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Journal articles on the topic 'Poetics – History – 19th century'

Author: Grafiati

Published: 4 June 2021

Last updated: 17 February 2022

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1

Murillo, Edwin. "Existencial Poetics in the 19th Century Latin America." Revista de Filología y Lingüística de la Universidad de Costa Rica 45, no. 1 (2019): 115–32. http://dx.doi.org/10.15517/rfl.v45i1.36674.

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Typically, the origin story of Existentialism has depicted Latin America’s contributions as subsequent and tributary to its European counterpart. Nevertheless, a select few critics have approached this history in Hispanic America from a chronologically inclusive perspective, by calling attention to an Existential Poetics in modernismo. This article expands the borders of Existential Poetics to fashion a Latin American literary imaginary. Given the work already done on Rubén Darío and José Martí, both of whom have been studied independently, my analysis will be collective, favoring philopoetic

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2

Novyk, O. P. "THE POETICS OF ROMANTICISM OF MYKHAILO MINCHAKEVYCH’S WORKS IN THE SON OF RUS." Rusin, no. 60 (2020): 154–66. http://dx.doi.org/10.17223/18572685/60/9.

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The article analyses Mykhailo Minchakevych’s poems “Satire”, “Rozsvit”, “Roksolana”, “Separation”, dumka “Cross stone near Lyubchych”, love elegy “Dumka” from the manuscript collection The Son of Rus (1995), with the focus on the poetics of romanticism and imagery. The author compares the themes and motives in Mykhailo Minchakevych’s poetry with those of other Romanticists (Markiyan Shashkevich, Mykola Petrenko). The poetics of Minchakevych’s works was incluenced by the writing of Markiyan Shashkevych and other Galician authors; however, it demonstrates the similarities with East Ukrainian lit

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Romaschko, Sergej A. "Sprachwissenschaft, Ästhetik und Naturforschung Der Goethe-Zeit." Historiographia Linguistica 18, no. 2-3 (1991): 301–20. http://dx.doi.org/10.1075/hl.18.2-3.04rom.

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Summary In the emergence of comparative grammar at the beginning of the 19th century, Sanskrit played a crucial role. The manner in which Friedrich Schlegel (1772–1829) characterized the grammatical structure of this language in his Ueber die Sprache und Weisheit der Indier of 1808 was of great importance for the early phases of development of Indo-European linguistics. As is shown in this paper, the characteristics attributed to Sanskrit derived not only from F. Schlegel’s romantic views on language and literature, but were also influenced by his general philosophical and natural-science view

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Romanova, Alyona N. "Anna Gotovtseva, the interlocutor of poets." Literature at School, no. 2, 2020 (2020): 62–75. http://dx.doi.org/10.31862/0130-3414-2020-2-62-75.

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The article examines the history of the publication of some works by the little-known poetess of the first third of the 19th century Anna Gotovtseva, including her poem addressed to A.S. Pushkin, and poems by A.S. Pushkin and P.A. Vyazemsky, appealed to Gotovtseva. The author reveals some features of the historical and literary process, which influenced the poetic dialogue of writers, published in the “Northern Flowers” almanac, which marked the emergence of female professional poetry in the literature of the first third of the 19th century. A.I. Gotovtseva’s poems are analyzed in the context

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Olszok, Charis. "THE LITTERSCAPE AND THE NUDE: HISTORY ESCAPES IN MANSUR BUSHNAF'SAL-ʿILKA(CHEWING GUM)." International Journal of Middle East Studies 51, № 1 (2018): 1–19. http://dx.doi.org/10.1017/s0020743818000478.

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AbstractMansur Bushnaf'sal-ʿIlka(Chewing Gum; 2008) is the author's sole novel, born of his twelve-year imprisonment in a Libyan jail, and his reflection on the nation's subjection to international marginalization and dictatorial rule under Gaddafi. The novel is centered on a 19th-century nude which confounds all who encounter it, and which lies neglected in a corner of Tripoli's Red Palace Museum. Through this statue, and the novel's broader poetics of stasis and “chewing,” I explore howturāthin Bushnaf's work, and wider Libyan fiction, is depicted through its abject vulnerability and exposur

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Mannu, Roberto. "Les anthologies surréalistes : l’élaboration collective d’un genre littéraire hybride." Quêtes littéraires, no. 6 (December 30, 2016): 74–80. http://dx.doi.org/10.31743/ql.214.

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Published for the first time in 1940 the André Breton’s Anthology of black humor inaugurates the great season of surrealist anthologies, which will last until late 60s. The use of the traditional form of the modern anthology by the Surrealists, does not involve into a complete acceptance of its rules, already codified since the end of the 19th century, but rather a deformation of its textual structure and of its objectives, producing a literary genre with particular characteristics. The surrealist anthology, such as those realized by André Breton, Paul Éluard, Louis Aragon and Benjamin Péret,

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Iațeșen, Loredana Viorica. "7. Advocating the Poetics of Sound in the Cycle Les Nuits d´Été by Hector Berlioz." Review of Artistic Education 15, no. 1 (2018): 59–73. http://dx.doi.org/10.2478/rae-2018-0007.

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Abstract By consulting monographies, musicological studies, specialty articles about the personality of romantic musician Hector Berlioz and implicitly linked to the relevance of his significant opera, one discovers researchers’ constant preoccupation for historical, stylistic, analytical, hermeneutical comments upon aspects related to established scores (the Fantastic, Harold in Italy symphonies, dramatic legend The Damnation of Faust, dramatic symphony Romeo and Juliet, the Requiem, etc.). Out of his compositions, it is remarkable that the cycle Les nuits d´été was rarely approached from a m

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Denisova, E. A. "Poetics of Boris Gissi’s Poems: On the History of the Literary Process of Novo-Nikolaevsk during the Civil War." Studies in Theory of Literary Plot and Narratology, no. 1 (2019): 63–71. http://dx.doi.org/10.25205/2410-7883-2019-1-63-71.

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Currently, many of the names and fates of representatives of regional literature of the early 20th century are forgotten, their texts are unfamiliar to a wide readership. However, among them there are often really talented and original authors. The article is devoted to the work of the forgotten poet Boris Gissi, who was published in Siberian newspapers during the civil war. We have minimal biographical information about Boris Gissi. The article analyzes the poetics of his poems, published in the Novo-Nikolaevsk’s newspaper “Russian Speech” in 1919. At the moment, we know 39 poems of the poet,

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Kizelbach, Urszula. "Влияниe Вальтера Скотта на историческую прозу А.С. Пушкина: „Роб Рой” и „Капитанская дочка”". Studia Rossica Posnaniensia, № 41 (20 червня 2018): 105–19. http://dx.doi.org/10.14746/strp.2016.41.9.

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This article analyses the influence of Sir Walter Scott’s historical fiction (Rob Roy) on the development of the historical novel in Russia in the first half of the 19th century, based on the example of Pushkin’s The Captain’s Daughter. The author argues that both Scott and Pushkin had a similar approach to their national and local history and collected historical material in the same way (through archival research and by contacting local people who had witnessed the events of the Jacobite Rebellion, 1715, and the Pugachev Rebellion, 1773–1775). A close analysis of both texts presents examples

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10

Aynsley, Jeremy. "Review: The Poetic Home: Designing the 19th-century Domestic Interior by Stefan Muthesius." Journal of the Society of Architectural Historians 71, no. 3 (2012): 418–20. http://dx.doi.org/10.1525/jsah.2012.71.3.418.

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Schmidt, Waldemar. "The Image of Christ in the Poetry of the Decembrists - Example of Poetic Creation by K.F. Ryleeva, A.I. Odoevskogo, V.K. Kuechelbeker and P.A. Katenin." Canadian-American Slavic Studies 44, no. 3 (2010): 296–315. http://dx.doi.org/10.1163/221023910x533135.

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AbstractThe topic of the following essay is Christ in the poetry of the "Dekabristen". By the example of the most popular representatives of this epoque, the essay shows religious imaginations in the Russian literature in the beginning of the 19th century.

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Zhatkin, Dmitry Nikolayevich. "To the History of Studying of Evolution of the Russian Poetic Translation of the 19th Century." Indian Journal of Science and Technology 9, no. 1 (2016): 1–8. http://dx.doi.org/10.17485/ijst/2015/v8is10/84880.

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Petrov, Alexej, Angelina Dubskikh, and Aleksandr Soldatchenko. "Poetic cosmogony in poems of Russian poets of the 18th – early 19th century." SHS Web of Conferences 55 (2018): 04017. http://dx.doi.org/10.1051/shsconf/20185504017.

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The research is significant due to the undiminishing interest shown by philosophers, philologists and culture experts to an eternal question of all times – the creation of the world by God. This aspect demands special consideration. That is why, the article aims to define the cosmogony as a part of the historiosophy, more precisely, the poetic cosmogony as a part of the artistic historiosophy. To achieve this aim, it is necessary to answer the following questions: 1) what is the fundamental principle of the world (universe), and is the poet focused on this particular problem? 2) what does this

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Gozdecka, Renata. "Fado – głos Portugalii." Annales Universitatis Mariae Curie-Sklodowska, sectio L – Artes 16, no. 1/2 (2019): 203. http://dx.doi.org/10.17951/l.2018.16.1/2.203-236.

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<p>Głównym założeniem niniejszego artykułu jest ukazanie dziejów pieśni fado oraz przybliżenie ich poetycko-muzycznej specyfiki. Stosownie do tego pierwszą część opracowania wypełni ogólny rys historyczny gatunku, drugą część natomiast poświęcimy omówieniu poetyki pieśni fado – rozpatrywanej od strony tekstu, cech muzycznych, z uwzględnieniem także roli najwybitniejszych śpiewaków.</p><p><strong>Fado – the Voice of Portugal</strong></p>SUMMARY<p>Fado – a characteristic genre of Portugal music which dates back to the mid-19th century – has gained import

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15

Irala-Hortal, Pilar. "Nuevas estéticas. Viejas poéticas. Aproximación al rastro de la influencia de la historia de la pintura en la fotografía actual / New aesthetics. Older poetics Approach to the trace of the influence of painting into the image." Revista Internacional de Cultura Visual 4, no. 2 (2017): 75–83. http://dx.doi.org/10.37467/gka-revvisual.v4.1551.

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RESUMENA lo largo de la historia, fotografía y pintura avanzan a la par y, en la mayoría de las ocasiones, sobre todo en las primeras décadas, se entrecruzan e influyen recíprocamente. Se ha estudiado desde diferentes enfoques la influencia de la fotografía en la pintura del último tercio del siglo XIX y viceversa. También en el siglo XXI la fotografía vuelve a mirar a los grandes pintores de la historia del arte para inspirarse, buscar modelos, crear metáforas y, en definitiva, buscar en las raíces de la creación visual el camino creativo y estético a seguir. En este artículo exponemos alguno

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16

Petrov, Alexander. "SPIRITUAL VERSES ABOUT TSAREVICH JOASAPH: PLOTS AND METRICAL MODELS." Antropologicheskij forum 17, no. 49 (2021): 88–131. http://dx.doi.org/10.31250/1815-8870-2021-17-49-88-131.

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The article considers the problem of the development of metrical forms of the cycle of folklore spiritual verses about Tsarevich Joasaph. Spiritual verses related to the literary tradition are used as supplementary material. The aim of the research is to trace the evolution of the metrics of folklore spiritual verses about Tsarevich Joasaph in the context of the history of Russian versification. The tasks of the research are the formation of a database of texts, differentiation of the texts into thematic groups, selection of method of work, and the analysis of folk and literary variants. The r

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Ciobotaru, Anca Doina. "Margareta Niculescu – A Portrait throughout a Century." Theatrical Colloquia 8, no. 2 (2018): 219–31. http://dx.doi.org/10.2478/tco-2018-0017.

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Abstract In the last century, Romanian puppet theatre has not only received, but it has also given to the world – which I would personally correct. Perhaps: “it has given to the world innovative, poetic performances that have brought about a new aesthetic vibe.” If you skim through World Encyclopaedia of Puppetry Arts (first edition published in French, under the title Encyclopédie mondiale des arts de la marionette, and second edition published in English, under the aforementioned titled, available online at: https://wepa.unima.org/en/), you will find more information on Romanian puppet theat

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18

Chen, Chih Ho, and Sheng-Min Hsieh. "The Research of Aesthetics of Type as Image in Motion-Targeting Video Poetics at Type Motion: Type as Image in Motion Exhibition in Taiwan." Advances in Social Sciences Research Journal 7, no. 6 (2020): 190–207. http://dx.doi.org/10.14738/assrj.76.8387.

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Characters are signs and symbols that record our thoughts and feelings and allow the documentation of events and history. Later, the appearance of motion images marked a new milestone in the use and application of characters. Not only were the original function of characters improved and enhanced, text that integrate sound and images are also able to communicate much more diverse and abundant information. This technique is commonly found in cinema, television, advertisement, and animation. Thanks to technological advances, the combination of characters, texts, or types and images once again ch

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Franek, Ladislav. "L’essence éthique du dialogue culturel." Interlitteraria 25, no. 2 (2020): 298–309. http://dx.doi.org/10.12697/il.2020.25.2.3.

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The ethical essence of cultural dialogue. The definition of comparative literary studies in Slovakia. Historical poetics in the works of D. Ďurišin, focused on the typological essence of literary phenomena on the basis of interrelating theoretical and developmental aspects of national literature. The differences of Slovak methodology from Western positivist models of the study of interliterariness. Parallel existence of the principles of literary history and criticism in the reception analyses of Russian, German and French literatures by older Slovak scholars. The onset of realism in Slovak li

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Franek, Ladislav. "L’essence éthique du dialogue culturel." Interlitteraria 25, no. 2 (2020): 298–309. http://dx.doi.org/10.12697/il.2020.25.2.3.

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The ethical essence of cultural dialogue. The definition of comparative literary studies in Slovakia. Historical poetics in the works of D. Ďurišin, focused on the typological essence of literary phenomena on the basis of interrelating theoretical and developmental aspects of national literature. The differences of Slovak methodology from Western positivist models of the study of interliterariness. Parallel existence of the principles of literary history and criticism in the reception analyses of Russian, German and French literatures by older Slovak scholars. The onset of realism in Slovak li

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Zeltchenko, Vsevolod V. "Classical Allusions in the Russian Poetry of the Early 20th Century: A Critical Survey of Research Practices." Philologia Classica 15, no. 2 (2020): 331–53. http://dx.doi.org/10.21638/spbu20.2020.210.

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As befits a proper Renaissance, the revival of Russian poetry in late 19th — early 20th century was marked by an increasing interest in Greco-Roman antiquity. The vigorous and enthusiastic exploration of classical subjects, motifs and topoi, from accurate stylization to radical rethinking, emerged as an important feature of Russian modernist poetics. It is thus not surprising that the last decades have seen multiple and various investigations into classical reminiscences in Silver age poetry. The author of this polemical survey aims to draw attention to the vulnerable aspects of such research

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Razuvaev, A. D. "Sovremennik Magazine about the Railways (socio-economic analysis)." World of Transport and Transportation 18, no. 2 (2020): 260–69. http://dx.doi.org/10.30932/1992-3252-2020-18-260-269.

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The article is devoted to the analysis of the poetic works of the Russian authors of the middle 19th century, who published in Sovremennik [The Contemporary; the literary and socio-political magazine founded in 1836] and extensiv ely reviewed the topic of construction of railways in the Russian Empire. Citing selected fragments of works of A. S. Pushkin, N. A. Nekrasov, N. A. Dobrolyubov, A. A. Fet, Ya. P. Polonsky, helps to present the socio-economic analysis of the problems associated with construction of first railways in Russia, as they were seen by Sovremennik authors. The conclusion is m

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Lavocat, Françoise. "Dido Meets Aeneas: Anachronism, Alternative History, Counterfactual Thinking and the Idea of Fiction." Journal of Literary Theory 14, no. 2 (2020): 194–214. http://dx.doi.org/10.1515/jlt-2020-2009.

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AbstractThe anachronistic character of the loving relationship between Dido and Aeneas was widely and commonly discussed among commentators, critics, and writers in the early modern period. From the 16th century onwards, when the word »anachronism« appeared in vernacular languages, its definition was even inseparable from the example borrowed from the Aeneid. The purpose of this article is to interrelate early modern debates on anachronism, reflections on the status of fiction and the history of fiction.Starting with the hypothesis that anachronism is a form of counterfactual, the questions po

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Jardine, Boris, and Matthew Drage. "The total archive: Data, subjectivity, universality." History of the Human Sciences 31, no. 5 (2018): 3–22. http://dx.doi.org/10.1177/0952695118820806.

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The complete system of knowledge is a standard trope of science fiction, a techno-utopian dream and an aesthetic ideal. It is Solomon’s House, the Encyclopaedia and the Museum. It is also an ideology – of Enlightenment, High Modernism and absolute governance. Far from ending the dream of a total archive, 20th-century positivist rationality brought it ever closer. From Paul Otlet’s ‘Mundaneum’ to Mass-Observation, from the Unity of Science movement to Wikipedia, the dream of universal knowledge dies hard. As a political tool, the total archive encompasses population statistics, gross domestic p

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Sarbash, Lyudmila N. "Non-Russian Mythology and Folklore in the Volga Travelogue of the 19th Century." Imagologiya i komparativistika, no. 15 (2021): 140–55. http://dx.doi.org/10.17223/24099554/15/8.

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The Volga Travelogue is a large layer of travel essays in the 19th-century Russian literature. This layer has not become a subject of special research in literature studies. The “journey along the Volga” is distinguished by the wide diversity of issues and themes it discusses: the economic and industrial activities of the region, its cultural and historical sights, the uniqueness of the Volga region in an ethnographic perspective – of the multifaceted “Volga region resident”. One of the structural components of the travelogue is the Volga mythology and folklore: historical-geographical and cul

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Surnina, Lidiya Egorovna. "THE POETIC WORLD OF I. A. KURATOV." Yearbook of Finno-Ugric Studies 13, no. 4 (2019): 633–42. http://dx.doi.org/10.35634/2224-9443-2019-13-4-633-642.

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I. A. Kuratov’s creative activity has been an outstanding phenomenon in the history of Komi and Finno-Ugrian literatures. In the period of the democratic enlightenment the incipient Komi literature which was written by I. A. Kuratov in terms of the real illustration of the nation’s life was in line with literatures with old traditions. It is known, that I. A. Kuratov was not the sole writer of the 19th century, such names as G. Lytkin, P. Rasputin, P. Klochkov, M. Istomin and others are also well known. I. Kuratov knew about literary experiments by the Komi writers of the beginning of the 19th

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Komarov, Sergey A., and Sergey O. Shipov. "On The Problem Of Transformation Of Philosophical And Aesthetic Representations Of The Author." Tyumen State University Herald. Humanities Research. Humanitates 6, no. 1 (2020): 76–89. http://dx.doi.org/10.21684/2411-197x-2020-6-1-76-89.

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This article presents the first systematic scientific reflection of the poetics of the eight fables by I. A. Krylov, that he did not include in the corpus of his Nine Books of Fables. The great Russian poet wrote these texts at various stages of his life and the development of his self-consciousness as a fabulist,. It is significant that the removal of these texts off the Nine Books occurred during a dynamic change of literary trends in the Russian written culture —the shift from classicism to realism. This change could not but affect the destabilization of the author’s relations with a democr

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Derkach, O. "ON THE HISTORY OF TRANSLATION OF SERBIAN PROSE IN UKRAINE: A DIACHRONIC ASPECT." Comparative studies of Slavic languages and literatures. In memory of Academician Leonid Bulakhovsky, no. 36 (2020): 136–47. http://dx.doi.org/10.17721/2075-437x.2020.36.13.

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The research is dedicated to the coverage of a diachronic aspect’s adoption of Serbian prose in the Ukrainian literature, especially the establishment and development of translation as one of the main forms of Serbian-Ukrainian cultural exchange. The beginning of interrelation between Serbian and Ukrainian culture comes into the circle of the researcher’s attention, and in this context – the beginning of Ukrainian writer’s translation practice, the first translations of Serbian prose are investigated. The special emphasis in the article is made on the Serbian translation works in the period fr

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KHAVZHOKOVA, L. B. "ON SOME FEATURES OF THE FORMATION OF THE ADYGHE LITERATURE." Kavkazologiya, no. 1 (2021): 194–207. http://dx.doi.org/10.31143/2542-212x-2021-1-194-207.

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The article presents an overview study of the process of the origin and formation of the Adyghe (Kabardian, Circassian, Adygheyan) literatures, covering the period of the 19th – first half of the 20th century. The relevance of the topic is due to the need to clarify some points in the history of national literary literature, concerning the specifics of its formation, differentiation, periodization, etc. Here, for the first time, a comprehensive study of the common Adyghe literary process is carried out with an emphasis on the peculiarities of the development of the literatures of the Adyghe su

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Biswas, Sankar. "NAGA IDENTITY POETICS IN CONTEMPORARY NAGA ENGLISH LITERATURE (A KALEIDOSCOPIC VIEW)." International Journal of Research -GRANTHAALAYAH 8, no. 11 (2020): 35–40. http://dx.doi.org/10.29121/granthaalayah.v8.i11.2020.2076.

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The Nagas originally a Sino-Mongoloid tribe are substantiated to have originated around 10th century B.C. in the plains between Huang Ho and Yangtze Ho in North Central China. As migration is a process which is reported to have been going on since time immemorial, the Nagas too could not have isolated themselves from being a part of the mass odyssey from their homeland with the anticipation of exploring and settling in naturally upgraded habitats. Hence today, the Nagas have been found to inhabit the banks of Chindwin and Irawaddy Rivers in Myanmar, and Nagaland in India. As far as their langu

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Andreiushkina, Tatiana N. "THE HISTORY OF THE DEVELOPMENT OF THE HEXAMETER IN GERMAN POETRY." Philological Class 26, no. 1 (2021): 22–37. http://dx.doi.org/10.51762/1fk-2021-26-01-02.

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The article traces the history of the development of the hexameter on German soil: from the use of the Leonin hexameter in the Middle Ages and the Reformation, the mixed Latin-German hexameter in the period of humanism (in the form of carmina eroica) and the German hexameter in the 18th–19th centuries (mainly in the form of elegy, epigram and idyll) to derivatives and ironic forms of the XX century (memorandum, instructive poem, etc.). Klopstock played a significant role in the spread of the hexameter in German poetry, bringing a fresh stream to German poetry by rejecting the prevailing in the

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Andreiushkina, Tatiana N. "THE HISTORY OF THE DEVELOPMENT OF THE HEXAMETER IN GERMAN POETRY." Philological Class 26, no. 1 (2021): 22–37. http://dx.doi.org/10.51762/1fk-2021-26-01-02.

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The article traces the history of the development of the hexameter on German soil: from the use of the Leonin hexameter in the Middle Ages and the Reformation, the mixed Latin-German hexameter in the period of humanism (in the form of carmina eroica) and the German hexameter in the 18th–19th centuries (mainly in the form of elegy, epigram and idyll) to derivatives and ironic forms of the XX century (memorandum, instructive poem, etc.). Klopstock played a significant role in the spread of the hexameter in German poetry, bringing a fresh stream to German poetry by rejecting the prevailing in the

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Kremnyov, Evgeny V., and Vladimir V. Ananiev. "Prerequisites for the Development of Regional Studies in Japan within the Framework of Japanese Traditional Science." REGIONOLOGY 28, no. 2 (2020): 279–302. http://dx.doi.org/10.15507/2413-1407.111.028.202002.279-302.

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Introduction. The variety of elements of the field of regional studies in Japan makes it possible to state that the sources of regional studies are heterogeneous not only in content, but also in their relation to different historical periods. The objective of the study is to analyze the processes of development of proto-regional knowledge in Japan from ancient times until the middle of the 19th century Materials and Methods. Japanese works on history and geography, as well as works by Russian researchers in the considered fields were used as the materials of the study. Particular attention was

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Dolgushin, Dmitry D., and Nina L. Panina. "Initial Course of Study by V. A. Zhukovsky: Experience of Reconstruction and Analysis of Visuals." Vestnik NSU. Series: History and Philology 20, no. 2 (2021): 94–109. http://dx.doi.org/10.25205/1818-7919-2021-20-2-94-109.

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Purpose. The aim of the article is to investigate the little-studied pedagogical project of V. A. Zhukovsky in the last years of his life (Initial Course of Study, hereinafter – Course) from the point of view of the interaction of verbal and visual elements in it. V. A. Zhukovsky mainly worked out the Course in 1848-1851. He tested it in class with his daughter. The ‘course’ was to consist of three parts: 1) language; 2) mathematics; 3) Sacred History. For each of these parts, Zhukovsky prepared visual tables, which were original experiments in combination of verbal and visual (graphic) materi

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Kapinos, E. V., E. E. Khudnitskaya, and A. V. Ulvert. "Nina Arkadina (A. K. Fefelova) The Poems of the 1910–1920s (The Publication on the Materials of the Siberian Press)." Studies in Theory of Literary Plot and Narratology, no. 1 (2019): 172–98. http://dx.doi.org/10.25205/2410-7883-2019-1-172-198.

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The publication is the selection of the poems by the forgotten Siberian poetess Anna Konstantinovna Fefelova, who is under the pseudonym N. Arkadina or Nina Arkadina was published in the 1910–1920s in the newspapers and magazines “Voice of the Urals” (Chelyabinsk), “Siberian Dawn” (Barnaul), “Siberian Life” (Tomsk), “Siberian Student” (Tomsk), “Unity” (Petropavlovsk), “Our Dawn” (Omsk), “Krasnoyarsk Worker”. The selection was made for the publications stored in the archives and libraries of Siberia, and includes about 40 texts of various subjects. The foreword provides a brief reference about

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Jackson, Virginia, and Yopie Prins. "LYRICAL STUDIES." Victorian Literature and Culture 27, no. 2 (1999): 521–30. http://dx.doi.org/10.1017/s1060150399272178.

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THE VICTORIAN POETESS has become as important a figure in the late twentieth century as she was in the late nineteenth — perhaps because she seems now, as then, to have lapsed into the obscurity of literary history. In recent years feminist critics have been interested in reclaiming a tradition of nineteenth-century popular poetesses whose verse circulated broadly on both sides of the Atlantic. A spate of new anthologies, annotated editions, and critical collections (as well as texts now available on-line) has reintroduced supposedly lost women poets into the canon of Victorian poetry. Indeed,

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Макаренко, Евгения Константиновна. "GENRE SPECIFICITY OF BIOGRAPHICAL SKETCHES ABOUT RUSSIAN MOVEMENTS BY E. POSELYANIN." Tomsk state pedagogical university bulletin, no. 1(213) (January 11, 2021): 95–103. http://dx.doi.org/10.23951/1609-624x-2021-1-95-103.

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Введение. Известный в дореволюционной России публицист и духовный писатель Евгений Поселянин (настоящая фамилия Погожев), пройдя путь сомнений в вере и получив духовное возрождение в Оптиной Пустыни, стал участником развернувшейся между интеллигенцией и представителями Русской Православной Церкви дискуссии начала XX в. Церковность эстетического сознания Е. Поселянина определила основную задачу всего его творчества, заключавшуюся в воспроизведении и передаче духовного мира Русского Православия. Цель. Творчество известного духовного писателя и публициста конца XIX – начала XX в. Евгения Николаев

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Kovalevskaya, Tatyana V. "Charles Gounod’s Faust and Dostoevsky Artistic Principles." Dostoevsky and world culture. Philological journal, no. 2 (2021): 89–115. http://dx.doi.org/10.22455/2541-7894-2021-2-89-115.

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The article considers the “Faustian” scene in Fyodor Dostoevsky’s The Adolescent as the musical embodiment of Dostoevsky’s central poetic device: statements with maximum formal similarity and maximum semantic divergence. This device is contextualized within Mikhail Bakhtin’s polyphonic novel concept and within the context of the history of polyphony as a musical phenomenon starting with its origins in the Western European music. We follow Larisa Gogotishvili’s suggestion that Mikhail Bakhtin’s polyphony is not the polyphony of the 18th-19th century (Johann Sebastian Bach, for instance) but the

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Vinitsky, Ilya Iu. "Herr Panzerbitter: An Episode From the History of Russian Collaborative Poetry From the Late 18th Through the First Third of the 19th Century." Literary Fact, no. 18 (2020): 260–99. http://dx.doi.org/10.22455/2541-8297-2020-18-260-299.

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The present article analyzes a playful collective poem “Commemoration” (“We have to commemorate certainly and for sure..”, 1833) which was co -authored by Petr Vyazemsky, Alexander Pushkin and Ivan Myatlev and addressed to their friend, one of the founders of Russian nonsense poetry, Vasily Zhukovsky. The article focuses on the name of “the former poet Panzerbitter, the venerable elder of our parish,” which opens the epistle, and argues that it serves as the interpretative key to the entire text. Who was this poet who has been left unnoticed by all compilers of dictionaries of Russian writers

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Макаренко, Евгения Константиновна. "THE POETICS OF NARRATION IN THE HISTORICAL LITERATURE OF THE XIX – EARLY XX CENTURIES FOR CHILDREN AND YOUTH (THE STUDY OF THE WORKS OF E. POSELYANIN)." Tomsk state pedagogical university bulletin, no. 4(216) (July 6, 2021): 140–49. http://dx.doi.org/10.23951/1609-624x-2021-4-140-149.

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Введение. Становление исторической прозы для детей и юношества в русской литературе началось в первой трети XIX в. и было вызвано стремительным развитием отечественной историографии. Детской писательнице А. О. Ишимовой принадлежит заслуга создания первого адаптированного для детей исторического труда. Принцип художественного осмысления прошлого, фактический материал, концепция истории отечества были заимствованы Ишимовой из «Истории государства Российского» Карамзина. В своей «Истории России в рассказах для детей» писательница заложила жанровые доминанты нового документально-художественного ро

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Petrov, Alexej, Angelina Dubskikh, and Anna Butova. "Historiosophy & Eros in Russian anacreontics." SHS Web of Conferences 55 (2018): 04016. http://dx.doi.org/10.1051/shsconf/20185504016.

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“Love is the eminence grise of history”, – once one of the greats of the past said. Few doubt that history is driven by human, more or less conscious interests – economic, political, religious, etc. As for feelings, passions and instincts, their role in the historical process is not so obvious, particularly of those that are connected with policy or economy indirectly. The objective necessity to rehabilitate the position of Eros in the political life of 18th-century Russia determines the significance of the current research. The article aims to analyse how the feeling of love and/or the underp

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Melenchuk, Olha. "From History of Studying and Honoring Shevchenko in Bukovynian Hutsulshchyna." Слово і Час, no. 11 (November 15, 2019): 40–49. http://dx.doi.org/10.33608/0236-1477.2019.11.40-49.

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The paper informs about the cultural contribution of Chernivtsi University graduates, former S. Smal-Stotskyі’s students D. Lukiianovych, I. Doshchivnyk, S. Lakusta, and M. Pavlusevych, whose creative work and pedagogical activity played an important role in promoting and exploring the works by T. Shevchenko in the territories of Bukovyna. Focusing on Vyzhnytsia center, the paper clariﬁes fundamental views of the mentioned persons, their assessments of the poet’s works and main relevant ideas. The author evaluates critical writings and literary works of the Bukovynians in relation to the devel

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Assad, Maria. "Time and Uncertainty: A Metaphorical Equation." KronoScope 3, no. 2 (2003): 185–97. http://dx.doi.org/10.1163/156852403322849233.

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AbstractMy first argument posits that concepts of temporality are discursive strategies to harness uncertainty understood as an innate human condition. Saint Augustine's question of time and some poetic quotes serve as examples to demonstrate the metaphoric use of time in order to attenuate the effects of uncertainty in human affairs. The long history of this substitution is interrupted, however, by Newtonian celestial mechanics, which reduced the metaphoric power of time to quantifiable temporal increments within the construct of differential equations. While classical science continued creat

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Laizāns, Mārtiņš. "„Mērnieku laiki” un vienradža smadzenes: gastrotulkojuma samērojums." Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, no. 25 (March 4, 2020): 44–55. http://dx.doi.org/10.37384/aplkp.2020.25.044.

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In this article, a fragment from the novel “Mērnieku laiki” (‘The Times of the Land Surveyors’, 1879) by Reinis and Matīss Kaudzīte has been compared with its translations in several languages. The chosen fragment contentwise is saturated with elements of gastronomic cornucopia, and most of these and the accompanying phenomena of the imagined honorary feast can be considered utopian in their nature. In addition, the content of the fragment has been dressed in an utterly Rabelaisian language and poetics, and the tone of the fragment is comical as well, – enumeration crammed with hyperboles cont

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Andrianova, Irina. "Stenography and Literature: What did Western European and Russian Writers Master the Art of Shorthand Writing For?" Studia Slavica Academiae Scientiarum Hungaricae 64, no. 1 (2019): 1–11. http://dx.doi.org/10.1556/060.2019.64101.

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What brings together Daniel Defoe, Charles Dickens, Vsevolod Krestovsky, Nikolai Chernyshevsky, Fyodor Dostoevsky, Аlexander Kuprin, George Bernard Shaw, and Аstrid Lindgren, i.e. writers from different countries and belonging to different epochs? In their creative work, they all used stenography, or rapid writing, permitting a person to listen to true speech and record it simultaneously. This paper discloses the role of stenography in literary activities of European and Russian writers in the 19th and early 20th centuries. Some researchers believe that the first ties between shorthand and lit

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Nikonova, Natalia Ye. "Vasily Zhukovsky and Friedrich Wilhelm von Schadow: Based on Materials From the Painter’s Unpublished Letters." Imagologiya i komparativistika, no. 14 (2020): 37–61. http://dx.doi.org/10.17223/24099554/14/2.

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The article presents, for the first time, an attempt to reconstruct the context and the object of creative contacts of Vasily Zhukovsky and Friedrich Wilhelm von Schadow (1788–1862), a theorist of painting and head of the Academy of Arts in Dusseldorf. The sources for the reconstruction were the previously unpublished eight letters by the German artist written in the period from 1838 to 1846 and now stored in the Manuscript Department of the Institute of Russian Literature and materials from the creative heritage of the Russian poet and artist. The article establishes new facts about the insti

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Engberg-Pedersen, Anders. "Wallenstein's Contingency Media." Romanticism 24, no. 3 (2018): 231–44. http://dx.doi.org/10.3366/rom.2018.0383.

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In the history of warfare various media and technologies have been devised both to enable contingent events in the form of scenarios and simulations and to reign them in and bring the proliferation of possible futures under control. War games, horoscopes, astrolabes, celestial and topographical maps have in different ways served as ‘contingency media’, i.e. tools that enable strategic thought and action under conditions of uncertainty. Through the prism of Schiller's Wallenstein from 1799, this essay examines the development of military contingency media from the 17th to the early 19th century

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Zakharova, Olga. "PETER THE GREAT IN THE FOLKLORE LEGENDS OF THE 19TH — EARLY 20TH CENTURIES: PLOTS, MOTIFS, GENRE PROBLEM." Проблемы исторической поэтики 19, no. 1 (2021): 75–87. http://dx.doi.org/10.15393/j9.art.2021.9202.

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Peter the Great is one of the most popular characters in the folk prose of the Russian North. His sojourns in thinly populated and inaccessible places had left a noticeable mark in the people's memory. The first tales about him were written in the mid-18th century. Researchers define the genre of these works in different ways. They are classified as folklore, legends, fairy tales, anecdotes, stories about royal favors. The main motifs they contain are release from work, communication with ordinary people, treats, presenting with a caftan, coat, cloth, money, infliction and compensation for los

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Szaruga (Wirpsza), Leszek (Aleksander). "On various kinds of involvement of Avant-Garde." Tekstualia 4, no. 59 (2019): 173–90. http://dx.doi.org/10.5604/01.3001.0013.6443.

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The article analyses selected poems and tractates of poetry, with a special focus on the solutions regarding versifi cation, rhythm, and language (dialectological structures, syntactical forms and neologisms characteristic of poetic writing in Polish and Russian, as well as the contexts of English and German languages). Because the author attempts to distinguish the specifi city of poetry and the most important areas of literary biography in selected areas, he asks what the ways of poetry are, trying to present his point of view about the intellectual climate of the end of the 19th century, wh

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Lőkös, István. "A zágrábi Tudományegyetem hungarológiai tanszékének története." Gerundium 9, no. 3 (2019): 66–81. http://dx.doi.org/10.29116/gerundium/2018/3/5.

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The author gives an overview on the history of a quarter of a century of the youngest foreign workshop of Hungarian studies, namely, Department of Hungarian Language and Literature of the Faculty of Humanities of the University of Zagreb. The education on Hungarian studies started in Zagreb in 1944 and was precedented. At the University of Zagreb the Hungarian Language Department was functioning as early as the second half of the 19th century. Form 1904 to 1918, for almost one and a half century at the same place Hungarian language and literature was educated with the direction of professor Dr

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