Relevant bibliographies by topics / Poetry and medicine

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Poetry and medicine'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Poetry and medicine"

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Brueggemann, James G. "Poetry and Medicine." Perspectives in Biology and Medicine 28, no. 3 (1985): 370–73. http://dx.doi.org/10.1353/pbm.1985.0024.

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Mukand, Jon. "Poetry and Medicine." JAMA: The Journal of the American Medical Association 264, no. 8 (August 22, 1990): 1034. http://dx.doi.org/10.1001/jama.1990.03450080124045.

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Firlik, Andrew D. "Poetry and Medicine." JAMA: The Journal of the American Medical Association 264, no. 9 (September 5, 1990): 1110. http://dx.doi.org/10.1001/jama.1990.03450090046022.

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Ritchie, Elisavietta. "Poetry and Medicine." JAMA: The Journal of the American Medical Association 264, no. 10 (September 12, 1990): 1342. http://dx.doi.org/10.1001/jama.1990.03450100134046.

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Ritchie, Elspeth Cameron. "Poetry and Medicine." JAMA: The Journal of the American Medical Association 264, no. 16 (October 24, 1990): 2044. http://dx.doi.org/10.1001/jama.1990.03450160006001.

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Cassutt, Glenda. "Poetry and Medicine." JAMA: The Journal of the American Medical Association 264, no. 17 (November 7, 1990): 2202. http://dx.doi.org/10.1001/jama.1990.03450170050008.

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de Almeida, Hermione. "Poetry and Medicine." JAMA: The Journal of the American Medical Association 265, no. 2 (January 9, 1991): 280. http://dx.doi.org/10.1001/jama.1991.03460020138043.

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Firlik, Andrew D. "Poetry and Medicine." JAMA: The Journal of the American Medical Association 265, no. 13 (April 3, 1991): 1615. http://dx.doi.org/10.1001/jama.1991.03460130005001.

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Skloot, Floyd. "Poetry and Medicine." JAMA: The Journal of the American Medical Association 265, no. 24 (June 26, 1991): 3314. http://dx.doi.org/10.1001/jama.1991.03460240112039.

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Boudreaux, Judith. "Poetry and Medicine." JAMA: The Journal of the American Medical Association 266, no. 6 (August 14, 1991): 790. http://dx.doi.org/10.1001/jama.1991.03470060052009.

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Dissertations / Theses on the topic "Poetry and medicine"

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Malone, Jonathan. "Medicine, religion and the passions in early modern poetry and prose." Thesis, Queen's University Belfast, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.707825.

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This thesis investigates the use of medical terminology in the expression of religious selfhood in the late sixteenth and early seventeenth centuries. Concentrating on the period between 1590 and 1640, I examine how the diffusion of medical learning and its key vocabularies into wider cultural contexts offered writers new ways in which to interpret the body’s functions in relation to religious doctrine. Focusing on the physiology of the humoral system and the physical and religious ‘passions’, I explore how an increased use of medical terminology can support or problematize the individual’s relationship with their own body and the religious doctrine to which they adhere. Through extensive use of primary medical and religious texts, I show that knowledge of medical terminology is employed with greater specificity than has previously been considered, evidencing a lively correspondence of ideas for writers working towards a systematic understanding of the religious significance of the body.
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Huang, Kai. "Oral Medicine: A Role for Spoken Word Poetry in Medical Education." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:17295869.

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During my time at Harvard Medical School (HMS), I have been fortunate enough to be able to continue pursuing a unique passion of mine. Spoken word poetry is a passion that falls far from the traditional medical school curriculum. In this paper, however, I will argue that this need not be the case. I will argue that spoken word poetry has an important role to play in the education and professional development of physicians and other health care providers. First, I will present a brief history of spoken word poetry. My intent here is to orient my audience, composed mostly of academic physicians, to this rich and fascinating genre of performance art. Next, I will provide an overview of how poetry and other forms of creative writing are already being used to help train more well-rounded, humanistic physicians. I will describe how the inclusion of spoken word poetry in particular has the potential to enhance these initiatives in unique and powerful ways. Finally, I will present an original curriculum made up of four contiguous spoken word poetry workshops specifically geared towards medical students and physicians. This course will be designed in the spirit of month-long electives at my home institution and at many other medical schools. It is my hope that through this project, I might help academic physicians gain a greater appreciation for the unconventional art form that is spoken word poetry and for the role it might play in advancing our profession, our relationships to patients, and ultimately our patients’ outcomes.
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Kauffman, Jill Lauren. "Poetry "Found" in Illness Narrative: A Feminist Approach to Patients' Ways of Knowing and the Concept of Relational Autonomy." Thesis, Connect to resource online, 2009. http://hdl.handle.net/1805/1963.

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Thesis (M.A.)--Indiana University, 2009.
Department of Philosophy, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Peg Brand, James Capshew, Richard Gunderman, Jane E. Schultz. Includes vitae. Includes bibliographical references (leaves 117-122).
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Vaananen, Katrina Victoria. "Renaissance Reception of Classical Poetry in Fracastoro’s Morbus Gallicus." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1506444910819066.

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Pappas, Robin Brooke. "Varieties of consciousness : nineteenth- and early twentieth-century poetics of "altered" states /." view abstract or download file of text, 2003. http://wwwlib.umi.com/cr/uoregon/fullcit?p3113022.

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Thesis (Ph. D.)--University of Oregon, 2003.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 263-277). Also available for download via the World Wide Web; free to University of Oregon users.
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MacDonald, Anna. "Expressions of White Ink: Victorian Women's Poetry and the Lactating Breast." Thesis, Université d'Ottawa / University of Ottawa, 2015. http://hdl.handle.net/10393/32951.

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The period spanning from the late 1850s to the mid-1860s frames a historical moment in Victorian England when lactation and breastfeeding came under intense public scrutiny in both medical and creative writing. While popular domestic author Isabella Beeton wrote on the dangers that an unwary mother’s milk represented for her child and herself in her serial publication, Mrs. Beeton’s Book of Household Management (1859-1861), prominent physicians C.H.F. Routh and William Acton launched a public dispute in medical journals contesting the physiological and moral dangers that the fallen wet nurse posed for the middle-class household (1859). Meanwhile, the medical community catalogued the bizarre long-term physical and dispositional side-effects of an infant’s consumption of “bad milk” – among them, syphilis, swearing, sexual immorality, and death (Matus 161-162). But it is not only medical writers who were latching on to the breastfeeding debate as a means of voicing social and political concerns of the day; recent literary critics have gestured towards the troubling manifestations of lactation in popular mid-century novels like Charles Dickens’s Dombey and Son (1848) and George Eliot’s Adam Bede (1859) as entry points into Victorian anxieties about classed and gendered embodiment. This project stipulates that the mid-century preoccupation with managing women’s milk represents an intersection of two overlapping cultural paradigms pertaining to female expression: a cultural devaluation of female physiological expression as unconscious if not dangerous leakage, and a deprecation of female linguistic and poetic expression as an analogously unmeditated and potentially disruptive kind of communication. Mid-century manuals, articles, and novels offered public voice to a number of existing anxieties surrounding breastfeeding which accompanied the mid-nineteenth century, a historical moment at the cusp of a waning popularity in wet nursing and at the advent and rise of patented infant formula. This project stipulates that at least three female poets of the mid-nineteenth century employ lactation imagery in their works as a means of recasting a cultural devaluation of female expression – inventing a new critical terminology of feminine poetic signifiers that uses the symbolic medium of breastmilk as its ink. Informed by the medical and cultural context of the High Victorian age, I explore how poets Elizabeth Barrett Browning (1806-1861), Christina Rossetti (1830-1894), and Augusta Webster (1837-1894) not only participate in the preoccupation with unstable bodies and fluids, but capitalize on female leakage in an elaborate rhetorical strategy that embarks on a new embodied female poetics. Barrett Browning’s Aurora Leigh, Rossetti’s “Goblin Market,” and Webster’s Mother and Daughter all enlist the lactating and feeding breast in a series of elaborate metaphors of female identity construction, literary expression, and poetic voice.
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Eggers, Sarah H. "Using Photography and Poetry in Group Therapy for People with Severe and Persistent Mental Illness: An Outcome Study." Digital Commons at Loyola Marymount University and Loyola Law School, 2014. https://digitalcommons.lmu.edu/etd/58.

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This research explores the experience of participation in a pilot program that integrated poetry and photography for a group of seven adults living with severe and persistent mental illness. Data was gathered in the form of written, visual and verbal responses generated through a semistructured, qualitative focus group that took the week after the end of the pilot program. The data was categorized and coded using a analytical procedure based on Photovoice, a participatory action research model that seeks to empower research participants by providing them with cameras to document and share issues of importance to their lives. Analysis of the data resulted in the emergence of six overarching themes: 1) The group experience 2) Self vs. other 3) Accomplishment and challenge 4) Confinement vs. freedom 5) Observing vs. Being observed/new perspectives and 6) Memories recalled. These themes were examined against existing literature about the use of photography and poetry in therapy, arts-based and group therapy treatments of severe and persistent mental illness, and the use of participatory and artsbased research in mental health. The findings of this research emphasize the rich possibilities for incorporating linked language/written and visual interventions in the treatment of severe and persistent mental illness, as the two offer complementary but distinct opportunities for healing, growth and self-expression. Moreover, this study demonstrates the importance of including mental health clients as participants in qualitative research regarding their perceptions of treatment, and the fundamentally empowering experience of being viewed and treated as experts on their own lives.
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Ghosh, Hrileena. "John Keats's medical notebook and the poet's career : an editorial, critical and biographical reassessment." Thesis, University of St Andrews, 2016. http://hdl.handle.net/10023/8247.

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This thesis explores the significance of John Keats's medical Notebook, and his time at Guy's Hospital (October 1815 – March 1817), for the poet's career. As a primary contribution, it offers a new transcription of Keats's medical Notebook (Appendix 1). The transcription reproduces Keats's text and indicates the layout of his notes, but is neither a facsimile, nor a new edition: the visual form of Keats's notes is not reproduced, nor do I offer critical annotations; commentary follows in subsequent chapters. The achievements, limitations and influence of the only edition of Keats's medical Notebook — Maurice Buxton Forman's from 1934 — are the subject of the first chapter, which also considers accounts of Keats's medical career in Keats biography and criticism. Chapter two focuses on the poems Keats wrote while at Guy's to show that the two aspects of his life — medicine and poetry — were mutually influential. Chapter three considers Keats's medical notes in comparison to a fellow-student's, indicating how some characteristics of Keats's note-taking prefigure aspects of his mature poetry. Chapter four finds Endymion suffused with medical knowledge and imagery, and argues that this was a vital aspect of the poem's depiction of passion. Chapter five suggests that the publication of Keats's 1820 volume was greatly influenced by questions of health, medicine, and disease; concerns reflected by the poems in it, which also reveal the extent of Keats's continued awareness of, and interest in, contemporary medical thought. In sum, the thesis argues that the origins of Keats's poetic achievement can be traced in his medical Notebook and ‘hospital' poems, and that the ability to infuse his poetry with medical knowledge was a vital component of Keats's poetic power and achievement.
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Fernàndez, Clot Anna. "Estudi i edició crítica de la "Medicina de pecat" de Ramon Llull." Doctoral thesis, Universitat de Barcelona, 2017. http://hdl.handle.net/10803/458517.

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La Medicina de pecat és un extens tractat en vers de Ramon Llull concebut per a la direcció espiritual dels cristians pecadors que, mitjançant la pràctica d’exercicis devocionals i doctrinals, volen purificar la seva ànima i encaminar-se a la via de salut eterna. L’estructura de l’obra està integrada per diferents parts i capítols que constitueixen unitats formals i de sentit, les quals poden ser llegides per separat. Aquesta característica va donar lloc, des de ben aviat, a una doble transmissió del text: la del tractat com a conjunt compost per diverses parts i la d’unitats parcials del text que han estat desvinculades de la macroestructura i difoses com a opuscles autònoms. Aquesta tesi doctoral té l’objectiu d’oferir un estudi del conjunt de la tradició de la Medicina de pecat, una reconstrucció del text basada en l’anàlisi ecdòtica de tota la tradició i una interpretació del tractat en vers que tingui en compte la posició que ocupa aquest text en el marc de la producció lul·liana i en relació amb el conjunt d’estratègies desenvolupades per l’autor per tal de promoure el seu programa intel·lectual i els seus projectes missionals d’una manera eficaç. Amb aquest propòsit, s’han ordenat i analitzat totes les dades textuals i històriques conegudes que fan referència a la composició i a la transmissió de la Medicina de pecat i s’ha preparat una edició crítica del text complet de l’obra, la primera que té en compte tota la tradició manuscrita conservada i que respon a uns criteris filològics objectius.
The Medicina de pecat is a long treatise in verse by Ramon Llull that was conceived as a spiritual guide for Christian sinners who, through the practice of devotional and doctrinal exercises, want to purify their soul and find their way towards eternal salvation. The structure of this work consists of different parts and chapters that constitute formal and meaningful units, which are susceptible to being read separately from the main piece. Soon this feature caused the text to be disseminated in two different ways: on the one hand, the treatise as a piece consisting of different parts; and, on the other hand, some text units that were disassociated from the macro-structure and disseminated as independent opuscules. This doctoral thesis aims to offer a study of the whole tradition of the Medicina de pecat, a reconstruction of the text based on an ecdotic analysis of all its tradition, and an interpretation of the versed treatise in which two main aspects are considered: the position of the work regarding Ramon Llull’s oeuvre and the strategies carried out by Llull to effectively promote his intellectual programme and his missionary projects. To the purpose of this study, all textual and historical extant-data regarding the composition and the dissemination of the Medicina de pecat have been sorted and analysed, and a critical edition of the complete text has been prepared, which is the first one that takes into account the entire textual tradition preserved and that is based on philological objective criteria.
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Wiklund, Jenny. "Journal - rekonstruktion av kropp och minne." Doctoral thesis, KTH, Kritiska studier i arkitektur, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-213846.

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Projektet har utvecklats i interdisciplinärt samarbete mellan Jenny Wiklund och KTH, Akademiska Sjukhuset i Uppsala, Uppsala Universitet, Karolinska Institutet, Kungl. Konsthögskolan, Aarhus Arkitektskole, och curator Jan Åman. Projektet har utvecklats skulpturalt vid Kungl. Konsthögskolan. Förstudier har genomförts vid Karolinska Universitetssjukhuset. I finalstudien kombineras studier vid Uppsala Akademiska Sjukhuset, Bild- och Funktionsmedicinskt centrum/Röntgen i tredimensionell visualisering av medicinsk bild med studier i klinisk anatomi vid Uppsala Universitet, för att förenas i skulptural gestaltning och iscensättning. R1 Reaktorhallen iscensätts som ett platsspecifikt monumentalverk. Den fysiska installationen i rummet bildar en temporal kappa om utställningskapitlen i avhandlingsutställningen som handlar om kropp och hjärna. Utställningen berättar om en specifik tidpunkt, utan minne och proprioception. Här finns ingen historia och ingen framtid. Genom utställningen skapas en förståelse för sambanden mellan teoretiskt tänkande och visuell gestaltning. Det är forskning genom konstnärlig och arkitektonisk precision med referenser till konst, arkitektur, medicin och medicinsk teknik. Referenserna är från verkliga objekt i verkliga rum, specifika verk från specifika konstnärer och genom auskultering vid flertalet expertpresentationer, där människor genom närvaro förmedlat sin kunskap. Arkitektur är spatial konstruktion av identitet, här i utställningsform som temporal visuell spatial-estetisk poetik. Formen på framläggningen av avhandlingen är vald efter det huvudsakliga ämnet som utreds, minnet, och dess temporala omskapande av rummet vid varje specifik tidpunkt det framkallas. Det visuella intrycket kommer före alla andra beskrivningar, i logik med den händelse som föregick doktorandprojektets ämne, en minnesförlust, där upplevelsen av rummet kom före språket, kroppen före hjärnan, intränade minnen i form av siffror före en självbiografi.
The project was developed in co-operation between Jenny Wiklund and KTH, Uppsala University Hospital, Uppsala University, Karolinska Institute, Royal Institute of Art, Aarhus School of Architecture, and curator Jan Åman. The project was developed sculpturally at the Royal Institute of Art. Preliminary studies of medicine were made at Karolinska University Hospital. The final study combines studies at Uppsala University Hospital of three-dimensional visualization of medical imaging with studies of clinical anatomy at Uppsala University, to be amalgamated to a sculptural interpretation and production. R1, the Reactor Hall, is staged as a site-specific monumental artistic work. The installation provides a temporary coat around the chapters of the dissertation exhibition, dealing with body and brain. The exhibition tells us about a specific moment, there is no memory, nor proprioception. There is no history, nor future. Through the exhibition an understanding of the connection between theoretical thinking and visual interpretation emerges. It is research by artistic and architectonic precision with references to art, architecture, medicine and medical technique. References come from concrete objects in concrete rooms, from specific artistic work of individual artists and from auscultating a number of expert presentations, where people by presence conveyed their knowledge. Architecture is a spatial construction of identity, here in the form of an exhibition as temporary visual spatial-aesthetic poetic theory. The form of the dissertation was chosen due to the main subject investigated, memory, and its temporary reshaping of the room at each specific point of time it is aroused. The visual impression come before all other descriptions, logical to the event that preceded the subject of the project, a loss of memory, when the experience of the room came before the language, the body before the brain, trained memories in the form of figures before an autobiography.

Avhandlingen består av utställning med tillhörande text. Textdelen publiceras i DiVA samtidigt som utställningen är öppen.

QC 20170907

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Books on the topic "Poetry and medicine"

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Medicine. New York: Penguin, 2000.

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Medicine show. Chicago: The University of Chicago Press, 2010.

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Medicine woods: Poems. San Antonio, Tex: Pecan Grove Press, 2007.

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Romance, poetry, and surgical sleep: Literature influences medicine. Westport, Conn: Greenwood Press, 1995.

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Coulehan, John L. Medicine stone: Poems. Santa Barbara, CA: Fithian Press, 2002.

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Manual de medicina. México, D.F: Ediciones Fósforo, 2008.

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Figueroa, Iván. Manual de medicina. México, D.F: Ediciones Fósforo, 2008.

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Doyah, Ray C. Bringing medicine: Selected poems. Anadarko, Okla: R.C. Doyah, 1996.

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Scofield, Gregory A. The gathering: Stones for the medicine wheel. Vancouver, B.C: Polestar Book Publishers, 1993.

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Easing the edges: Dakota poetry and images. [Sioux Falls, S.D.]: Penstemon Pub. of South Dakota, 1994.

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Book chapters on the topic "Poetry and medicine"

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Hope-Gill, Laura. "The Munchkin and the medicine man." In Poetry, Method and Education Research, 121–31. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429202117-12.

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Choksey, Lara. "Max Ritvo’s Precision Poetry." In The Palgrave Handbook of Twentieth and Twenty-First Century Literature and Science, 345–60. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-48244-2_19.

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AbstractThis essay reads Max Ritvo’s poetry through a chronology of precision biomedicine: imaging, diagnosis, and treatment. Ritvo’s construction of a patient-consumer avatar in his poetry reflects his position at a biomedical frontier, while poetic form becomes a way of retrieving bodies from a logic of substitution and surrogacy. A body lying under the weight of relentless, and relentlessly variable, imaging is catapulted through memory to a place by the sea in “The Curve.” In “Poem to My Litter,” the speaker addresses the laboratory mice injected with his tumors, drawing himself closer to them through their shared imprisonment in bodies on their way out of life, and suspending a bioeconomy embedded in a moral economy of sacrifice and faith. If precision medicine depends on making the analogical and metaphorical into common consensus—images that stand in for bodies, codes that stand in for disease—then Ritvo upends its neat architecture. He sticks instead with the messiness of bodies failing to meet an elusive salvation.
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Lauritzen, Paul. "Listening to the Different Voices: Toward a More Poetic Bioethics." In Theology and Medicine, 151–69. Dordrecht: Springer Netherlands, 1994. http://dx.doi.org/10.1007/978-94-015-8386-2_8.

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McEntyre, Marilyn. "Anecdotal Evidence: What Patient Poets Provide." In New Directions in Literature and Medicine Studies, 181–201. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-51988-7_10.

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"Poetry." In Principles and Practice of Sleep Medicine, vii. Elsevier, 2011. http://dx.doi.org/10.1016/b978-1-4160-6645-3.00154-7.

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"A History of Poetry." In Alternative Medicine, 5. Duke University Press, 2013. http://dx.doi.org/10.1215/9780822377139-003.

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"A History of Poetry." In Alternative Medicine, 5. Duke University Press, 2013. http://dx.doi.org/10.2307/j.ctv1220qpn.5.

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Baraz, Yelena. "The Bitter Medicine of History." In Reading Roman Declamation, 15–36. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198746010.003.0002.

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This chapter investigates how Seneca the Elder negotiates the generic position of declamation in his Controversiae and Suasoriae. It argues that his practice shows a perception of close generic affinity between declamation and poetry, and focuses on his attempt to force his readers into a closer engagement with historiography. In the course of critiquing declamations, Seneca not infrequently offers as extra-declamatory comparanda examples from poetry, and especially from epic. He appears to take for granted his audience’s acceptance of the models of poetic description and poetic pathos. History, by contrast, does not appear as a parallel genre in the Controversiae and is cited only in the divisio of the sixth suasoria, on whether Cicero should ask Antony to spare him. Seneca expects his audience to be distressed by the introduction of historiographical texts, but insists on an extensive engagement with historical treatments as non alienum to the subject. This juxtaposition of attitudes suggests awareness on the part of Seneca’s audience of a generic identity centred on fictionality (a crucial distinction from traditional oratory). By centring his discussion on this exemplum, moreover, Seneca uses the most temporally proximate subject, Cicero’s death, to make the strongest possible argument for the potential benefit of history to the future development of the declamatory genre.
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Thumiger, Chiara. "The Ophthalmology of Lovesickness: Poetry, Philosophy, Medicine." In Pathologies of Love in Classical Literature, 23–46. De Gruyter, 2021. http://dx.doi.org/10.1515/9783110747942-002.

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"Poetry, metaphor and the medical imagination." In Thinking with Metaphors in Medicine, 144–61. Abingdon, Oxon ; New York, NY : Routledge, 2017. | Series: Routledge advances in the medical humanities: Routledge, 2017. http://dx.doi.org/10.4324/9781315389448-9.

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Conference papers on the topic "Poetry and medicine"

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Hulse, Michael, and Donald Singer. "6 Poetry, medicine and the hippocrates prize." In Abstracts from the Fellowship of Postgraduate Medicine Centenary Conference 2018: Transforming Health and Health Care. The Fellowship of Postgraduate Medicine, 2018. http://dx.doi.org/10.1136/postgradmedj-2018-fpm.6.

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Li, Yan. "On the Translator's Subjectivity in the Conversion of Untranslatability of Classical Chinese Poetry." In International Conference on Electronics, Mechanics, Culture and Medicine. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/emcm-15.2016.96.

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Hu, Na, Yiran Xu, Xinzhu Fang, and Xing Xu. "The Poetry Workshop of Pottery Songs--A Case of Output-driven Approach in Second Language Teaching." In 2016 7th International Conference on Education, Management, Computer and Medicine (EMCM 2016). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/emcm-16.2017.35.

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Wei, Ran, and Lingling Xiao. "Discussion of the Poetic of TangYin's "Autumn Breeze and Fine Silk Fan"." In International Conference on Electronics, Mechanics, Culture and Medicine. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/emcm-15.2016.105.

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Bliss, JM, LE Robison, MF Webster-Smith, MA Emson, LS Kilburn, IE Smith, J. Robertson, et al. "OT2-03-04: A Trial Model for the Future in the Search for Personalised Medicine – The UK POETIC and EPHOS-B Perioperative Trials Experience." In Abstracts: Thirty-Fourth Annual CTRC‐AACR San Antonio Breast Cancer Symposium‐‐ Dec 6‐10, 2011; San Antonio, TX. American Association for Cancer Research, 2011. http://dx.doi.org/10.1158/0008-5472.sabcs11-ot2-03-04.

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