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Dissertations / Theses on the topic 'Poetry Authorship'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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1

Davies, Kevin. "Paraphernalia : four poems in seven drafts /." Fogler Library, University of Maine, 2006. http://www.library.umaine.edu/theses/pdf/DaviesKX2006.pdf.

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2

Kinsella, John. "The pastoral and modernity: AUTO visitants hunt as textual investigation of self and poetry." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2000. https://ro.ecu.edu.au/theses/1354.

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AUTO is a prose work about poetry and the “growth of the poet’s imagination”, to quote The Poet. A poet? If we remember correctly. Reference? Is/was that how it should be worded? Maybe this is a mistake? But an error is a textual truth in itself. It tells us something. AUTO. It is also a metatextual work that is concerned with its own means of production. The voice of self shifts position in relation to the construction of narratives. Stories are told, anecdotes conveyed, portraits suggested. The autobiographical voice is as much an onlooker as the centre of activity. AUTO is a text about the

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3

Hussey, Charlotte. "Of swans, the wind and H.D. : an epistolary portrait of the poetic process." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36612.

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This dissertation is a qualitative case study of a woman's poetic process. Rather than examine creativity from the outside, I have viewed it from the inside in an attempt to document my direct engagement, as an emergent woman poet, with my own writing. I have conducted personal, poetic research throughout this project in an attempt to construct a self-portrait of my own creativity.<br>To do so, I have not attempted to prove a thesis, or strive for scientific objectivity. As the portrait of a woman's imagination, this text narrates the winding course of a transformative journey brought about by

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4

Coxon, Sebastian. "The presentation of authorship on later thirteenth-century middle German narrative poetry." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.285247.

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5

Kelen, Christopher, University of Western Sydney, and School of Communication and Media. "Metabusiness : poetics of haunting and laughter." THESIS_XXX_SCM_Kelen_C.xml, 1998. http://handle.uws.edu.au:8081/1959.7/542.

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This thesis deals with the writing process in poetry. It consists of two types of text – theoretical and poetic. This thesis asks, for the purposes of a poetics of writing, what knowledge of language poetry requires. Questions as to the sources of poetry are resolved as questions asked of the ethics in which writing is possible. Poetry is that discourse which stands out of the bivalency of judgement, constituting, as speech does in its unending, the delay of freedom. Tropology is structure with which to represent the world, and by limitless tropology we inscribe the manner and scope of poetry’

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6

Llewellyn, M. E. "Minor poets and the game of authorship : the poetry of Thomas Randolph, Katherine Philips and Edmund Waller." Thesis, Swansea University, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.637933.

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This thesis explores the nature of ‘minor poetry’ of the seventeenth century. I argue that Thomas Randolph, Katherine Philips and Edmund Waller are actively engaged in a deliberate strategy of poetic limitation that might be termed a ‘game’; that they play with the very idea of authorship in their work. Part One looks at the work of Randolph, with the first chapter focusing on his relationship with his ‘father’ Ben Jonson and Randolph’ position within the group known as the ‘Tribe’ or ‘Sons’ of Ben. I then offer a reading of Randolph’s private and social poetry, suggesting that he consciously

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7

Lang, Kristen, and mikewood@deakin edu au. "Creative redemption : Uncertainty in poetic creativity." Deakin University. School of Communication and Creative Arts, 2003. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050719.121154.

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8

Brigley, Judith. "Unlocking and using a secret language : an exploration and analysis of effective strategies for teaching poetry writing to able students at Key Stage 4." Thesis, Swansea University, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678336.

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9

Kinsella, John. "Spatial relations of landscape: A poetics. Part 1." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2005. https://ro.ecu.edu.au/theses/671.

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This thesis is composed of two parts. Part one is a volume of essays, commentaries, and manifesto pieces that investigate the relationship between literary tropes of landscape, such as pastoral and “nature writing”, and the development of a poetics of landscape writing. The issue of "self" and the relationship the individual might have with specific place, is examined from angles as seemingly disparate as using; a manual Olivetti Letter 32 typewriter for drafting, the ethics of anthologizing place as nation, text on the world wide web, the process of writing and ageing, being struck by lighten

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10

Oliveira, Gisele Pereira de. "Cecília Meireles e a Índia : das provisórias arquiteturas ao "êxtase longo de ilusão nenhuma" /." Assis, 2014. http://hdl.handle.net/11449/123392.

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Orientadora: Ana Maria Domingues de Oliveira<br>Banca: Cleide Antonia Rapucci<br>Banca: Sandra A. Ferreira<br>Banca: Dilip Loundo<br>Banca: José Hélder Pinheiro Alves<br>Resumo: A presença da Índia na biografia e na obra de Cecília Meireles é notável. A relação entre a poetisa e a Índia apresenta-se de forma explícita e implícita em sua produção: por um lado, tem-se o volume Poemas escritos na Índia, paralelamente às diversas crônicas sobre esse país, assim como conferências e aulas; por outro lado, em sua lírica, há inúmeros poemas que permitem a leitura de princípios, temas e nuances do pens

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11

Barrett, Redfern Jon. "Queer friendship : same sex love in the works of Thomas Gray, Anna Seward, Mary Wollstonecraft and William Godwin." Thesis, Swansea University, 2010. https://cronfa.swan.ac.uk/Record/cronfa43030.

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12

McDonald, Willis Burr III. "An ink-stained neoclassicist: Joel Barlow and the publication of poetry in the early Republic." Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/3498.

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This study examines the literary career of the eighteenth-century American poet Joel Barlow. Because Barlow, unlike his peers, came to fully embrace print-based methods of authorship and advertising, between 1790-1810 he emerged as the most widely read American poet. Employing a book studies methodology, this project focuses on the publication details surrounding each of Barlow's poems including: his relationships with his publishers, the physical shape and appearance of his works, the cost of those works, how those works were advertised, and the extent of their geographic distribution. The ar

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13

Friedlander, Keith. "Born In a Crowd: Subjecthood Across Authorial Modes In the Nineteenth-Century Writer's Market." Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/35054.

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This dissertation examines representations of authorship and subjecthood in the Romantic period as products of market position and publishing mode. In doing so, it views the traditional concept of Romantic individualism commonly associated with the solitary poet as a strategy developed to help the author navigate a complex writer’s market. Rather than focusing upon individualism as the defining authorial model for this period, however, my project presents it as one example of a diverse range of representational strategies employed by different authors operating from different positions within

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14

Poyhonen, Alexander J. "Don Quijote lo Interminable: La Cuestión de los Textos Originales y las Emanaciones a Través de Formas Secundarias de Arte." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/cmc_theses/522.

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In chapter 1, I ponder the role of authorship and whether or not an original text can truly exist. Specifically, the claim that Borges has that a copy can be superior to an original. From this, brings me to chapter 2 with the movie Man of la Mancha. In this movie, I highlight some of the pros and cons of a copy. The windmill scene is a negative emanation of the Quixote, while the interaction between people and the presence of women is something the movie truly displays well. In the third chapter, I look at Lost in la Mancha because it demonstrates a failed attempt to translate the Quixote. In

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15

Peyrouse, Anne. "La fiction poétique, précédée par Corps-floraison et En filigrane." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0027/NQ31504.pdf.

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16

Oliveira, Gisele Pereira de [UNESP]. "Cecília Meireles e a Índia: das provisórias arquiteturas ao êxtase longo de ilusão nenhuma." Universidade Estadual Paulista (UNESP), 2014. http://hdl.handle.net/11449/123392.

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Made available in DSpace on 2015-05-14T16:53:31Z (GMT). No. of bitstreams: 0 Previous issue date: 2014-12-10Bitstream added on 2015-05-14T16:58:42Z : No. of bitstreams: 1 000823526_20161210.pdf: 108243 bytes, checksum: 4355e19fa61048532bb191aaec4aa40c (MD5) Bitstreams deleted on 2016-12-12T11:23:41Z: 000823526_20161210.pdf,. Added 1 bitstream(s) on 2016-12-12T11:24:25Z : No. of bitstreams: 1 000823526.pdf: 1029117 bytes, checksum: c7426a00373705b33e51bd6bf49e8088 (MD5)<br>A presença da Índia na biografia e na obra de Cecília Meireles é notável. A relação entre a poetisa e a Índia apresenta-

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17

Ogden, Rebecca Lee Jensen. "Merit Beyond Any Already Published: Austen and Authorship in the Romantic Age." BYU ScholarsArchive, 2010. https://scholarsarchive.byu.edu/etd/2417.

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In recent decades there have been many attempts to pull Austen into the fold of high Romantic literature. On one level, these thematic comparisons are useful, for Austen has long been anachronistically treated as separate from the Romantic tradition. In the past, her writings have essentially straddled Romantic classification, labeled either as hangers-on in the satiric eighteenth-century literary tradition or as early artifacts of a kind of proto-Victorianism. To a large extent, scholars have described Austen as a writer departing from, rather than embracing, the literary trends of the Romant

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18

Kelen, Christopher. "Metabusiness : poetics of haunting and laughter." Thesis, View thesis, 1998. http://handle.uws.edu.au:8081/1959.7/542.

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This thesis deals with the writing process in poetry. It consists of two types of text – theoretical and poetic. This thesis asks, for the purposes of a poetics of writing, what knowledge of language poetry requires. Questions as to the sources of poetry are resolved as questions asked of the ethics in which writing is possible. Poetry is that discourse which stands out of the bivalency of judgement, constituting, as speech does in its unending, the delay of freedom. Tropology is structure with which to represent the world, and by limitless tropology we inscribe the manner and scope of poetry’

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19

Silva, Egle Pereira da. "A poesia de Paul Auster." Universidade do Estado do Rio de Janeiro, 2014. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=7262.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This thesis examines Paul Austers extremely neglected early work: his poetry. Five books were published: Unearth (1974), Wall writing (1976), Effigies (1977), Fragments from cold (1977) and Facing the music (1980), available only at antiquarians and restrective universities libraries in the United States, as well as at the New York Public Library. Studies around Austers poetic oeuvre are restricted to papers, reviews, translators introduction, and a thesis that focus on his poetry to produce new analyses and interpretations of Aust

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20

Van, der Nest Megan. "Silence, like breathing." Thesis, Rhodes University, 2012. http://hdl.handle.net/10962/d1015246.

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In this collection of free verse lyric poems I have drawn inspiration from childhood memories, as well as from the natural world and encounters with the people around me. Each poem focuses on a small moment, presenting an emotive portrait of a memory or an experience. These small moments lead, cumulatively, to deeper insights into myself and the world around me. The collection is divided into four seasons, in part because the work is strongly influenced by the natural world, but also because the progression of the seasons mirrors something of the personal journey reflected in the poems.

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21

Berthon, Guillaume. "« L’intention du Poete ». Du pupitre à la presse, Clément Marot autheur." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040133.

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Ce travail propose de montrer de quelle manière Clément Marot a conçu son métier d’auteur. À cette fin, il prend d’abord appui sur une reconstruction synthétique et critique de la carrière du poète, des premiers engagements auprès de Nicolas de Neufville ou (peut-être) de la reine Claude, jusqu’au service de François Ier, afin d’en comprendre les contraintes, et la façon dont elles conditionnent l’écriture (I). Suit logiquement l’étude des représentations du métier d’auteur dans l’œuvre, c’est-à-dire du discours par lequel le poète se met en scène en tant qu’auteur ; celle-ci comprend ainsi l’

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22

Adendorff, Elbie Maria. "Digdebute teen die milleniumwending : 'n polisistemiese ondersoek." Thesis, Stellenbosch : University of Stellenbosch, 2003. http://hdl.handle.net/10019.1/4578.

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Thesis (MA (Afrikaans and Dutch))--University of Stellenbosch, 2003.<br>AFRIKAANSE OPSOMMING: Die doelstelling met hierdie studie is om die verskyning en ontvangs van Afrikaanse dig-debuutbundels teen die millenniumwending met behulp van die polisisteemteorie te bestudeer. Dié teorie behels dat die literatuur as 'n sisteem tussen ander sisteme in die samelewing beskryf word. In hierdie geval word die sisteemgrens tot die Afrikaanse poësie beperk. Die resepsies van die ses debuutbundels wat in 1999–2000 verskyn het en wat vir die Ingrid Jonker-prys in aanmerking geneem is, word ondersoek. Binn

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23

Woudstra, Ruth. "Touching Brýnstone." Thesis, Rhodes University, 2012. http://hdl.handle.net/10962/d1015032.

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Touching Brýnstone is the story of Beth, a young journalist who is troubled by misfortunes in her family and work circumstances. In a Pretoria library she is seduced by a book that consoles her and progressively becomes a fetish object. It sparks a journey to Japan, where she arrives to teach English. She is intent on meeting the author, whom she confounds with protagonist and book. This Bildungsroman is an exploration of the complex relationship between inner and outer self, and the struggle towards wholeness. Beth must find a way out of the obsession so that she can return to South Africa wi

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24

Pereira, Érica Antunes. "De missangas e catanas: a contrução social do sujeito feminino em poemas angolanos, cabo-verdianos, moçambicanos e são-tomenses." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-04012011-101230/.

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As angolanas Alda Lara e Paula Tavares, a cabo-verdiana Vera Duarte, a moçambicana Noémia de Sousa e as são-tomenses Alda Espírito Santo e Conceição Lima são as escritoras que melhor representam a poesia de autoria feminina em seus respectivos países e, embora pertençam a contextos socioeconômicos e culturais bastante diferentes, suas obras se aproximam tanto pela abordagem temática, quanto pela existência de um projeto de construção social do sujeito feminino. Assim, embasamo-nos, teoricamente, nos estudos em especial os de Michel de Certeau (2005) e Maria Odila da Silva Leite Dias (1992; 19

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25

Morelato, Adrienne Kátia Savazoni [UNESP]. "As vestes do corpo e da melancolia na poesia de autoria feminina: Cecília Meireles, Gabriela Mistral e Henriqueta Lisboa." Universidade Estadual Paulista (UNESP), 2017. http://hdl.handle.net/11449/151640.

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Submitted by ADRIENNE KATIA SAVAZONI MORELATO null (adriennekatiadidi@bol.com.br) on 2017-09-16T01:49:24Z No. of bitstreams: 1 AS VESTES DO CORPO E DA MELANCOLIA NA POESIA DE AUTORIA FEMININA.pdf: 1820787 bytes, checksum: b315b774f6c83bfbc42f6c2baf9aef22 (MD5)<br>Approved for entry into archive by Monique Sasaki (sayumi_sasaki@hotmail.com) on 2017-09-19T18:15:17Z (GMT) No. of bitstreams: 1 morelato_aks_dr_arafcl.pdf: 1820787 bytes, checksum: b315b774f6c83bfbc42f6c2baf9aef22 (MD5)<br>Made available in DSpace on 2017-09-19T18:15:17Z (GMT). No. of bitstreams: 1 morelato_aks_dr_arafcl.pdf: 182

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26

Wikeley, Clare Elaine. "John Taylor, the Water Poet : authorship and print, 1612-1631." Thesis, University of Southampton, 2009. https://eprints.soton.ac.uk/169835/.

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27

Menegazzo, Luca <1996&gt. "A Debated Poet. The Matter of Common Authorship in the Cotton Nero Manuscript's Poems and Saint Erkenwald." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/20251.

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With the discovery of Cotton Nero A.x manuscript and the growing notoriety of the poems contained in it, Pearl, Cleanness, Patience, and Sir Gawain and the Green Knight, scholars have tried to understand if these compositions were elaborated by the same unknown author, or if they were collected together by the scribe who copied the texts into the codex. To solve this question and to develop the debate on common authorship, scholars take into account some points (language, meter, structure, style, and topics). Although identifying a precise person as the author of the texts is impracticable for

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28

Hartigan, Caitlin Carol. "Image, manuscript, print : Le Roman de la rose, ca. 1481-1538." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:51474485-d7f1-43f9-8fc7-c7132037e75b.

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This thesis examines the transmission and reception of images in Le Roman de la rose manuscripts and printed editions of the late fifteenth and early sixteenth centuries. Through in-depth case studies, I analyse how illustrators, editors, and readers used printed imagery in Rose books ca. 1481-1538, during the period of Rose printed edition production, exploring wider cross-disciplinary issues concerning the history of the book, the relationship between word and image, and readership practices following the advent of French printing. I argue that the mobility of printed imagery, which was faci

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29

Robinson, Christine Mary. "A machine-readable edition of the text of the 'Speculum Vitae' as attested in British Library MS. Additional 33995, with introduction, glossary and an investigation of claims for the common authorship of the 'Speculum Vitae' and the 'Prick of Conscience'." Thesis, University of Edinburgh, 1988. http://hdl.handle.net/1842/26896.

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This thesis contains a machine-readable edition of the text of the Speculum Vitae as attested in British Library MS. Additional 33995, with introduction and glossary. Claims for the possible common authorship of the Prick of Conscience and the Speculum Vitae are investigated firstly by Positional Stylometry, which provides no useful information. Many lines in the two poems are found to be similar, but a study of the similar lines casts doubt on their significance as an indication of common authorship. The study of similar lines leads to an attempt to define and isolate formulas. Differences be

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30

Ngo-Vu, Nhat-Phuong. "Envisioning Lady Ise: Poetic Persona, Performance, and Multiple Authorship in Classical Japanese Poetry." Thesis, 2021. https://doi.org/10.7916/d8-gtkq-vd21.

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In classical Japanese poetry (waka), one often equates the poetic persona with the historical poet, perhaps in part due to the fact that waka was very often used for communicative purposes as elevated dialogue. This dissertation deconstructs such a notion of the poetic persona to reveal the various factors that work in tandem to create a textual persona that is in fact rarely a straightforward representation of the poetic author. I show that the poetic persona is the contested ground upon which different actors lay their claims, that waka is a highly performative genre, and that the poet was a

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31

Barlow, Gania. "Revisionary Retelling: The Metapoetics of Authorship in Medieval England." Thesis, 2014. https://doi.org/10.7916/D8MW2F9R.

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When Geoffrey Chaucer depicts characters debating the flaws of his works in The Legend of Good Women, or when Marie de France tells histories of literary transmission to frame her Lais, these authors are writing what I describe as metapoetic narratives. By "metapoetic" I mean that their works are in part about the making of poetry, commenting on the authors' poetic activity and creative processes from within. My dissertation, "Revisionary Retelling: The Metapoetics of Authorship in Medieval England," examines how this self-conscious mode of writing enables certain vernacular authors to refle

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32

Naicker, Dashen. "Unfamiliar shores : a collection of poetry with a self-reflexive essay component detailing the writing process and influences upon the poetry." Thesis, 2010. http://hdl.handle.net/10413/4647.

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33

"A "Reasonable Reader of Poetry's" Briefed Introduction: A Sam Harris Application on the Lack of Authorship in Poetry and Poems." Master's thesis, 2015. http://hdl.handle.net/2286/R.I.30064.

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abstract: The following thesis document entitled, "A 'Reasonable Reader of Poetry's' Briefed Introduction: A Sam Harris Application on the Lack of Authorship in Poetry and Poems" explores the concept of writing itself applied to the world of poetry. This document uses Sam Harris' critique and redefinition of free will as an illusion applied to authorship and the concept of self within poetry. This thesis upholds Sam Harris' application of the illusion of free will against and within conventions of experimental poetry to do with the persona poem, deviated syntax, memory, Confessionalist poetry,

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34

Bolton, Ken 1949. "At the flash & at the baci / Ken Bolton." Thesis, 2003. http://hdl.handle.net/2440/21996.

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"August 2003."<br>Includes bibliographical references (leaves 166-177)<br>2 v. (131, 177 leaves) ; 30 cm.<br>Consists principally of poems. The collection does not pursue any particular theme. It is organized chronologically. An exegetical essay written as a poem forms the second part of the thesis. The essay does not explain the poem's 'meanings' to any great extent but considers the poems' relation to each other and to poems written in the past.<br>Thesis (Ph.D.)--University of Adelaide, Dept. of English, 2003

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Bolton, Ken 1949. "At the flash & at the baci." 2003. http://web4.library.adelaide.edu.au/theses/09PH/09phb6943.pdf.

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"August 2003." Includes bibliographical references (leaves 166-177) Pt. 1. At the flash & at the baci: contents, poems, notes to poems -- pt. 2. Exegetical essay: note on the text, essay: How I remember writing some of my poems - why, even Consists principally of poems. The collection does not pursue any particular theme. It is organized chronologically. An exegetical essay written as a poem forms the second part of the thesis. The essay does not explain the poem's 'meanings' to any great extent but considers the poems' relation to each other and to poems written in the past.

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36

Grobler, Diek 1964. "Narrative strategies in the creation of animated poetry-films." Thesis, 2021. http://hdl.handle.net/10500/27666.

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Text in English, with abstracts and keywords in English and Sesotho<br>This doctoral study investigates the practice of narrative strategies in the creation of animated poetry-film. The status of the animator as auteur of the poetry-film is established on the grounds of the multiple instances of additional authoring that the animated poetry-film requires. The study hypothesises that diverse narrative strategies are operative in the production of animated poetry-film. Two diametrically opposed strategies are identified as ideal for the treatment of lyrical narrative. The first narrative strat

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37

Stout, Julien. "L’auteur au temps du recueil : repenser l’autorité et la singularité poétiques dans les premiers manuscrits à collections auctoriales de langue d’oïl (1100-1340)." Thesis, 2020. http://hdl.handle.net/1866/25398.

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Cette thèse entend proposer une analyse originale du phénomène connu mais polémique que constitue l’introduction de la notion d’auteur dans la littérature de langue française au Moyen Âge. Il s’agira d’essayer de contribuer à repenser la signification poétique, culturelle et historique de ce moment particulier où l’auteur – c’est-à-dire l’attribution d’un texte ou d’une série de textes à un nom propre donné – s’est imposé pour la première fois comme un critère structurant et primordial dans la production et surtout la transmission des textes de langue française dans les manuscrits médiévaux. U

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