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Dissertations / Theses on the topic 'Poetics'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Kramer, Christi. "Poetics of return : toward poetic imagination and peacebuilding." Thesis, University of British Columbia, 2014. http://hdl.handle.net/2429/46488.

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Toward a deeper understanding of poetic imagination, this poetic inquiry explores the creative process itself as a “wellspring that feeds the building of peace” (Lederach, 2005, p. 5). I position the study within the dialogic, as contemplative conversation, where utterance is a limitless continuum or whole (Bakhtin, 1986). I ask: Is it possible to write the world well? I listen to what poetry may say. I submit that “poetry witnesses us” (Milosz, 1983, p. 10) and that the gaze of poetry is courtesy (Lilburn, 1999). This study attends to poetic image as an essential attribute of the qualit

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2

Giordano, Matthew. "Dramatic poetics and American poetic culture, 1865-1904." Connect to this title online, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1092701770.

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Thesis (Ph. D.)--Ohio State University, 2004.<br>Document formatted into pages. Includes bibliographical references. Abstract available online via OhioLINK's ETD Center; full text release delayed at author's request until 2009 Aug. 18.

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3

Campbell, Charles. "Poets and Poetics in Greek Literary Epigram." University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1384333736.

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4

Simonyan, Astghik. "Poetics of the same : a philosophical poetic recourse into sameness." Thesis, Queen Mary, University of London, 2010. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1278.

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This study endeavours to investigate the philosophical and poetological dimensions, the philological origins, and significant philosophical-literary representations of the Same. It also assesses sameness as a philosophical and poetological modus operandi; that is to say, it analyzes the ways in which the Same operates in different types of discourses both as an object of investigation and as an agent of (poetic) thought. The concept of the Same or the operation of sameness as the philosophical question par excellence will be considered in the development of Continental philosophy and philosoph

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5

Koutrianou, Eleni. "The emergence and crystallization of the poetics of Odysseas Elytis." Thesis, University of Oxford, 1997. http://ora.ox.ac.uk/objects/uuid:67c25cfb-3860-497e-9402-46ebafdd753d.

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This thesis examines the poetics of Odysseas Elytis, which, it is argued, emerged from his intense theoretical work on poetry in the period between 1944 and 1960, and was crystallized in the poems he published from 1960 to 1995. Elytis' poetics is examined in this thesis through the exploration of his ideas on the status and function of poetry, on the role of the poet, and on poetic writing; it is also examined through the exploration of the poetry in which these ideas are put into practice. It is argued in this thesis that Elytis' poetics emerged from his effort to provide his poetry with a

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6

Terne, Clara. "Space + Poetics." Thesis, Konstfack, Grafisk Design & Illustration, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-123.

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I often ponder over the physical limitations of everyday life. The sense of my body being trapped in the here and now, in being able to imagine so much and experience so little in comparison, and the downhearted disappointment of it all. In my Master project Space + Poetics at Konstfack (2010) I have confronted these issues. I have tried to find ways to bridge the gap between the physical place and the mental space. I strive to create escapes from our rigid surroundings – to create little holes in the everyday where the void creates content.

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7

Nykyforuk, T. M. "Poetics of poetry works by Sydir Vorobkevych (meta-language, poetic syntax, versification)." Thesis, БДМУ, 2020. http://dspace.bsmu.edu.ua:8080/xmlui/handle/123456789/18274.

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8

Thornbury, Emily Victoria. "Anglo-Saxon poetics." Thesis, University of Cambridge, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.615780.

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9

Cui, Wendong, and 崔文东. "Politics vs. poetics." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B47752981.

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Up to now, in the field of translation studies, late Qing translated fictions have still been termed by many scholars as “liberal translation” or “domesticating practice” lacking literary values, or generalized by some others as “rewriting” or “manipulation” completely distorting the originals, which has led to an undervaluation of those works. In the field of historical studies, although researchers have attached much importance to late Qing translations like Yan Fu’s renditions of social and political theories which had profound impact on Chinese intellectual history, translated fictions

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10

Leadbetter, Gregory Marcus. "Coleridge's transnatural poetics." Thesis, Oxford Brookes University, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.520917.

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Coleridge's Transnatural Poetics examines the simultaneous experience of exaltation and transgression as a formative principle in Coleridge's poetry and the fabric of his philosophy. Drawing upon a little-known but extremely rich notebook entry of 1812, the thesis constructs its critical vocabulary through the 'transnatural' and the 'daemonic', as Coleridge uses the terms to define each other and the peculiar qualities of his mind: an imagination fascinated by the transnatural, which in consequence, conceives of itself as daemonic. The thesis proceeds to demonstrate the significance of the pri

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11

Davies, James. "stack : minimalist poetics." Thesis, University of Roehampton, 2018. https://pure.roehampton.ac.uk/portal/en/studentthesis/stack(aebfad17-9098-4c69-831d-3af98f9d48e4).html.

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stack: Minimalist Poetics consists of a portfolio of practice-led research — a volume-length minimalist poem entitled stack — and a critical essay. The poem applies and adapts several minimalist writing strategies, which are evaluated in the critical essay to create a text that is rich in imagery yet indeterminate in meaning. In addition, stack is innovative in its structural approach — through original use of enjambment, footnoting and repetition, lines may be treated as discrete entities and, also, as combinations. A key research question that the practice-led component and the critical essa

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12

Martin, Seth M. "The Poetics of Return| Five Contemporary Irish Poets and America." Thesis, The University of North Carolina at Chapel Hill, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3562770.

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<p> A thematic study grounded in transnational and transatlantic studies of modern and postmodern literatures, this dissertation examines five contemporary Irish poets—John Montague, Padraic Fiacc, James Liddy, Seamus Heaney, and Eavan Boland—whose separation from Ireland in the United States has produced a distinct body of work that I call, "the poetics of return." As the biological heirs of the Civil War generation and the intellectual heirs of the Irish high modernists, these poets are some of the leading lights of the renaissance in Irish literary arts after midcentury. </p><p

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13

Bugan, Carmen. "Poetics of exile : East European poetry in translation and Seamus Heaney's Ars Poetica." Thesis, University of Oxford, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.408092.

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14

Seibel, George L. IV. "Being a Poet." Miami University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=miami1346412172.

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15

Byrne, James. "A poetics of desire." Thesis, Edge Hill University, 2016. http://repository.edgehill.ac.uk/7782/.

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This PhD capping paper is an accompaniment to three published books of poetry: Blood/Sugar, White Coins and Everything Broken Up Dances. Blood/Sugar and White Coins (hereafter B/S and WC) were both published by Arc Publications in the UK, in November 2009 and April 2015. Everything Broken Up Dances (EBUD) by Tupelo Press in the US, in December 2015. I situate these books within a poetics of desire, exploring the idea of the self in my work and how this relates to the self as other, or desiring of the other. I also consider the possibilities of fragmentation in relation to form and utterance. S

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16

com, MirahB@aol, and Rolf Vaernes. "The Poetics of Being." Murdoch University, 2004. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20050617.103850.

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The aim of The Poetics of Being is to inquire into how the apperception of the Being of beings is produced. We will recognize this production not primarily in philosophy, but in a medium accessible to us all, theatre. Although the Romantic tradition of literary criticism from Herder to Bloom has noted that Shakespeare produces an exceptional sense of what is [true], so much so that he is said to create the impression of nature or life, no one has so far attempted to show how precisely Shakespeare affects this experience. Contrary to T. S. Eliot, who is unable to discern any kind of poetics in

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Vaernes, Rolf I. "The poetics of being /." Access via Murdoch University Digital Theses Project, 2004. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20050617.103850.

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18

Robinson, Joshua Mark. "Adorno's poetics of form." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610013.

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19

Kim, John Hyong. "The Poetics of Diagram." Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11590.

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This dissertation treats the diagram as a literary object. It explains how the diagram structured the conditions of possibility of a world-literary modernity as it emerged in the late nineteenth- and early twentieth-century. Caught between the competing epistemic regimes of scientific and humanistic knowledge, as well as between the clash of cultures, East and West, the diagram's potential as a scientifically neutral, and thus, "universal" language was deployed and redeployed in complex ways: just as the diagram was used to reveal the fundamental conditions of literary possibility, it was also

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20

Philokyprou, Elli. "Greek Post-Symbolist poetics." Thesis, University of Oxford, 2009. http://ora.ox.ac.uk/objects/uuid:e5a2e75a-c272-4f79-aafe-b2af905fb250.

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This thesis explores the poetics of the Greek Post-Symbolists, a group of early twentieth-century poets whose main period of activity falls in the years between the Generation of the 1880s and that of the 1930s. By focussing on Post-Symbolist concepts of the role of poetry and on the way in which Post-Symbolist poems are constructed, this thesis examines the poetic system of a group of poets who occupy a transitional period in the history of Modern Greek literature. The Post-Symbolists question both the nationalism of poets of the Generation of the 1880s and their own place in society. Post-Sy

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21

Murton, Megan Elizabeth. "Chaucer's poetics of prayer." Thesis, University of Cambridge, 2014. https://www.repository.cam.ac.uk/handle/1810/283945.

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22

Quadrado, Lauro Iglesias. "The poetics of noise." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2018. http://hdl.handle.net/10183/175202.

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Esta tese gira em torno da obra do escritor estadunidense John Dos Passos (1896-1970), mais especificamente em torno de seu romance Manhattan Transfer (1925). Esta investigação é uma leitura crítica de sua ficção, especialmente no que toca à intensidade de experiências auditivas promovidas pelo autor, em sua maioria baseadas em passagens perturbadoras e ruidosas, representativas da experiência metropolitana do começo do século XX em Nova York. O arcabouço crítico e teórico utilizado varia desde as escolas literárias tradicionais de análise textual, crítica em âmbito público até os Estudos de S

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23

Wyatt, Holliday. "The Poetics of Appeal." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/595.

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This study advances a theoretical model of appeal, the framework readers’ advisory (RA) librarians use to make book suggestions. Taking an interdisciplinary approach, it combines elements of media studies, literary theory, and library science to posit new elements of appeal and new models for understanding its dynamics. This dissertation argues that, because appeal as currently practiced relies heavily on reductive binaries, it fails to account for a number of features that play a crucial role in a reader’s experience of a work. Through a historically informed explication of the existing appea

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24

Mersky, Matthew. "Poetics of The Real." ScholarWorks @ UVM, 2016. http://scholarworks.uvm.edu/graddis/575.

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ABSTRACT The premise of my thesis is to approach poetics anew, using psychoanalysis and other related theoretical disciplines to help answer the often overlooked but fundamental question: 'What is poetry?' This thesis is based on the notion that Freud's insight into the unconscious is itself the key to unlocking the essential function of poetry as it has come to be understood in the 20th century, throughout the modernist period; and that Lacan, as a rewriting of Freud, specifically developed a theory of language that provides the beginnings of a psychoanalytic poetics. Another component of thi

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25

Zournazi, Mary. "A poetics of foreignness." Thesis, View thesis, 2000. http://handle.uws.edu.au:8081/1959.7/27424.

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This thesis is about the ontology and epistemology of foreignness. With other issues,it developed through a series of conversations on foreignness with Australian and international writers and intellectuals, and a subsequent series of radio essays and conversations based on some of the dialogues. A critical framework is developed which examines the relationships between foreignness, cultural identity and the practice of writing through a series of dialogues. The author's analysis involves exploring how the conversations 'speak' the personal and political experiences of living and writing as a

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26

Zournazi, Mary. "A Poetics of foreignness /." View thesis, 2000. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20040414.092213/index.html.

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27

Vaernes, Rolf. "The poetics of being." Thesis, Vaernes, Rolf (2004) The poetics of being. PhD thesis, Murdoch University, 2004. https://researchrepository.murdoch.edu.au/id/eprint/376/.

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The aim of The Poetics of Being is to inquire into how the apperception of the Being of beings is produced. We will recognize this production not primarily in philosophy, but in a medium accessible to us all, theatre. Although the Romantic tradition of literary criticism from Herder to Bloom has noted that Shakespeare produces an exceptional sense of what is [true], so much so that he is said to create the impression of nature or life, no one has so far attempted to show how precisely Shakespeare affects this experience. Contrary to T. S. Eliot, who is unable to discern any kind of poetics in

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28

Vaernes, Rolf. "The poetics of being." Vaernes, Rolf (2004) The poetics of being. PhD thesis, Murdoch University, 2004. http://researchrepository.murdoch.edu.au/376/.

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The aim of The Poetics of Being is to inquire into how the apperception of the Being of beings is produced. We will recognize this production not primarily in philosophy, but in a medium accessible to us all, theatre. Although the Romantic tradition of literary criticism from Herder to Bloom has noted that Shakespeare produces an exceptional sense of what is [true], so much so that he is said to create the impression of nature or life, no one has so far attempted to show how precisely Shakespeare affects this experience. Contrary to T. S. Eliot, who is unable to discern any kind of poetics in

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29

Burk, Chelsea D. "Poetics of the document and documentary poetics : documentary poetry by women, 1938-2015." Diss., University of Iowa, 2019. https://ir.uiowa.edu/etd/6711.

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This project reconceives the methods critics use to define and analyze the critical field of documentary poetry. Although scholarship on documentary in the visual arts abounds, literary criticism that explores poetry through a documentary lens is sparse. Documentary poetics criticism focuses almost exclusively on socioeconomic class within the poems and on defining the genre. Critics have not attended to the ways that the category “document” inflects this poetic arena. I argue that documentary poetics includes engagement with specific documents and with the power they hold within a given histo

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30

Poch, John. "Sorry Guard." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2455/.

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Sorry Guard is a collection of poems with a critical introduction on poetic form. Form in poetry can be revealed vocally (how the poem sounds), temporally (how the poem makes use of time), and spatially (how the poem is visualized, both physically on the page due to typography and imagistically due to the shape and movement of its subject matter). In this preface, I will address these three aspects of form in relation to three distinct twentieth century poets: Robert Hass, W.S. Merwin, and W.H. Auden. I am most interested in how particular formal decisions shape meaning and value in poetry. M

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31

Hurley, Claire. "The poetics of site : reading the spaces of experimental US women poets." Thesis, University of Kent, 2017. https://kar.kent.ac.uk/67055/.

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My PhD research centres on three innovative 20th Century American women poets: Lorine Niedecker, Barbara Guest and Susan Howe. Taking inspiration from Virginia Woolf's A Room of One's Own, my research examines how these poets inhabited specific compositional sites. My thesis draws on extensive archival research to reconstruct a picture of the woman poet at work, arguing that for the female experimental poet in the 20th century, the compositional site - namely the workroom that the poet occupied - functions as a critical foundation for the evolution of her poetics. By attending to the particula

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32

McInnis, Nadine. "Dorothy Livesay's poetics of desire." Thesis, University of Ottawa (Canada), 1992. http://hdl.handle.net/10393/7902.

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Dorothy Livesay's poetic exploration of love illuminates the relationship that exists between the individual woman artist and a culture shaped by men's experiences and stories. Chapter 1 surveys the critical treatment of Livesay's love poems, illustrating how theoretical superimposition can distort the subtext which gives the poems their energy and power. Chapter 2 analyses the thematic and imagistic portrayal of the love relationship present in the poems written during early womanhood, and establishes a link between sexuality and textuality. Chapter 3 explores the violent sexual/textual confl

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33

Cabri, Louis de Meillon. "A poetics of aesthetic forms." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq20783.pdf.

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34

Jones, Emma. "Christina Rossetti and maternal poetics." Thesis, University of Cambridge, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.612952.

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35

Ravinthiran, Vidyan. "Elizabeth Bishop's poetics of prose." Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.534279.

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36

Kang, Sukjin. "Joseph Conrad : his dialogic poetics." Thesis, University of Newcastle Upon Tyne, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.244330.

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37

Haskell, Greer. "The Oresteia : a theatrical poetics." Thesis, University College London (University of London), 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.363120.

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38

CABRAL, SIMONE GARRIDO ESTEVES. "BANDEIRA: THE POETICS OF COMPROMISE." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2004. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=5195@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>A dissertação visa abordar basicamente duas questões relativas à poética de Manuel Bandeira, a partir da troca de correspondência entre o poeta e Mário de Andrade. A primeira delas diz respeito à correspondência propriamente dita, entendendo-se essa correspondência como a enunciação de uma fala que será devolvida por outro, construindo-se, assim, um discurso que estabelece relações mútuas e interferências socioculturais. A segunda questão abordada refere-se à análise da concepção bandeiriana de poética, confrontando-a com sua própria

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39

Sidhu, Sonny. "Poetics of the videogame setpiece." Thesis, Massachusetts Institute of Technology, 2013. http://hdl.handle.net/1721.1/81080.

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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Comparative Media Studies, 2013.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (p. 131-137).<br>Many of today's most popular single-player videogames contain short, semi-interactive sequences of tightly scripted, visually spectacular action gameplay, which-despite being generally unrepresentative of a game's 'normal' functions-tend to receive prominent placement in the marketing campaigns that produce desire for the games they appear in. As prevalent as they have become, these setpieces (as they ar

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40

Lazarus, Micha David Swade. "Aristotle's Poetics in Renaissance England." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:fea8e0e3-df54-4b57-b45d-0b46acd06530.

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This thesis brings to light evidence for the circulation and first-hand reception of Aristotle's Poetics in sixteenth-century England. Though the Poetics upended literary thinking on the Continent in the period, it has long been considered either unavailable in England, linguistically inaccessible to the Greekless English, or thoroughly mediated for English readers by Italian criticism. This thesis revisits the evidentiary basis for each of these claims in turn. A survey of surviving English booklists and library catalogues, set against the work's comprehensive sixteenth-century print-history,

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41

Cho, Ju Gwan. "Time philosophy in Derzhavin's poetics /." The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487694389392671.

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42

Rose-Vails, Shannon. "Joy Harjo's Poetics of Transformation." Thesis, University of North Texas, 2003. https://digital.library.unt.edu/ark:/67531/metadc4358/.

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For Muscogee Creek poet Joy Harjo, poetry is a real world force that can empower the reader by utilizing mythic memory, recovery of history, and a spiral journey to regain communal identity. Her poetic career transforms from early lyric poems to a hybridized form of prosody, prose, and myth to accommodate and to reflect Harjo's concerns as they progress from personal, to tribal, and then to global. She often employs a witnessing strategy to combat the trauma caused by racism in order to create the possibility for renewal and healing. Furthermore, Harjo's poetry combats forces that seek to defi

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43

Forehand, Paul. "Poetics of Lev Tolstoy's Kholstomer." Thesis, University of Oregon, 2014. http://hdl.handle.net/1794/18396.

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This thesis contains an analysis of the ways in which form and content are combined to create significance within a text, as well as an exploration of the ways in which the mechanics of didactic fiction convey this significance to the reader.

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Janssen, David. "Walt Whitman's Poetics of Labor." PDXScholar, 1993. https://pdxscholar.library.pdx.edu/open_access_etds/4593.

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The purpose of this thesis is to organize and examine Walt Whitman's poetic representations and discussions of laborers and labor issues in order to argue that form a distinct "poetics" of labor in Leaves of Grass. This poetics of labor reveals that Whitman was attempting to enlarge the audience for American poetry by representing American society at work in poetry. Whitman also used labor as a poetic subject in order to justify the work of the poet in that society. In this sense, Whitman's poetics of labor is comprised of numerous demonstrations of his argument for the labor of poetry because

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45

Hyland, John J. "Indonesian Postcards." Fogler Library, University of Maine, 2003. http://www.library.umaine.edu/theses/pdf/HylandJJ2003.pdf.

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46

Warner, Ahren. "Contradictions in coherence : three poets and the poetics of the commodity as fetish." Thesis, Queen Mary, University of London, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.612567.

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47

Janulevičius, Marius. "Absurdo poetika Juozo Erlicko "Prisimynimuose"." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2006. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2006~D_20060623_123217-11681.

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Absurd literature originated and was developed in the middle of the 20 th century in the West. The brightest representatives of this type of literature are Albert Camus, Eugene Ionesco, Samuel Becket and others. In their works they raised the problem of meaninglessness of human existence, loneliness of an individual and man’s inability to communicate with other people. Are these absurd literature ideas topical issues in contemporary Lithuanian literature? The poetics of Absurd literature in Lithuanian literature practically has not been researched. One reason might have been that there has not

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48

Kelen, Christopher, University of Western Sydney, and School of Communication and Media. "Metabusiness : poetics of haunting and laughter." THESIS_XXX_SCM_Kelen_C.xml, 1998. http://handle.uws.edu.au:8081/1959.7/542.

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This thesis deals with the writing process in poetry. It consists of two types of text – theoretical and poetic. This thesis asks, for the purposes of a poetics of writing, what knowledge of language poetry requires. Questions as to the sources of poetry are resolved as questions asked of the ethics in which writing is possible. Poetry is that discourse which stands out of the bivalency of judgement, constituting, as speech does in its unending, the delay of freedom. Tropology is structure with which to represent the world, and by limitless tropology we inscribe the manner and scope of poetry’

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49

Madoc-Jones, Geoffrey. "Hermeneutics, poetics and language arts education." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape7/PQDD_0023/NQ51895.pdf.

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50

Malmqvist, Jenny. "Belfast Textiles : On Ciaran Carson’s Poetics." Doctoral thesis, Linköpings universitet, Avdelningen för moderna språk, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-97390.

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This thesis is a study of the formation and development of Ciaran Carson’s poetics from his debut in the 1970s up to and including his fourth principal collection of poems, First Language, published in 1993. Examining Carson’s recourse to different kinds of rewriting, made manifest as intertextuality and translation, it aims to account for the thematic formulation and formal realization of this poetics. The poetics is elicited from two distinct groups of poems. The first group comprises poems, given in the consecutive volumes The Lost Explorer (1978), The Irish for No (1987), Belfast Confetti

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