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Journal articles on the topic 'Poetry Criticism. Belief and doubt'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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1

Sobolev, Dennis. "SEMANTIC COUNTERPOINT AND THE POETRY OF GERARD MANLEY HOPKINS." Victorian Literature and Culture 35, no. 1 (2007): 103–19. http://dx.doi.org/10.1017/s1060150307051431.

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IT IS WELL KNOWN that both traditional, historically orientated, literary criticism and new-critical studies were inseparable from a belief in the “unity” of meaning – a belief in the existence, below the multicolored surface of the literary text, of a single semantic center, which unifies the text and turns it into an “organic whole.” Similarly, Russian Formalists and Prague Structuralists, though critical of the notion of the “organic whole” and its use in art criticism by the Neo-Romantics and the Symbolists, never questioned the alleged semantic unity of the literary text. An alternative a

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2

Jha, S. R. "On the Duties of Intellectuals to Truth: The Life and Work of Chemist-Philosopher Michael Polanyi." Science in Context 11, no. 1 (1998): 89–141. http://dx.doi.org/10.1017/s0269889700002921.

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The ArgumentMichael Polanyi (1891–1976) is placed in the ongoing Enlightenment-reform tradition as one of the first twentieth-century scientists to propose a program to correct the gravest internal conflict of the modern Enlightenment project of radical criticism: scientific detachment and moral nihilism in conflict with humanist values. He held that radical criticism leads not to truth but to destructive doubt. Only the inclusion of the “personal element,” the judicial attitude of reasonable doubt and the acknowledgment of belief in the regulative principle of truth can overcome this end. Fre

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3

Bayluk, Vladimir Vasilievich. "METHODS OF UNITY OF FAITH AND DOUBT, CRITICISM AND SELF-CRITICISM AND BELIEF AS A MEANS OF DEVELOPING THE CREATIVITY OF TEACHERS AND STUDENTS." Pedagogical Education in Russia, no. 3 (2021): 50–65. http://dx.doi.org/10.26170/2079-8717_2021_03_06.

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4

Diao, Wenhao, Barbara Freed, and Leigh Smith. "Confirmed Beliefs or False Assumptions? A Study of Home Stay Experiences in the French Study Abroad Context." Frontiers: The Interdisciplinary Journal of Study Abroad 21, no. 1 (2011): 109–42. http://dx.doi.org/10.36366/frontiers.v21i1.306.

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What has emerged from what might be called the second generation of study abroad research is the questioning of some of the most long-standing beliefs about the study abroad experience itself. The belief that: (1) the amount and frequency of contact that students have with native speakers will increase their language gain; (2) that study abroad assures immersion experiences for students; and (3) that homestay is the richest and most important source of L2 learning are what motivates this study. The purpose of the research described in this article is to help clarify the extent to which either

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5

Prade, Juliane. "Not Coming to Terms: Nonhuman Animals and the Edge of Theory." Society & Animals 22, no. 3 (2014): 309–28. http://dx.doi.org/10.1163/15685306-12341335.

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AbstractIn the emerging field of animal studies, criticism turns to questions of ethics and animal rights by reading representations of nonhuman animals in philosophy and literature. A rhetoric of coming to terms often shapes such readings and points to a lack of satisfactory answers to two questions: why read nonhuman animals, and why now? These questions are crucial to animal studies but can only be answered by understanding this critical approach as an element of the anthropological discourse, fundamental to philosophy. Examining Aristotle’s and Heidegger’s approaches to thinking about the

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A, Vasuki. "THE POEMS OF WILLIAM WORDSWORTH: AN ECOCRITICAL OVERVIEW." Kongunadu Research Journal 4, no. 1 (2017): 55–58. http://dx.doi.org/10.26524/krj178.

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Eco-criticism emerged in the 1990’s and the critics changed their angles of vision and examined the works of art by focusing on the relationship between man and Nature. William Words worth, in particular, became the key icons of eco-critical studies. Wordsworth was a major English Romantic poet who has beenconsidered as a forerunner of English Romanticism. His views towards Nature and man’s treatment of Nature have supported his position as an important icon of eco-critical studies. His fame lies in the general belief that he has been viewed as a Nature poet who viewed Nature superior to human

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7

Johnson, Stephanie L. "CHRISTINA ROSSETTI'S GHOSTS, SOUL-SLEEP, AND VICTORIAN DEATH CULTURE." Victorian Literature and Culture 46, no. 2 (2018): 381–402. http://dx.doi.org/10.1017/s1060150318000062.

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Ghosts haunt Christina Rossetti's poetry. Amidst the lyrics, devotional poems, and children's verse, poems about ghosts and hauntings recur as material evidence of Rossetti's fascination with spectral presences. That fascination poses a particular interpretive puzzle in light of her religious convictions and piety. We might be tempted to identify the recurring ghosts as just another nineteenth-century flirtation with spiritualism – the spiritualism by which her brothers William and Gabriel were intrigued, attending séances and testing the validity of communications from the dead. Rossetti, how

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8

Petrov, Alexej, Angelina Dubskikh, and Anna Butova. "Historiosophy & Eros in Russian anacreontics." SHS Web of Conferences 55 (2018): 04016. http://dx.doi.org/10.1051/shsconf/20185504016.

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“Love is the eminence grise of history”, – once one of the greats of the past said. Few doubt that history is driven by human, more or less conscious interests – economic, political, religious, etc. As for feelings, passions and instincts, their role in the historical process is not so obvious, particularly of those that are connected with policy or economy indirectly. The objective necessity to rehabilitate the position of Eros in the political life of 18th-century Russia determines the significance of the current research. The article aims to analyse how the feeling of love and/or the underp

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Шмігер, Тарас. "Review Article. How Poetry is Translated…" East European Journal of Psycholinguistics 4, no. 2 (2017): 95–96. http://dx.doi.org/10.29038/eejpl.2017.4.2.shm.

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James W. Underhill. Voice and Versification in Translating Poems. University of Ottawa Press, 2016. xiii, 333 p. After its very strong stance in the 19th century, the versification part of translation scholarship was gradually declining during the 20th century, substituted by the innovative searches for semasiology, culture and society in text. The studies of structural and cognitive approaches to writing, its postcolonial identity or gender-based essence uncovered a lot of issues of the informational essence of texts, but overshadowed the meaning of their formal structures. The book ‘Vo

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10

Romanova, Natalya. "Reprezentation of emotions in the texts of «Younger Edda»." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 12, no. 21 (2019): 157–65. http://dx.doi.org/10.34079/2226-3055-2019-12-21-157-165.

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The article considers the emotions of Icelandic ethnic group of the first half of the 18th century. Its poetic vision is presented in the collection of skaldic poems by Snorre Sturluson «Younger Edda». The Skaldic verses were created by some experienced, famous Norwegian and Icelandic skalds, dedicated not so much to a king or a military leader as to his feuds in order to satisfy young skalds’ need for knowledge. This poetry is equated with mastery, it is both transparent and difficult to understand, simple and tricky, it reports only facts, albeit in an incomplete volume and not very clearly.

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11

Castagnoli, Luca. "Philosophy." Greece and Rome 64, no. 2 (2017): 207–16. http://dx.doi.org/10.1017/s0017383517000134.

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As A. K. Cotton acknowledges at the beginning of her monograph Platonic Dialogue and the Education of the Reader, ‘the idea that a reader's relationship with Plato's text is analogous to that of the respondent with the discussion leader’ within the dialogue, and ‘that we engage in a dialogue with the text almost parallel to theirs’, ‘is almost a commonplace of Platonic criticism’ (4). But Cotton has the merit of articulating this commonplace much more clearly and precisely than is often done, and of asking how exactly the dialogue between interlocutors is supposed to affect the dialogue of the

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12

Langlands, Rebecca. "Latin Literature." Greece and Rome 64, no. 1 (2017): 71–78. http://dx.doi.org/10.1017/s0017383516000255.

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My appreciation of textual criticism – a nowadays somewhat marginalized subdiscipline that continues nevertheless to provide the foundation of our subject – has been vastly enhanced by Richard Tarrant's new book on the subject. I read it from cover to cover with great pleasure and satisfaction (several times laughing out loud, which doesn't happen often with works of scholarship), with great interest, and with dismay at my own ignorance, and I came away determined to be a better Classicist. This little volume is the fourteenth ‘suggestive essay’ published in CUP's Roman Literature and its Cont

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13

Schwede, Indrek. "Jalgpalli populaarsus Eesti Vabariigi spordielus 1920–40 [Abstract: The Popularity of Football in the Sporting Life of the Republic of Estonia in 1920–1940]." Ajalooline Ajakiri. The Estonian Historical Journal, no. 3/4 (June 16, 2020): 331–63. http://dx.doi.org/10.12697/aa.2019.3-4.02.

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Attention has not hitherto been turned intently to the popularity of particular branches of sports in the research of the history of Estonian sports. It has more intuitively been believed that the most popular branch of sports in the pre-war Republic of Estonia (1918–1940) was football. The conspicuously extensive coverage of football in the periodical press has provided grounds for this belief. Compared to other sports games and the more major individual branches, football had the most international matches at the level of national teams, which attracted thousands of spectators. Estonian club

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14

Brown, Malcolm David. "Doubt as Methodology and Object in the Phenomenology of Religion." M/C Journal 14, no. 1 (2011). http://dx.doi.org/10.5204/mcj.334.

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Photograph by Gonzalo Echeverria (2010)“I must plunge again and again in the water of doubt” (Wittgenstein 1e). The Holy Grail in the phenomenology of religion (and, to a lesser extent, the sociology of religion) is a definition of religion that actually works, but, so far, this seems to have been elusive. Classical definitions of religion—substantive (e.g. Tylor) and functionalist (e.g. Durkheim)—fail, in part because they attempt to be in three places at once, as it were: they attempt to distinguish religion from non-religion; they attempt to capture what religions have in common; and they a

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15

Goodnick, Liz. "A De Jure Criticism of Theism." Open Theology 2, no. 1 (2016). http://dx.doi.org/10.1515/opth-2016-0003.

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AbstractAn evolutionary by-product explanation entails that religious belief is an unintended consequence of a cognitive process selected for by evolution. In this paper, I argue that if a by-product explanation is true, then religious belief is unwarranted (even if God exists). In particular, I argue that if the cause of religious belief is the god-faculty (HADD + ToM + eToM + MCI), then it is likely unreliable; thus, religious belief is unwarranted. Plantinga argues that de jure criticisms are not independent of de facto criticisms: without knowing whether or not God exists, one can’t say th

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16

Macarthur, David. "Pragmatist Doubt, Dogmatism and Bullshit." M/C Journal 14, no. 1 (2011). http://dx.doi.org/10.5204/mcj.349.

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Photograph by Gonzalo Echeverria (2010)“Let us not doubt in philosophy what we do not doubt in our hearts.” (C. S. Peirce) Introduction Doubting has always had a somewhat bad name. A “doubting Thomas” is a pejorative term for one who doubts what he or she has not witnessed first-hand, a saying which derives originally from Thomas the Apostle’s doubting of the resurrected Christ. That doubt is the opposite of faith or conviction seems to cast doubt in a bad light. There is also the saying “He has the strength of his convictions” which seems to imply we ought correspondingly to say, “He has the

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17

Spies, Lina. "Van weerloos tot weerbaar: Die Afrikaanse vrouedigter binne patriargale konteks." HTS Teologiese Studies / Theological Studies 70, no. 1 (2014). http://dx.doi.org/10.4102/hts.v70i1.2771.

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Vulnerability to resilience: The Afrikaans woman poet in patriarchal context. On Elisabeth Eybers’s poetry and my own. This article gives an account of the nature and content of my religious poems that form a large part of my poetry. Looking back upon my substantial oeuvre, I realise that it was as a woman that I gave expression to the human condition and to my experience of religion. As a woman poet I identified with the first acknowledged Afrikaans woman poet, Elisabeth Eybers. Although a specific female tradition was never identified in the Afrikaans literary criticism, the Afrikaans woman

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18

Daujotytė-Pakerienė, Viktorija. "APGLĖBIANTIS MĄSTYMO BŪDAS." Problemos 69 (January 1, 2006). http://dx.doi.org/10.15388/problemos.2006..4057.

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Straipsnyje, remiantis moksline ir menine medžiaga, aptariama humanistikos metodų problema. Keliama mintis, kad vaisingiausi metodai yra susiję su bendresniu mąstymu, su teorija. Jei metodas tik perimamas, jis virsta įrankiu, metodologijos dažnai, ypač disertacijose, tik imituojamos. Pasiremiama A. J. Greimo mintimi apie „apglėbiantį mąstymo būdą“. Trumpai aptariant pirmą kartą lietuviškai pasirodžiusias E. Husserlio „Karteziškąsias meditacijas“, ieškoma ir fenomenologinio tako humanistikoje, ypač literatūros moksle. Pabrėžiamas filosofijos ir literatūros ryšys. Keliama mintis, kad humanistiko

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19

Collins-Gearing, Brooke. "Reclaiming the Wasteland: Samson and Delilah and the Historical Perception and Construction of Indigenous Knowledges in Australian Cinema." M/C Journal 13, no. 4 (2010). http://dx.doi.org/10.5204/mcj.252.

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It was always based on a teenage love story between the two kids. One is a sniffer and one is not. It was designed for Central Australia because we do write these kids off there. Not only in town, where the headlines for the newspapers every second day is about ‘the problem,’ ‘the teenager problem of kids wandering the streets’ and ‘why don’t we send them back to their communities’ and that sort of stuff. Then there’s the other side of it. Elders in Aboriginal communities have been taught that kids who sniff get brain damage, so as soon as they see a kid sniffing they think ‘well they’re rubbi

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20

Carroll, Richard. "The Trouble with History and Fiction." M/C Journal 14, no. 3 (2011). http://dx.doi.org/10.5204/mcj.372.

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Historical fiction, a widely-read genre, continues to engender contradiction and controversy within the fields of literature and historiography. This paper begins with a discussion of the differences and similarities between historical writing and the historical novel, focusing on the way these forms interpret and represent the past. It then examines the dilemma facing historians as they try to come to terms with the modern era and the growing competition from other modes of presenting history. Finally, it considers claims by Australian historians that so-called “fictive history” has been best

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21

Rizzo, Sergio. "Adaptation and the Art of Survival." M/C Journal 10, no. 2 (2007). http://dx.doi.org/10.5204/mcj.2623.

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   To use the overworked metaphor of the movie reviewers, Adaptation (2002)—directed by Spike Jonze and written by Charlie Kaufman—is that rare Hollywood flower, a “literary” film that succeeds both with the critics and at the box office. But Kaufman’s literary colleagues, his fellow screenwriters whose opinions are rarely noticed by movie reviewers or the public, express their support in more interesting terms. Robert McKee, the real-life screenwriter and teacher played by Brian Cox in the movie, writes about Kaufman as one of the few to “step out of screenwriting anonymity

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22

Smith, Royce W. "The Image Is Dying." M/C Journal 6, no. 2 (2003). http://dx.doi.org/10.5204/mcj.2172.

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The whole problem of speaking about the end…is that you have to speak of what lies beyond the end and also, at the same time, of the impossibility of ending. Jean Baudrillard, The Illusion of the End(110) Jean Baudrillard’s insights into finality demonstrate that “ends” always prompt cultures to speculate on what can or will happen after these terminations and to fear those traumatic ends, in which the impossible actually occurs, may only be the beginning of chaos. In the absence of “rational” explanations for catastrophic ends and in the whirlwind of emotional responses that are their after-e

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23

McGrath, Shane. "Compassionate Refugee Politics?" M/C Journal 8, no. 6 (2005). http://dx.doi.org/10.5204/mcj.2440.

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   One of the most distinct places the politics of affect have played out in Australia of late has been in the struggles around the mandatory detention of undocumented migrants; specifically, in arguments about the amount of compassion border control practices should or do entail. Indeed, in 1990 the newly established Joint Standing Committee on Migration (JSCM) published its first report, Illegal Entrants in Australia: Balancing Control and Compassion. Contemporaneous, thought not specifically concerned, with the establishment of mandatory detention for asylum seekers, this

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24

Richardson, Nicholas. "“Making It Happen”: Deciphering Government Branding in Light of the Sydney Building Boom." M/C Journal 20, no. 2 (2017). http://dx.doi.org/10.5204/mcj.1221.

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Introduction Sydney, Australia has experienced a sustained period of building and infrastructure development. There are hundreds of kilometres of bitumen and rail currently being laid. There are significant building projects in large central sites such as Darling Harbour and Barangaroo on the famous Harbour foreshore. The period of development has offered an unprecedented opportunity for the New South Wales (NSW) State Government to arrest the attention of the Sydney public through kilometres of construction hoarding. This opportunity has not been missed, with the public display of a new logo,

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25

Allatson, Paul. "The Virtualization of Elián González." M/C Journal 7, no. 5 (2004). http://dx.doi.org/10.5204/mcj.2449.

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For seven months in 1999/2000, six-year old Cuban Elián González was embroiled in a family feud plotted along rival national and ideological lines, and relayed televisually as soap opera across the planet. In Miami, apparitions of the Virgin Mary were reported after Elián’s arrival; adherents of Afro-Cuban santería similarly regarded Elián as divinely touched. In Cuba, Elián’s “kidnapping” briefly reinvigorated a torpid revolutionary project. He was hailed by Fidel Castro as the symbolic descendant of José Martí and Che Guevara, and of the patriotic rigour they embodied. Cubans massed to deman

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26

Wansbrough, Aleksandr Andreas. "Subhuman Remainders: The Unbuilt Subject in Francis Bacon’s “Study of a Baboon”, Jan Švankmajer’s Darkness, Light, Darkness, and Patricia Piccinini’s “The Young Family”." M/C Journal 20, no. 2 (2017). http://dx.doi.org/10.5204/mcj.1186.

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IntroductionAccording to Friedrich Nietzsche, the death of Man follows the death of God. Man as a concept must be overcome. Yet Nietzsche extends humanism’s jargon of creativity that privileges Man over animal. To truly overcome the notion of Man, one must undercome Man, in other words go below Man. Once undercome, creativity devolves into a type of building and unbuilding, affording art the ability to conceive of the subject emptied of divine creation. This article will examine how Man is unbuilt in three works by three different artists: Francis Bacon’s “Study of a Baboon” (1953), Jan Švankm

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