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Journal articles on the topic 'Poetry – Authorship – Juvenile literature'

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Published: 4 June 2021
Last updated: 8 February 2022

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1

Gómez-Bravo, Ana M. "«Female (co)authorship in Cancionero Poetry»." Revista de Literatura Medieval 30 (December 31, 2018): 153–72. http://dx.doi.org/10.37536/rpm.2018.30.0.74048.

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Resumen: La autoría femenina era una cuestión polémica en la Iberia del siglo XV y principios del XVI. Gran parte de la producción poética de este período estaba asociada con la interacción social, lo que permitía una compleja negociación de la autoría y los papeles de género. Si bien el discurso femenino era fundamental para la escritura poética y las prácticas culturales relacionadas con el mismo, estaban en funcionamiento prácticas editoriales que suprimían las contribuciones de las mujeres a la escritura. El estudio apunta a una imbricación textual del discurso femenino y masculino en varias etapas de la composición poética y propone una reconsideración de las aproximaciones a la autoría femenina (y masculina).Palabras clave: Cancionero, mujeres escritoras, poesía medieval, poesía renacentista.Abstract: Female authorship was a contentious subject in fifteenth- and early sixteen-century Iberia. During the period, a substantial amount of poetic production was associated with social interaction, which enabled a complex negotiation of authorship and gender roles. While female discourse was central to poetic writing and to the cultural practices connected to it, editorial practices worked to erase women’s contributions to poetic writing. The study shows a textual imbrication of female and male discourse at several stages of poetic composition and proposes a reconsideration of existing approaches to female (and male) authorship.Keywords: Cancionero, Women writers, medieval poetry, renaissance poetry.
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2

Sarumi, Kahar Wahab. "Nationalism in Modern Arabic Poetry of Yoruba Authorship." International Journal of Literary Humanities 15, no. 3 (2017): 21–33. http://dx.doi.org/10.18848/2327-7912/cgp/v15i03/21-33.

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3

DuPlessis, Rachel Blau. "Agency, social authorship, and the political aura of contemporary poetry." Textual Practice 23, no. 6 (December 2009): 987–99. http://dx.doi.org/10.1080/09502360903361592.

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4

Othman, Arbak. "Malay Authorship in Landskap Ungu: From Artistic Source to Intellectual Impact." Malay Literature 30, no. 1 (June 1, 2017): 140–58. http://dx.doi.org/10.37052/ml.30(1)no6.

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This article discusses the contribution of Dato’ Ahmad Kamal Abdullah or Kemala regarding the development of Malay poetry in Malaysia and the history of Malay poetry in the archipelago. This article is based fully on the essays compiled in Landskap Ungu (2010). It examines Kemala’s contribution to the Malay art of poetry composition, the approach or the evaluation used in analyzing Malay poetry, specifically in interpreting Islamic poetry and the country’s sociopolitical landscape, as well as comparing the quality of the art of poetry of international poets with that of some of Malaysia’s poets. Apart from that, other issues are also discussed, such as the art concept of sufi poetry which is the basic expression of some Malay poets, either in Indonesia or Malaysia. Kemala’s contribution is exceptional and has proven to be very significant in the development of Malay poetry with regard to his capability as a critic and a disciplined researcher, especially in the world of Malay poetry. His level of thought and intellectualism boost the quality of the art of expression of creative thinking locally or universally. Keywords: epistemology, aesthetics, hermeneutics, irony, critiques, literature, mystique, thinker, sufi, sufi poetry, semiotic, symbolism, theory of literature Abstrak Makalah ini menghuraikan sumbangan Dato’ Ahmad Kamal Abdullah atau Kemala terhadap perkembangan puisi Melayu di Malaysia dan sejarah puisi Melayu di Nusantara. Penulisan makalah ini berlandaskan hasil tulisan beliau sepenuhnya, iaitu esei yang terkumpul dalam karya terbaik beliau, Landskap Ungu (2010) terbitan Penerbit UPM. Makalah ini meneliti sumbangan Kemala dalam dunia perpuisian Melayu, seni dan gubahan puisi, pendekatan atau ukuran kualiti yang digunakan dalam penganalisisan puisi Melayu, khususnya untuk mentakrif puisi Islam dan sosiopolitik tanah air, serta perbandingan kualiti seni pengungkapan puisi penyair antarabangsa yang dibandingkan dengan puisi beberapa penyair tanah air. Selain itu, beberapa kecenderungan lain turut dibicarakan seperti konsep seni puisi sufi yang menjadi asas pengucapan beberapa penyair Melayu, baik di Indonesia mahupun di Malaysia. Sumbangan Kemala amat istimewa dan terbukti sangat besar dalam perkembangan perpuisian Melayu kerana keupayaan beliau sebagai pengkritik dan pengkaji yang berdisiplin, terutamanya dalam dunia kepenyairan Melayu yang dikatakan sudah mencapai tahap kematangan yang boleh dibanggakan. Tahap pemikiran dan keintelektualan beliau meningkatkan kualiti seni pengucapan fikiran yang kreatif sama ada bersifat setempat mahupun universal. Kata kunci: epistemologi, estetik, etika, hermeneutik, kritikan, kesusasteraan, mistik, pemikir, sufi, puisi sufi, semiotik, simbolisme, teori kesusasteraan
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5

Hammerschmidt, Sören. "Social Authorship and the Mediation of Memory in Anne Grant’s Poetry." European Romantic Review 30, no. 2 (March 4, 2019): 199–220. http://dx.doi.org/10.1080/10509585.2019.1582417.

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6

Nagy, Gregory. "Authorisation and Authorship in the Hesiodic Theogony." Ramus 21, no. 02 (1992): 119–30. http://dx.doi.org/10.1017/s0048671x00002599.

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Much has been written about the question of oral poetry in the earliest attested phases of Greek literature, but not enough attention has yet been paid to the existing internal evidence concerning the authority of actual poetic performance. This essay is meant to highlight this authority and its role in authorisation, that is, in the conferring of authorship. Since the first attested identification of an author in Greek literature takes place in the Hesiodic Theogony, where the figure of Hesiod names himself as the poet of this colossal poem (Hēsiodon, Th. 22), it seems fitting that this very act of self-identification should serve as the focus of inquiry. Further, since the poet defines himself in terms of a dramatised encounter with the Muses, who are represented as giving him the two gifts of a sceptre of authority and poetic inspiration itself, it also seems fitting to take with utmost seriousness the actual wording that describes this encounter. The poet's precisely-worded claim to have received from the Muses the power of telling the absolute truth is key, I shall argue, to his authorship.
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7

Tonra, Justin. "Masks of Refinement: Pseudonym, Paratext, and Authorship in the Early Poetry of Thomas Moore." European Romantic Review 25, no. 5 (August 5, 2014): 551–73. http://dx.doi.org/10.1080/10509585.2014.938231.

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8

Bernsdorff, Hans. "P.Oxy. 4711 And The Poetry Of Parthenius." Journal of Hellenic Studies 127 (November 2007): 1–18. http://dx.doi.org/10.1017/s0075426900001580.

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Abstract:P.Oxy. 4711 (from a papyrus codex of the sixth century AD) contains elegiacs with at least three metamorphosis myths (Adonis, Asterie, Narcisssus). In this article I argue against the suggestion by (among others) the first editor of this papyrus that the verses might be by Parthenius. I do so by examining the evidence for Parthenian authorship (especially the presumed imitations by Ovid and Gregory of Nazianzus) and by comparing the style of the new piece with what we actually possess of Parthenian poetry (especially with fr. 28 Lightfoot, which might come from the Metamorphoseis). Instead I suggest a late date of composition and would regard the fragments as a collection of the-matically arranged διηέματα in verse which are related to the production of progymnasmata in schools.
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9

Naaman, Erez. "Authorship and Unity of the Classical Arabic Poem through the Lens of Collaborative Composition." Arabica 67, no. 1 (May 21, 2020): 1–59. http://dx.doi.org/10.1163/15700585-12341558.

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Abstract When a classical Arabic poem lacked a noticeable degree of thematic coherence and formal structure, it was at risk of foreign intervention aiming to improve it. Who was recognized in such a case as the author of the poem and on which grounds? This article looks at the interrelated questions of the poem’s unity and its authorship through the lens of collaborative poetry that was practiced by completing verse composed in the past. It presents an analysis of poetic collaboration cases from the second/eighth century to the Ayyubid era, and discusses different practical approaches of poets to authorship questions related to the earlier source poem and their own later completion. In the third/ninth century, as an expansive reservoir of ancient and modern poems became increasingly available, we occasionally notice the marks of plagiary, rather than forgery, on collaborative poems of this type. At the same time, and based on this very expansion, kinds of legitimate poetic influence can be detected in the completions of the later poets. Remarkably, poetic intervention did not cease and the poem conceptually did not achieve an inviolable status, when the scholars replaced the transmitters as the authorities on poetry around the third/ninth century and throughout the period under study. Nevertheless, the cultural domain for reshaping earlier verse changed, and the repertoire of poetry considered as “fair game” for this practice was narrowed down based on quality considerations.
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10

Ross, Emily. "The Problem of Anonymity in Archives: A Literature Review." Bilgi Dünyası 14, no. 2 (October 31, 2013): 240–50. http://dx.doi.org/10.15612/bd.2013.119.

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Archivists processing documents rely on factors such as authorship and provenance to contextualize their materials and render them searchable. But in my past experience as an archives user, I repeatedly came across instances of anonymity: letters and diaries by unnamed authors or to unknown recipients, photographs of unknown subjects. In some cases this anonymity is a loss of information that was once there, but in other case it enabled the material to come into existence in the first place: such as in the case of satirical political poetry, for which a writer might face legal censure. In this literature review, the issue of anonymity in the archives is explored, both in a pragmatic sense (recommended strategies for managing it), and a philosophical sense (according anonymous documents the same status as documents with known authors).
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Drozdov, V. A. "The authorship of the poem ‘Ushshaq-nama from the prospect of academic orientalist studies and modern computer technologies." Orientalistica 3, no. 5 (December 29, 2020): 1360–78. http://dx.doi.org/10.31696/2618-7043-2020-3-5-1360-1378.

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The poem ‘Ushshaq-nama by Fakhr ad-Din ‘Iraqi (610–688 / 1213–1289) is the first poetical writing on the subject of mystical love in Persian literature. ‘Iraqi’s authorship of this work has never been questioned by researchers. However, the English orientalist J. Baldick 1973 cast a doubt on ‘Iraqi’s authorship of this poem. The article examines in detail the arguments of J. Baldick both from the point of view of the context of the creation of the poem, as well as the methods of the latest computational methods, in particular stylometry. Boldik's arguments concern both the historical and religious context in which ‘Iraqi lived and the peculiarities of his works, primarily the poem‘Ushshaq-name. The paper demonstrates that this computational method may be used for the study of the features of the style of Persian poetry and the confirmation of the authorship of doubtful Persian writings. Further expert decision full-field by Artjoms Šeļa based on stylometric methods for the establishment of the poem ‘Ushshaq- nama is expounded. While the results of the analysis of the historical and religious contexts of the poem may serve as confirmation of the authorship of ‘Iraqi and the refutation of the Baldick hypothesis, the results of the stylometric analysis do not give an unambiguous answer to the question of its authorship.
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Wesseling, Elisabeth. "Researching Child Authors: Which Questions (not to) Ask." Humanities 8, no. 2 (May 5, 2019): 87. http://dx.doi.org/10.3390/h8020087.

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It used to be taken for a given fact that children’s literature is written by adults for children. This assumption is contested by the emergence of “another children’s literature”, namely literature about, for, and by children. Facilitated by digital platforms, this alternative type of children’s literature is gathering momentum, compelling us to rethink the (im)possibilities of children’s creative agency. As research into children’s literature is largely premised upon the asymmetry between adult authorship and juvenile readership, we need to rethink some fundamental tenets of this academic field in order to come to terms with child authorship. This article reviews leading publications on the topic, to address the question of how we can best acknowledge, facilitate, and appreciate children’s creative agency as an indispensable dimension of their emergent citizenship. Methodological deliberations are illustrated with references to primary works by child authors about topical societal issues such as ethnic conflict, homelessness, and migration. Its aim is not so much to provide a complete survey of all available publications on the topic, but rather to stake out representative publications that exemplify more and less fruitful approaches to the problem at hand.
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13

Glukhovskaya, Elena A. "Oscar Wilde’s Fairy-tale The Selfish Giant in Ellis’s Works: from Dramaturgy to Poetry." Studia Litterarum 6, no. 3 (2021): 56–71. http://dx.doi.org/10.22455/2500-4247-2021-6-3-56-71.

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The article discusses some aspects of the reception of Oscar Wilde’s fairy tale The Selfish Giant by the Russian symbolist poet and translator Ellis (L.L. Kobylinsky; 1879–1947) as reflected in archival sources and memoirs of his contemporaries. Particularly, Ellis’ participation in theatre performances for children and his interest in the forms of juvenile literature are considered within the framework of his overall poetical activities. Among these plays, a piece entitled The Garden of the Giant which is based on Wilde’s tale The Selfish Giant is to be mentioned first and foremost, since Ellis himself attributed great importance to this work making several attempts to publish it separately and even trying to convince a Moscow modernist publishing house Musaget to implement his rather extraordinary plans. The article also attempts to demonstrate that Ellis’ passion for Wilde’s literary heritage can be traced in his own subsequent work as his second collection of verse Argo (1914) proves it. As, I argue, its first section entitled Snuffbox with Music has been developed under the influence of Ellis’ previous work on juvenile performances, which manifests itself in dedications, the texts of the section borrowed from the juvenile plays as well as through the motivic structure of this cycle.
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14

Tomadaki, Maria. "An unpublished poem on Porphyry." Byzantinische Zeitschrift 111, no. 3 (September 1, 2018): 777–92. http://dx.doi.org/10.1515/bz-2018-0021.

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Abstract This paper offers an editio princeps, an English translation and a commentary of an interesting epigram on Porphyry, the commentator of Aristotle. The epigram was transcribed in Vat. Reg. 166 by Ioannes Malaxos (16th c.) and is ascribed to Petros Servilos, a poet unknown from other sources. The paper discusses the poem’s manuscript context, as well as its authorship, genre, content and function. Further, it attempts to shed light on the poem’s relation to Porphyry’s philosophy and his reception in Byzantine poetry.
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Rinehart, Robin. "The Portable Bullhe Shah: Biography, Categorization, and Authorship in the Study Of Punjabi Sufi Poetry." Numen 46, no. 1 (1999): 53–87. http://dx.doi.org/10.1163/1568527991526077.

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AbstractThe Punjabi poet Bullhe Shah (1680-1758) is revered by Muslims, Hindus and Sikhs. In the extensive body of interpretive literature devoted to his life and work, scholars have contested his religious identity, characterizing Bullhe Shah in various ways, e. g. as a Sufi, a Vedantic Sufi, or a Vai ava Vedantic Sufi. This article examines the nature of the debates about Bullhe Shah's identity, and how these debates have shaped the varying portrayals of Bullhe Shah's life, the corpus of his poetry, and the characterization of his religious affiliation. I argue that a series of unexamined assumptions — about the nature of biography and its relation to the development of a worldview, about the categorization of religious identity, and about the nature of authorship — have created these conflicting portrayals of the poet and his work, making Bullhe Shah a kind of "portable" figure who is placed in widely divergent contexts. I conclude by arguing that Bullhe Shah's portability, or his placement within different contexts (for different purposes), is itself a useful topic for analysis, and provides the basis for a potentially more fruitful study not only of Bullhe Shah's life and work, but also of his audiences and their responses to him.
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English, Colleen. "The Collected Letters of Mary Blachford Tighe and Write My Name: Authorship in the Poetry of Thomas Moore." European Romantic Review 32, no. 4 (July 4, 2021): 481–86. http://dx.doi.org/10.1080/10509585.2021.1944470.

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Septia, Emil, Silvia Marni, and Armet Armet. "REPRESENTASI NILAI RELIGI DAN KEPENGARANGAN PUISI-PUISI KARYA TAUFIK ISMAIL." Poetika 7, no. 1 (July 30, 2019): 32. http://dx.doi.org/10.22146/poetika.v7i1.43493.

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Penelitian ini memaparkan representasi nilai religi dalam setiap bait-bait puisi karya Taufik Ismail. Puisi yang bernilai religius dapat digunakan untuk menyadarkan masyarakat (pembaca) untuk selalu bersyukur pada Tuhan Sang Penguasa. Kumpulan puisi Debu di Atas Debu: Kumpulan Puisi Dwi-Bahasa karya Taufik Ismail merupakan catatan-catatan emosional zaman dengan gejolak politik dan sikap bangsa Indonesia. Jenis penelitian ini berupa kualitatif dengan metode analisis isi (content analysis) serta pendekatan sosiologi sastra. Hal ini bertujuan untuk mendeskripsikan kepengarangan Taufik yang terdapat pada representasi nilai religi di setiap bait-bait puisi. Melalui seni pedalangan ketika Taufik bermukim di Yogyakarta dan seni bakaba ketika Taufik pindah ke Bukittinggi yang merupakan bentuk gaya kepengaranan seorang penyair yang dipengaruhi kebudayaan lokal, Taufik ingin menyentuh perasaan pembaca akan representasi nilai religius untuk membentuk karakter bangsa.Kata Kunci: representasi; nilai; religi; kepengarangan; puisi This study describes the representation of religious values in each poetic verse by Taufik Ismail. Religious poetry can be used to make people (readers) aware to always be grateful to God the Lord. A collection of Debu di Atas Debu: Kumpulan Puisi Dwi-Bahasa by Taufik Ismail is an emotional record of the times with political turmoil and the attitude of the Indonesian people. This type of research is qualitative with the method of content analysis and the sociological approach of literature. This is aimed at describing Taufik's authorship in the representation of religious values in each verse of poetry. Through the art of puppetry when Taufik settled in Yogyakarta and bakaba art when Taufik moved to Bukittinggi which was a form of the poet's sound style influenced by local culture, Taufik wanted to touch the readers' feelings about the representation of religious values to shape the nation's character.Keywords: representation; values; religion; authorship; poetry
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18

Kern, Martin. "“XI SHUAI” 蟋蟀 (“CRICKET”) AND ITS CONSEQUENCES: ISSUES IN EARLY CHINESE POETRY AND TEXTUAL STUDIES." Early China 42 (2019): 39–74. http://dx.doi.org/10.1017/eac.2019.1.

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AbstractThe present article explores questions about the composition, performance, circulation, and transmission of early Chinese poetry by examining a small number of poems from the received Mao shi and their counterparts in recently discovered manuscripts. Starting from a close examination of the poem “Xi shuai” (“Cricket”), the essay briefly discusses the problems we face in dealing with looted manuscripts before advancing toward rethinking the patterns of early Chinese poetic composition and transmission. Instead of taking individual poems as discrete, reified objects in the form we encounter them in the Mao shi, it is suggested to read them as particular instantiations of circumscribed repertoires where the individual poetic text is but one of many realizations of a shared body of ideas and expressions. This analysis is informed by the examination of both manuscript texts and the received literature, but also by comparative perspectives gained from both medieval Chinese literature and other ancient and medieval literary traditions. In emphasizing the formation of poetry as a continuous process, it leaves behind notions of “the original text,” authorship, and the moment of “original composition”—notions that held no prominence in the early Chinese literary tradition before the empire.
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Mason, Nicholas. "Romanticism, Self-Canonization, and the Business of Poetry / Fashioning Authorship in the Long Eighteenth Century: Stylish Books of Poetic Genius." European Romantic Review 29, no. 4 (July 4, 2018): 499–503. http://dx.doi.org/10.1080/10509585.2018.1487513.

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20

Pound, Scott. "Kenneth Goldsmith and the Poetics of Information." PMLA/Publications of the Modern Language Association of America 130, no. 2 (March 2015): 315–30. http://dx.doi.org/10.1632/pmla.2015.130.2.315.

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Kenneth Goldsmith, a sculptor turned writer who now refers to himself as a “word processor,” makes mundane yet strangely enthralling poetry out of transcribed speech. Rather than stake claims to originality and value, Goldsmith extols “uncreativity” and “being boring” as new benchmarks of literary achievement. So far, critics have abjured these claims in favor of close readings of the texts. This essay aims to take the critical conversation in a new direction by arguing that what deserves critical examination is Goldsmith's attempt to conceptualize and practice poetry as information management. Information culture provides Goldsmith with a new understanding of language, a new view of the literary, and a new take on authorship, and the methods of text production that result from these resources travesty literary culture as we know it, which is exactly the point. Goldsmith's indifference to literary culture yields a method for generating texts that is as instructive as it is shocking because it requires us to face the strange prospect of a literature that chooses information culture over literary culture as its ground.
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Langbauer, Laurie. "Prolepsis and the Tradition of Juvenile Writing: Henry Kirke White and Robert Southey." PMLA/Publications of the Modern Language Association of America 128, no. 4 (October 2013): 888–906. http://dx.doi.org/10.1632/pmla.2013.128.4.888.

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This essay considers the poetry of the juvenile author Henry Kirke White (1785-1806), largely unstudied today but well known throughout the nineteenth century. Kirke White's work provides an example of the importance to juvenile writing of prolepsis—a trope that yokes immediacy to the future, employing a range of strategies including both anticipation and retrospection. Robert Southey's edition of Kirke White's Remains, coming on the heels of Southey and Joseph Cottle's edition of Thomas Chatterton (1752-70), consolidated juvenile writing into a recognizable tradition. Taking young Romanticera writers seriously now helps us recover how many young people published and how actively their writing was discussed. Romanticism's relation to juvenility can shape new hypotheses about literary practice and offer alternative understandings of tradition: the juvenile tradition, through a proleptic sense of its own immanence, anticipates its future critical neglect but indicates the retrospection and reinterpretation that will someday remedy it.
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Ostapenko, Andrei Aleksandrovich. "Is the fourth wave of juvenile crime approaching? The review of socio-pedagogical publications." Полицейская деятельность, no. 6 (June 2020): 73–79. http://dx.doi.org/10.7256/2454-0692.2020.6.34575.

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The purpose of the article is to review the scope of scientific literature of the late 15 - 20 years considering the problem of juvenile crime. The review covers the monographs, theses and articles published in scientific journals, and even newspaper articles covering all three waves of juvenile crime in Russia, starting with the analysis of juvenile crime of the 1920s - the 1930s. The analysis includes the new Russian-language (and partially Ukrainian-language) publications studying pedagogical activity, authorship, and scientific inventions of an outstanding pedagogue of the Soviet epoch A.S. Makarenko. The author demonstrates that the interest in Makarenko’s work is not decreasing both in Russia and abroad. The second part of the text contains the review of works of Makarenko’s followers and adherers - S.A. and G.K. Kalabalin, and their apprentices A.S. Kalabalin and V.I. Slobodchikov. The last part of the text is the review of articles and monographs studying the new wave of juvenile crime. In particular, the author analyzes the works illustrating the psychological and pedagogical, social and medical reasons of emergence, expansion and growth scale of such youth subculture as A.U.E (Prisoner’s Urka Unity), and the ways of its prevention and combating.   
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Safei, Mawar. "Abdullah Bin Abdul Kadir: Hadijah Rahmat's Focal Point In Malay Literature." Malay Literature 27, no. 1 (June 1, 2014): 104–19. http://dx.doi.org/10.37052/ml.27(1)no6.

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Abdullah bin Abdul Kadir or Abdullah Munshi is a respected figure who is often associated with his standing as the Father of Modern Malay Literature as compared to Hamzah Fansuri. He has become one of Hadijah Rahmat’s focal point in her works; whether in her academic research or in creative works. Among others, this paper focused on the standing of Abdullah Munshi which explains her leaning towards him. This is gleaned through her academic works, for example on what she has deduced from Antara Dua Kota ( Between Two Cities: Tracing the works of Munsyi Abdullah in and Singapore , In search of Modernity A Study of Concepts of Literature , Authorship and Notions of Self in Traditional Malay Literature or Mengukir Air di Pesisir Sastera Melayu/ Indonesia dalam Arus Jagat . The same applies in the poetry collection Di Tengah Alam ( At the Center of Nature ), the drama Munsyi or Kurnia Alam ( Gift of Nature ) that was crafted by Hadijah Rahmat; the personality of Abdullah Munshi which she attempted to discover. This paper shows the link between the two figures in representing among others the continuity of relationship between Malay literature in Malaysia and Singapore. Keywords: Abdullah bin Abdul Kadir, Abdullah Munshi, Hadijah Rahmat, Malay Literature, Malaysian Literature, Singaporean Literature
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Ratković, Snežana, Kari-Lynn Winters, Shannon Kitchings, Shihui Yang, Brianna Spratt, Neelofar Ahmed, and Sajitha Vinod. "Five Poems: Artistic Pedagogy of the Migrant Soul." Teaching and Learning 12, no. 1 (November 21, 2018): 15–31. http://dx.doi.org/10.26522/tl.v12i1.447.

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Between November 2016 and November 2017, a group of creative scholars, international, and domestic graduate students gathered to explore topics related to immigration and Indigenous culture through artistic practices. The goal was to construct scenes that would be put together to build a play. The scenes were shaped in different ways, through poetry, music, literature, movement/dance, and drama. In this way, playbuilding became our methodology. Through semiotic, social, and critical authorship practices the actors engaged in a dynamic and participatory drama. Schools and classrooms might consider using an artistic, embodied pedagogy, such as the artistic pedagogy of the migrant soul explored in this paper, to engage elementary and secondary students in active, thoughtful approaches to understand diverse and critical issues, including forced migration, marginalization, truth and reconciliation, and co-existence.
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WALSH, ANDREW SAMUEL. "Who Translated Lorca into English First? An Analysis of the 1929 New York Translations and their Possible Authorship." Bulletin of Hispanic Studies: Volume 98, Issue 7 98, no. 7 (July 1, 2021): 661–77. http://dx.doi.org/10.3828/bhs.2021.39.

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This article analyses the disputed and currently unresolved issue of who was responsible for the first translations into English of the work of Federico García Lorca. These were versions of two of the Gypsy Ballads, which were published anonymously in August 1929 in the New York based Hispanic journal Alhambra, shortly after Lorca’s arrival in the city. The article first presents the background to these translations and the publication in which they appeared, and examines the respective biographical merits and circumstantial claims of the two candidates to be Lorca’s first translators into English, Philip Cummings and Ángel Flores. The article then analyses the textual characteristics of the translations, compares and contrasts them with the translational styles of both candidates in their other Spanish-English poetry translations, and offers some conclusions as to who was most likely to have been Lorca’s first translator into English.
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Al Farisi, Tsalits Abdul Aziz. "Eksistensi Bunyi pada Puisi-Puisi Raja Ali Haji." Stilistika: Jurnal Pendidikan Bahasa dan Sastra 13, no. 1 (January 29, 2020): 86. http://dx.doi.org/10.30651/st.v13i1.3659.

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ABSTRAKPenelitian ini bertujuan untuk mendeskripsikan pola persajakan pada beberapa puisi Raja Ali Haji dari perspektif bunyi, pola rima, dan simile yang kemudian mejadi ciri khas pola kalimat yang utuh pada jajaran ritme pemaknaan. Subjek penelitian adalah Gurindam Dua Belas karya Raja Ali Haji. Data dikumpulkan melalui kajian pustaka dan stilistika. Metode yang digunakan dalam penelitian ini adalah deskriptif analisis. Hal tersebut dilakukan dengan cara mendeskprisikan fakta-fakta yang kemudian disusul dengan analisis. Peneliti mendeskripsikan fakta-fakta berupa diksi yang mengandung simile sekaligus pola bunyi yang kemudian disusul dengan analisis puisi Raja Ali Haji. Hasil temuan dalam penelitian meliputi unsur-unsur persajakkan dalam puisi Raja Ali Haji yang bertujuan untuk menemukan ciri khas kepenulisan gurindam pada pertengahan abad ke 18.Kata kunci: Simile, bunyi, rima puisiABSTRACT This research aims to describe the pattern of poetry in some poems of Raja Ali Haji based on a sound perspective, rhyming patterns, and simile which then characterizes the whole sentence patterns in the rhythm of meaning. The subject of research is Gurindam of Twelve works written by Raja Ali haji. Data collected through literature and stilistics study. This research method used description analysis. They are done by describing facts followed by analysis. On Ali haji Poetry, researches describe the facts of diction containing similes and sound patterns that are then followed by analysis. The findings in the study include elements of poetry in Raja Ali Haji's poem which aims to find the characteristics of the authorship of gurindam in the mid-18th century.Keywords: simile, sound, rima, poetry
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GERLI, E. MICHAEL. "‘Por una gentil floresta’: Invention, Discovery and Desire in a Fifteenth-Century Villancico." Bulletin of Hispanic Studies 98, no. 5 (May 1, 2021): 453–69. http://dx.doi.org/10.3828/bhs.2021.26.

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We persistently fail to appreciate the very status of cancionero poetry as an innovative art form, as literature worthy of serious analysis, and as an intellectual and humanistic pursuit. The villancico ‘Por una gentil floresta’, attributed to both the Marqués de Santillana and Suero de Ribera, is a case in point, a composition that is very well known but grossly underappreciated as a work of art, a cultural commentary, or for its social significance. It exists in multiple incarnations, in both the manuscript and early printed traditions of the cancioneros, attesting to its ample circulation and popularity. While the object of intense philological enquiry regarding issues of authorship, transmission, and possible influence, the numerous studies dedicated to this villancico do not foreclose further discussion of it to achieve greater appreciation of its artistic and human complexity. Close reading illustrates the abundant literary, thematic and cultural possibilities it offers, and allows us to articulate the wealth, intricacy, human understanding and artistic significance of fifteenth-century Castilian courtly verse; possibilities that reach well beyond philology and textual criticism and prove it a rich source for fruitful interpretation that exemplifies the kind of poetry and hermeneutical potential that can be found in the cancioneros.
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Whitmarsh, Tim. "What Samuel Butler saw: Classics, authorship and Cultural Authority in late Victorian England." Proceedings of the Cambridge Philological Society 48 (2002): 66–86. http://dx.doi.org/10.1017/s0068673500000833.

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They are taught what is called the hypothetical language for many of their best years – a language which was originally composed at a time when the country was in a very different state of civilisation to what it is at present, a state which has long since disappeared and been superseded. Many valuable maxims and noble thoughts which were at one time concealed in it have become current in their modern literature, and have been translated over and over again into the language now spoken. Surely then it would seem that the study of the original language should be confined to the few whose instincts led them naturally to pursue it.But the Erewhonians think differently; the store they set by this hypothetical language can hardly be believed; they will even give any one a maintenance for life if he attains a considerable proficiency in the study of it; nay, they will spend years in learning to translate some of their own good poetry into the hypothetical language – to do so with fluency being the mark of a scholar and a gentleman. Heaven forbid that I should be flippant, but it appeared to me to be a wanton waste of good human energy that men should spend years and years in the perfection of so barren an exercise, when their own civilisation presented problems by the hundred which cried aloud for solution and would have paid the solver handsomely; but people know their own affairs best.
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Hendrayana, Dian. "GUGURITAN SUNDA DALAM TIGA GAYA PENYAIR." JENTERA: Jurnal Kajian Sastra 7, no. 1 (June 29, 2018): 36. http://dx.doi.org/10.26499/jentera.v7i1.681.

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Puisi guguritan dalam khazanah sastra Sunda merupakan materi puisi lama yang hingga kini masih ditulis dan diminati. Tradisi menulis guguritan dalam sastra Sunda banyak dilakukan sejak awal abad XX. Puisi ini masih pula ditulis dan dibaca oleh masyarakat Sunda, terutama para peminat sastra hingga awal abad XXI. Penelitian ini mendeskripsikan bagaimana gaya penulisan guguritan dari tiga penyair Sunda yang pada tiga dekade terakhir dianggap tokoh penulis guguritan. Ketiga penyair guguritan tersebut yakni Dedy Windyagiri, Dyah Padmini, dan Wahyu Wibisana. Mereka merupakan tokoh penyair yang dianggap baik dalam menulis puisi guguritan seperti yang terbaca pada Jamparing Hariring (1992) karya Dedy Windyagiri, Jaladri Tingtrim (1999) karya Dyah padmini, dan Riring-riring Ciawaking (2004) karya Wahyu Wibisana. Penelitian dimaksudkan untuk memperlihatkan sejauh mana gaya kepenulisan dari ketiga penyair ini beserta pembeda yang dimilikinya masing-masing, terutama dalam pemilihan tema, pemilihan diksi, pengimajinasian, kata konkret, serta bahasa figuratif dengan menggunakan metode deskriptif-analitik. Dari hasil penelitian ini muncul kecenderungan-kecenderungan gaya kepenulisan sebagai pembeda dari masing-masing penyair, yakni kecenderungan nuansa feminin pada guguritan karya Dedy, kecenderungan nuansa maskulin pada guguritan Dyah Padmini, serta kecenderungan nuansa netral pada guguritan karya Wahyu Wibisana. Abstract: Guguritan Poetry in the Sundanese literature is a matter of old poetry which is still written and have a good demand in current condition. The tradition of writing guguritan in Sundanese literature is mostly done since the beginning of the XX century. This poem is still written and read by Sundanese people, especially literary enthusiasts until the early of XXI century. This study describes how the style of writing the guguritan of three Sundanese poets who in the last three decades are considered as guguritan authors. The three poets are Dedy Windyagiri, Dyah Padmini, and Wahyu Wibisana. They are well-known poets in writing guguritan poetry as it reads in works Jamparing Hariring (1992) by Dedy Windyagiri, Jaladri Tingtrim (1999) by Dyah Padmini, and Riring-Riring Ciawaking (2004) by Wahyu Wibisana. The research is intended to show the extent of the authorship style among the three poets and their respective distinctions; especially in the themes selection, dictionary selection, imagination, concrete words, and figurative languages which using descriptive-analytic methods. From the results of this study appeared the tendencies of the authorship style as a differentiator of each poet, namely the tendency of feminine nuances in the Dedy's work, the tendency of masculine nuance in Dyah Padmini's work, and the tendency of neutral nuances in the work of Wahyu Wibisana.
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Hayot, Eric R. J. "The Strange Case of Araki Yasusada: Author, Object." PMLA/Publications of the Modern Language Association of America 120, no. 1 (January 2005): 66–81. http://dx.doi.org/10.1632/003081205x36868.

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The essay reads the authorial hoax surrounding Araki Yasusada, said to be the author of poems relating experiences in post-Hiroshima Japan. The case—Yasusada's poems seem to have been written by a white American man—recalls (not for the first time) the difficulty the literary imagination has in dealing with biographical authorship. After examining the polemics the case generated around poetries of witness, the essay connects Yasusada's imagination to three other ideas: first, the collectively pathological memory associated with historical trauma (exemplified by Binjamin Wilkomirski's Fragments); second, subject-object relations in modern poetry (the essay closely reads two Yasusada poems in terms of their phenomenological concerns); and, third, a debate around the question of “woman's writing” carried on by Nancy K. Miller and Peggy Kamuf and inspired by another authorial hoax. The essay concludes by thinking about authors as historical objects—objects of readers’ subjective perception of them.
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Warne, Vanessa, and Colette Colligan. "THE MAN WHO WROTE A NEW WOMAN NOVEL: GRANT ALLEN'STHE WOMAN WHO DIDAND THE GENDERING OF NEW WOMAN AUTHORSHIP." Victorian Literature and Culture 33, no. 1 (March 2005): 21–46. http://dx.doi.org/10.1017/s1060150305000719.

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IN1895,GRANT ALLEN PUBLISHED A NEW WOMAN NOVELentitledThe Woman Who Did. This treatise-like novel appeared as part of the Keynotes Series, a group of ideologically progressive texts published by John Lane for Bodley Head in the 1890s. As Margaret Diane Stetz writes, Lane made this series “a haven for ‘New Woman’ fiction, naturalistic short stories, and ‘decadent’ poetry and art” (72). Marketed as status and sex objects (81), many of the thirty-three novels and short-story collections that make up the series concern themselves with New Woman issues such as marriage and female sexuality. Lane had taken the name for this series from George Egerton'sKeynotes(1893), a collection of short stories told from the perspective of an emancipated woman.The Woman Who Did, published two years later, also featured a New Woman and became the most notorious book of the series. Combining a free-love, anti-marriage message with a tragic plot, Allen's novel focuses on a clergyman's daughter, Herminia Barton, who refuses to marry the father of her child, Alan Merrick, on feminist principles. Unwilling to enter an institution that she compares to “vile slavery” (43), she chooses to live unmarried with her lover and daughter until his death. She withstands the calumny of family and friends and years of grieving and penury only to discover in the end that her daughter rejects her feminism and views her illegitimacy not as the “supreme privilege” her mother believed it to be, but rather as a “curse” (132). In a way typical of New Woman novels, the story ends with the heroine's suicide.
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Krier, Theresa M. "Guilty Creatures: Renaissance Poetry and the Ethics of Authorship. Dennis Kezar. Oxford and New York: Oxford University Press, 2001. Pp. viii+268." Modern Philology 102, no. 3 (February 2005): 424–28. http://dx.doi.org/10.1086/432699.

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Harahap, Khoirul Amru. "Hamzah Al-Fansuri: A Figure of Malay-Indonesian Philosophical Mysticism and Sufi Literature." International Conference of Moslem Society 2 (April 23, 2018): 33–42. http://dx.doi.org/10.24090/icms.2018.1847.

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This paper discusses Hamzah al-Fansuri and his mysticsm philosophical thought and his sufi literature. His mysticism philosopical thought was very controversial that it raises debates in in his era. One of the hardest figure that attack his mysticism philosophical thought was Nuruddin ar-Raniri. This sunni’s mysticism figure considered al-Fansuri a deviate mysticism, zindiq and mulhid (heathen). Mysticism concept he practiced was the concept of wahdah al-wujud or known as wujudiyah concept, which is mostly affected by Ibnu ‘Arabi. Al-Fansuri’s Wujudiyah concept is a concept stating that wujud (existency) is essentially one, even though it seems a lot. All things that are seen a lot by the sense organ, actually just appearance of a form of existency, Allah. However, al-Fansuri separated it between intrinsic form and inherent form. Inherent form is actually nothing, it can be fana’ at every time, and it does not exist without an essential being. Even though he practiced wujudiyah concept, he is strongly refused ittihad concept (the united of the sufi with God) and hulul concept (God put a place from the body of someone). Meanwhile, his sufi literature has 6 characteristics: 1. He used authorship markers. 2. He quoted a lot of verses of Quran, hadith, and Arabic words. 3. He put his name and nick name in the end of his poetry ties. 4. He used imageries and metaphorical symbolic. 5. He was clever in joining diction with rhythm in a balanced way. 6. He was clever in joining metaphysics sense, logical and sufi aesthetic in his poems.
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P, Joshua Gnana Raj, and B. J. Geetha. "Mary Ann Lamb: A Romantic Poet." Think India 22, no. 2 (October 25, 2019): 358–62. http://dx.doi.org/10.26643/think-india.v22i2.8737.

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Mary Ann Lamb is a Romantic poet whose work in the literature of English was in the shadows, though she was the sister of Charles Lamb. This diminished image of Mary could also be because of her being caught hold of the Bipolar Disorder, on one such onset she stabbed her own mother Elizabeth Lamb. It was her brother who was her guardian and also brought her into the field of writing. The works done by Mary was always in collaboration with Charles. This collaboration made the sister and brother to bring three major works for juvenile literature which are namely Tales from Shakespeare, Mrs Leicester’s School, and Poetry for Children. This paper is done in order to establish and explore the poem “The End of May.” to show the writing style of Mary.
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Cull, Ryan. "Beyond the Cheated Eye: Dickinson's Lyric Sociality." Nineteenth-Century Literature 65, no. 1 (June 1, 2010): 38–64. http://dx.doi.org/10.1525/ncl.2010.65.1.38.

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Ryan Cull, "Beyond the Cheated Eye: Dickinson's Lyric Sociality" (pp. 38––64) During the past generation, Dickinson scholarship has shown how historicist and printculture methodologies can illuminate the social nexus of even a notoriously reticent figure. It has also had a broader impact on how we think about lyric poetry in general. For Emily Dickinson's experiments with dual authorship, hybrid-collage forms, and the blurring of stylistic and formal lines between poem and letter indicate the social embeddedness of what critics often still consider a private genre. This essay blends these two lines of thought in order to consider the lyric (and here, especially, Dickinson's lyrics) not only as a socio-historically embedded form but also as a form that may have application to our theorizing of the social. The essay argues that in a sequence of poems and letters in the period from 1862 to 1863 Dickinson identifies a possessiveness at the heart of the lyrical subjectivity that poisons social relations and stands as the most pervasive legacy of Romanticism. The essay then shows how Dickinson criticism, which can serve as a microcosm of critical trends in general, critiques but never casts aside this post-Romantic subjectivity that still limits our social theorizing. Then it shows how Dickinson seeks to do just this, to present within her lyrics an alternative poetic subjectivity that makes possible a revolutionary, pacifistic (though not passive) form of social relation.
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Petrovic, Sonja. "Milovan Vojicic's epic songs about the Kosovo battle 1389 in the Milman Parry collection of oral literature." Prilozi za knjizevnost, jezik, istoriju i folklor, no. 75 (2009): 21–43. http://dx.doi.org/10.2298/pkjif0975021p.

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In "The Milman Parry Collection of Oral Literature" on Harvard University out of 131 epic songs recorded from Milovan Vojicic, several are dedicated to the popular theme of the Serbian and Balkan epic - the Kosovo Battle 1389 (Prince Lazar and Milos Obilic, The Defeat of Kosovo, ?he Kosovo Tragedy, The Kosovo Field after the Battle, The Death of Mother Jugovici, The Death of Pavle Orlovic at Kosovo, noted in 1933-34 in Nevesinje). The paper examines Vojicic?s Kosovo songs from the perspective of textual, stylistic and rhetoric criticism, poetics, and memory studies. An analysis of Milovan Vojicic?s Kosovo epic poetry leaves an impression of an active singer who has internalised tradition, and on this foundation composes new works in the traditional manner and "in the folk style". Vojicic is a literate singer who was familiar with the collections of Vuk Karadzic, Bogoljub Petranovic, the Matica Hrvatska, and the songbooks of the time. He did not hesitate to remake or rewrite songs from printed collections or periodicals, which means that his understanding of authorship was in the traditional spirit. Vojicic?s compilations lie on that delicate line between oral traditional and modern literary poetry; he is, naturally, not alone in this double role - the majority of the gusle-players who were his contemporaries could be similarly described. In the body of Kosovo epic poetry Vojicic?s songs stand out (The Death of Pavle Orlovic at Kosovo, The Kosovo Tragedy), where he abandons the printed model and achieves the kind of originality which is in fact part of tradition itself. Vojicic highly valued oral tradition and the opportunity to perform it, as part of the process of creating an image of himself as a folk gusle-player in modern terms. For this reason, his repertoire includes both old and new themes. They are sung according to the epic standard, but also in accordance with the modern standard of epic semi-literary works. In Vojicic?s world, oral tradition is an important component in viewing the historical past, and in perceiving reality and the singer?s place in it. The epic is a form of oral memory and the guardian of remembrance of past events; however it also provides a space for surveying and commenting on modern historical situations in a popularly accepted manner, at times in an ideological key, as seen in songs which gather together major historical events. This perception of the epic tradition and history is mirrored in the heterogeneity of the corpus and in the repertoire of songs, and is all a consequence of vastly changed conditions of origin, existence and acceptance, i.e. the consumption of oral works in the first half of the 20th century, in a process of interaction between literature and folklore.
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Chiabotti, Francesco. "The Spiritual and Physical Progeny of ʿAbd al-Karīm al-Qushayrī: A Preliminary Study in Abū Naṣr al-Qushayrī’s (d. 514/1120) Kitāb al-Shawāhid wa-l-amthāl." Journal of Sufi Studies 2, no. 1 (2013): 46–77. http://dx.doi.org/10.1163/22105956-12341246.

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Abstract This article discusses discoveries made concerning the teachings of ʿAbd al-Karīm al-Qushayrī based on a preliminary analysis of the manuscript Kitāb al-Shawāhid wa l-amthāl recorded by Abū Naṣr al-Qushayrī (d. 514/1120), one of Qushayrī’s six sons. This text is the most significant attestation to the transmission of Qushayrī’s influence as it was passed down directly by his progeny. The first part of this study will briefly examine the careers of Qushayrī’s sons and their intellectual and spiritual legacy. The primary questions here are: what did the sons receive from their father and how did they transmit it? What role did familial bonds play in the transmission of religious knowledge and the mystical path? How should we understand the term Qushayriyya that the biographical sources used to describe the Qushayrī family? The second part will concentrate on the above mentioned manuscript and its transmission. After summing up the life and the career of Abū Naṣr and discussing issues of this manuscript’s authorship, the significance of the term shawāhid will be analyzed according to the role of poetry in Sufi literature. Then three important aspects of the Kitāb will be also examined.
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Klinck, Anne L. "Lyric Voice and the Feminine in Some Ancient and Mediaeval Frauenlieder." Florilegium 13, no. 1 (January 1994): 13–36. http://dx.doi.org/10.3138/flor.13.002.

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In the study of mediaeval European literature, especially that of France and Germany, the terms chanson de femme and Frauenlied have come to be conventional designations for a distinct type of poem—more broadly defined than a genre: a female-voice love-lyric in a popular rather than a courtly mode. To use the language of Pierre Bec, femininity here is “textual” rather than “genetic.” Most of these “women’s songs” are attributed to male authors, although there has been a tendency to trace the type back to preliterate songs actually composed by women. Goethe, Jakob Grimm, and others saw in the early German and Balkan Frauenlieder and Frauenstrophen the traces of “das älteste Volkspoesie.” The use of this terminology to designate a lyric in the female voice—irrespective of its authorship—goes back to Alfred Jeanroy, at the end of the last century, who defined chanson de femme as a woman’s monologue, usually sad, relating to love (158). Theodor Frings, whose description of the Frauenlied is probably the one that has been the most influential, makes clear that it is a universal, not merely a mediaeval, type. Although he focusses on Middle High German, Provençal, and Old French poetry, he includes examples ranging from Greek to Chinese.
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Clegg, Cyndia Susan. "Dennis Kezar. Guilty Creatures: Renaissance Poetry and the Ethics of Authorship. Oxford and New York: Oxford University Press, 2001. viii + 268 pp. index. $45. ISBN: 0-19-514295-0." Renaissance Quarterly 56, no. 3 (2003): 900–903. http://dx.doi.org/10.2307/1261690.

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Bonnell, Thomas F. "Authoring the Self: Self‐Representation, Authorship, and the Print Market in British Poetry from Pope through Wordsworth. Scott Hess. New York and London: Routledge, 2005. Pp. viii+395." Modern Philology 104, no. 4 (May 2007): 581–86. http://dx.doi.org/10.1086/519199.

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41

Lewis-Jones, Huw W. G. "‘Heroism displayed’: revisiting the Franklin Gallery at the Royal Naval Exhibition, 1891." Polar Record 41, no. 3 (July 2005): 185–203. http://dx.doi.org/10.1017/s0032247405004432.

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The Royal Naval Exhibition (RNE) of 1891 offers an important entry point for the study of naval mythmaking. Scrutinising one part of the RNE showcase, ‘The Franklin Gallery,’ highlights the imaginative potential of the polar regions as a resource for imperial visions. This paper provides a review of the RNE and, more closely, considers the ideology of polar exploration in the context of political debate and naval reforms. The utility of images of the Arctic presented at the RNE is discussed, in particular, its role in displaying the ‘heroic martyrdom’ of Sir John Franklin (1786–1847). The paper draws upon an extensive study of late nineteenth-century newspapers, illustrated weeklies, periodical reviews, popular adult and juvenile literature, art, poetry, pamphlets, exhibition catalogues and handbooks, and associated ephemera. It argues that the RNE played a central part in the construction and enshrining of narratives of naval and national achievement in the late-Victorian period and in reviving a British commitment to the exploration of the polar regions.
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42

Wulandari, Patricia. "Guidance on Writing Literary Works for Students as Support for The School Literacy Movement." Indonesian Community Empowerment Journal 1, no. 1 (March 19, 2021): 18–22. http://dx.doi.org/10.37275/icejournal.v1i1.5.

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Community empowerment program in literacy aims to provide training and coachingin writing literary works for students. This activity is an effort to foster students'critical literacy skills, primarily through writing skills. Also, this activity is a way tobring schools and students closer to literature. The implementation method,Community Service, is carried out by providing training and mentoring on an ongoingbasis. The training is conducted for three days for students. This training is carriedout in two ways, namely in-class and outclass. In-class training is conducted toprovide students with the same understanding of writing literary works.Simultaneously, outclass training is conducted to hone students' sensitivity, criticalpower, and intuition to capture any existing problems around them to be used as amaterial in writing literary works. Likewise, with students' writing skills increasingand better, This is evidenced by the results of literary works that they make in theform of an anthology of poetry. The poems they made was varied in typography, theme,and contents. The students were enthusiastic and enthusiastic in participating in theactivity. The activities of fostering literary writing in schools can help students andschool parties better recognize literacy, especially in literary works' authorship. Onthe other hand, fostering the writing of literary works in schools can help teachersform the School Literacy Programme in their respective schools, bearing in mind isstill very important in the school environment, so there is a need for sweet activitiesto increase student competency and love in reading and writing.
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Kravtsova, Marina E., and Anton E. Terekhov. "An Analysis of the “Reading the Verses of Chu” Article by Hu Shi." Oriental Studies 19, no. 10 (2020): 74–87. http://dx.doi.org/10.25205/1818-7919-2020-19-10-74-87.

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The paper presents an attempt to analyze Hu Shi's “Reading the Verses of Chu” which is considered one of the basic theoretic works for the “discussion on rejecting the historicity of Qu Yuan”. It spread in the first decades following the formation of the Republic of China (1911–1945) and gave birth to the to the estimation that the famous chuci (verses of Chu) poetic tradition, was firmly considered in the course of the previous centuries to be originated by the creative activities of Qu Yuan (4th – 3rd century BC), a stateman of the ancient Chinese Chu Kingdom (11th – 3rd century BC), derived in fact from an ancient anonymous cantos. It is widely considered nowadays that it was precisely Hu Shi who first stated the fictionality of Qu Yuan. However, close reading of the work shows that its content is not limited to discussing this issue. Recognizing the possibility of the existence of such a Chu poet and his authorship of a number of poetic pieces attributed to him, Hu Shi called for the abandonment of the formulaic interpretations of Qu Yuan’s image and the chuci poetry, which arouse on the basis of further legends about Chu and being under the influence of Confucian views on literary activities and personally on Qu Yuan. Thus, Hu Shi outlined a fundamentally new methodological approach to the study of the verses of Chu, which was based on examining the texts as well as their historical and cultural context. This is his true theoretical contribution to the Chinese humanities of the 20th century.
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Russell, Rinaldina. "Olivia Holmes, Assembling the Lyric Self. Authorship from Troubadour Song to Italian Poetry Book. (Medieval Cultures Series, 21.) Minneapolis and London: University of Minnesota Press, 2000. ix + 50 pls. + 240 pp. $34.95. ISBN: 0-8166-3344-4." Renaissance Quarterly 54, no. 3 (2001): 931–32. http://dx.doi.org/10.2307/1261931.

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Sanivskyi, Oleksandr, and Oksana Tsyhanok. "FORMATION OF A LINGUISTIC-AND-RHETORICAL PERSONALITY IN THE TEXTBOOK “A BRIEF HISTORY OF UKRAINIAN LITERATURE” BY SERHII YEFREMOV." Collection of Scientific Papers of Uman State Pedagogical University, no. 2 (June 24, 2021): 158–71. http://dx.doi.org/10.31499/2307-4906.2.2021.236676.

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It was investigated in the article, based on thorough reading of the textbook “A Brief History of Ukrainian Literature” by Serhii Yefremov, how the teacher revealed the problem of forming a linguistic-and-rhetorical personality in the process of studying the works of Ukrainian writers.The role of the Word in the formation of a linguistic-and-rhetorical personality was defined. That is such a person who owned the Word, respected and learnt native language, understood his role in preserving cultural memory, and was responsible for the speech act.It was found that considerable attention in the textbook was paid to the development of language, in particular the Word and its path from spoken to written, from “short sentences, as in conversation, to one long and fluent sentence”, from a fairy-tale language to the height of Shevchenkoʼs poetry. According to S. Yefremov, a writer is a master of the Word, a master of the native language, who created a new world of beauty and art by all literary means and methods, using allegories and symbols.The specifics of the textbook were the short and unobtrusive characteristics of each literary direction offered to the readers’ attention with the names of the most prominent representatives of one or other literary school.Among many writers, Serhii Yefremov was focused on I. Kotliarevskyi, P. Hulak-Artemovskyi, H. Kvitka-Osnovianenko and M. Shashkevych – the only representative of Galicia. Much attention to the activities of the Cyril and Methodius Society and the work of T. Shevchenko, P. Kulish, M. Kostomarov, as well as Marko Vovchok, Oleksa Storozhenko was paid.The author of the textbook referred artistic heritage of M. Drahomanov, I. Nechui-Levytskyi, P. Myrnyi, I. Franko, M. Starytskyi, M. Kropyvnytskyi, I. Tobilevych (Karpenko-Karyi), B. Hrinchenko and Lesia Ukrainka to the period called “chasy lykholittia (times of trouble)”.An exceptional role in the formation and popularization of the Ukrainian language belonged to the activities of Borys Hrinchenko, who was not only a talented writer, translator, but also a linguist, compiler of the “Dictionary of the Ukrainian language”.Our performed analysis of the textbook “A Brief History of Ukrainian Literature” by Serhii Yefremov gives the grounds for claiming that the facts and generalizations presented by the author, offered to readers, contribute to the formation of a linguistic-and-rhetorical, nationally conscious personality, Ukrainian patriot, who is able to acquire information adequately and critically, systematize it, formulate logical conclusions, make informed decisions, take responsibility for their own actions and for their speech act. Keywords: Serhii Yefremov, Ukrainian literature, Ukrainian language, Word, authorship, public education, linguistic-and-rhetorical personality, speech act.
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بنت أحمد سفيان, نور سفيرة, and بدري نجيب زبير. "دراسة تحليلية عن سيرة الأديب الإسلاميّ السوريّ محمد حسن بريغش (Syrian Islamic Writer Muhammad Hassan Burayghish: A Biography Study)." Journal of Islam in Asia (E-ISSN 2289-8077) 16, no. 3 (December 30, 2019): 161–90. http://dx.doi.org/10.31436/jia.v16i3.906.

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محمد حسن بريغش هو أديب وناقد دمشقي، من المثقفين المهتمين بقضايا المسلمين، وكان واحداً من أعظم المنظرين للأدب الإسلامي بمؤلفات متعددة، وللأديب بريغش مئات من المقالات التي نشرت في الصحف والمجلات العربية والإسلامية. وهو من الأدباء الكبار الذين يعتنون بالأدب الإسلامي ويعلون راية الإسلام في أدبهم، وله مصنفات عديدة في النقد الأدبي والتراجم والفكر الإسلامي كما أنه يهتم بتربية الأمة والمرأة المسلمة، وكانت كتابة القصة آخر أعماله قبل رحيله، ونشر المجموعة القصصية (الشيخ والزعيم)، وبفضل ثراء هذه الإسهامات، عد بريغش رائداً من رواد الأدب الإسلامي، وهو يتميز بالحس الإسلامي الفريد الذي جعله يقدم كثيراً من التناولات النقدية في الشعر والقصة وأدب الأطفال في ضوء التصور الإسلامي. وعلى الرغم من غزارة إنتاجه، قلّت الدراسات التي تتناول بشكل عميق حياته وثقافته وآثاره الأدبية وتوجهاته الفكرية. لذا، تأتي هذه الدراسة لتسلط الضوء على هذه الأمور كلها. وتهدف هذه الدراسة إلى إبراز خلفية بريغش العلمية والعملية مع عرض مؤلفاته الوافرة. وانطلاقاً من هذا الأمر، تقوم الباحثة بوصف المعلومات الموجودة وأقوال الأدباء حوله مع القيام بتحليلها. توصّلت الدراسة إلى أن شخصية بريغش، قد شكّلتها عوامل عديدة: تشجيع أبيه المستمر له تجاه المطالعة، وغرس أمه له بالصفات المحمودة، وأسلوب أستاذه الفعّال في زيادة حبه للعلم. أما بالنسبة إلى المحيط الجاد الذي يعيش فيه فهو عامل جانبي له تأثير في شخصيته. اكتسب منه الدأب والمثابرة بشكل غير مباشر من خلال ملاحظته ن ومن ناحية أخرى، وجدت الدراسة أن بريغش قدّم إسهامات كبرى أفادت المجتمع العربي خاصةً والناس عامةً بمؤلفاته العديدة القيمة التي كان يهدف منها نشر الدعوة الإسلامية. الكلمات المفتاحيّة: محمد حسن بريغش، الأديب السوري، الأدب الإسلامي، النقد الأدبي. Abstract Muhammad Hasan Burayghish is one of Damascus’s writers and critics who was concerned about Muslim issues. He was also one of the prominent theorists of Islamic literature who have great number of writings, including literary criticism, biographical studies and Islamic thought as well as education of the Muslim nation and women, published in Arabic newspapers and journals. Apart from that, he was also interested in short story writing and managed to publish his collection of stories entitled (al-Shaikh wa al-Za’im – The sheikh and the leader) before his demise. With all these great contributions, he was deemed as one of the salient pioneers of Islamic literature who played great role in poetry and prose critics as well as juvenile literature especially in the light of Islamic concept. Although he has abundance of writings, there is lack of deep studies on his personal life, educational and working background and his literary career. Therefore, this study is aimed to highlight these matters as well as his numerous writings in detail. The researcher has analyzed critically the information related to Burayghish and the statements of writers upon him. This study found that there are several factors which have set up his high character. Those factors are, continuous encouragement by his father towards reading, instilling of praiseworthy qualities by his mother and effective styles of his teacher in increasing his love towards knowledge. As for the tough place that surrounds him, it was side factors which have influenced his character and personality. He gained diligence and perseverance indirectly through his observation. This study also found that he has given huge contribution towards Arabic people especially, when he left them with hundreds of his Islamic remarkable books and writings. Keywords: Muhammad Hasan Burayghish, Syrian writer, Islamic literature, Literary criticism.
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Edwards, Karen L., Peter Coss, Michael Hicks, Graham Parry, R. C. Richardson, Myron D. Yeager, V. G. Kiernan, et al. "Reviews: Written Work: Langland, Labor, and Authorship, England's Empty Throne: Usurpation and the Language of Legitimation 1399–1422, Sermons at Court: Politics and Religion in Elizabethan and Jacobean Preaching, the Making of Jacobean Culture, the Historical Imagination in Early Modern Britain: History, Rhetoric and Fiction, 1500–1800, Romantic Writing and Pedestrian Travel, the Scottish Invention of English Literature, Dante and the Victorians, George Eliot and Italy: Literary, Cultural and Political Influences from Dante to the Risorgimento, the Imperial Game: Cricket, Culture and Society, Ideologies of Epic: Nation, Empire and Victorian Epic Poetry, Professional Domesticity in the Victorian Novel: Women, Work and Home, Women's Fiction between the Wars: Mothers, Daughters and Writing, British Women Writers of World War II: Battleground of Their Own, the Tyranny of the Discrete: A Discussion of the Problems of Local History in England, Issues of Regional Identity: In Honour of John Marshall, Imperial Cities: Landscape, Display and Identity, Figural Realism: Studies in the Mimesis Effect, Criticism and Modernity: Aesthetics, Literature and Nations in Europe and its AcademiesJusticeSteven and Kerby-FultonKathryn (eds), Written Work: Langland, Labor, and Authorship , University of Pennsylvania Press, pp. 347, £42.75.StrohmPaul, England's Empty Throne: Usurpation and the Language of Legitimation 1399–1422 , Yale University Press, 1998, pp. xiv + 274, £25.McCulloughPeter E., Sermons at Court: Politics and Religion in Elizabethan and Jacobean Preaching , Cambridge University Press, 1998, pp. xv + 237, £35PerryCurtis, The Making of Jacobean Culture , Cambridge University Press, 1997, pp. xiv + 281, £35.KelleyDonald R. and SacksDavid Harris (eds), The Historical Imagination in Early Modern Britain: History, Rhetoric and Fiction, 1500–1800 , Woodrow Wilson Center Press/Cambridge University Press, 1997, pp. xii + 374, £50.JarvisRobin, Romantic Writing and Pedestrian Travel , Macmillan, 1997, pp. x + 246, £45.CrawfordRobert (ed.), The Scottish Invention of English Literature , Cambridge University Press, 1998, pp. 259, £35.MilbankAlison, Dante and the Victorians , Manchester University Press, 1998, pp. ix + 277, £45.00ThompsonAndrew, George Eliot and Italy: Literary, Cultural and Political Influences from Dante to the Risorgimento , Macmillan, 1998, pp. x + 243, £42.50.SandifordKeith A. and StoddartBrian (eds), The Imperial Game: Cricket, Culture and Society , Manchester University Press, 1998, pp. viii + 178, £40.00.GrahamColin, Ideologies of Epic: Nation, Empire and Victorian Epic Poetry , Manchester University Press, 1998, pp. 194, £40.CohenMonica F., Professional Domesticity in the Victorian Novel: Women, Work and Home , Cambridge University Press, 1998, pp. 216, £35.InghamHeather, Women's Fiction Between the Wars: Mothers, Daughters and Writing , Edinburgh University Press, 1998, pp. 180, £40, £14.95 pbLassnerPhyllis, British Women Writers of World War II: Battleground of Their Own , Macmillan, 1998, pp. 293, £45.MarshallJ. D., The Tyranny of the Discrete: A Discussion of the Problems of Local History in England , Scolar Press, 1997, pp. vii + 152, £40RoyleEdward (ed.), Issues of Regional Identity: In Honour of John Marshall , Manchester University Press, 1998, pp. xi + 252, £40.DriverFelix and GilbertDavid (eds), Imperial Cities: Landscape, Display and Identity , Manchester University Press, 1999, pp. 283, £45.WhiteHayden, Figural Realism: Studies in the Mimesis Effect , Johns Hopkins University Press, 1999, pp. 205, £31.50.DohertyThomas, Criticism and Modernity: Aesthetics, Literature and Nations in Europe and its Academies , Oxford University Press, 1999, pp. vi + 248, £40." Literature & History 9, no. 1 (May 2000): 96–116. http://dx.doi.org/10.7227/lh.9.1.8.

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Jenkins, Keith, Gary Farnell, Anne Curry, Michael Hicks, Ben Lowe, Simon Barker, Peter Clark, et al. "Reviews: Rethinking Literary History, the Question of Literature: The Place of the Literary in Contemporary Theory, the Performance of Self: Ritual, Clothing and Identity during the Hundred Years War., Reassessing Tudor Humanism, John Foxe and His World, Voyage Drama and Gender Politics 1589–1642, before Orientalism: London's Theatre of the East, 1576–1626, Royal Subjects: Essays on the Writings of James VI and I, Milton and the Terms of Liberty, the Social Circulation of the Past: English Historical Culture 1500–1730, Literature and Utopian Politics in Seventeenth-Century England, Literature and Religious Culture in Seventeenth-Century England, Flesh in the Age of Reason, Patriotism and Poetry in Eighteenth-Century Britain, English Feminists and Their Opponents in the 1780s: Unsex'd and Proper Females, Mary Wollstonecraft and the Feminist Imagination, Women Peasant Poets in Eighteenth-Century England, Scotland and Germany: Milkmaids on Parnassus, in Praise of Poverty: Hannah More Counters Thomas Paine and the Radical Threat, Romanticism and Animal Rights, Slavery and the Romantic Imagination, Performing Shakespeare in the Age of Empire, Unequal Partners: Charles Dickens, Wilkie Collins and Victorian Authorship, across Time and Continents: A Tribute to Victor G. Kiernan, Shakespeare in the PresentHutcheonLinda and ValdésMario (eds), Rethinking Literary History , Oxford University Press, 2002, pp. xiii + 215, £25.BissellElizabeth Beaumont (ed.), The Question of Literature: The Place of the Literary in Contemporary Theory , Manchester University Press, 2002, pp. xii + 236, £45, £15.99 pb.CraneSusan, The Performance of Self: Ritual, Clothing and Identity During the Hundred Years War . University of Pennsylvania Press, 2002, pp. ix + 269, $49.95, $19.95 pb.WoolfsonJonathan (ed.), Reassessing Tudor Humanism , Palgrave, 2002, pp. xi + 286, £47.50.HighleyChristopher and KingJohn N. (eds), John Foxe and His World , Ashgate, 2002, pp. 297, £55.JowittClaire, Voyage Drama and Gender Politics 1589–1642 , Manchester University Press, 2003, pp. vi + 256, £40.BarbourRichmond, Before Orientalism: London's Theatre of the East, 1576–1626 , Cambridge University Press, 2003, pp. xii + 238, £45.FischlinDaniel and FortierMark (eds), Royal Subjects: Essays on the Writings of James VI and I , Wayne State University Press, 2002, pp. 543, £33.50.ParryGraham and RaymondJoad (eds), Milton and the Terms of Liberty , D. S. Brewer, 2002, pp. xvi + 218, £35.WoolfDaniel, The Social Circulation of the Past: English Historical Culture 1500–1730 , Oxford University Press, 2003, pp. xvii + 421, £55.AppelbaumRobert, Literature and Utopian Politics in Seventeenth-Century England , Cambridge University Press, 2002, pp. xi + 256, £40.BarbourReid, Literature and Religious Culture in Seventeenth-Century England , Cambridge University Press, 2002, pp. viii + 282, £42.50.PorterRoy, Flesh in the Age of Reason , Allen Lane, 2003, pp. xviii + 574, £25.GriffinDustin, Patriotism and Poetry in Eighteenth-Century Britain , Cambridge University Press, 2002, pp. x + 316, £42.50.StaffordWilliam, English Feminists and their Opponents in the 1780s: Unsex'd and Proper Females , Manchester University Press, 2002, pp. 239, £45.TaylorBarbara, Mary Wollstonecraft and the Feminist Imagination , Cambridge University Press, 2003, pp. 331, £16.95 pb.KordSusanne, Women Peasant Poets in Eighteenth-Century England, Scotland and Germany: Milkmaids on Parnassus , Camden House, Boydell and Brewer, 2003, pp. xiii + 325, £50.ScheuermannMona, In Praise of Poverty: Hannah More Counters Thomas Paine and the Radical Threat , University Press of Kentucky Press, 2002 pp. xiv + 255, $36.PerkinsDavid, Romanticism and Animal Rights , Cambridge University Press, 2003, pp. xvi + 190, £40.LeeDebbie, Slavery and the Romantic Imagination , University of Pennsylvania Press, 2002, pp. xiv + 296, $55.FoulkesRichard, Performing Shakespeare in the Age of Empire , Cambridge University Press, 2002, pp. x + 235, £45.NayderLillian, Unequal Partners: Charles Dickens, Wilkie Collins and Victorian Authorship , Cornell University Press, 2002, pp. xiv + 221, £23.50.KaratPrashkat (ed), Across Time and Continents: A Tribute to Victor G. Kiernan , New Delhi, Leftword Books, 2003, pp. vii + 255, 450 rupees/ $9HawkesTerence, Shakespeare in the Present , Routledge, 2002, pp. xi + 164, £16.99 pb." Literature & History 13, no. 2 (November 2004): 86–116. http://dx.doi.org/10.7227/lh.13.2.5.

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Ilie, Diana. "Matrifilia – scriitura ca limbaj afectiv." Transilvania, December 15, 2020, 101–8. http://dx.doi.org/10.51391/trva.2020.12.13.

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This study aims to depict women’s authorship and their contribution to literature, while taking into consideration the genesis of female identity at the intersection between motherhood and feminism. I intend to do a neo-feminist exploration of the collective volume “Povești cu scriitoare și copii” [Stories with Women Writers and Children], coordinated by Alina Purcaru, an example of writing the self using poetry and affection – in other words, l’écriture féminine. Given the fact that the main goal of this study is the investigation of motherhood, while focusing on specific issues such as the body, agency, autonomy, alterity, and their relation to the patriarchal norms, the result is a compassionate approach to writing from the point of view of female authors. To create and procreate become the epitome of this study, in a field ever so dynamic as the ethics of birth and literature.
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Kamilova, Saodat E., and Yana Yu Arustamyan. "Original Projections of Author’s “Self” in Modern Russian and Uzbek Short Story." Journal of Siberian Federal University. Humanities & Social Sciences, December 2020, 2012–26. http://dx.doi.org/10.17516/1997-1370-0700.

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This article is devoted to the analysis of the short story genre in Russian and Uzbek literature of the late 20th and early 21st centuries, in which a subjectivist-open position in attitude to reality acquires the quality of the leading principle organizing its artistic integrity. The article analyzes the whole layer of works with different realization of the triad “author-narrator-character”. These three components of its beginning are connected at one point, the author becomes both the narrator and the protagonist of a literary text. Moreover, either a partial or complete coincidence of the narrator with the author is observed. In such stories, regardless of the object of reflection, the narration is conducted in the first person and is purely subjective. We decided that it was logical to consider them in accordance with one or another specific type of authorship presented. As a result, we have developed a classification of the types of the author’s “Self”, which is represented by introverted, juvenile- retrospective and lyrical types of the author’s “Self” in modern Russian and Uzbek short stories
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