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Dissertations / Theses on the topic 'Poetics and politics'

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1

Cui, Wendong, and 崔文东. "Politics vs. poetics." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B47752981.

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 Up to now, in the field of translation studies, late Qing translated fictions have still been termed by many scholars as “liberal translation” or “domesticating practice” lacking literary values, or generalized by some others as “rewriting” or “manipulation” completely distorting the originals, which has led to an undervaluation of those works. In the field of historical studies, although researchers have attached much importance to late Qing translations like Yan Fu’s renditions of social and political theories which had profound impact on Chinese intellectual history, translated fictions
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2

Zykmund, Hynek. "Poetics and politics of the contemporary novel." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0007/MQ30707.pdf.

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3

Semedo, Alice. "The professional museumscape : Portuguese poetics and politics." Thesis, University of Leicester, 2003. http://hdl.handle.net/2381/31145.

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This research arose from the desire to better understand the museum and inquire into its role while considering the often unexamined issues and assumptions that lie at the epistemological basis of the museum as seen in current practices and debates. This is a study of the poetics and politics of Portuguese museums in the sense that it attempted a semiotic and a discursive approach which is concerned with both how ideologies are represented in signifying practices and the effects and consequences of representations. The philosophy underlying these questions reflects the current concerns on refl
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4

Glassco, Michael Alan. "Contested images: the politics and poetics of appropriation." Diss., University of Iowa, 2012. https://ir.uiowa.edu/etd/2875.

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As a tactic of dissent and political protest, appropriation artists use commercial and government images to critique power, by subverting the intended message and displaying their critique in public spaces. Appropriation activists are revolutionary subjects, graphic agitators, and rebellious bricoleurs who engage in the tactics of guerrilla semiotics, `subvertising,' fauxvertising and culture jamming, to expose advertising imagery as a system of ideology that manufactures identity, sublimates desire, and naturalizes the co
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5

Klironomos, Martha. "The poetics and politics of consciousness : Durrell's Alexandria quartet." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=66180.

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6

Phillips, Jerry. "Herman Melville, and the politics and poetics of adventure." Thesis, University of Essex, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.279296.

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7

Richardson, Niall. "Queer politics and poetics : the cinema of Derek Jarman." Thesis, University of Ulster, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.414982.

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8

Bennett, Caroline Jane. "The politics and poetics of Latin American magical realism." Thesis, Goldsmiths College (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.400587.

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9

Wong, Lok Yee. "The poetics and politics of Hong Kong wenyi qingnian." HKBU Institutional Repository, 2017. https://repository.hkbu.edu.hk/etd_oa/404.

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Wenyi Qingnian (文藝青年), or Wenqing, in its most straightforward and literal sense, refers to youths interested in culture and art. Rooted in modern Chinese history, the term reemerged in today Hong Kong when local young people were spotted dressing themselves in particular styles; joining particularly cultural activities; and gathering themselves in collectives. By now, it has become a common term. On the one hand, this group of young people, in their preference for culture and art and in their pursuits not dictated by social and filial expectations, may constitute alternative and even counter-
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Woods, Timothy Stephen. "Poetics and politics in the writings of Louis Zukofsky, Charles Olson, and the #Language' poets." Thesis, University of Southampton, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.316467.

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11

Herrmann, Sebastian M., Katja Kanzler, and Stefan Schubert. "Historicization without periodization: post-postmodernism and the poetics of politics." Poetics of politics : textuality and social relevance in contemporary American literature and culture / Sebastian M. Herrmann [Hrsg.] ... Heidelberg : Winter, 2015. S. 7 - 26. ISBN 978-3-8253-6447-2, 2015. https://ul.qucosa.de/id/qucosa%3A14872.

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A large number of recent scholarship in (American) literary and cultural studies is devoted to describing the contemporary moment as a monumental break from the previous (or current) period, postmodernism, by hailing our contemporary times as the era of post-postmodernism, late postmodernism, metamodernism, cosmodernism, or of a similarly termed construction. In these different proclamations, we recognize a pervasive tendency to periodize, an attempt to separate phases of human existence and cultural creation into neat stages that ‘logically’ follow after one another to form a supposedly coher
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Palmore, Aaron G. "Desire Interrupted: Erotics, Politics, and Poetics in Horace, Odes 4." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1460715373.

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13

Giersberg, Tullia. "Subtle engines : the poetics and politics of early modern machines." Thesis, King's College London (University of London), 2015. http://kclpure.kcl.ac.uk/portal/en/theses/subtle-engines-the-poetics-and-politics-of-early-modern-machines(3476330d-68d7-471a-a736-bd3e894edfb7).html.

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Early modern machine culture bridges a gap between mechanical and rhetorical forms of wit – between technē and poiēsis or the sciences and the arts – and as such constitutes an important repository for our understanding of the period’s polysemous forms of literary production. This thesis uncovers and investigates some of the as-yet little examined textual lives of an eclectic array of instruments, engines, machines, and mechanisms in the works of Spenser, Jonson, Milton and their contemporaries, exploring the literary, political, and religious implications of mathematical instrument-making, th
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Lam, Nga Li. "The poetics and sexual politics of the Shaws' huangmeidiao films." HKBU Institutional Repository, 2006. http://repository.hkbu.edu.hk/etd_ra/699.

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Quinn, Eithne. "Representing and affronting : the politics and poetics of gangsta rap music." Thesis, Keele University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311723.

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16

Elder, Lara Frances. "Heinrich Heine in Paris : the poetics and politics of self-fashioning." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:a41acb1e-84bd-4687-abc8-331bdacd30e5.

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Drawing on the concept developed in Stephen Greenblatt’s Renaissance Self-fashioning: From More to Shakespeare, this thesis presents Heinrich Heine as an extreme case of the ‘self-fashioning’ writer. I argue that his preoccupation with self-construction determines what and how he writes, how he treats his reading public and, crucially, how he perceives and evaluates his own career. Though self-fashioning occurs in his earliest works, Heine’s decision to move to Paris (1831) was the single biggest self-determining act of his life; he constructs it as a moment of rebirth. Inspired by the July Re
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Somers, Gareth James. "Performing Gaia : towards a deep ecocritical poetics and politics of performance." Thesis, University of Portsmouth, 2011. https://researchportal.port.ac.uk/portal/en/theses/performing-gaia(dc317042-b2c7-45ae-a5d7-f786ae5fff95).html.

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This thesis develops a deep ecocritical model of performance analysis. It examines historical and social structures. It asks if, in the light of climate change and ecological degradation, new ways of looking at our everyday performances in life and in art might provide clues about how we recalibrate our perspectives and practices in relation to the more-than-human world. It is concerned with critical analysis within non-theatrical and to lesser extent within theatrical performance contexts. It integrates study of representation, embodiment, landscape, materiality and metaphor to investigate re
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Wengier, Sabrina Emilie. "The Politics and Poetics of Ekphrasis in Nineteenth-Century French Art Novels." Scholarly Repository, 2010. http://scholarlyrepository.miami.edu/oa_dissertations/383.

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This dissertation explores how literary descriptions of visual artworks affect the narrative and descriptive fabric of a text. The novels I examine operate on three textual levels: the painter's creative struggles, his amorous entanglements with his model and/or the painted women of his canvas, and his aesthetic claims to revolutionize painting. My project argues that ekphrasis is a translational mode that takes two forms: the traditional, "contained" description of a visual artwork; and a mode of writing that pervades the entire text and emulates the characteristics of painting. For example,
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Yessenova, Saulesh B. "The politics and poetics of the nation : urban narratives of Kazakh identity." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19505.

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Various sources on Kazakh history demonstrate that a Kazakh culture was generated out of the predominantly pastoral experiences of its people. For centuries, Kazakh communities were engaged in a definite set of practices prescribed by pastoralism. Firmly incorporated into the all-Union structure of Soviet republics, Kazakhstan made an impressive transformation from a predominantly pastoral to an agroindustrial region with one of the most vibrant economies in Central Asia. Sovereignty in 1991 pushed the historic trajectory of the Kazakh nation further ahead, prompting its citizens to engage in
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Yuan, Changming. "Politics and poetics, a comparative study of John Keats and Li He." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq24021.pdf.

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21

Lewis, Alison. "The poetics and politics of feminist fantasy : the novels of Irmtraud Morgner /." Title page, contents and abstract only, 1990. http://web4.library.adelaide.edu.au/theses/09PH/09phl6729.pdf.

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22

Portas, Paula. "Poetics of politics : narrative production of national identity in Galicia 1970-1989." Thesis, Cardiff University, 2011. http://orca.cf.ac.uk/54435/.

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This thesis investigates the appearance of two distinctive Galician political communities at the wake and aftermath of the pivotal conjuncture of the transition to democracy in Spain: 'the colony', first, and later 'the nation'. Taking the movement at its own word, it argues that nationalism was to a great extent sustained by a storied citation and (re)narrativization of the movement and the community from a hybrid 'colonized' and 'national-popular' identity to a purely nationalist 'popular' one. The main body of the thesis unravels the unstable logics, tensions and effects of the discourses o
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23

Wheeler, Belinda. "At the center of American modernism Lola Ridge's politics, poetics, and publishing /." Connect to resource online, 2008. http://hdl.handle.net/1805/1683.

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Thesis (M.A.)--Indiana University, 2008.<br>Title from screen (viewed on June 2, 2009). Department of English, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Karen Kovacik, Jane E. Schultz, Thomas F. Marvin. Includes vita. Includes bibliographical references (leaves 57-61).
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Kastrinou, A. Maria A. "Intimate bodies, violent struggles : the poetics and politics of nuptiality in Syria." Thesis, Durham University, 2012. http://etheses.dur.ac.uk/4923/.

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Caught between conflicting historical fantasies of an exotic Orient and images of the oppressive and threatening Other, Syria embodies both the colonial attraction of Arabesque par excellance simultaneously along with fears of civilization clashes. In anthropology the road to Damascus is a road less travelled, a road perilously understudied. Venturing on such a road, this ethnography is one of few contemporary anthropological accounts of Syria, and the first to situate itself among the Druze community as well as the transient spaces of/between the communal, the national and the global. Underta
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25

Amin, Larry. "Harlem Renaissance: Politics, Poetics, and Praxis in the African and African American Contexts." Bowling Green, Ohio : Bowling Green State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1180021663.

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Geric, Michelle Victoria. "Poetry and the uniformitarian imagination : interactions between geology, politics and poetics 1795-1855." Thesis, Birkbeck (University of London), 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.439421.

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Garrett, Matthew Carl. "Episodic poetics in the earlly American republic : the politics of writing in parts /." May be available electronically:, 2008. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.

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28

Urban, Malte. "Poetics of the past, politics of the present : Chaucer, Gower, and 'old books'." Thesis, Aberystwyth University, 2005. http://hdl.handle.net/2160/b53fb9e2-9dfd-4533-a1b9-666dda07b814.

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This thesis examines the poetics and politics of ‘olde bokes’ (Legend of Good Women, G, 25) in selected works by Chaucer and Gower, paying particular attention to the way in which both writers appropriate their sources and the theories of history and political ideas informing these appropriations. It argues that Chaucer eschews metanarratives in his appropriations of the past and its writings, emphasising the multiplicity of voices that are contained in written discourse across time. In contrast, Gower, while acknowledging the presence of multiple voices, appropriates the writings of the past
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Pick, Peter Richard. "Interjections of silence : the poetics and politics of radical protestant writing 1642-1660." Thesis, University of Birmingham, 2000. http://etheses.bham.ac.uk//id/eprint/244/.

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In this thesis I have undertaken a close reading of texts by William Walwyn, Abiezer Coppe and James Nayler. In reading Nayler, I have also engaged with texts by Richard Farnsworth and Richard Baxter. My approach has been to consider these writings in their own terms and right, rather than merely as contextual sidelights on literary or social matters. I believe that all writing expresses aesthetic concerns and social attitudes. I hope my study will contribute to a necessary and continuing project of recovering such voices, so often marginalised and considered either as symptoms of mental disor
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O'Rourke, Teresa. "The poetics and politics of liminality : new transcendentalism in contemporary American women's writing." Thesis, Loughborough University, 2017. https://dspace.lboro.ac.uk/2134/33558.

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By setting the writings of Etel Adnan, Annie Dillard, Marilynne Robinson and Rebecca Solnit into dialogue with those of the New England Transcendentalists, this thesis proposes a New Transcendentalism that both reinvigorates and reimagines Transcendentalist thought for our increasingly intersectional and deterritorialized contemporary context. Drawing on key re-readings by Stanley Cavell, George Kateb and Branka Arsić, the project contributes towards the twenty-first-century shift in Transcendentalist scholarship which seeks to challenge the popular image of New England Transcendentalism as u
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Wright, Mark. "Contact zones and elsewhere fields : the poetics and politics of environmental sound arts." Thesis, University of the Arts London, 2015. http://ualresearchonline.arts.ac.uk/8662/.

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How is agency distributed “in the field” and how can the practice of field recording critically manifest the relationship between humans and non-humans? This thesis posits an original art practice of field recording based on a perspective I am calling “Inter-agential”. Employing the self-reflexive anthropological turn of the 1970’s as parallel critique throughout, I argue environmental sound art has ignored the politics of observer-subject relations and instead engaged place and sound through divisive legacies of conservation and composition. I propose a hybrid conceptual framework from contem
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Finestone, Juanita. "The politics and poetics of choreography the dancing body in South African dance." Thesis, Rhodes University, 1995. http://hdl.handle.net/10962/d1002370.

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This mini-thesis is situated in the discourse on patriarchy, nationhood and its artistic forms. It is argued that an uncritical pursuit of commonality as a political aesthetic strategy for dance in South Africa repeats the metaphysical foundationalism of this discourse. It is further suggested that a postmodern ethos subverts this heritage, while at the same time offering a viable alternative for accommodating and representing the cultural diversity and plurality characteristic of current theatre dance in South Africa. Chapter One examines the way dance has historically structured its patriarc
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Diaz, Rodriguez Jose Miguel. "Revisiting empire : the poetics and politics of Spanish contemporary representations of the Philippines." Thesis, University of Leeds, 2013. http://etheses.whiterose.ac.uk/5230/.

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This PhD thesis examines the different means through which Spain is revisiting its ex-colonial empire in the Philippines in the 21st Century. The turn of the century was an important time for Spanish international relations, as it marked the launch of a new set of foreign affairs policies towards Asia, which led to the implementation of three major political plans (2000, 2005 and 2009) for Spain to increase its visibility in Asia. This research analyses these plans, focusing on their cultural policies, which, in turn, leads to a discussion on the Spanish approach to cultural exchange in the Ph
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Shalaby, Mahmoud Moustafa. "Politics and poetics in the drama of Salāḥ 'Abd al-Sabūr and Wole Soyinka." Thesis, University of Edinburgh, 2013. http://hdl.handle.net/1842/7788.

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The originality of this study stems primarily from its comparative nature, with its substantive focus on the Egyptian playwright Salāḥ 'Abd al-Sabūr who wrote in Arabic and the Nigerian dramatist, Wole Soyinka (1934), writing in English. It thus attempts to address a gap in comparative research which has so far been largely confined to comparative studies of either Western writers and African counterparts or Western writers and Arab counterparts, but rarely combined Arab and African writers. This thesis investigates selected dramatic works of the two playwrights seeking to reveal the variou
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Al-Kassasbeh, Rabab Taha M. "Subjectivity, identity and the body : the poetics and politics of contemporary Arab women's autobiography." Thesis, University of Exeter, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.407271.

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Imber, Kirstie Frances. "Unveiling the voice : the politics and poetics of the voice in Iranian women's art." Thesis, Birkbeck (University of London), 2016. http://bbktheses.da.ulcc.ac.uk/278/.

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This thesis explores the significance of the female voice and silence in four artworks by contemporary Iranian women artists working during and in the immediate aftermath of the Reform period (1997-2005): Mandana Moghaddam (b. 1962), Samira Eskandarfar (b.1980), Newsha Tavakolian (b. 1981) and Neda Razavipour (b. 1969). While the politics of the cultural, social and creative representation of women in Iran has attracted much scholarly attention, there has been a tendency to focus on a very limited set of issues, most notably the veil as both object and practice. This thesis seeks to shift the
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Helenius, Timo Sakari. "The Culture of Recognition: Another Reading of Paul Ricoeur's Work." Thesis, Boston College, 2013. http://hdl.handle.net/2345/3298.

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Thesis advisor: Richard Kearney<br>This dissertation work examines culture as a condition, as a context, and, finally, as an achievement. The research objectives for this examination are both historical and philosophical. The historical objective is to retrace the appearance of the notion of culture in the works of Paul Ricoeur (1913-2005), and to demonstrate that Ricoeur adopts and adapts the term to his philosophical vocabulary. The accompanying philosophical objective, the proper task of this dissertation, is equally twofold. At the scholarly level this dissertation reconstructs - in the fo
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Nelson, Holly Faith. "The scriptural texture of Henry Vaughan's Silex Scintillans, the poetics, politics and theology of intertextuality." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ51908.pdf.

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Yeh, Diana. "Re-imagining '(British)-Chineseness' : the politics and poetics of art and migration in diaspora space." Thesis, University of East London, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.532993.

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This thesis interrogates dominant conceptions of `(British)-Chineseness' by illuminating the intersecting artistic and migrant journeys of four artists - Shih-I and Dymia Hsiung, Li Yuan Chia and Anthony Key - through Britain at different periods from the 1930s to the present day. It has three main objectives. Firstly, it aims to redress the serious lack of scholarship on the histories of the Chinese in general and their cultural and artistic legacies in particular. Secondly, it critiques, reconceptualises and traces the genealogies of existing essentialising and a historical discourses of `(B
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Carr, Helen. "The poetics and politics of primitivism : some United States interpretations of native American literary traditions." Thesis, University of Essex, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.290613.

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NOGUEIRA, PEDRO CAETANO EBOLI. "FROM TACTICAL URBANISM TO URBAN TACTICS: BODY AND POLITICS ON THE POETICS OF OPAVIVARÁ! COLLECTIVE." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2017. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=31017@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO<br>A presente dissertação é fruto de uma investigação sobre formas e possibilidades de atuação política na cidade contemporânea. Em contraponto direto à crise de projeto e da representatividade política instaurada na contemporaneidade, as ações de urbanismo tático pareciam inicialmente responder aos anseios desta investigação. Tratam-se de atos apropriativos e de ativação de espaços da cidade movidos pelas próprias populaç
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Redlich, Jeremy. "The ethnographic politics and poetics of photography, skin and race in the works of Yoko Tawada." Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/43452.

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This dissertation is a literary studies analysis of select German-language prose, poetry and essays by the contemporary Japanese author Yoko Tawada. In this study I utilize and expand upon Tawada’s own concept of ‘fictive ethnology’ as a highly critical and self-reflexive literary approach that can be located throughout her texts. I argue that this fictive ethnological or counter-ethnographic literary technique is what directs the political charge behind Tawada’s poetics. My focus then is on how Tawada’s texts as cultural critiques undermine binary distinctions of ‘otherness’, destabilize the
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Henebury, Anja. "Engagement and authenticity : poetics and politics in the late works of Martin Walser and Gunter Grass." Thesis, University of Leeds, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.634208.

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This thesis examines a number of post-reunification writings of two German authors, Martin Walser and Gunter Grass, with regards to their engagement with the Nazi past. The decades since the reunification have seen an unprecedented number of public debates on the legacy of National Socialism, its significance for a newly sovereign German state and its adequate representation. Even though the notion of literary engagement and its representatives have undergone a devaluation in the post-Wende years, the two eminent FRG authors Grass and Walser have been at the centre of a number of these controv
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Mygdali, Christiana. "Politics of translation, poetics of culture : the case of Greek translations under the Junta (1967-1974)." Thesis, University of Oxford, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.600801.

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This thesis explores the central role translation came to play in Greek intellectual production under the Dictatorship of 1967-1974, namely its function as a mechanism of cultural resistance. Methodological tools borrowed from both translation and cultural studies are used in order to demonstrate the socio-political dimension of translation as a gesture of great cultural significance. The first chapter juxtaposes the propagandistic discourse and the restrictive practices of the authoritarian regime to the dissident discourse and the progressive ideas promoted by the group of intellectuals prac
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Badia, Janet. "Private detail, public spectacle : Sylvia Plath's and Anne Sexton's confessional poetics and the politics of reception /." Connect to resource, 2000. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1250266949.

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Erisman, Wendy Elizabeth. "Forward into the past : the poetics and politics of community in two historical re-creation groups /." Digital version accessible at:, 1998. http://wwwlib.umi.com/cr/utexas/main.

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Badia, Janet L. "Private detail, public spectacle: Sylvia Plath's and Anne Sexton's confessional poetics and the politics of reception." The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1250266949.

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Han, Gül Bilge. "“Distantly a part”: Wallace Stevens and the Poetics of Modernist Autonomy." Doctoral thesis, Stockholms universitet, Engelska institutionen, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-119700.

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This dissertation explores the social and political dimensions of aesthetic autonomy as it is given formal expression in Wallace Stevens’s poetry of the 1930s and the early 1940s. Whereas modernist claims to autonomy are often said to rest upon an ideological assertion of art’s detachment from socio-historical concerns, I argue that, in Stevens’s work, autonomy is conceived in relational terms, which gives rise to new lines of interconnection between his poetry and its cultural situation. Written over a period when the political efficacy of literature became a staple of discussion among a myri
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Chun, Kyung Hyo. "Postcolonial aspiration and contestation : politics and poetics of nationalist discourses in two national museums of South Korea." Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/43423.

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After colonial liberation from Japan in 1945, Koreans have been eager to establish their sovereignty and to elevate national pride through nationalism. In South Korea, the nationalist discourse is ubiquitous, and generated top-down directly from the government as well as bottom-up in both traditional media and new social media. Emphasizing the unity, longevity, and distinctiveness of the Korean people by promoting nationalism based on the idea of ethnic homogeneity was a way of both redressing a traumatic colonial past and integrating modern social theories. While the nationalist discourse
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Qian, Junxi. "Re-visioning the public in the city of difference : poetics and politics in post-reform Guangzhou, China." Thesis, University of Edinburgh, 2013. http://hdl.handle.net/1842/8295.

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Abstract:
This thesis attempts to contribute to the literature on urban public space. It focuses on urban China which is a non-Western social context and also undergoing unprecedented social, economic and cultural transformation since its market-reform in 1978. It suggests that the socio-spatial restructuring of post-reform Chinese cities has opened up new possibilities for examining the complex entanglement of social changes, spatial practices in the public and the reconstitution of social relations. This thesis first uses an ideal-predicament-practice framework to develop an overview of the extant lit
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