comporte un risque communicationnel accru (Becher 2010a). Afin d'explorer le défi lié à la recréation de la poétique du silence à l’œuvre dans la stratégie narrative de ces

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17

Elias, Joan-Ignasi. "La Poètica del silenci i la poesia catalana del segle XX." Doctoral thesis, Universitat Pompeu Fabra, 2016. http://hdl.handle.net/10803/383062.

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El plantejament del treball es fa partint de dues constatacions: l'estudi del silenci requereix una visió interdisciplinària i parlar-ne constitueix una paradoxa en si mateix. L'aproximació es realitza tenint en compte la seva gran rellevància en l'art en general i en la poesia en particular, en què la seva influència ha estat decisiva, especialment a partir del segle XX. Al llarg d’aquest treball volem ressaltar el silenci poètic o, millor dit, la seva capacitat d’eloqüència, el seu dot de suggeriment, la seva idoneïtat per expressar l’inefable com a veu de misteri i com a codi d’enigma, i

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18

Garnaud, Delphine. "Les mutations de la rhétorique dans l'oeuvre de Guillevic." Phd thesis, Université Michel de Montaigne - Bordeaux III, 2013. http://tel.archives-ouvertes.fr/tel-01015622.

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Chez Guillevic, le statut de la rhétorique est paradoxal. Toute l'œuvre est traversée par un impératif des choses et du réel qui s'accompagne d'un vœu de simplicité. Cette poésie, qui se voit rappelée à l'ordre du concret, se méfie d'une rhétorique qui viendrait éclipser la réalité des choses, ou accroître la distance entre ces deux pôles, que sont l'expérience du monde et sa mise en mots. Les poèmes, denses et resserrés sur eux-mêmes, se présentent alors manifestement comme un défi à la rhétorique. Pourtant, nous n'assistons pas à une éviction de la notion, mais plutôt à un ensemble de mutati

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19

Smuts, Lyn. "The visualization of sound : an investigation into the interplay of the senses in artmaking." Thesis, Link to the online version, 2008. http://hdl.handle.net/10019/905.

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20

Fries, Katherine. "Ariadne’s Thread - memory, interconnection and the poetic in contemporary art." University of Sydney, 2008. http://hdl.handle.net/2123/5709.

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Master of Visual Arts<br>This Dissertation explores the metaphor of Ariadne’s thread in terms of interconnection, when an element from the everyday is used as a locus linking broader concepts of time and space. Such experiences and associations are reflected in the work of Louise Bourgeois, Eva Hesse, Doris Salcedo, Lucio Fontana, Richard Tuttle, Mona Hatoum, Simone Mangos, Anya Gallaccio and Yoshihiro Suda. In relation to my own work, the metaphor of interconnecting thread allows a sense of freedom and journey of discovery. My studio and related research are closely aligned in developing my u

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21

Svensson, Kristofer. "Beyond Ecophony." Thesis, Kungl. Musikhögskolan, Institutionen för komposition, dirigering och musikteori, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1351.

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22

Gonçalves, Roberta Andressa Villa. "Entre a potência e impossibilidade: um estudo da poética de Orides Fontela." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-14012015-183422/.

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O presente trabalho analisa a obra completa de Orides Fontela, com um total de cinco livros publicados entre 1969 a 1996, observando os processos de continuidade e ruptura ao longo de seu percurso. Buscou-se compreender como se estabelecem os seus mais notórios procedimentos estéticos, a tensão entre a palavra e o silêncio, a fixação pela luz, a constituição de seu sujeito lírico oculto, a densa presença de elementos da natureza e o trabalho conciso a partir de um peculiar repertório simbólico-metafórico. A análise e a interpretação de tais procedimentos permitiram observar como a poética orid

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23

Kao, Jen-shyue, and 高甄斈. "Poetic Tour, Silent Gazing, and Deconstruction of History: Reading the Images from the Creative Ink Paintings of Kao Jen-shyue." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/93593789269054892512.

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碩士<br>國立臺灣師範大學<br>美術學系<br>98<br>This study begins by observing the social phenomenon and analyzing the existence consciousness of the “human” under the “construct.” An ambiguous conceptual thinking emerges in one’s reading of the past and the history. Therefore, this study attempts to deconstruct the diachronic and historical sense and to move into a synchronic visionary thinking, utilizing the “present” to understand the metaphor and the metonymy, to comment on the reality, and to reflect on the existence of the “individual self” within the universal spirit. While reflecting on philosophy and

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24

Hiebert, Luann E. "Encountering maternal silence: writing strategies for negotiating margins of mother/ing in contemporary Canadian prairie women's poetry." 2016. http://hdl.handle.net/1993/31201.

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Contemporary Canadian prairie women poets write about the mother figure to counter maternal suppression and the homogenization of maternal representations in literature. Critics, like Marianne Hirsch and Andrea O’Reilly, insist that mothers tell their own stories, yet many mothers are unable to. Daughter and mother stories, Jo Malin argues, overlap. The mother “becomes a subject, or rather an ‘intersubject’” in the text (2). Literary depictions of daughter-mother or mother-child intersubjectivities, however, are not confined to auto/biographical or fictional narratives. As a genre and potentia

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25

Theinová, Daniela. "Meze a jazyky v poezii současných irských autorek." Doctoral thesis, 2013. http://www.nusl.cz/ntk/nusl-327433.

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Filozofická fakulta Univerzity Karlovy v Praze DISSERTATION ABSTRACT Daniela Theinová LIMITS AND LANGUAGES in Contemporary Irish Women's Poetry "Irish poetry" is an inherently equivocal concept characterized by two fissures, one linguistic (Irish-English; standard English-Hiberno English) and the other chronological (oral-written; Old Irish-modern Irish). Central to my project is to show how this bifurcate cultural identity, prominent in Irish literature due to Ireland's history and the politicized concept of "national language," figures in poetry by Irish women of the last forty years. While

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