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Relevant bibliographies by topics / Poetics and aesthetics

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Academic literature on the topic 'Poetics and aesthetics'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Poetics and aesthetics"

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Müller, Jan-Dirk. "Überwundern – überwilden." Beiträge zur Geschichte der deutschen Sprache und Literatur 140, no. 2 (2018): 172–93. http://dx.doi.org/10.1515/bgsl-2018-0014.

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AbstractThe poetical theory of Konrad von Würzburg very often is regarded as a medieval anticipation of modern aesthetics. The article, however, tries to describe in an analysis of the ›Goldene Schmiede‹ and the ›Trojanerkrieg‹ how Konrad in fact goes beyond the poetics and rhetorics of his time, but that he still presupposes that aesthetic values are inferior to religious and moral norms.

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Shusterman, Richard, Colin Radford, Sally Minogue, Anthony Savile, Roger Scruton, and Mary Mothersill. "Poetics and Current Analytic Aesthetics." Poetics Today 7, no. 2 (1986): 323. http://dx.doi.org/10.2307/1772763.

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Lamm, Kimberly. "The Poetics of Black Aesthetics." Contemporary Literature 55, no. 1 (2014): 168–81. http://dx.doi.org/10.1353/cli.2014.0004.

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Meutsch, Dietrich, and Reinhold Viehoff. "Why empirical aesthetics in poetics?" Poetics 15, no. 4-6 (1986): 337–43. http://dx.doi.org/10.1016/0304-422x(86)90002-1.

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Ward, J. P. "Sociology: Aesthetics, poetics and text." Human Studies 13, no. 2 (1990): 187–91. http://dx.doi.org/10.1007/bf00142746.

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LU, CHI CHANG, and PO HSIEN LIN. "A Product as a Poem: A Case Study of a Bird-shaped Teapot Design Based on Traditional Chinese Poetic Aesthetics." Journal of Arts and Humanities 7, no. 3 (2018): 41. http://dx.doi.org/10.18533/journal.v7i3.1348.

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<p>The concept of emotional design has become the main focus in the current trend of perceptual consumption. After reviewing the historical development of art, we determined that traditional Chinese art emphasizes subjective expression and favor poetics. Poetics are image based, and personal feelings are used to analyze and understand external objects. These feelings are expressed implicitly through symbols or metaphors. Classical Chinese poetic aesthetic theory is based on nearly 2,000 years of history and, thus, comprises a myriad of valuable ideas. The creator of the bird-shaped teapo

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Fernández-Santiago, Miriam. "Accountable Metaphors: The Transhuman Poetics of Failure in Tao Lin’s Taipei." Atlantis. Journal of the Spanish Association for Anglo-American Studies 43, no. 1 (2021): 20–38. http://dx.doi.org/10.28914/atlantis-2021-43.1.02.

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Tao Lin’s novel Taipei (2013) can be described as a picture of transhuman existence in the current digital world. However, its poetics of failure does not seem to adjust to the typically utopian visions that have often been related to transhumanism. Instead, the novel’s aesthetic approach resists diverse forms of transhumanist universalism in ways that are closer to the theoretical premises of critical posthumanism and agential materialism. In this article, I analyze Lin’s use of accountable metaphors and poetic failure in Taipei as a means to resist uncritical claims to transhumanist, univers

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Sistakou, Evina. "The Wound and the Kiss: The Morbid Pleasures of Post-Theocritean Aesthetics." Trends in Classics 11, no. 2 (2020): 285–306. http://dx.doi.org/10.1515/tc-2019-0016.

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AbstractThe paper examines the aesthetics of the pseudo-Theocritean idylls and of the later additions to the bucolic corpus, which can be viewed as a ‘sensualized’ version of Theocritus’ poetics. Based on readings of some of the pseudo-Theocritean Idylls (19 Love Stealing Honey, 23 The Lover), the fragments ascribed to Bion and his Epitaph on Adonis, and the anonymous poem To the Dead Adonis, the paper argues that post-Theocritean aesthetics may be defined by reference to two images, ‘the wound’ and ‘the kiss’, where two concepts converge: morbidity and sensuality. This poetic style stands in

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HARRINGTON, EMILY. "The Strain of Sympathy: A. Mary F. Robinson, The New Arcadia, and Vernon Lee." Nineteenth-Century Literature 61, no. 1 (2006): 66–98. http://dx.doi.org/10.1525/ncl.2006.61.1.66.

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This article investigates how A. Mary F. Robinson, a rising poetic star in 1884 at the center of aestheticist literary circles, attempted to establish an ethical aesthetics in The New Arcadia, her collection of poems about rural poverty. Robinson's poetics disrupts her readers' expectations for mellifluous verse, aiming to elicit their sympathy with strained, discordant lyrics, both for the poet as an observer of suffering as well as for the hardships of poverty. The New Arcadia is dedicated to and responds to Robinson's intimate friend Vernon Lee, whose collection of essays Belcaro (1881) arg

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Das, Shruti. "Dalit Aesthetics: Situating Sharankumar Limbale’s Poetics." Studia Anglica Resoviensia 14 (2017): 16–28. http://dx.doi.org/10.15584/sar.2017.14.2.

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Dissertations / Theses on the topic "Poetics and aesthetics"

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Barry, K. M. "Language, music and the sign : A study in aesthetics, poetics, and poetic practice form Collins to Coleridge." Thesis, University of Cambridge, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.377253.

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Goodman, Sharon. "Aesthetics and consensus : verbal and visual poetics in newspaper discourse." Thesis, University of East Anglia, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.319548.

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POLIZZO, ANA PAULA. "THE MODERN AESTHETICS OF THE LANDSCAPE: ROBERTO BURLE MARX’S POETICS." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2010. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=17068@1.

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COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>A arte dos jardins comparada com as outras artes é extremamente ambígua:ela se constrói com a própria natureza, e, no entanto, desta deve se afastar por intermédio de um gesto que a torna jardim e que a isola da extensão que o cerca. O jardim é uma realidade frágil uma vez que lida com o mundo transitório e efêmero das plantas, com o ciclo de vida, com a mutabilidade, com a temporalidade bem marcada, diferente da obra de arte estática. Sob esta perspectiva, muitos autores são incisivos ao indicar Roberto Burle Marx como definidor

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Hvattum, Mari. "Poetics and practical aesthetics in the writings of Gottfried Semper." Thesis, University of Cambridge, 1999. https://www.repository.cam.ac.uk/handle/1810/265437.

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This dissertation presents an interpretation of the writings of the German architect and theorist Gottfried Semper (1803-1879). In his theoretical works, Semper addressed two main concerns. One was to develop an understanding of the ontological significance of art and architecture, the other was to render art and architecture the object of scientific investigation and prediction. The dissertation investigates the background and implications of these conflicting concerns. Semper located the origins of architecture in ritual action, more specifically, in the way such action was embodied in the t

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Rainbow, Adrian Paul. "The poetics of emancipation : critical pedagogy, radical aesthetics and contemporary fiction." Thesis, University of Exeter, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.445771.

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Merrill, Andrew Mark. "The Poetics of a Dominican Holocaust and the Aesthetics of Witnessing." BYU ScholarsArchive, 2012. https://scholarsarchive.byu.edu/etd/2995.

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This study examines Julia Alvarez's best-known works, García Girls and In the Time of the Butterflies, to explore the intertextuality within Dominican-American fiction through the vocabulary and methodology of trauma studies and witnessing. Alvarez's work indicates that traditional academic discourse about witnessing often translates trauma survivors into tourists by legally dispossessing them from the witnesses they could provide as they seek to assign blame and pass judgment on the source of their traumatic experience. This process of exclusion threatens to hinder the ability of Dominican-Am

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Holloway, Tamara C. ""All Is Well": Victorian Mourning Aesthetics and the Poetics of Consolation." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/12141.

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viii, 214 p.<br>In this study, I examine the various techniques used by poets to provide consolation. With Tennyson's In Memoriam, I explore the relationship between formal and thematic consolation, i.e., the ways in which the use of formal elements of the poem, particularly rhyme scheme, is an attempt by the poet to attain and offer consolation. Early in his laureateship after the Duke of Wellington's funeral, Tennyson wrote "Ode on the Death of the Duke of Wellington," but this poem failed to meet his reading audience`s needs, as did the first major work published after Tennyson was named Po

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McGuinn, Jacob. "To reversal : aesthetics and poetics from Kant to Adorno, Blanchot, and Celan." Thesis, Queen Mary, University of London, 2017. http://qmro.qmul.ac.uk/xmlui/handle/123456789/30719.

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This thesis reads radical indeterminacy into the reflective judgements of Kant's Critique of the Power of Judgement through points of connection between Kant's aesthetics and the philosophies and writing of Theodor Adorno and Maurice Blanchot. These re-situate the 'ends' of Kantian aesthetics in the historical situation of the 1960s and 1970s. In turn, this historicising of Kantian aesthetics reinterprets its original content. Such double reading - from Kant forwards, and back to Kant - is configured through what I call 'reversal': the indeterminacy of aesthetic reflection calls for a reverse

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Kim, Joanne S. "Romanticism and the Poetics of Orientation." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1523659373305353.

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Han, Gül Bilge. "“Distantly a part”: Wallace Stevens and the Poetics of Modernist Autonomy." Doctoral thesis, Stockholms universitet, Engelska institutionen, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-119700.

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This dissertation explores the social and political dimensions of aesthetic autonomy as it is given formal expression in Wallace Stevens’s poetry of the 1930s and the early 1940s. Whereas modernist claims to autonomy are often said to rest upon an ideological assertion of art’s detachment from socio-historical concerns, I argue that, in Stevens’s work, autonomy is conceived in relational terms, which gives rise to new lines of interconnection between his poetry and its cultural situation. Written over a period when the political efficacy of literature became a staple of discussion among a myri

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Books on the topic "Poetics and aesthetics"

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Loseff, Lev, and Valentina Polukhina, eds. Brodsky’s Poetics and Aesthetics. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20765-7.

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Aristotle, ed. Aristotle's Poetics. University of Chicago Press, 1998.

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Aristotle, ed. Aristotle's Poetics. Duckworth, 1986.

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Halliwell, Stephen. Aristotle's poetics. University of North Carolina Press, 1986.

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Reflections on aesthetics and poetics. Pratibha Prakashan, 2011.

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Girish Karnad: Poetics and aesthetics. B.R. Pub. Corp., 2011.

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Mukherji, Ramaranjan. Global aesthetics and Sanskrit poetics. Rashtriya Sanskrit Sansthan, 1998.

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A poetics. Harvard University Press, 1992.

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Muḷe, Ravīndra Ambādāsa, 1961- editor and Centre of Advanced Study in Sanskrit, eds. Introduction to Indian poetics and aesthetics. Centre of Advanced Study in Sanskrit, University of Pune, 2014.

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Roshan, Shamman. Comparative poetics: Aesthetics of the ineffable. Intellectual Pub. House, 1988.

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Book chapters on the topic "Poetics and aesthetics"

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Loseff, Lev. "Politics/Poetics." In Brodsky’s Poetics and Aesthetics. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20765-7_3.

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Giri, Ananta Kumar. "Poetics of Development." In The Aesthetics of Development. Palgrave Macmillan US, 2017. http://dx.doi.org/10.1057/978-1-349-95248-9_10.

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Swingewood, Alan. "Sociological Aesthetics." In Sociological Poetics and Aesthetic Theory. Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-18771-3_2.

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Fisher, Jean. "A Distant Laughter: The Poetics of Dislocation." In Intercultural Aesthetics. Springer Netherlands, 2009. http://dx.doi.org/10.1007/978-1-4020-5780-9_11.

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Forrest, David, and Sue Vice. "A Poetics of the North: Visual and Literary Geographies." In Regional Aesthetics. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137532831_4.

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Swingewood, Alan. "Conclusion: Aesthetics and Politics." In Sociological Poetics and Aesthetic Theory. Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-18771-3_7.

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Brodsky, Joseph. "Nobel Lecture, 1987." In Brodsky’s Poetics and Aesthetics. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20765-7_1.

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Scherr, Barry P. "Beginning at the End: Rhyme and Enjambment in Brodsky’s Poetry." In Brodsky’s Poetics and Aesthetics. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20765-7_10.

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Polukhina, Valentina. "An Interview With Bella Akhmadulina." In Brodsky’s Poetics and Aesthetics. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20765-7_11.

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Burnett, Leon. "The Complicity of the Real: Affinities in the Poetics of Brodsky and Mandelstam." In Brodsky’s Poetics and Aesthetics. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20765-7_2.

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Conference papers on the topic "Poetics and aesthetics"

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Li, Pingfei. "Poetic Aesthetics in Chinese Contemporary Jewellery Design." In 7th International Conference on Arts, Design and Contemporary Education (ICADCE 2021). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210813.098.

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Koryčánková, Simona. "POETIC TEXTS IN TEACHING OF RUSSIAN ON B1 LEVEL (ON THE EXAMPLE OF WORKING WITH VOCABULARY DENOTING PERCEPTION IN THE POEMS OF O. BŘEZINA AND V. S. SOLOVYOV)." In Aktuální problémy výuky ruského jazyka XIV. Masaryk University Press, 2020. http://dx.doi.org/10.5817/cz.muni.p210-9781-2020-5.

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The author of the article aims to introduce Russian poetic texts into the teaching of Czech students on B1 level. The chosen teaching methodology is based on motivating the students with the use of Czech symbolist poetry by O. Březina and a subsequent analysis of a poem by V. S. Solovyov. Work with the poetry of both authors focuses on perceptual lexicon, which plays key role in uncovering the meaning of a symbolist text. Students can thus gain knowledge of polysemous words and their different author’s connotations in an enticing and creative way. This enhances not only their knowledge of the

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Reports on the topic "Poetics and aesthetics"

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Klengel, Susanne. Pandemic Avant-Garde Urban Coexistence in Mário de Andrade’s Pauliceia Desvairada (1922) after the Spanish Flu. Maria Sibylla Merian Centre Conviviality-Inequality in Latin America, 2020. http://dx.doi.org/10.46877/klengel.2020.30.

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The radical aesthetic of the historical avant-garde movements has often been explained as a reaction to the catastrophic experience of the First World War and a denouncement of the bourgeoisie’s responsibility for its horrors. This article explores a blind spot in these familiar interpretations of the international avant-garde. Not only the violence of the World War but also the experience of a worldwide deadly pandemic, the Spanish flu, have moulded the literary and artistic production of the 1920s. In this paper, I explore this hypothesis through the example of Mário de Andrade’s famous book

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Cox, Jeremy. The unheard voice and the unseen shadow. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.621671.

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The French composer Francis Poulenc had a profound admiration and empathy for the writings of the Spanish poet Federico García Lorca. That empathy was rooted in shared aspects of the artistic temperament of the two figures but was also undoubtedly reinforced by Poulenc’s fellow-feeling on a human level. As someone who wrestled with his own homosexuality and who kept his orientation and his relationships apart from his public persona, Poulenc would have felt an instinctive affinity for a figure who endured similar internal conflicts but who, especially in his later life and poetry, was more ope

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