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1

1956-, Hart Jonathan Locke, ed. Reading the Renaissance: Culture, poetics, and drama. Garland Pub., 1996.

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2

Pavel, Thomas G. The poetics of plot: The case of English Renaissance drama. Manchester University Press, 1985.

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3

Alsoudani, Moussa Jaffar. Modern English poetic drama as an antinaturalistic movement. Vantage Press, 1990.

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4

W, Sommer Anton F., and Fritsch Thomas -1726, eds. Opuscula poetica. Im Selbstverlag, 2005.

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5

Dronke, Peter. Poetic individuality in the Middle Ages: New departures in poetry 1000-1150. 2nd ed. Westfield College, University of London Committee for Medieval Studies, 1986.

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6

Kearney, Richard. Poetics of imagining: Modern to post-modern. Fordham University Press, 1998.

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7

Shakespeare, William. The Applause first folio of Shakespeare in modern type. Applause, 2001.

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8

Calotychos, Vangelis. Modern Greece: A cultural poetics. Berg, 2004.

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9

John, O'Donohue. The poetics of possibility. Dublin Centre for the Study of the Platonic Tradition, 2007.

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10

Worthen, W. B. Print and the Poetics of Modern Drama. Cambridge University Press, 2006.

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11

Worthen, W. B. Print and the Poetics of Modern Drama. Cambridge University Press, 2008.

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12

Print and the poetics of modern drama. Cambridge University Press, 2005.

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13

Corneille, Tasso, and modern poetics. Ohio State University Press, 1986.

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14

Leeming, Glenda. Poetic Drama (Modern Dramatists). Palgrave Macmillan, 1989.

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15

Leeming, Glenda. Poetic Drama (Modern Dramatists). Palgrave Macmillan, 1989.

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16

Küpper, Joachim, Toni Bernhart, Sven Thorsten Kilian, Jasa Drnovsek, and Jan Mosch. Poetics and Politics: Net Structures and Agencies in Early Modern Drama. de Gruyter GmbH, Walter, 2018.

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17

Küpper, Joachim, Toni Bernhart, Sven Thorsten Kilian, Jasa Drnovsek, and Jan Mosch. Poetics and Politics: Net Structures and Agencies in Early Modern Drama. de Gruyter GmbH, Walter, 2018.

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18

Küpper, Joachim, Toni Bernhart, Sven Thorsten Kilian, Jasa Drnovsek, and Jan Mosch. Poetics and Politics: Net Structures and Agencies in Early Modern Drama. de Gruyter GmbH, Walter, 2020.

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19

Poetics of Plot: The Case of English Renaissance Drama. University of Minnesota Press, 1985.

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20

Reading the Renaissance: Culture, Poetics, and Drama. Taylor & Francis Group, 2014.

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21

Hart, Jonathan. Reading the Renaissance: Culture, Poetics, and Drama. Taylor & Francis Group, 2019.

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22

Hart, Jonathan. Reading the Renaissance: Culture, Poetics, and Drama. Taylor & Francis Group, 2014.

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23

Hart, Jonathan. Reading the Renaissance: Culture, Poetics, and Drama. Taylor & Francis Group, 2014.

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24

Hart, Jonathan. Reading the Renaissance: Culture, Poetics, and Drama. Taylor & Francis Group, 2014.

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25

Hart, Jonathan. Reading the Renaissance: Culture, Poetics, and Drama. Taylor & Francis Group, 2019.

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26

Hart, Jonathan. Reading the Renaissance: Culture, Poetics, and Drama. Taylor & Francis Group, 2016.

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27

Hart, Jonathan. Reading the Renaissance: Culture, Poetics, and Drama. Taylor & Francis Group, 2014.

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28

Kendall, Ritchie D. Drama of Dissent: The Radical Poetics of Nonconformity, 1380-1590. University of North Carolina Press, 2011.

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29

Baxter, John. Shakespeare's Poetic Styles: Verse into Drama. Taylor & Francis Group, 2013.

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30

Baxter, John. Shakespeare's Poetic Styles: Verse into Drama. Taylor & Francis Group, 2013.

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31

Baxter, John. Shakespeare's Poetic Styles: Verse into Drama. Taylor & Francis Group, 2013.

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32

Shakespeare's Poetic Styles: Verse into Drama. Routledge, 2013.

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33

Hart, Jonathan. Reading the Renaissance: Culture, Poetics, and Drama (Garland Reference Library of the Humanities). Routledge, 1996.

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34

Turner, Henry S. English Renaissance Stage: Geometry, Poetics, and the Practical Spatial Arts, 1580-1630. Oxford University Press, 2006.

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35

Kahn, Andrew, Mark Lipovetsky, Irina Reyfman, and Stephanie Sandler. Prose and drama. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199663941.003.0036.

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A central theme of narrative prose and dramatic theater remained the conflict between an individual and society, increasingly specified as the clash of a man or woman with ongoing historical destruction. Prose and drama, like poetry, tested the formation of new subjectivities in response to historical catastrophe. Alongside the manifestations of Socialist Realism and its derivatives, the century-long evolution of the utopian/dystopian is traced. Attention is paid to the aesthetics of the grotesque and to the poetics of skaz, to an emerging trend of existentialist narrative and the flourishing
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36

James, Hogg. Ousiders: Essays by and About Poets and Poetry: Outsiders (Salzburg Studies: Poetic Drama and Poetic Theory). Poetry Salzburg, 1993.

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37

Gender and Song in Early Modern England. Taylor & Francis Group, 2016.

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38

Gender and Song in Early Modern England. Taylor & Francis Group, 2016.

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39

Gender and Song in Early Modern England. Taylor & Francis Group, 2014.

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40

Individualidad Poetica En La Edad Media. Alhambra, 1992.

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41

(Editor), Rhoda Helfman Kaufman, ed. A Woman of Lemnos (Drama 20). Guernica Editions Inc., 2002.

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42

Menozzi, Maria M. Poet Who Wouldn't Be King: A Medieval Play for Modern Times. Players Press, 2004.

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43

Kirkup, James. Certain State of Mind: An Anthology of Classic, Modern and Contemporary Japanese Haiku in Translation (Salzburg Studies: Poetic Drama and Poetic Theory). Poetry Salzburg, 1995.

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44

Peacock, Scot. Contemporary Authors: A Bio-Bibliographical Guide to Current Writers in Fiction, General Nonfiction, Poetry, Journalism, Drama, Journalism, Drama, Motion Pictures, televisi (Contemporary Authors). Thomson Gale, 2003.

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45

Butcher, S. H., and Aristóteles. Poetics. Independently Published, 2020.

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46

Aristotle, Aristotle. Poetics. Bollinger, Max, 2016.

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47

Aristotle. Poetics. Lulu Press, Inc., 2010.

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48

Aristotle. Poetics. Lulu Press, Inc., 2018.

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49

Aristotle. Poetics. Independently Published, 2019.

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50

Aristotle. Poetics. Independently Published, 2019.

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