Relevant bibliographies by topics / Poetry Criticism. Belief and doubt

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  2. Dissertations / Theses
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Academic literature on the topic 'Poetry Criticism. Belief and doubt'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 February 2022

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Journal articles on the topic "Poetry Criticism. Belief and doubt"

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Sobolev, Dennis. "SEMANTIC COUNTERPOINT AND THE POETRY OF GERARD MANLEY HOPKINS." Victorian Literature and Culture 35, no. 1 (2007): 103–19. http://dx.doi.org/10.1017/s1060150307051431.

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IT IS WELL KNOWN that both traditional, historically orientated, literary criticism and new-critical studies were inseparable from a belief in the “unity” of meaning – a belief in the existence, below the multicolored surface of the literary text, of a single semantic center, which unifies the text and turns it into an “organic whole.” Similarly, Russian Formalists and Prague Structuralists, though critical of the notion of the “organic whole” and its use in art criticism by the Neo-Romantics and the Symbolists, never questioned the alleged semantic unity of the literary text. An alternative a
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Jha, S. R. "On the Duties of Intellectuals to Truth: The Life and Work of Chemist-Philosopher Michael Polanyi." Science in Context 11, no. 1 (1998): 89–141. http://dx.doi.org/10.1017/s0269889700002921.

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The ArgumentMichael Polanyi (1891–1976) is placed in the ongoing Enlightenment-reform tradition as one of the first twentieth-century scientists to propose a program to correct the gravest internal conflict of the modern Enlightenment project of radical criticism: scientific detachment and moral nihilism in conflict with humanist values. He held that radical criticism leads not to truth but to destructive doubt. Only the inclusion of the “personal element,” the judicial attitude of reasonable doubt and the acknowledgment of belief in the regulative principle of truth can overcome this end. Fre
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Bayluk, Vladimir Vasilievich. "METHODS OF UNITY OF FAITH AND DOUBT, CRITICISM AND SELF-CRITICISM AND BELIEF AS A MEANS OF DEVELOPING THE CREATIVITY OF TEACHERS AND STUDENTS." Pedagogical Education in Russia, no. 3 (2021): 50–65. http://dx.doi.org/10.26170/2079-8717_2021_03_06.

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Diao, Wenhao, Barbara Freed, and Leigh Smith. "Confirmed Beliefs or False Assumptions? A Study of Home Stay Experiences in the French Study Abroad Context." Frontiers: The Interdisciplinary Journal of Study Abroad 21, no. 1 (2011): 109–42. http://dx.doi.org/10.36366/frontiers.v21i1.306.

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What has emerged from what might be called the second generation of study abroad research is the questioning of some of the most long-standing beliefs about the study abroad experience itself. The belief that: (1) the amount and frequency of contact that students have with native speakers will increase their language gain; (2) that study abroad assures immersion experiences for students; and (3) that homestay is the richest and most important source of L2 learning are what motivates this study. The purpose of the research described in this article is to help clarify the extent to which either
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Prade, Juliane. "Not Coming to Terms: Nonhuman Animals and the Edge of Theory." Society & Animals 22, no. 3 (2014): 309–28. http://dx.doi.org/10.1163/15685306-12341335.

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AbstractIn the emerging field of animal studies, criticism turns to questions of ethics and animal rights by reading representations of nonhuman animals in philosophy and literature. A rhetoric of coming to terms often shapes such readings and points to a lack of satisfactory answers to two questions: why read nonhuman animals, and why now? These questions are crucial to animal studies but can only be answered by understanding this critical approach as an element of the anthropological discourse, fundamental to philosophy. Examining Aristotle’s and Heidegger’s approaches to thinking about the
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A, Vasuki. "THE POEMS OF WILLIAM WORDSWORTH: AN ECOCRITICAL OVERVIEW." Kongunadu Research Journal 4, no. 1 (2017): 55–58. http://dx.doi.org/10.26524/krj178.

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Eco-criticism emerged in the 1990’s and the critics changed their angles of vision and examined the works of art by focusing on the relationship between man and Nature. William Words worth, in particular, became the key icons of eco-critical studies. Wordsworth was a major English Romantic poet who has beenconsidered as a forerunner of English Romanticism. His views towards Nature and man’s treatment of Nature have supported his position as an important icon of eco-critical studies. His fame lies in the general belief that he has been viewed as a Nature poet who viewed Nature superior to human
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Johnson, Stephanie L. "CHRISTINA ROSSETTI'S GHOSTS, SOUL-SLEEP, AND VICTORIAN DEATH CULTURE." Victorian Literature and Culture 46, no. 2 (2018): 381–402. http://dx.doi.org/10.1017/s1060150318000062.

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Ghosts haunt Christina Rossetti's poetry. Amidst the lyrics, devotional poems, and children's verse, poems about ghosts and hauntings recur as material evidence of Rossetti's fascination with spectral presences. That fascination poses a particular interpretive puzzle in light of her religious convictions and piety. We might be tempted to identify the recurring ghosts as just another nineteenth-century flirtation with spiritualism – the spiritualism by which her brothers William and Gabriel were intrigued, attending séances and testing the validity of communications from the dead. Rossetti, how
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Petrov, Alexej, Angelina Dubskikh, and Anna Butova. "Historiosophy & Eros in Russian anacreontics." SHS Web of Conferences 55 (2018): 04016. http://dx.doi.org/10.1051/shsconf/20185504016.

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“Love is the eminence grise of history”, – once one of the greats of the past said. Few doubt that history is driven by human, more or less conscious interests – economic, political, religious, etc. As for feelings, passions and instincts, their role in the historical process is not so obvious, particularly of those that are connected with policy or economy indirectly. The objective necessity to rehabilitate the position of Eros in the political life of 18th-century Russia determines the significance of the current research. The article aims to analyse how the feeling of love and/or the underp
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Шмігер, Тарас. "Review Article. How Poetry is Translated…" East European Journal of Psycholinguistics 4, no. 2 (2017): 95–96. http://dx.doi.org/10.29038/eejpl.2017.4.2.shm.

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James W. Underhill. Voice and Versification in Translating Poems. University of Ottawa Press, 2016. xiii, 333 p.
 After its very strong stance in the 19th century, the versification part of translation scholarship was gradually declining during the 20th century, substituted by the innovative searches for semasiology, culture and society in text. The studies of structural and cognitive approaches to writing, its postcolonial identity or gender-based essence uncovered a lot of issues of the informational essence of texts, but overshadowed the meaning of their formal structures. The book ‘Vo
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Romanova, Natalya. "Reprezentation of emotions in the texts of «Younger Edda»." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 12, no. 21 (2019): 157–65. http://dx.doi.org/10.34079/2226-3055-2019-12-21-157-165.

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The article considers the emotions of Icelandic ethnic group of the first half of the 18th century. Its poetic vision is presented in the collection of skaldic poems by Snorre Sturluson «Younger Edda». The Skaldic verses were created by some experienced, famous Norwegian and Icelandic skalds, dedicated not so much to a king or a military leader as to his feuds in order to satisfy young skalds’ need for knowledge. This poetry is equated with mastery, it is both transparent and difficult to understand, simple and tricky, it reports only facts, albeit in an incomplete volume and not very clearly.
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Dissertations / Theses on the topic "Poetry Criticism. Belief and doubt"

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Young, Gwynith. "Poets, belief and calamitous times /." Connect to thesis, 2006. http://eprints.unimelb.edu.au/archive/00002513.

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Otto, Lynn Michelle. "Real Witness." PDXScholar, 2013. https://pdxscholar.library.pdx.edu/open_access_etds/1043.

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Real Witness is a collection of poems exploring responses to loss--loss of youth, of health, of an envisioned future--particularly when loss challenges faith or foundational beliefs, or when responses seem at odds with one's beliefs. Poems push against pat or prescribed responses and look for more honest alternatives.
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Heil, Katrina Marie 1976. "Modern tragedy in the absence of God : an analysis of Unamuno and Buero Vallejo." 2006. http://hdl.handle.net/2152/13116.

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Books on the topic "Poetry Criticism. Belief and doubt"

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Robert, Pack. Belief and uncertainty in the poetry of Robert Frost. Middlebury College Press, 2003.

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Robert, Pack. Belief and uncertainty in the poetry of Robert Frost. Middlebury College Press, 2003.

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Mirroring belief: Marguerite de Navarre's devotional poetry. Edinburgh University Press for the University of Durham, 1992.

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Cooper, Andrew M. Doubt and identity in romantic poetry. Yale University Press, 1988.

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Harwood, Britton J. Piers Plowman and the problem of belief. University of Toronto Press, 1992.

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Gary, Ferguson. Mirroring belief: Marguerite de Navarre's devotional ooetry. Edinburgh University Press for the University of Durham, 1992.

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Metaphor and belief in The faerie queene. St. Martin's Press, 1997.

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Robert Frost's star in a stone boat: A grammar of belief. Catholic Scholars Press, 1994.

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Robert Frost's emergent design: The truth of the self in-between belief and unbelief. Solum Forlag, 1987.

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"A real world & doubting mind": A critical study of the poetry of John Clare. Hull University Press, 1985.

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Book chapters on the topic "Poetry Criticism. Belief and doubt"

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Furtak, Rick Anthony. "Forms of Emotional Knowing and Unknowing: Skepticism and Belief in Dickinson’s Poetry, Rick Anthony Furtak." In The Poetry of Emily Dickinson. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190651190.003.0002.

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Continually at issue in Dickinson’s verse are the possibilities and limits of knowing the surrounding world, including the minds of others. Many of her poems give voice to wonder, frustration, and the feeling of illumination or insight, along with other emotional states involved in exploring the promise of knowledge and confronting skeptical questions. My chapter is focused especially on moments in Dickinson’s poetry when an encounter with the natural or human world is portrayed as moving the speaker toward either an intensification or a partial resolution of doubt—a dialectic through which she articulates the affective struggle to make sense of the world and to find herself at home in it. As I show, the philosophical thinking that unfolds in her lyrics is preoccupied with a characteristic human lament about our finite limitations and with a contrary, but intimately related, longing to be reconciled with our finitude.
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Bruening, Michael W. "Sebastian Castellio’s Liberal Challenge." In Refusing to Kiss the Slipper. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197566954.003.0006.

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Sebastian Castellio presented to French-speaking Protestants a vision of Christianity fundamentally different from that of Calvin. His vision was based on a belief in the opacity of Scripture and thus the temporary, provisional nature of any claims to religious truth. This need for doubt in Christianity led Castellio to his famous opposition to religious persecution and to his praise of reason as the ultimate arbiter in questions of religious truth. Castellio’s opposition to religious persecution emerged most strongly in his criticism of the execution of Michael Servetus, but he continued for the rest of his career to fight with Calvin and Theodore Beza over that issue, as well as others, such as biblical interpretation, predestination, and justification. Unlike recent studies that have downplayed Castellio’s role as a forerunner of liberal Protestantism, this book argues that he should, in fact, be viewed as such.
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Leo, Russ, Katrin Röder, and Freya Sierhuis. "Introduction." In Fulke Greville and the Culture of the English Renaissance. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198823445.003.0001.

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This chapter describes the afterlife and reception of Greville’s poetry from Coleridge and Charles Lamb to the American school of literary criticism around Yvor Winters, arguing how Greville’s reputation for obscurity has tended to circumscribe and limit his appreciation as a poet. In discussing the various genres that comprise Greville’s oeuvre; lyric sequence; political biography; letter of consolation; closet drama and philosophical poem, the editors propose to view Greville’s obscurity as an intellectual resource that arises from the close intersection between political and religious thought and poetic form, which enables a form of philosophical exploration that works through the examination of doubt, contradiction, and paradox, as much as assertion, and which involves the reader in an exercise in critical interpretation.
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Zaritt, Saul Noam. "A World Literature To-Come." In Jewish American Writing and World Literature. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198863717.003.0003.

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This chapter outlines the Yiddish American writer Jacob Glatstein’s understanding of world literature, which rejected conventional modes of translation and was increasingly suspicious of Euro-American institutions of literary value. Glatstein repeatedly critiqued other Yiddish writers, including Asch, who, he believed, wrote for translation rather than as part of what Glatstein found to be a more valuable, even more worldly, vernacular project. Modeled on aspects of Anglo-American and global modernism yet fiercely loyal to Yiddish vernacular creativity, Glatstein proposed a world literature to-come, in which capitulation to market demands would be deferred in favor of a particularism shared across seemingly peripheral literary cultures. The chapter traces Glatstein’s belief in the inherent worldliness of Yiddish writing—despite or even because of its obscurity—from the 1930s to the postwar period, in his literary criticism, poetry, and fiction.
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