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Relevant bibliographies by topics / Poetry Authorship

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Academic literature on the topic 'Poetry Authorship'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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Journal articles on the topic "Poetry Authorship"

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Frishkopf, Michael. "Authorship in Sufi Poetry." Alif: Journal of Comparative Poetics, no. 23 (2003): 78. http://dx.doi.org/10.2307/1350077.

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Zhou, Ai, Yijia Zhang, and Mingyu Lu. "Multidimensional Domain Knowledge Framework for Poet Profiling." Electronics 12, no. 3 (January 28, 2023): 656. http://dx.doi.org/10.3390/electronics12030656.

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Authorship profiling is a subtask of authorship identification. This task can be regarded as an analysis of personal writing styles, which has been widely investigated. However, no previous studies have attempted to analyze the authorship of classical Chinese poetry. First, we provide an approach to evaluate the popularity of poets, and we also establish a public corpus containing the top 20 most popular poets in the Tang Dynasty for authorship profiling. Then, a novel poetry authorship profiling framework named multidimensional domain knowledge poet profiling (M-DKPP) is proposed, combining t

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Gómez-Bravo, Ana M. "«Female (co)authorship in Cancionero Poetry»." Revista de Literatura Medieval 30 (December 31, 2018): 153–72. http://dx.doi.org/10.37536/rpm.2018.30.0.74048.

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Resumen: La autoría femenina era una cuestión polémica en la Iberia del siglo XV y principios del XVI. Gran parte de la producción poética de este período estaba asociada con la interacción social, lo que permitía una compleja negociación de la autoría y los papeles de género. Si bien el discurso femenino era fundamental para la escritura poética y las prácticas culturales relacionadas con el mismo, estaban en funcionamiento prácticas editoriales que suprimían las contribuciones de las mujeres a la escritura. El estudio apunta a una imbricación textual del discurso femenino y masculino en vari

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Robinson, Fred C. "Old English Poetry: The Question of Authorship." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 3, no. 2 (April 1990): 59–64. http://dx.doi.org/10.1080/19403364.1990.11755240.

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Hauser, Emily. "Erica Jong’s Sappho’s Leap:(Re-)constructing Gender and Authorship through Sappho." Synthesis: an Anglophone Journal of Comparative Literary Studies, no. 12 (November 8, 2020): 55. http://dx.doi.org/10.12681/syn.25258.

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For contemporary female authors, Sappho is a literary forebear who is both a model for women’s writing and a reminder of the ways in which women have been excluded from the literary canon. Poet and novelist Erica Jong takes up the challenge to gender and authorship posed by Sappho in her 2003 novel, Sappho’s Leap. Jong weaves Sappho’s poetry into her fiction to both complement the Sapphic tradition and to supplant it, proving that female poetry —and authorship— is alive and well, with Sappho continually mediated by and validating each subsequent writer in the female tradition. In addition, Jon

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Fang, Alex C., Wan-yin Li, and Jing Cao. "In search of poetic discourse of classical Chinese poetry." Chinese Language and Discourse 2, no. 2 (December 21, 2011): 232–49. http://dx.doi.org/10.1075/cld.2.2.04fan.

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We address the issue of poetic discourse in classical Chinese poetry and propose the use of imageries as characteristic anchors that stylistically differentiate poetic schools as well as individual poets. We describe an experiment that is aimed at the use of ontological knowledge to identify patterns of imagery use as stylistic features of classical Chinese poetry for authorship attribution of classical Chinese poems. This work is motivated by the understanding that the creative language use by different poets can be characterised through their creative use of imageries which can be captured t

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Wulandari, Sovia, Liza Septa Wilyanti, and Anggi Triandana. "Gaya Kepengarangan dalam Puisi Populer Indonesia Berdasarkan Sistem Tanda dan Makna Simbolik." Jurnal Ilmiah Universitas Batanghari Jambi 23, no. 1 (February 28, 2023): 721. http://dx.doi.org/10.33087/jiubj.v23i1.2999.

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The sign system in poetry is an element that builds poetry. Therefore, each poem displays a different style based on the use of symbolic signs. The purpose of this study is to classify the style of authorship in Indonesian popular poetry based on the system of signs and symbolic meanings used by the author. The approach used to analyze the sign system and the symbolic meaning is a semiotic approach. The style of authorship is analyzed based on a stylistic approach. The method used for data analysis is a qualitative-descriptive method. The results showed that the sign system and symbolic meanin

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Othman, Arbak. "Malay Authorship in Landskap Ungu: From Artistic Source to Intellectual Impact." Malay Literature 30, no. 1 (June 1, 2017): 140–58. http://dx.doi.org/10.37052/ml.30(1)no6.

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This article discusses the contribution of Dato’ Ahmad Kamal Abdullah or Kemala regarding the development of Malay poetry in Malaysia and the history of Malay poetry in the archipelago. This article is based fully on the essays compiled in Landskap Ungu (2010). It examines Kemala’s contribution to the Malay art of poetry composition, the approach or the evaluation used in analyzing Malay poetry, specifically in interpreting Islamic poetry and the country’s sociopolitical landscape, as well as comparing the quality of the art of poetry of international poets with that of some of Malaysia’s poet

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Siebenpfeiffer, Hania. "Sibylle – Clio – Thalia. Inszenierungen mythopoetischer Autorschaft im Titelkupfer und in Gedichten von Sibylla Schwarz." Daphnis 44, no. 1-02 (July 21, 2016): 199–222. http://dx.doi.org/10.1163/18796583-04401010.

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Frontispiece and dedication poems of Gerlachs edition of Sibylla Schwarz poetry openly refer to the early modern sibylline iconography by characterizing her as the “German” or “Eleventh Sibyl”. In the poems themselves other references are foregrounded, most prominent those to the apollonian muses Clio and Thalia, constructing a mythopoetic authorship and emphasizing the poetic quality of poetry in contrast to the prophetic. By giving him/herself a mythopoetic identity, the “I” transforms its poems into poetic heterotopias. In “Fretow”, they are given a concrete heterotopic counterpart. The poe

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Sarumi, Kahar Wahab. "Nationalism in Modern Arabic Poetry of Yoruba Authorship." International Journal of Literary Humanities 15, no. 3 (2017): 21–33. http://dx.doi.org/10.18848/2327-7912/cgp/v15i03/21-33.

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Dissertations / Theses on the topic "Poetry Authorship"

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Davies, Kevin. "Paraphernalia : four poems in seven drafts /." Fogler Library, University of Maine, 2006. http://www.library.umaine.edu/theses/pdf/DaviesKX2006.pdf.

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Kinsella, John. "The pastoral and modernity: AUTO visitants hunt as textual investigation of self and poetry." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2000. https://ro.ecu.edu.au/theses/1354.

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AUTO is a prose work about poetry and the “growth of the poet’s imagination”, to quote The Poet. A poet? If we remember correctly. Reference? Is/was that how it should be worded? Maybe this is a mistake? But an error is a textual truth in itself. It tells us something. AUTO. It is also a metatextual work that is concerned with its own means of production. The voice of self shifts position in relation to the construction of narratives. Stories are told, anecdotes conveyed, portraits suggested. The autobiographical voice is as much an onlooker as the centre of activity. AUTO is a text about the

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Hussey, Charlotte. "Of swans, the wind and H.D. : an epistolary portrait of the poetic process." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36612.

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This dissertation is a qualitative case study of a woman's poetic process. Rather than examine creativity from the outside, I have viewed it from the inside in an attempt to document my direct engagement, as an emergent woman poet, with my own writing. I have conducted personal, poetic research throughout this project in an attempt to construct a self-portrait of my own creativity.<br>To do so, I have not attempted to prove a thesis, or strive for scientific objectivity. As the portrait of a woman's imagination, this text narrates the winding course of a transformative journey brought about by

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Coxon, Sebastian. "The presentation of authorship on later thirteenth-century middle German narrative poetry." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.285247.

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Kelen, Christopher, University of Western Sydney, and School of Communication and Media. "Metabusiness : poetics of haunting and laughter." THESIS_XXX_SCM_Kelen_C.xml, 1998. http://handle.uws.edu.au:8081/1959.7/542.

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This thesis deals with the writing process in poetry. It consists of two types of text – theoretical and poetic. This thesis asks, for the purposes of a poetics of writing, what knowledge of language poetry requires. Questions as to the sources of poetry are resolved as questions asked of the ethics in which writing is possible. Poetry is that discourse which stands out of the bivalency of judgement, constituting, as speech does in its unending, the delay of freedom. Tropology is structure with which to represent the world, and by limitless tropology we inscribe the manner and scope of poetry’

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Llewellyn, M. E. "Minor poets and the game of authorship : the poetry of Thomas Randolph, Katherine Philips and Edmund Waller." Thesis, Swansea University, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.637933.

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This thesis explores the nature of ‘minor poetry’ of the seventeenth century. I argue that Thomas Randolph, Katherine Philips and Edmund Waller are actively engaged in a deliberate strategy of poetic limitation that might be termed a ‘game’; that they play with the very idea of authorship in their work. Part One looks at the work of Randolph, with the first chapter focusing on his relationship with his ‘father’ Ben Jonson and Randolph’ position within the group known as the ‘Tribe’ or ‘Sons’ of Ben. I then offer a reading of Randolph’s private and social poetry, suggesting that he consciously

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Lang, Kristen, and mikewood@deakin edu au. "Creative redemption : Uncertainty in poetic creativity." Deakin University. School of Communication and Creative Arts, 2003. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050719.121154.

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Brigley, Judith. "Unlocking and using a secret language : an exploration and analysis of effective strategies for teaching poetry writing to able students at Key Stage 4." Thesis, Swansea University, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678336.

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Kinsella, John. "Spatial relations of landscape: A poetics. Part 1." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2005. https://ro.ecu.edu.au/theses/671.

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This thesis is composed of two parts. Part one is a volume of essays, commentaries, and manifesto pieces that investigate the relationship between literary tropes of landscape, such as pastoral and “nature writing”, and the development of a poetics of landscape writing. The issue of "self" and the relationship the individual might have with specific place, is examined from angles as seemingly disparate as using; a manual Olivetti Letter 32 typewriter for drafting, the ethics of anthologizing place as nation, text on the world wide web, the process of writing and ageing, being struck by lighten

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Oliveira, Gisele Pereira de. "Cecília Meireles e a Índia : das provisórias arquiteturas ao "êxtase longo de ilusão nenhuma" /." Assis, 2014. http://hdl.handle.net/11449/123392.

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Orientadora: Ana Maria Domingues de Oliveira<br>Banca: Cleide Antonia Rapucci<br>Banca: Sandra A. Ferreira<br>Banca: Dilip Loundo<br>Banca: José Hélder Pinheiro Alves<br>Resumo: A presença da Índia na biografia e na obra de Cecília Meireles é notável. A relação entre a poetisa e a Índia apresenta-se de forma explícita e implícita em sua produção: por um lado, tem-se o volume Poemas escritos na Índia, paralelamente às diversas crônicas sobre esse país, assim como conferências e aulas; por outro lado, em sua lírica, há inúmeros poemas que permitem a leitura de princípios, temas e nuances do pens

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Books on the topic "Poetry Authorship"

1

Drury, John. Creating poetry. Cincinnati, Ohio: Writer's Digest Books, 1991.

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Watson, Carly. Miscellanies, Poetry, and Authorship, 1680–1800. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-37066-4.

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Heaney, Seamus. Crediting poetry. Oldcastle, Co. Meath: Gallery Books, 1995.

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Publishers, Rod and Staff. Poetry pointers. Crockett, Ky: Rod and Staff Publishers, Inc., 1989.

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Heaney, Seamus. Crediting poetry. Loughcrew, Oldcastle: The Gallery Press, 1996.

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Heaney, Seamus. Crediting poetry. London: Faber and Faber, 1995.

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Burkholder, Kelly. Poetry. Vero Beach, Fla: Rourke Press, 2001.

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Janeczko, Paul B. How to write poetry. New York, NY: Scholastic Reference, 1999.

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Brown, Richard. Poetry writer's workshop. Edinburgh: Oliver & Boyd, 1989.

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Harrower, Molly. The therapy of poetry. Northvale, N.J: J. Aronson, 1995.

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Book chapters on the topic "Poetry Authorship"

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Dobranski, Stephen B. "Renaissance Authorship." In A Companion to Renaissance Poetry, 115–27. Chichester, UK: John Wiley & Sons, Ltd, 2018. http://dx.doi.org/10.1002/9781118585184.ch8.

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Wall, Wendy. "Female Authorship." In A Companion to Renaissance Poetry, 128–40. Chichester, UK: John Wiley & Sons, Ltd, 2018. http://dx.doi.org/10.1002/9781118585184.ch9.

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McCarthy, Erin A. "Poetry, Authorship, and Attribution." In The Palgrave Encyclopedia of Early Modern Women's Writing, 1–5. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-030-01537-4_422-1.

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Tischer, Ute, Thomas Kuhn-Treichel, and Stefano Poletti. "Introduction: Authorship and Commentaries on Poetry." In Studi e testi tardoantichi, 7–34. Turnhout, Belgium: Brepols Publishers, 2023. http://dx.doi.org/10.1484/m.stta-eb.5.133303.

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Ferrante, Joan. "Chapter 29. Gendering authorship." In Comparative History of Literatures in European Languages, 487–97. Amsterdam: John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/chlel.xxxiv.29fer.

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This contribution reviews the roles of women in medieval Latin literature (history, poetry and religious texts), as composers of texts and as inspirers or provokers of men’s texts. It also notes texts that are no longer extant but whose existence and sometimes quality is known because they are referred to in the works of men who received them.

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Ai, Zhou, Zhang Yijia, Wei Hao, and Lu Mingyu. "LDA-Transformer Model in Chinese Poetry Authorship Attribution." In Lecture Notes in Computer Science, 59–73. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-88189-4_5.

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Gallagher, Catherine, and Yanjun Li. "Text Categorization for Authorship Attribution in English Poetry." In Advances in Intelligent Systems and Computing, 249–61. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-01174-1_19.

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Eisner, Eric. "“The Atmosphere of Authorship”: Landon, Byron and Literary Culture." In Nineteenth-Century Poetry and Literary Celebrity, 115–35. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230250840_6.

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Isfahani-Hammond, Alexandra. "Poetry and the Plantation: Jorge de Lima’s White Authorship in a Caribbean Perspective." In White Negritude, 17–43. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230610118_2.

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Sidney, Philip. "4. from An Apology for Poetry." In Authorship, 31–36. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474465519-006.

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Conference papers on the topic "Poetry Authorship"

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Ahmed, Al-Falahi, Ramdani Mohamed, Bellafkih Mostafa, and Al-Sarem Mohammed. "Authorship attribution in Arabic poetry." In 2015 10th International Conference on Intelligent Systems: Theories and Applications (SITA). IEEE, 2015. http://dx.doi.org/10.1109/sita.2015.7358411.

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Ahmed, Alfalahi, Ramdani Mohamed, and Bellafkih Mostafa. "Authorship attribution in Arabic poetry using NB, SVM, SMO." In 2016 11th International Conference on Intelligent Systems: Theories and Applications (SITA). IEEE, 2016. http://dx.doi.org/10.1109/sita.2016.7772287.

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Omer, Ahmed Ibrahim Ahmed, and Michael Philip Oakes. "Arud, the Metrical System of Arabic Poetry, as a Feature Set for Authorship Attribution." In 2017 IEEE/ACS 14th International Conference on Computer Systems and Applications (AICCSA). IEEE, 2017. http://dx.doi.org/10.1109/aiccsa.2017.48.

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Markov, A. "SYNTHETIC TEXT: TO THE PROBLEM OF DIFFERENTIATION OF THE PHENOMENON OF SONG POETRY." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3763.rus_lit_20-21/371-381.

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The article treats the song text as a kind of synthetic text. The intermediate nature of the object of study gives rise to difficulties associated with the need for an interdisciplinary approach to its study. Author's and bard's song, rock poetry and rap poetry - these and adjacent types of combining music and text cannot be described and classified using the available tools. The interaction of music and text, the peculiarities of performance, the variability of song texts - all these complicates the research task. An attempt to resolve the terminological confusion that aroses almost simultane

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Voytishek, E. E., A. V. Zinchenko, and Yao Song. "“Ten virtues of incense” in Buddhist Tradition of China and Japan." In IV Международный научный форум "Наследие". SB RAS, 2023. http://dx.doi.org/10.25205/978-5-6049863-7-0-10-30.

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This article is based on the text known as “Ten Virtues of Incense” (香十德 Xiang shí de) written during the Song dynasty (960–1279). In this text, the fundamental functions of incense, manifesting in everyday life and Buddhist ceremonies, are listed in a metaphorical form. This short text, consisting only of 40 Chinese characters, over time, has become one of the fundamental works of traditional Chinese and Japanese culture, exerting its influence on the Chan and Zen practices of Buddhist masters, as well as on the arts of tea and incense. The question of authorship adds extra intrigue to the ph

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Suvajdžić, Boško. "NARODNA KNjIŽEVNOST I IDENTITETSKE PROMENE U SRPSKOJ KNjIŽEVNOSTI." In IDENTITETSKE promene: srpski jezik i književnost u doba tranzicije. University of Kragujevac, Faculty of Edaucatin in Jagodina, 2022. http://dx.doi.org/10.46793/zip21.107s.

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New approaches to oral literature in teaching bring to the fore the questions of classification and terminology, the phenomenon of authorship, the process of composing and tradition, the complexity of reception, the specificities of oral genres and their poetics. The terms ’oral formula’ and ’formulativity’ also stand out in these approaches as some of the most important elements of oral poetic grammar. In all of these researches focused on poetics, the identitary character of Serbian oral literature as “our classic, one and true” (Vasko Popa) should not be neglected, nor its specific roles in

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Ribeiro Rabello, Rafaelle. "Between absence and presence: Augmented Reality as a self-fiction poetic." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.105.

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This text comprises an excerpt of the Doctoral research completed in 2021, developed in the Line of Poetics and Processes of Performance in Arts (PPGARTES-UFPA), which will present a conceptual reflection about the creative process that unfolded poetically from the appropriation of an old family photo album. The album in question began to be observed as a place of overlapping time and space, triggering an internal movement of belonging by presenting itself as a place of poetic power due to the physical evidence that emerged from it. Through Augmented Reality, the empty spaces left by the time

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Petrović, Nemanja. "„DANAS SE HRISTOS U VITLEJEMU OD DJEVE RAĐA“ ZAPAŽANjA IKONOGRAFSKIH POJEDINOSTI BOŽIĆNE HIMNE KAO ODRAZA POBOŽNOSTI KRALjA MILUTINA." In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.763p.

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Fresco-composition, painted above the entrance of the katholikon of Žiča monastery, represents a unique scene within Serbian monumental painting from the beginning of the second decade of 14th century. This carefully thought-up picture illustrates a Christmas' Hymn which ascribes to the authorship of John of Damaskus. However, verses written on the arc, above the composition, are associated with poems of Anatoly of Constatinopole’s poetic content. Decora- tion of the entrance consists of clearly expressed theme of the portal, therefore it can be said that frescoes obviously indicate activities

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