Relevant bibliographies by topics / Poetics of modern drama

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Poetics of modern drama'

Author: Grafiati
Published: 5 June 2025
Last updated: 1 August 2025

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Journal articles on the topic "Poetics of modern drama"

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Jabborova, Dilafruz. "Interpretation of Fitrat Dramas in Literary Criticism." International Journal for Research in Applied Science and Engineering Technology 9, no. 12 (2021): 2437–40. http://dx.doi.org/10.22214/ijraset.2021.39332.

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Abstract: This article examines the fact that after the independence of Uzbekistan, the works of modern literature began to be reevaluated on the basis of new approaches. Literary scholar Ilhom Ganiev's monograph "Poetics of Fitrat dramas" is analyzed and the poetic world of the playwright is covered. The article is based on the analysis of the physicist's focus on Fitrat's character creation skills, the symbolic and figurative motives used in dramas, and the use of artistic language. Keywords and word expressions: drama, jadid literature, criticism, natural science, jadid studies, jadid write
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Chodkowski, Robert R. "Aristotle’s Poetics versus Modern Theories of Drama." Roczniki Humanistyczne 66, no. 3 SELECTED PAPERS IN ENGLISH (2019): 25–35. http://dx.doi.org/10.18290/rh.2018.66.3-2e.

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The Polish version of the article was published in “Roczniki Humanistyczne,” vol. 57 (2009), issue 3.
 This paper seeks to prove that there are no grounds in the Poetics to ascribe to Aristotle the views identified with the literary theory of drama because he does not identify drama with a verbal work. On the contrary, the spectacular dimension of tragedy is for Aristotle one of the distinctive feature of tragedy vis-à-vis epos, which for him is only – to use our modern terms—a literary work. Thus, the visual element (ὄψις or ὄψεως κόσμος) is not only very important for Aristotle, but it
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Bošnjak, Matija. "Elements of Dramatic Symbolism in the Poetics of Miodrag Žalica." Društvene i humanističke studije (Online) 6, no. 3(16) (2021): 43–58. http://dx.doi.org/10.51558/2490-3647.2021.6.3.43.

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In the literary and theatrical critique of his time (second half of the 20th century), Miodrag Žalica was recognized as a representative of symbolist poetics in Bosnian-Herzegovinian drama. The features of Žalica’s dramatic symbolism have, however, rarely been observed through analyzing the technique of his dramatic works in concreto. The Piece Mirišu li jorgovani u Njujorku, written in 1988, certainly represents the culmination of Žalica’s poetics, and is, in that sense, suitable for an analysis of the symbolic network as a specific trademark of his authorship with regards to the poetics of s
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Zhurcheva, Olga V. "“New drama”: Pro et contra." Izvestiya of Saratov University. Philology. Journalism 22, no. 4 (2022): 484–87. http://dx.doi.org/10.18500/1817-7115-2022-22-4-484-487.

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At the end of the 20th – the beginning of the 21st century there were serious changes in the poetics of drama, defining the strategy of artistic forms and features of artistic consciousness. This gives the right to single out the history of the “new drama” in a separate period of the literary and theatrical process. A new book by the Belarusian researcher S.Ya. Goncharova-Grabovskaya “Modern Russian Dramaturgy (late 20th – early 21st century)” is devoted to generalization and comprehension of this period, which is considered and announced in the presented review. The book examines the main tre
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Bennett, Benjamin. "Print and the Poetics of Modern Drama (review)." Modern Drama 50, no. 4 (2007): 651–53. http://dx.doi.org/10.1353/mdr.0.0018.

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Передерій, Ганна Миколаївна. "CATACHRESIS IN THE IMAGERY SPACE OF ENGLISH POETIC DRAMA: A COGNITIVE PERSPECTIVE." Scientific Bulletin of Kherson State University Series Germanic Studies and Intercultural Communication, no. 1 (August 21, 2023): 118–23. http://dx.doi.org/10.32999/ksu2663-3426/2023-1-16.

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This article focuses on revealing the nature of catachresis from a cognitive perspective in the imagery space of English poetic drama. The relevance of this article is determined by general tendency of modern linguistics on integration of traditional and novel approaches to analysis of semantics of literary texts in general and poetic drama in particular. The methodology of comprehensive analysis of the imagery space of English poetic drama is based on linguistic assumption of cognitive poetics. The application of such analysis made it possible to reveal genre properties and the specifics of t
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Dr. Mahavir Prasad Sahu and Dr. Kalpana Shringi. "Real disclosure of contemporary politics - "Vikramacharit Aakhyan"." Knowledgeable Research: A Multidisciplinary Journal 2, no. 10 (2024): 106–11. http://dx.doi.org/10.57067/1ahy8q92.

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Prof. born in Rajgarh district of Madhya Pradesh. Radhavallabh Tripathi is the outgoing Chancellor of the Rashtriya Sanskrit Sansthan (New Delhi). The works written by him include Adi Kavi Valmiki: (1976), Lokdharmi Tradition of Sanskrit Poetry (1976, 1999), Poetics and Poetry (1987), Lectures on Drama (1992), Drama and World Theatre (1988), Drama Encyclopedia (Chaturshu Khandeshu, 1999), etc., critical and poetic works. The text is important. In the field of literature, his major works are Rotikalahari (poetry), Abhinavasuk Saptati (collection of stories), Prekshanam Saptakam (street plays),
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Menzer, P. "Print and the Poetics of Modern Drama. By W. B. WORTHEN." Review of English Studies 57, no. 232 (2005): 809–10. http://dx.doi.org/10.1093/res/hgl129.

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Bauer, Matthias, and Angelika Zirker. "Reflections on Co-Creativity in Early Modern Drama." Critical Survey 36, no. 1 (2024): 74–85. http://dx.doi.org/10.3167/cs.2024.360106.

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Abstract While co-authorship was common practice in early modern drama, poetological treatises remain silent about it. They speak about the poet but not about collaboration. It is, hence, one of the aims of this article to arrive at conceptualisations of co-authorship through immanent reflections of co-creativity and authorial interaction. In particular, we will show that stylistic practices form an essential part of such reflections, which also helps us dissociate style from the identification of individual authorship. Shakespeare's Romeo and Juliet and Beaumont and Fletcher's Philaster, or L
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Voitenko, L. I. "PERFORMANCE AS A COMMUNICATIVE STRATEGY OF MODERN DRAMA." Writings in Romance-Germanic Philology, no. 1(52) (June 25, 2024): 14–22. http://dx.doi.org/10.18524/2307-4604.2024.1(52).310306.

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Emphasized demonstrativeness, which is embodied and manifested in various spheres of human life, is a performance. Accordingly, a performative text is a self-representative text actualized in the process of communication precisely through action, a way of thinking, a director’s vision, and acting. The visual component of the text is defined as a constituent component of the poetics of the work, a gender-genre marker, according to the elements of the external composition. The usual classical image of a dramatic text in modern Ukrainian playwrights takes on the features of epic genres, which rep
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Dissertations / Theses on the topic "Poetics of modern drama"

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vom, Schemm A. (Axel). "Dichter am Ball:untersuchungen zur Poetik des Sports am Beispiel deutschsprachiger „Fußball-Literatur”." Doctoral thesis, University of Oulu, 2006. http://urn.fi/urn:isbn:9514283023.

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Abstract In view of numerous texts from completely different genres the study shows to what extent and degree of differentiation the topic soccer is covered in German-language literature and allows general conclusions on a poetics of sport. Here solely German-language literary sources are considered. The work is divided into a theoretical and a text-related part. In the former section the approaches to the topic – on one hand via German studies and on the other hand via interdisciplinary sport science – is made clear by means of basic considerations on the questions “what is literature?” and “
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Head, Andrew J. N. "Acting Beckett : towards a poetics of performance." Thesis, University of Hull, 2015. http://hydra.hull.ac.uk/resources/hull:11214.

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Samuel Beckett’s writing stalks the progress of twentieth century art and culture. Seen as both symptomatic of the practices of high Modernism, as well as influential within the fragmented tropes of postmodernity, his drama is often referred to as exploring the limits of an incrementally reductive approach to performance in which fine margins – through time and space; sound and image – are used in the determination of an authentic rendering of his work. This study argues that it is the figure of the actor, in all its rich signifying complexity, which provides us with a lens through which we ca
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Al-Kasim, Faisal Moayad. "Iconoclasm in modern British drama." Thesis, University of Hull, 1989. http://hydra.hull.ac.uk/resources/hull:8285.

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Iconoclasm has proved to be a major feature in modern British drama, where in a short period of time, the theatre has witnessed a host of iconoclastic dramatists, where demythologization has been widespread and fierce and where the icons of the present and the past have been subjected to a wholesale desecration in large numbers at the hands of the Ardens, Brenton, Bond, Churchill and others, who, as their dramatization of history and its idols has shown, have much in common. Although the above playwrights and others were most active towards the end of the sixties and throughout the seventies,
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Giannachi, Gabriella. "Silence in modern European drama." Thesis, University of Cambridge, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.388413.

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Cole, Merrill. "The other Orpheus : a poetics of modern homosexuality /." New York [u.a.] : Routledge, 2003. http://www.loc.gov/catdir/toc/ecip042/2003007030.html.

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Darvill, Mills Janis Jane. "Early modern legal poetics and morality 1560-1625." Thesis, University of Sussex, 2011. http://sro.sussex.ac.uk/id/eprint/6966/.

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This thesis examines the reciprocity of literary and legal cultures, and seeks to enhance understanding of cultural and socio-legal constructions of morality in early modern England. Identifying the tensions in an institutional legality in which both secular pragmatism and moral idealism act as formulating principals, it interrogates the sense of disjuncture that arises between imaginative concepts of moral justice and their translation into the formal structures of law. Chapter 1 investigates representations of rape in light of the legislative changes of the 1570s, and addresses the question
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Babcock, Kimberly John. "Modern Dramatic Tragedy and Aristotle's Poetics: A Comparison." W&M ScholarWorks, 1987. https://scholarworks.wm.edu/etd/1539625396.

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Shalaby, Mahmoud Moustafa. "Politics and poetics in the drama of Salāḥ 'Abd al-Sabūr and Wole Soyinka." Thesis, University of Edinburgh, 2013. http://hdl.handle.net/1842/7788.

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The originality of this study stems primarily from its comparative nature, with its substantive focus on the Egyptian playwright Salāḥ 'Abd al-Sabūr who wrote in Arabic and the Nigerian dramatist, Wole Soyinka (1934), writing in English. It thus attempts to address a gap in comparative research which has so far been largely confined to comparative studies of either Western writers and African counterparts or Western writers and Arab counterparts, but rarely combined Arab and African writers. This thesis investigates selected dramatic works of the two playwrights seeking to reveal the variou
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Dickinson, Annie. "The malcontent in early modern drama." Thesis, University of Manchester, 2018. https://www.research.manchester.ac.uk/portal/en/theses/the-malcontent-in-early-modern-drama(d3e4bde3-76ca-4cfa-bac1-5399fa38d4d8).html.

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Pearson, Meg Forbes. "Spectacle in early modern English drama." College Park, Md. : University of Maryland, 2006. http://hdl.handle.net/1903/3780.

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Thesis (Ph. D.) -- University of Maryland, College Park, 2006.<br>Thesis research directed by: English Language and Literature. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
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Books on the topic "Poetics of modern drama"

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1956-, Hart Jonathan Locke, ed. Reading the Renaissance: Culture, poetics, and drama. Garland Pub., 1996.

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Pavel, Thomas G. The poetics of plot: The case of English Renaissance drama. Manchester University Press, 1985.

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Alsoudani, Moussa Jaffar. Modern English poetic drama as an antinaturalistic movement. Vantage Press, 1990.

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W, Sommer Anton F., and Fritsch Thomas -1726, eds. Opuscula poetica. Im Selbstverlag, 2005.

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Dronke, Peter. Poetic individuality in the Middle Ages: New departures in poetry 1000-1150. 2nd ed. Westfield College, University of London Committee for Medieval Studies, 1986.

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Kearney, Richard. Poetics of imagining: Modern to post-modern. Fordham University Press, 1998.

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Shakespeare, William. The Applause first folio of Shakespeare in modern type. Applause, 2001.

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Calotychos, Vangelis. Modern Greece: A cultural poetics. Berg, 2004.

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John, O'Donohue. The poetics of possibility. Dublin Centre for the Study of the Platonic Tradition, 2007.

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Worthen, W. B. Print and the Poetics of Modern Drama. Cambridge University Press, 2006.

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Book chapters on the topic "Poetics of modern drama"

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Matei-Chesnoiu, Monica. "Hydrography as Poetics: Rivers and Empires." In Geoparsing Early Modern English Drama. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137469410_4.

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Leeming, Glenda. "Later Eliot: ‘The Family Reunion’, ‘The Cocktail Party’ and the Other Modern Plays." In Poetic Drama. Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-19860-3_5.

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Feldman, Alex. "The Beatitude of the Berrigans: Jurisprudential Drama and the Poetics of Martyrdom." In Crossroads of Knowledge in Early Modern Literature. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-74093-0_14.

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Galatà, Francesco. "Per la fortuna del Decameron nella letteratura di fine Ottocento: riscritture pascoliane edite e inedite." In Studi e saggi. Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-668-1.09.

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Although Boccaccio’s name is rarely encountered in published works of Giovanni Pascoli (1855-1912), traces of a constant reading and reuse of the Decameron have emerged and continue to emerge from the poet’s manuscripts. The article outlines the history of the already known contacts between the two authors and adds a new document: the unknown verse drama ‘Messer Gentile’, inspired by the novella X 4. This drama, designed as a one-act play with a prologue and three scenes, has been left unfinished: only the prologue and the first scene are preserved, but it is enough to appreciate some dynamics
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Sager, Jenny. "Madness and Poetic Inspiration in Orlando Furioso." In The Aesthetics of Spectacle in Early Modern Drama and Modern Cinema. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137332400_6.

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Ragusa, Andrea. "Visioni di Salomè. L’orrore del sogno in un frammento teatrale di Pessoa." In Studi di letterature moderne e comparate. Firenze University Press, USiena Press, 2023. http://dx.doi.org/10.36253/979-12-215-0278-7.09.

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Fernando Pessoa's "static dramas" - fourteen are currently known, all of them unfinished and fragmentary, except The Sailor - mirror the heteronymism that characterises, in a broad sense, his entire work. A theatre of words, of situation rather than of action, which is realised in a dialectical superimposition of the inner level with the outer one and in a mechanism that through recourse to dreams, as an active instrument of poetic creation, generates mystery and horror. The fragments of Salome, a drama probably composed in the period 1917-1918, are a highly significant example not only of Pes
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Knowles, Katie. "Drama." In Early Modern Childhood. Routledge, 2019. http://dx.doi.org/10.4324/9781315177380-13.

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Gleckman, Jason. "Double Predestination in Early English Drama." In Shakespeare and Protestant Poetics. Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-32-9599-5_4.

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Mead, Philip. "Settlement Poetics." In Modern and Contemporary Poetry and Poetics. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-82159-2_3.

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Vadillo, Ana Parejo. "Another Renaissance: The Decadent Poetic Drama of A. C. Swinburne and Michael Field." In Decadent Poetics. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137348296_7.

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Conference papers on the topic "Poetics of modern drama"

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Bhatti, Dr Lalit G. "Anton Chekhov’s “The Cherry Orchard”: Reflection of Some Modern Patterns of Writing Drama." In Two Day National Interdisciplinary Conference on Script Writing. SK Publisher, 2024. https://doi.org/10.61165/sk.publisher.script.writing.2024.31.

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Gabura, Carolina. "Dislocation the lyrical narrative regime in Max Blecher’s prose." In Conferință științifică internațională "FILOLOGIA MODERNĂ: REALIZĂRI ŞI PERSPECTIVE ÎN CONTEXT EUROPEAN" cu genericul G. Călinescu. 125 ani de la naştere, Ediţia a 18-a. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2024. http://dx.doi.org/10.52505/filomod.2024.18.39.

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Less studied in terms of narratology, M. Blecher’s work opens generous perspectives in the exploration of the lyrical narrative regime, despite the typological labelling of belonging to different literary orientations that would exclude the presence of this kind of exposition. In this article, the specifics of the dislocations of the lyrical narrative regime will be examined, following the poetics of the narrative perspective and the imaginary, the discourse situations created by the narrator, his alterities, the formal organization of the discourse. It will also be observed how the transgress
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PHILIPPOVA, D. K. "TWO DRAMAS OF N.A. POLEVOY: "HAMLET" AND "UGOLINO"." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. TSU Press, 2023. https://doi.org/10.17223/978-5-907572-02-7-2023-71.

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The article deals with two works by Polevoy N.A. - translation of «Hamlet» by William Shakespeare and the original drama «Ugolino». The works have common poetics and a similar set of themes and motifs and also embody the author's aesthetic attitudes. «Hamlet» and «Ugolino» became typical phenomena in the field of Russian literature of the XIXth century.
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Dreeva, Dzhanetta. "Transformations Of Phraseological Units In Poetics." In SCTCMG 2019 - Social and Cultural Transformations in the Context of Modern Globalism. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.12.04.102.

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Babelyuk, O. A. "GENRE BLENDING AS A MOTIVATED CHOICE IN POSTMODERN POETICS." In MODERN PHILOLOGY: THEORY, HISTORY, METHODOLOGY. PART 2. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-425-2-24.

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Enikeev, Anatoliy. "Poetics Issues Of A Philosophical Text: A Topological Aspect." In SCTCMG 2019 - Social and Cultural Transformations in the Context of Modern Globalism. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.12.04.119.

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Naumenko, N. V. "THE POETICS OF ENGLISH AND AMERICAN LITERATURE MASTERPIECES IN CONTEMPORARY UKRAINIAN TRANSLATIONS." In MODERN PHILOLOGY: THEORY, HISTORY, METHODOLOGY. PART 2. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-425-2-52.

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Dudareva, Marianna. "Metaphysical Aspect In A.P. Chekhov's Poetics: Quest For "Other Kingdom"." In SCTCMG 2019 - Social and Cultural Transformations in the Context of Modern Globalism. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.12.04.107.

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Dudareva, Marianna. "Caucasian Text In Russian Literature: Myths And History In Poetics." In SCTCMG 2019 - Social and Cultural Transformations in the Context of Modern Globalism. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.12.04.108.

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Tsybaneva, Valentina, Anna Seredintseva, and Oksana Maletina. "Using Drama in Teaching Intonation." In Proceedings of the 1st International Scientific Practical Conference "The Individual and Society in the Modern Geopolitical Environment" (ISMGE 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/ismge-19.2019.128.

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