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1

GONZÁLEZ-CASANOVAS, ROBERTO J. "WESTERN NARRATIVES OF EASTERN ADVENTURES: THE CULTURAL POETICS AND POLITICS OF CATALAN EXPANSION, 1300-1500." Catalan Review: Volume 8, Issue 1-2 8, no. 1-2 (1994): 211–27. http://dx.doi.org/10.3828/catr.8.1.11.

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2

Solares, Blanca. "Figures androgynes de la Vieille Europe et du Mexique Ancien." Caietele Echinox 42 (June 30, 2022): 53–65. http://dx.doi.org/10.24193/cechinox.2022.42.04.

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The symbolic images of the persistent research for integration or synthesis of opposites have been expressed throughout history, in the myth and in an abundant set of plastic, poetic and literary works. In what follows, from some examples of the European Neolithic (7000-3500 B.C.) and the Pre-classic period of Ancient Mexico (2500-1500 B.C.), this symbolism of duality is emphasized as expression of the continuing human quest for completeness.
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3

Ledesma Alonso, Ricardo. "La lectura romántica de una fuente bajomedieval: la Crónica do Descobrimiento do Brasil de F. A. de Varnhagen como refiguración histórico-poética de la Carta a el-rey D. Manuel de Pêro Vaz de Caminha." Vegueta. Anuario de la Facultad de Geografía e Historia 22, no. 2 (2022): 519–32. http://dx.doi.org/10.51349/veg.2022.2.08.

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La Crónica do Descobrimento do Brasil (1840) de F. A. de Varnhagen es estimada como uno de los textos fundadores de la narrativa de ficción brasileña. Este artículo argumenta que la Crónica fue redactada desde el horizonte del primer romanticismo portugués, bajo los supuestos del proyecto de re-figuración histórico-poética de fuentes medievales promovido por A. Herculano. Utilizando aportaciones de la teoría literaria sobre la novela histórica tradicional, se examinan las estrategias ficcionales que permitieron a Varnhagen apropiarse de la Carta a el-Rei D. Manuel (1500) de Vaz de Caminha y co
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4

Soranzo, Matteo. "Giovanni Gioviano Pontano (1429–1503) on Astrology and Poetic Authority." Aries 11, no. 1 (2011): 23–52. http://dx.doi.org/10.1163/156798911x546161.

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AbstractL'articolo esamina per quale ragione Giovanni Gioviano Pontano (1429–1503) ha spiegato in termini di causalità astrologica l'origine della sua autorità poetica, con lo scopo di illustrare un elemento di continuità tra Medioevo e Umanesimo. I testi presi in esame sono il poema Urania (scritto nel 1475–1494; stampato nel 1505), il dialogo Actius (scritto nel 1495–1499; stampato nel 1507), il commento al Centiloquio pseudotolemaico (scritto nel 1477; stampato nel 1512) e il trattato De Rebus Coelestibus (scritto nel 1475–1495; stampato nel 1512). Si sostiene che l'approccio astrologico al
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5

Miriam, Orfitelli. "L'isotopia di Baia negli «Hendecasyllaborum libri» di Pontano." Aura, no. 4 (December 15, 2021): 21–36. https://doi.org/10.5281/zenodo.11080327.

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The&nbsp;<em>Hendecasyllaborum libri</em>&nbsp;would seem to have been composed at different times, but not in a long period of time, probably in the decade 1490-1500, significant years for Pontano, who found himself facing the mourning of his beloved wife Adriana and witnessing the descent of Charles VIII to Naples. Faced with the advance of history, the fragmentation of affections and the reality of the court, Pontano set up a &laquo;sozialerotische Utopie&raquo; with the thermal baths of Baia as a privileged setting, a place of worldly retreat and pleasures. For this reason, the title as pr
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6

Wade, Elizabeth I., and Sarah Westphal. "Textual Poetics of German Manuscripts, 1300-1500." German Quarterly 69, no. 4 (1996): 441. http://dx.doi.org/10.2307/407998.

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7

TYBJERG, KARIN. "J. LENNART BERGGREN and ALEXANDER JONES, Ptolemy'sGeography: An Annotated Translation of the Theoretical Chapters. Princeton and Oxford: Princeton University Press, 2000. Pp. xiii+192. ISBN 0-691-01042-0. £24.95, $39.50 (hardback)." British Journal for the History of Science 37, no. 2 (2004): 193–96. http://dx.doi.org/10.1017/s0007087404215813.

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J. Lennart Berggren and Alexander Jones, Ptolemy's Geography: An Annotated Translation of the Theoretical Chapters. By Karin Tybjerg 194Natalia Lozovsky, ‘The Earth is Our Book’: Geographical Knowledge in the Latin West ca. 400–1000. By Evelyn Edson 196David Cantor (ed.), Reinventing Hippocrates. By Daniel Brownstein 197Peter Dear, Revolutionizing the Sciences: European Knowledge and Its Ambitions, 1500–1700. By John Henry 199Paolo Rossi, Logic and the Art of Memory: The Quest for a Universal Language. By John Henry 200Marie Boas Hall, Henry Oldenburg: Shaping the Royal Society. By Christoph L
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8

Hessus (book author), Helius Eobanus, Harry Vredeveld (book editor and translator), and John Considine (review author). "Poetic Works 1: Student Years at Erfurt, 1504-1509." Renaissance and Reformation 40, no. 2 (2004): 138–39. http://dx.doi.org/10.33137/rr.v40i2.9024.

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9

Steimatsky, Noa. "Cinema’s poetics of history." Modern Italy 22, no. 2 (2017): 105–22. http://dx.doi.org/10.1017/mit.2017.19.

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In the movie theatre, history risks drowning in sensory response, in pleasure, or in shock. Yet the cinema can also contribute to a special knowledge of history. Cutting across genres and modes of filmmaking, exploring the effects of duration, gesture, movement, mise-en-scène, framing and editing, recognising affective connotations and the intricacy of figural-poetic devices, this article weighs the impact of the senses and the imagination vis-à-vis the cinema’s historical task. In transforming the narrative past tenses of both fiction and history into the present tense of film viewing, the ci
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10

Elphick, Jeremy. "Cinematic poetics and reclaiming history." Alphaville: Journal of Film and Screen Media, no. 18 (December 1, 2019): 199–204. http://dx.doi.org/10.33178/alpha.18.18.

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Australia’s brutal legacy of offshore detention has been marked by tragedy, human rights abuses and international condemnation, framed within an overarching failure to reach any true resolution. The difference between Australia’s two major political parties’ approach to immigration policy has been largely cosmetic and there is little tangible difference between the actual policies they have implemented and sustained. Human Rights Watch bluntly diagnosed Australia as having “serious unresolved human rights problems”, calling the conditions on Manus and Nauru “abysmal” (Giakoumelos). This paper
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11

Dawson, P. M. S. "Review: Byron, Poetics and History." Review of English Studies 55, no. 221 (2004): 630–32. http://dx.doi.org/10.1093/res/55.221.630.

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12

Davidson, Michael 1944. "Crosstown poetics." American Quarterly 49, no. 3 (1997): 665–70. http://dx.doi.org/10.1353/aq.1997.0043.

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13

Hejman, Helena. "“Who of us has never traced light over these walls”?: The archaeology of Stanisław Grochowiak’s poems." Acta Universitatis Lodziensis. Folia Litteraria Polonica 57, no. 2 (2020): 129–44. http://dx.doi.org/10.18778/1505-9057.57.07.

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Through a simple wall, a transparent element of everyday life, Stanisław Grochowiak’s poems enable one to uncover the existential concrete element, matter endowed with an amazing hypnagogic potential, a chronicle of ‘objectness’. In the poet’s imagined world, the wall constitutes both an empirical item and a phenomenon, which transcends the ontology of matter, which determines its semantic fluidity: at one point it resembles an anthropological document (a place of cultural/biographical inscription) only to, a moment later, resemble the basis for surrealist visions or the material of an artifac
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14

Tenace, Edward Shannon, and Jan Glete. "Naval History, 1500-1680." Sixteenth Century Journal 39, no. 2 (2008): 485. http://dx.doi.org/10.2307/20478909.

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15

Koman, Aleksandra. "With rhymes about the human fate. Philosophy in the poetry of Giacomo Leopardi." Acta Universitatis Lodziensis. Folia Litteraria Polonica 59, no. 4 (2020): 101–14. http://dx.doi.org/10.18778/1505-9057.59.06.

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Giacomo Leopardi is one of those authors whose texts oscillate on the border between literature and philosophy. It is true that Leopardi does not use traditional forms of philosophical expression, but the fact is that most of the considerations of the Italian thinker are expressed by the simultaneous conduct of two discourses: literary and philosophical. Leopardi experimented almost every form of literary expression, but he went down in history mainly as a poet, who contained a significant part of his highest beliefs in poetry. The practice of philosophizing through poetry is nothing new in li
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16

Anisimov, A. "Arabic Political Caricature. History and Poetics." Science and Education a New Dimension IX(249), no. 44 (2021): 7–12. http://dx.doi.org/10.31174/send-hs2021-249ix44-01.

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17

Reibetanz, Julia M. "American Poetics of Self and History." Canadian Review of American Studies 17, no. 2 (1986): 257–64. http://dx.doi.org/10.3138/cras-017-02-10.

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18

O'Neill, Michael. "Byron, Poetics and History. Jane Stabler." Wordsworth Circle 34, no. 4 (2003): 215–16. http://dx.doi.org/10.1086/twc24045042.

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19

Gallop, David. ""Poetry" versus "History" in Aristotle's Poetics." Philosophy and Literature 42, no. 2 (2018): 420–33. http://dx.doi.org/10.1353/phl.2018.0029.

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20

White, Hayden. "شعرية التاريخ = The Poetics of History". أسطور للدراسات التاريخية, № 4 (2016): 127–58. http://dx.doi.org/10.12816/0029948.

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21

Rojas, Rafael, and Luis P. Aguilar-Moreno. "Origenes and the Poetics of History." CR: The New Centennial Review 2, no. 2 (2002): 151–85. http://dx.doi.org/10.1353/ncr.2002.0040.

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22

McDonald, Archie P., H. Roger Grant, and Robert Lindsay. "Sampling World History Textbooks." Teaching History: A Journal of Methods 14, no. 1 (1989): 29–33. http://dx.doi.org/10.33043/th.14.1.29-33.

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Review essay of Anthony Esler. The Human Venture. Vol. I: The Great Enterprise, A World History to 1500. Vol. II: The Globe Encompassed, A World History since 1500. Englewood Cliffs NJ: Prentice-Hall, 1986. Pp. xii, 340; xii, 399. Paper, $25.33 each volume. Instructor's manual available; William H. McNeill. A History of the Human Community. Second edition. Vol. 1: Prehistory to 1500. Vol. II: 1500 to the Present. Englewood Cliffs NJ: Prentice-Hall, 1987. Pp. xii, 474; xii, 430. paper, $25.00 each volume. Clothbound combined edition, $36.00; Peter N. Stearns. World History: Patterns of Change a
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23

Halliwell, Stephen. "The Poetics." Classical Review 55, no. 2 (2005): 445–46. http://dx.doi.org/10.1093/clrevj/bni246.

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24

Kahane, A. "PUCCI’S POETICS." Classical Review 50, no. 2 (2000): 399–401. http://dx.doi.org/10.1093/cr/50.2.399.

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25

Halliwell, Stephen. "THE POETICS." Classical Review 53, no. 2 (2003): 304–5. http://dx.doi.org/10.1093/cr/53.2.304.

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26

Sather, Lee, and Ole Feldbaek. "Danmark's Economic History, 1500-1840." American Historical Review 100, no. 1 (1995): 173. http://dx.doi.org/10.2307/2168047.

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27

Grash, Valerie S., and Ian D. Whyte. "Landscape and History since 1500." Sixteenth Century Journal 35, no. 4 (2004): 1219. http://dx.doi.org/10.2307/20477213.

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28

Smout, T. C. "Landscape and History since 1500." English Historical Review 118, no. 477 (2003): 848–50. http://dx.doi.org/10.1093/ehr/118.477.848.

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29

Walton, John K. "English Urban History, 1500-1914." Journal of Urban History 15, no. 1 (1988): 69–86. http://dx.doi.org/10.1177/009614428801500104.

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30

Tüske, László. "Ibn Ṭabāṭabā’s Poetics". Arabist: Budapest Studies in Arabic 23 (2001): 211–18. http://dx.doi.org/10.58513/arabist.2001.23.20.

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In the history of Arabic literature, ‛amūd aš-šiʿr (the pillars or principles of poetry) is considered a control for the poetic activity, as well as being an important reference in classifying poets and measuring their abilities in their art. The theory is also considered one of the first critical issues that preoccupied poets and worked to establish standards and characteristics that the poet relies on so as not to deviate from the pattern followed by the ancients. This article deals with Ibn Ṭabāṭabā al-ʿAlawī’s treatise entitled ʿIyār aš-šiʿr (The Standard of Poetry). by analyzing his theor
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31

Carlson, Julia S. "Historical Poetics, Poetics of History: Priestley’s Time Charts and the Visualization of Meter." Wordsworth Circle 52, no. 1 (2021): 1–33. http://dx.doi.org/10.1086/712480.

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32

Xu, Denise. "Thoreau’s Econational Poetics." ELH 88, no. 3 (2021): 685–713. http://dx.doi.org/10.1353/elh.2021.0026.

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33

Rabinovich, E. G. "The Poetics of Jargon." Anthropology & Archeology of Eurasia 32, no. 4 (1994): 56–84. http://dx.doi.org/10.2753/aae1061-1959320456.

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34

Reid, Joshua, and Michael Mack. "Sidney's Poetics: Imitating Creation." Sixteenth Century Journal 37, no. 4 (2006): 1122. http://dx.doi.org/10.2307/20478160.

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35

Ardolino, Frank, and Carol Kaske. "Spenser and Biblical Poetics." Sixteenth Century Journal 31, no. 4 (2000): 1144. http://dx.doi.org/10.2307/2671223.

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36

Bollig, Ben. "Perlongher, Poetics and Transvestism." Journal of Latin American Cultural Studies 12, no. 1 (2003): 55–69. http://dx.doi.org/10.1080/13569320305834.

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37

Gurval, Robert, and V. G. Kiernan. "Horace: Poetics and Politics." American Historical Review 106, no. 2 (2001): 624. http://dx.doi.org/10.2307/2651721.

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38

Nikolaev, Sergey G., and Svetlana V. Nikolaeva. "“A Part of Speech” by Joseph Brodsky: Bilingualism as a Creative Method in Poetry." Vestnik of Northern (Arctic) Federal University. Series Humanitarian and Social Sciences, no. 6 (December 20, 2021): 86–97. http://dx.doi.org/10.37482/2687-1505-v145.

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This article is an attempt of textological conceptualization of an interlingual transfer (doubling) of a literary text. This transfer, in case it has been done by the author him/herself, is traditionally called self-translation, yet it can also by qualified as an adaptation of the “old” text to the perceptive abilities of the “new” recipient, i.e. a collective reader representing a different national and cultural medium and bearing its values as a prevalent aesthetic waymark. Special importance in the above process is attached to such a significant feature of any literary text of high quality
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39

Levine, Naomi. "Elizabeth Barrett Browning’s Historiographical Poetics." Modern Language Quarterly 77, no. 1 (2016): 81–104. http://dx.doi.org/10.1215/00267929-3331604.

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Abstract Elizabeth Barrett Browning’s imperfect rhymes, criticized since the nineteenth century, strangely resemble her blank verse. This essay argues that her experiments in poetic form should be viewed in relation to her reading and writing of literary history, particularly her intellectual engagement with the work of Henry Hallam. Barrett Browning’s remarks in the margins of Hallam’s books and in a historiographical essay of her own reveal a poet thinking about her craft in the context of a transnational history of poetry. Barrett Browning’s idiosyncratic prosody becomes another means of wr
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40

Luebbe, Chris, and Linda Hutcheon. "A Poetics of Postmodernism: History, Theory, Fiction." MLN 105, no. 5 (1990): 1113. http://dx.doi.org/10.2307/2905181.

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41

Mackridge, Peter, and Gregory Jusdanis. "The Poetics of Cavafy: Textuality, Eroticism, History." Comparative Literature 43, no. 3 (1991): 288. http://dx.doi.org/10.2307/1770667.

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42

Reinarz, J. "The History and Poetics of Scientific Biography." Social History of Medicine 22, no. 1 (2008): 201–4. http://dx.doi.org/10.1093/shm/hkn086.

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43

WOODWARD, ANTHONY. "GIAMBATTISTA VICO AND THE POETICS OF HISTORY." English Studies in Africa 41, no. 1 (1998): 1–9. http://dx.doi.org/10.1080/00138399808691262.

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44

Rexine, John E., and Gregory Jusdanis. "The Poetics of Cavafy: Textuality, Eroticism, History." World Literature Today 62, no. 2 (1988): 317. http://dx.doi.org/10.2307/40143723.

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45

Philcox, Richard, and Willis Barnstone. "The Poetics of Translation: History, Theory, Practice." World Literature Today 67, no. 4 (1993): 907. http://dx.doi.org/10.2307/40149825.

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46

Nowell Smith, David. "Historical poetics and the register of history." Critical Quarterly 61, no. 1 (2019): 82–98. http://dx.doi.org/10.1111/criq.12455.

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47

Bell, Desmond. "Documentary film and the poetics of history." Journal of Media Practice 12, no. 1 (2011): 3–25. http://dx.doi.org/10.1386/jmpr.12.1.3_1.

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48

HAMILTON, CAROLYN. "The Poetics and Politics of Public History." South African Historical Journal 27, no. 1 (1992): 234–37. http://dx.doi.org/10.1080/02582479208671747.

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49

Hoeveler, Diane Long. "A poetics of postmodernism: History, theory, fiction." History of European Ideas 13, no. 4 (1991): 445–46. http://dx.doi.org/10.1016/0191-6599(91)90030-3.

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50

Oostdijk, Diederik. "A Transnational Poetics." Journal of Transatlantic Studies 9, no. 2 (2011): 178–79. http://dx.doi.org/10.1080/14794012.2011.568173.

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